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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C816 it is the complementary color #7637E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89C816 shade: #8EC811, #9FDA24, #B0EC37, #C1FE4A and #D2FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89C816 shade: #89C816, #78B603, #67A400, #569200 and #458000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89C816 shade: #8AC916, #BAC916, #C9A816, #C97816 and #C94716

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89C816 shade: #8AC916, #59C916, #29C916, #16C933 and #16C964

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89C816 shade matches the following richer shades: #8AC916 and #8FDC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89C816 shade: #8AC916, #85B728, #7FA53A, #7A934C and #75815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89C816 shade: #C9A916, #BBC916, #8BC916, #5BC916 and #2BC916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89C816 shade: #577F0E, #70A412, #8AC916, #A1E623 and #B1EA48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89C816 shade: #89C816, #16C979 and #C016C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89C816 shade: #89C816, #168BC9 and #C9168B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89C816 shade: #89C816, #16C979, #5516C9 and #C91667

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89C816 shade: #89C816, #16C9AF, #5516C9 and #C91631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 89 / 22

HEX #89C816

RGB 137 200 22

HSL 81.24, 0.8%, 0.44%

LAB 73.99, -43.28, 70.93

 

Complementary color

CMYK 49 / 76 / 0 / 9

HEX #7637E9

RGB 118 55 233

HSL 261.24, 0.8%, 0.56%

LAB 41.95, 64.24, -79.24

 

CMYK 29 / 0 / 92 / 22

HEX #8EC811

RGB 142 200 17

HSL 79.02, 0.84%, 0.43%

LAB 74.25, -41.51, 72.05

 

CMYK 27 / 0 / 83 / 15

HEX #9FDA24

RGB 159 218 36

HSL 79.45, 0.72%, 0.5%

LAB 80.54, -42.4, 74.14

 

CMYK 25 / 0 / 77 / 7

HEX #B0EC37

RGB 176 236 55

HSL 79.89, 0.83%, 0.57%

LAB 86.75, -43.09, 75.1

 

CMYK 24 / 0 / 71 / 0

HEX #C1FE4A

RGB 193 254 74

HSL 80.33, 0.99%, 0.64%

LAB 92.89, -43.63, 75.29

 

CMYK 18 / 0 / 64 / 0

HEX #D2FF5D

RGB 210 255 93

HSL 76.67, 1%, 0.68%

LAB 94.32, -36.55, 70.12

 

CMYK 32 / 0 / 89 / 22

HEX #89C816

RGB 137 200 22

HSL 81.24, 0.8%, 0.44%

LAB 73.99, -43.28, 70.93

 

CMYK 34 / 0 / 98 / 29

HEX #78B603

RGB 120 182 3

HSL 80.78, 0.97%, 0.36%

LAB 67.62, -42.25, 67.95

 

CMYK 37 / 0 / 100 / 36

HEX #67A400

RGB 103 164 0

HSL 82.32, 1%, 0.32%

LAB 61.16, -40.92, 62.95

 

CMYK 41 / 0 / 100 / 43

HEX #569200

RGB 86 146 0

HSL 84.66, 1%, 0.29%

LAB 54.59, -39.48, 57.48

 

CMYK 46 / 0 / 100 / 50

HEX #458000

RGB 69 128 0

HSL 87.66, 1%, 0.25%

LAB 47.88, -37.96, 51.91

 

CMYK 31 / 0 / 89 / 21

HEX #8AC916

RGB 138 201 22

HSL 81.12, 0.8%, 0.44%

LAB 74.34, -43.33, 71.25

 

CMYK 7 / 0 / 89 / 21

HEX #BAC916

RGB 186 201 22

HSL 65.03, 0.8%, 0.44%

LAB 77.44, -24.12, 75.06

 

CMYK 0 / 16 / 89 / 21

HEX #C9A816

RGB 201 168 22

HSL 48.94, 0.8%, 0.44%

LAB 69.81, -0.77, 69.55

 

CMYK 0 / 40 / 89 / 21

HEX #C97816

RGB 201 120 22

HSL 32.85, 0.8%, 0.44%

LAB 57.95, 25.23, 60.31

 

CMYK 0 / 65 / 89 / 21

HEX #C94716

RGB 201 71 22

HSL 16.42, 0.8%, 0.44%

LAB 48.24, 49.7, 52.86

 

CMYK 31 / 0 / 89 / 21

HEX #8AC916

RGB 138 201 22

HSL 81.12, 0.8%, 0.44%

LAB 74.34, -43.33, 71.25

 

CMYK 56 / 0 / 89 / 21

HEX #59C916

RGB 89 201 22

HSL 97.54, 0.8%, 0.44%

LAB 72.2, -59.16, 68.59

 

CMYK 80 / 0 / 89 / 21

HEX #29C916

RGB 41 201 22

HSL 113.63, 0.8%, 0.44%

LAB 71.08, -68.6, 67.19

 

CMYK 89 / 0 / 75 / 21

HEX #16C933

RGB 22 201 51

HSL 129.72, 0.8%, 0.44%

LAB 71, -68.85, 59.39

 

CMYK 89 / 0 / 50 / 21

HEX #16C964

RGB 22 201 100

HSL 146.15, 0.8%, 0.44%

LAB 71.46, -63.1, 38.86

 

CMYK 31 / 0 / 89 / 21

HEX #8AC916

RGB 138 201 22

HSL 81.12, 0.8%, 0.44%

LAB 74.34, -43.33, 71.25

 

CMYK 35 / 0 / 98 / 14

HEX #8FDC04

RGB 143 220 4

HSL 81.39, 0.96%, 0.44%

LAB 80.2, -49.76, 78.17

 

CMYK 31 / 0 / 89 / 21

HEX #8AC916

RGB 138 201 22

HSL 81.12, 0.8%, 0.44%

LAB 74.34, -43.33, 71.25

 

CMYK 27 / 0 / 78 / 28

HEX #85B728

RGB 133 183 40

HSL 80.98, 0.64%, 0.44%

LAB 68.76, -36.69, 61.97

 

CMYK 23 / 0 / 65 / 35

HEX #7FA53A

RGB 127 165 58

HSL 81.31, 0.48%, 0.44%

LAB 63.12, -29.57, 49.56

 

CMYK 17 / 0 / 48 / 42

HEX #7A934C

RGB 122 147 76

HSL 81.13, 0.32%, 0.44%

LAB 57.59, -20.96, 34.51

 

CMYK 9 / 0 / 26 / 49

HEX #75815F

RGB 117 129 95

HSL 81.18, 0.15%, 0.44%

LAB 52.18, -10.8, 17.01

 

CMYK 0 / 16 / 89 / 21

HEX #C9A916

RGB 201 169 22

HSL 49.27, 0.8%, 0.44%

LAB 70.07, -1.3, 69.76

 

CMYK 7 / 0 / 89 / 21

HEX #BBC916

RGB 187 201 22

HSL 64.69, 0.8%, 0.44%

LAB 77.52, -23.69, 75.15

 

CMYK 31 / 0 / 89 / 21

HEX #8BC916

RGB 139 201 22

HSL 80.78, 0.8%, 0.44%

LAB 74.39, -42.96, 71.31

 

CMYK 55 / 0 / 89 / 21

HEX #5BC916

RGB 91 201 22

HSL 96.87, 0.8%, 0.44%

LAB 72.27, -58.62, 68.67

 

CMYK 79 / 0 / 89 / 21

HEX #2BC916

RGB 43 201 22

HSL 112.96, 0.8%, 0.44%

LAB 71.11, -68.34, 67.22

 

CMYK 31 / 0 / 89 / 50

HEX #577F0E

RGB 87 127 14

HSL 81.24, 0.8%, 0.28%

LAB 48.56, -30.25, 50.03

 

CMYK 32 / 0 / 89 / 36

HEX #70A412

RGB 112 164 18

HSL 81.37, 0.8%, 0.36%

LAB 61.69, -37.14, 60.86

 

CMYK 31 / 0 / 89 / 21

HEX #8AC916

RGB 138 201 22

HSL 81.12, 0.8%, 0.44%

LAB 74.34, -43.33, 71.25

 

CMYK 30 / 0 / 85 / 10

HEX #A1E623

RGB 161 230 35

HSL 81.23, 0.8%, 0.52%

LAB 84.12, -46.82, 77.49

 

CMYK 24 / 0 / 69 / 8

HEX #B1EA48

RGB 177 234 72

HSL 81.11, 0.79%, 0.6%

LAB 86.34, -40.94, 69.14

 

CMYK 32 / 0 / 89 / 22

HEX #89C816

RGB 137 200 22

HSL 81.24, 0.8%, 0.44%

LAB 73.99, -43.28, 70.93

 

CMYK 89 / 0 / 40 / 21

HEX #16C979

RGB 22 201 121

HSL 153.18, 0.8%, 0.44%

LAB 71.77, -59.4, 28.62

 

CMYK 4 / 89 / 0 / 21

HEX #C016C9

RGB 192 22 201

HSL 296.98, 0.8%, 0.44%

LAB 46.97, 78.45, -52.27

 

CMYK 32 / 0 / 89 / 22

HEX #89C816

RGB 137 200 22

HSL 81.24, 0.8%, 0.44%

LAB 73.99, -43.28, 70.93

 

CMYK 89 / 31 / 0 / 21

HEX #168BC9

RGB 22 139 201

HSL 200.78, 0.8%, 0.44%

LAB 54.92, -7.77, -40.42

 

CMYK 0 / 89 / 31 / 21

HEX #C9168B

RGB 201 22 139

HSL 320.78, 0.8%, 0.44%

LAB 45.44, 71.93, -17.78

 

CMYK 32 / 0 / 89 / 22

HEX #89C816

RGB 137 200 22

HSL 81.24, 0.8%, 0.44%

LAB 73.99, -43.28, 70.93

 

CMYK 89 / 0 / 40 / 21

HEX #16C979

RGB 22 201 121

HSL 153.18, 0.8%, 0.44%

LAB 71.77, -59.4, 28.62

 

CMYK 58 / 89 / 0 / 21

HEX #5516C9

RGB 85 22 201

HSL 261.12, 0.8%, 0.44%

LAB 31.17, 64.33, -78.72

 

CMYK 0 / 89 / 49 / 21

HEX #C91667

RGB 201 22 103

HSL 332.85, 0.8%, 0.44%

LAB 44.19, 68.52, 2.56

 

CMYK 32 / 0 / 89 / 22

HEX #89C816

RGB 137 200 22

HSL 81.24, 0.8%, 0.44%

LAB 73.99, -43.28, 70.93

 

CMYK 89 / 0 / 13 / 21

HEX #16C9AF

RGB 22 201 175

HSL 171.28, 0.8%, 0.44%

LAB 72.92, -46.83, 1.38

 

CMYK 58 / 89 / 0 / 21

HEX #5516C9

RGB 85 22 201

HSL 261.12, 0.8%, 0.44%

LAB 31.17, 64.33, -78.72

 

CMYK 0 / 89 / 76 / 21

HEX #C91631

RGB 201 22 49

HSL 350.95, 0.8%, 0.44%

LAB 43.08, 65.39, 34.6

 

Description

Color code: HEX #89C816 | qconv.com Color code: HEX #89C816 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 200 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 200 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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