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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89B9E5 it is the complementary color #76461A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89B9E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89B9E5 shade: #8EB9E0, #9FCBF3, #B0DDFF, #C1EFFF and #D2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89B9E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89B9E5 shade: #89B9E5, #78A7D2, #6795BF, #5683AC and #457199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89B9E5 shade: #89B9E5, #89A0E5, #8B89E5, #A489E5 and #BC89E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89B9E5 shade: #89B9E5, #89A0E5 and #8989E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89B9E5 shade matches the following richer shades: #89B9E5, #7EBAF0 and #72BAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89B9E5 shade: #89B9E5, #95B9D9, #A1B8CE, #ACB8C2 and #B8B7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89B9E5 shade: #89E5DF, #89D3E5, #89BAE5, #89A2E5 and #8989E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89B9E5 shade: #4691D6, #68A5DD, #89B9E5, #ABCDEC and #CDE1F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89B9E5 shade: #89B9E5, #C689E5 and #DFE589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89B9E5 shade: #89B9E5, #E589BA and #BAE589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89B9E5 shade: #89B9E5, #C689E5, #E5B489 and #A8E589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89B9E5 shade: #89B9E5, #E289E5, #E5B489 and #8CE589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

Complementary color

CMYK 0 / 41 / 78 / 54

HEX #76461A

RGB 118 70 26

HSL 28.7, 0.64%, 0.28%

LAB 34.61, 16.68, 33.96

 

CMYK 37 / 17 / 0 / 12

HEX #8EB9E0

RGB 142 185 224

HSL 208.54, 0.57%, 0.72%

LAB 73.44, -4.78, -24.11

 

CMYK 35 / 16 / 0 / 5

HEX #9FCBF3

RGB 159 203 243

HSL 208.57, 0.78%, 0.79%

LAB 79.93, -4.99, -24.35

 

CMYK 31 / 13 / 0 / 0

HEX #B0DDFF

RGB 176 221 255

HSL 205.82, 1%, 0.85%

LAB 86.09, -6.84, -21.27

 

CMYK 24 / 6 / 0 / 0

HEX #C1EFFF

RGB 193 239 255

HSL 195.48, 1%, 0.88%

LAB 91.82, -11.24, -12.56

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 43 / 20 / 0 / 18

HEX #78A7D2

RGB 120 167 210

HSL 208.67, 0.5%, 0.65%

LAB 66.74, -4.5, -26.81

 

CMYK 46 / 22 / 0 / 25

HEX #6795BF

RGB 103 149 191

HSL 208.64, 0.41%, 0.58%

LAB 60.02, -4.14, -26.63

 

CMYK 50 / 24 / 0 / 33

HEX #5683AC

RGB 86 131 172

HSL 208.6, 0.34%, 0.51%

LAB 53.16, -3.69, -26.47

 

CMYK 55 / 26 / 0 / 40

HEX #457199

RGB 69 113 153

HSL 208.57, 0.38%, 0.44%

LAB 46.14, -3.12, -26.33

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 40 / 30 / 0 / 10

HEX #89A0E5

RGB 137 160 229

HSL 225, 0.64%, 0.72%

LAB 66.61, 9.11, -37.4

 

CMYK 39 / 40 / 0 / 10

HEX #8B89E5

RGB 139 137 229

HSL 241.3, 0.64%, 0.72%

LAB 60.81, 22.92, -46.48

 

CMYK 28 / 40 / 0 / 10

HEX #A489E5

RGB 164 137 229

HSL 257.61, 0.64%, 0.72%

LAB 62.88, 29.63, -43.09

 

CMYK 18 / 40 / 0 / 10

HEX #BC89E5

RGB 188 137 229

HSL 273.26, 0.64%, 0.72%

LAB 65.15, 36.49, -39.36

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 40 / 30 / 0 / 10

HEX #89A0E5

RGB 137 160 229

HSL 225, 0.64%, 0.72%

LAB 66.61, 9.11, -37.4

 

CMYK 40 / 40 / 0 / 10

HEX #8989E5

RGB 137 137 229

HSL 240, 0.64%, 0.72%

LAB 60.66, 22.41, -46.73

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 48 / 23 / 0 / 6

HEX #7EBAF0

RGB 126 186 240

HSL 208.42, 0.79%, 0.72%

LAB 73.44, -5.03, -32.84

 

CMYK 55 / 26 / 0 / 1

HEX #72BAFC

RGB 114 186 252

HSL 208.7, 0.96%, 0.72%

LAB 73.37, -4.15, -39.48

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 31 / 15 / 0 / 15

HEX #95B9D9

RGB 149 185 217

HSL 208.24, 0.47%, 0.72%

LAB 73.61, -4.6, -20

 

CMYK 22 / 11 / 0 / 19

HEX #A1B8CE

RGB 161 184 206

HSL 209.33, 0.31%, 0.72%

LAB 73.75, -3.07, -13.72

 

CMYK 11 / 5 / 0 / 24

HEX #ACB8C2

RGB 172 184 194

HSL 207.27, 0.15%, 0.72%

LAB 74.16, -2.13, -6.49

 

CMYK 0 / 1 / 1 / 28

HEX #B8B7B7

RGB 184 183 183

HSL 0, 0.01%, 0.72%

LAB 74.49, 0.35, 0.12

 

CMYK 40 / 0 / 3 / 10

HEX #89E5DF

RGB 137 229 223

HSL 176.09, 0.64%, 0.72%

LAB 85.34, -28.8, -5.71

 

CMYK 40 / 8 / 0 / 10

HEX #89D3E5

RGB 137 211 229

HSL 191.74, 0.64%, 0.72%

LAB 80.5, -18.44, -16.12

 

CMYK 40 / 19 / 0 / 10

HEX #89BAE5

RGB 137 186 229

HSL 208.04, 0.64%, 0.72%

LAB 73.61, -5.34, -26.59

 

CMYK 40 / 29 / 0 / 10

HEX #89A2E5

RGB 137 162 229

HSL 223.7, 0.64%, 0.72%

LAB 67.14, 7.97, -36.57

 

CMYK 40 / 40 / 0 / 10

HEX #8989E5

RGB 137 137 229

HSL 240, 0.64%, 0.72%

LAB 60.66, 22.41, -46.73

 

CMYK 67 / 32 / 0 / 16

HEX #4691D6

RGB 70 145 214

HSL 208.75, 0.64%, 0.56%

LAB 58.42, -1.33, -42.14

 

CMYK 53 / 25 / 0 / 13

HEX #68A5DD

RGB 104 165 221

HSL 208.72, 0.63%, 0.64%

LAB 65.81, -4, -34.38

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 28 / 13 / 0 / 7

HEX #ABCDEC

RGB 171 205 236

HSL 208.62, 0.63%, 0.8%

LAB 80.95, -4.36, -19

 

CMYK 16 / 8 / 0 / 4

HEX #CDE1F4

RGB 205 225 244

HSL 209.23, 0.64%, 0.88%

LAB 88.62, -2.81, -11.49

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 14 / 40 / 0 / 10

HEX #C689E5

RGB 198 137 229

HSL 279.78, 0.64%, 0.72%

LAB 66.18, 39.42, -37.69

 

CMYK 3 / 0 / 40 / 10

HEX #DFE589

RGB 223 229 137

HSL 63.91, 0.64%, 0.72%

LAB 88.7, -15.43, 44.12

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 0 / 40 / 19 / 10

HEX #E589BA

RGB 229 137 186

HSL 328.04, 0.64%, 0.72%

LAB 68.09, 41.5, -10.51

 

CMYK 19 / 0 / 40 / 10

HEX #BAE589

RGB 186 229 137

HSL 88.04, 0.64%, 0.72%

LAB 86.15, -29.31, 40.34

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 14 / 40 / 0 / 10

HEX #C689E5

RGB 198 137 229

HSL 279.78, 0.64%, 0.72%

LAB 66.18, 39.42, -37.69

 

CMYK 0 / 21 / 40 / 10

HEX #E5B489

RGB 229 180 137

HSL 28.04, 0.64%, 0.72%

LAB 76.74, 12.17, 28.71

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 40 / 19 / 0 / 10

HEX #89B9E5

RGB 137 185 229

HSL 208.7, 0.64%, 0.72%

LAB 73.33, -4.8, -27

 

CMYK 1 / 40 / 0 / 10

HEX #E289E5

RGB 226 137 229

HSL 298.04, 0.64%, 0.72%

LAB 69.27, 47.74, -32.65

 

CMYK 0 / 21 / 40 / 10

HEX #E5B489

RGB 229 180 137

HSL 28.04, 0.64%, 0.72%

LAB 76.74, 12.17, 28.71

 

CMYK 39 / 0 / 40 / 10

HEX #8CE589

RGB 140 229 137

HSL 118.04, 0.64%, 0.72%

LAB 83.66, -44.71, 36.65

 

Description

Color code: HEX #89B9E5 | qconv.com Color code: HEX #89B9E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 185 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 185 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 19 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 19% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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