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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C538 it is the complementary color #763AC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C538. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89C538 shade: #8EC533, #9FD746, #B0E959, #C1FB6C and #D2FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C538. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89C538 shade: #89C538, #78B325, #67A112, #568F00 and #457D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89C538 shade: #8AC638, #B0C638, #C6B638, #C69038 and #C66938

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89C538 shade: #8AC638, #63C638, #3DC638, #38C659 and #38C680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89C538 shade matches the following richer shades: #8AC638, #8DDB23 and #90F00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89C538 shade: #8AC638, #87B24C, #839D61, #808975 and #7D748A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89C538 shade: #C6B638, #B1C638, #8BC638, #65C638 and #3FC638

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89C538 shade: #5D8625, #73A62F, #8AC638, #9DCF58 and #AFD978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89C538 shade: #89C538, #38C690 and #C638C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89C538 shade: #89C538, #388BC6 and #C6388B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89C538 shade: #89C538, #38C690, #7338C6 and #C6386E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89C538 shade: #89C538, #38C6BB, #7338C6 and #C63843

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 72 / 23

HEX #89C538

RGB 137 197 56

HSL 85.53, 0.56%, 0.5%

LAB 73.24, -40.51, 61.01

 

Complementary color

CMYK 41 / 71 / 0 / 22

HEX #763AC7

RGB 118 58 199

HSL 265.53, 0.56%, 0.5%

LAB 39.58, 54.27, -63.58

 

CMYK 28 / 0 / 74 / 23

HEX #8EC533

RGB 142 197 51

HSL 82.6, 0.59%, 0.49%

LAB 73.5, -38.94, 63.1

 

CMYK 26 / 0 / 67 / 16

HEX #9FD746

RGB 159 215 70

HSL 83.17, 0.64%, 0.56%

LAB 79.85, -39.37, 62.91

 

CMYK 24 / 0 / 62 / 9

HEX #B0E959

RGB 176 233 89

HSL 83.75, 0.77%, 0.63%

LAB 86.12, -39.68, 62.29

 

CMYK 23 / 0 / 57 / 2

HEX #C1FB6C

RGB 193 251 108

HSL 84.34, 0.95%, 0.7%

LAB 92.32, -39.88, 61.44

 

CMYK 18 / 0 / 50 / 0

HEX #D2FF7F

RGB 210 255 127

HSL 81.09, 1%, 0.75%

LAB 94.63, -33.73, 55.95

 

CMYK 30 / 0 / 72 / 23

HEX #89C538

RGB 137 197 56

HSL 85.53, 0.56%, 0.5%

LAB 73.24, -40.51, 61.01

 

CMYK 33 / 0 / 79 / 30

HEX #78B325

RGB 120 179 37

HSL 84.93, 0.66%, 0.42%

LAB 66.8, -39.99, 60.79

 

CMYK 36 / 0 / 89 / 37

HEX #67A112

RGB 103 161 18

HSL 84.34, 0.8%, 0.35%

LAB 60.26, -39.23, 59.47

 

CMYK 40 / 0 / 100 / 44

HEX #568F00

RGB 86 143 0

HSL 83.92, 1%, 0.28%

LAB 53.63, -38.2, 56.73

 

CMYK 45 / 0 / 100 / 51

HEX #457D00

RGB 69 125 0

HSL 86.88, 1%, 0.25%

LAB 46.89, -36.7, 51.13

 

CMYK 30 / 0 / 72 / 22

HEX #8AC638

RGB 138 198 56

HSL 85.35, 0.56%, 0.5%

LAB 73.6, -40.58, 61.38

 

CMYK 11 / 0 / 72 / 22

HEX #B0C638

RGB 176 198 56

HSL 69.3, 0.56%, 0.5%

LAB 76.01, -25.65, 64.57

 

CMYK 0 / 8 / 72 / 22

HEX #C6B638

RGB 198 182 56

HSL 53.24, 0.56%, 0.5%

LAB 73.38, -8.3, 62.61

 

CMYK 0 / 27 / 72 / 22

HEX #C69038

RGB 198 144 56

HSL 37.18, 0.56%, 0.5%

LAB 63.54, 12.01, 52.77

 

CMYK 0 / 47 / 72 / 22

HEX #C66938

RGB 198 105 56

HSL 20.7, 0.56%, 0.5%

LAB 54.44, 33.18, 43.16

 

CMYK 30 / 0 / 72 / 22

HEX #8AC638

RGB 138 198 56

HSL 85.35, 0.56%, 0.5%

LAB 73.6, -40.58, 61.38

 

CMYK 50 / 0 / 72 / 22

HEX #63C638

RGB 99 198 56

HSL 101.83, 0.56%, 0.5%

LAB 71.78, -53.55, 58.96

 

CMYK 69 / 0 / 72 / 22

HEX #3DC638

RGB 61 198 56

HSL 117.89, 0.56%, 0.5%

LAB 70.64, -62.63, 57.43

 

CMYK 72 / 0 / 55 / 22

HEX #38C659

RGB 56 198 89

HSL 133.94, 0.56%, 0.5%

LAB 70.84, -59.91, 43.52

 

CMYK 72 / 0 / 35 / 22

HEX #38C680

RGB 56 198 128

HSL 150.42, 0.56%, 0.5%

LAB 71.41, -53.36, 24.55

 

CMYK 30 / 0 / 72 / 22

HEX #8AC638

RGB 138 198 56

HSL 85.35, 0.56%, 0.5%

LAB 73.6, -40.58, 61.38

 

CMYK 36 / 0 / 84 / 14

HEX #8DDB23

RGB 141 219 35

HSL 85.43, 0.72%, 0.5%

LAB 79.87, -49.4, 73.41

 

CMYK 40 / 0 / 94 / 6

HEX #90F00E

RGB 144 240 14

HSL 85.49, 0.89%, 0.5%

LAB 86.15, -57.22, 82.01

 

CMYK 30 / 0 / 72 / 22

HEX #8AC638

RGB 138 198 56

HSL 85.35, 0.56%, 0.5%

LAB 73.6, -40.58, 61.38

 

CMYK 24 / 0 / 57 / 30

HEX #87B24C

RGB 135 178 76

HSL 85.29, 0.4%, 0.5%

LAB 67.66, -31.05, 46.67

 

CMYK 17 / 0 / 38 / 38

HEX #839D61

RGB 131 157 97

HSL 86, 0.24%, 0.5%

LAB 61.48, -19.83, 28.45

 

CMYK 7 / 0 / 15 / 46

HEX #808975

RGB 128 137 117

HSL 87, 0.08%, 0.5%

LAB 55.85, -7.15, 9.61

 

CMYK 9 / 16 / 0 / 46

HEX #7D748A

RGB 125 116 138

HSL 264.55, 0.09%, 0.5%

LAB 50.32, 7.98, -10.74

 

CMYK 0 / 8 / 72 / 22

HEX #C6B638

RGB 198 182 56

HSL 53.24, 0.56%, 0.5%

LAB 73.38, -8.3, 62.61

 

CMYK 11 / 0 / 72 / 22

HEX #B1C638

RGB 177 198 56

HSL 68.87, 0.56%, 0.5%

LAB 76.08, -25.23, 64.67

 

CMYK 30 / 0 / 72 / 22

HEX #8BC638

RGB 139 198 56

HSL 84.93, 0.56%, 0.5%

LAB 73.65, -40.21, 61.45

 

CMYK 49 / 0 / 72 / 22

HEX #65C638

RGB 101 198 56

HSL 100.99, 0.56%, 0.5%

LAB 71.85, -52.96, 59.06

 

CMYK 68 / 0 / 72 / 22

HEX #3FC638

RGB 63 198 56

HSL 117.04, 0.56%, 0.5%

LAB 70.68, -62.25, 57.49

 

CMYK 31 / 0 / 72 / 47

HEX #5D8625

RGB 93 134 37

HSL 85.36, 0.57%, 0.34%

LAB 51.28, -29.94, 45.29

 

CMYK 31 / 0 / 72 / 35

HEX #73A62F

RGB 115 166 47

HSL 85.71, 0.56%, 0.42%

LAB 62.61, -35.52, 53.27

 

CMYK 30 / 0 / 72 / 22

HEX #8AC638

RGB 138 198 56

HSL 85.35, 0.56%, 0.5%

LAB 73.6, -40.58, 61.38

 

CMYK 24 / 0 / 57 / 19

HEX #9DCF58

RGB 157 207 88

HSL 85.21, 0.55%, 0.58%

LAB 77.58, -35.08, 52.88

 

CMYK 19 / 0 / 45 / 15

HEX #AFD978

RGB 175 217 120

HSL 85.98, 0.56%, 0.66%

LAB 81.89, -29.71, 43.2

 

CMYK 30 / 0 / 72 / 23

HEX #89C538

RGB 137 197 56

HSL 85.53, 0.56%, 0.5%

LAB 73.24, -40.51, 61.01

 

CMYK 72 / 0 / 27 / 22

HEX #38C690

RGB 56 198 144

HSL 157.18, 0.56%, 0.5%

LAB 71.72, -49.99, 16.47

 

CMYK 0 / 72 / 1 / 22

HEX #C638C4

RGB 198 56 196

HSL 300.85, 0.56%, 0.5%

LAB 50.48, 70.71, -43.73

 

CMYK 30 / 0 / 72 / 23

HEX #89C538

RGB 137 197 56

HSL 85.53, 0.56%, 0.5%

LAB 73.24, -40.51, 61.01

 

CMYK 72 / 30 / 0 / 22

HEX #388BC6

RGB 56 139 198

HSL 204.93, 0.56%, 0.5%

LAB 55.46, -5.5, -37.81

 

CMYK 0 / 72 / 30 / 22

HEX #C6388B

RGB 198 56 139

HSL 324.93, 0.56%, 0.5%

LAB 47.88, 62.67, -14.11

 

CMYK 30 / 0 / 72 / 23

HEX #89C538

RGB 137 197 56

HSL 85.53, 0.56%, 0.5%

LAB 73.24, -40.51, 61.01

 

CMYK 72 / 0 / 27 / 22

HEX #38C690

RGB 56 198 144

HSL 157.18, 0.56%, 0.5%

LAB 71.72, -49.99, 16.47

 

CMYK 42 / 72 / 0 / 22

HEX #7338C6

RGB 115 56 198

HSL 264.93, 0.56%, 0.5%

LAB 38.81, 54.43, -64.27

 

CMYK 0 / 72 / 44 / 22

HEX #C6386E

RGB 198 56 110

HSL 337.18, 0.56%, 0.5%

LAB 46.92, 59.56, 2.11

 

CMYK 30 / 0 / 72 / 23

HEX #89C538

RGB 137 197 56

HSL 85.53, 0.56%, 0.5%

LAB 73.24, -40.51, 61.01

 

CMYK 72 / 0 / 6 / 22

HEX #38C6BB

RGB 56 198 187

HSL 175.35, 0.56%, 0.5%

LAB 72.77, -39.22, -5.3

 

CMYK 42 / 72 / 0 / 22

HEX #7338C6

RGB 115 56 198

HSL 264.93, 0.56%, 0.5%

LAB 38.81, 54.43, -64.27

 

CMYK 0 / 72 / 66 / 22

HEX #C63843

RGB 198 56 67

HSL 355.35, 0.56%, 0.5%

LAB 45.96, 56.32, 27.11

 

Description

Color code: HEX #89C538 | qconv.com Color code: HEX #89C538 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 197 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 197 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 72 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 72% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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