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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D411 it is the complementary color #762BEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D411. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D411 shade: #8ED40C, #9FE61F, #B0F832, #C1FF45 and #D2FF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D411. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D411 shade: #89D411, #78C200, #67B000, #569E00 and #458C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D411 shade: #89D411, #BDD411, #D4B611, #D48111 and #D44C11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D411 shade: #89D411, #54D411, #20D411, #11D436 and #11D46B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D411 shade matches the following richer shades: #89D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D411 shade: #89D411, #84C123, #80AF36, #7C9C48 and #788A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D411 shade: #D4B711, #BDD411, #89D411, #55D411 and #21D411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D411 shade: #57870B, #70AE0E, #89D411, #9EED21 and #AFF047

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D411 shade: #89D411, #11D483 and #D111D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D411 shade: #89D411, #1189D4 and #D41189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D411 shade: #89D411, #11D483, #5B11D4 and #D41162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D411 shade: #89D411, #11D4BD, #5B11D4 and #D41127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

Complementary color

CMYK 50 / 82 / 0 / 7

HEX #762BEE

RGB 118 43 238

HSL 263.08, 0.85%, 0.55%

LAB 40.82, 70.09, -83.93

 

CMYK 33 / 0 / 94 / 17

HEX #8ED40C

RGB 142 212 12

HSL 81, 0.89%, 0.44%

LAB 77.79, -46.71, 75.51

 

CMYK 31 / 0 / 87 / 10

HEX #9FE61F

RGB 159 230 31

HSL 81.41, 0.8%, 0.51%

LAB 84, -47.66, 78.14

 

CMYK 29 / 0 / 80 / 3

HEX #B0F832

RGB 176 248 50

HSL 81.82, 0.93%, 0.58%

LAB 90.13, -48.41, 79.56

 

CMYK 24 / 0 / 73 / 0

HEX #C1FF45

RGB 193 255 69

HSL 80, 1%, 0.64%

LAB 93.14, -44.33, 77.19

 

CMYK 18 / 0 / 65 / 0

HEX #D2FF58

RGB 210 255 88

HSL 76.17, 1%, 0.67%

LAB 94.28, -36.88, 72

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 38 / 0 / 100 / 24

HEX #78C200

RGB 120 194 0

HSL 82.89, 1%, 0.38%

LAB 71.27, -47.31, 71.14

 

CMYK 41 / 0 / 100 / 31

HEX #67B000

RGB 103 176 0

HSL 84.89, 1%, 0.35%

LAB 64.91, -45.91, 65.85

 

CMYK 46 / 0 / 100 / 38

HEX #569E00

RGB 86 158 0

HSL 87.34, 1%, 0.31%

LAB 58.44, -44.44, 60.48

 

CMYK 51 / 0 / 100 / 45

HEX #458C00

RGB 69 140 0

HSL 90.43, 1%, 0.27%

LAB 51.86, -42.85, 55.02

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 11 / 0 / 92 / 17

HEX #BDD411

RGB 189 212 17

HSL 67.08, 0.85%, 0.45%

LAB 80.71, -28.22, 78.46

 

CMYK 0 / 14 / 92 / 17

HEX #D4B611

RGB 212 182 17

HSL 50.77, 0.85%, 0.45%

LAB 74.5, -3.37, 74.5

 

CMYK 0 / 39 / 92 / 17

HEX #D48111

RGB 212 129 17

HSL 34.46, 0.85%, 0.45%

LAB 61.43, 24.99, 64.76

 

CMYK 0 / 64 / 92 / 17

HEX #D44C11

RGB 212 76 17

HSL 18.15, 0.85%, 0.45%

LAB 50.93, 51.33, 57.32

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 60 / 0 / 92 / 17

HEX #54D411

RGB 84 212 17

HSL 99.38, 0.85%, 0.45%

LAB 75.46, -64.32, 72.04

 

CMYK 85 / 0 / 92 / 17

HEX #20D411

RGB 32 212 17

HSL 115.38, 0.85%, 0.45%

LAB 74.47, -72.86, 70.81

 

CMYK 92 / 0 / 75 / 17

HEX #11D436

RGB 17 212 54

HSL 131.38, 0.85%, 0.45%

LAB 74.49, -72.1, 61.85

 

CMYK 92 / 0 / 50 / 17

HEX #11D46B

RGB 17 212 107

HSL 147.69, 0.85%, 0.45%

LAB 74.99, -65.86, 39.82

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 32 / 0 / 82 / 24

HEX #84C123

RGB 132 193 35

HSL 83.16, 0.69%, 0.45%

LAB 71.67, -41.7, 66.01

 

CMYK 27 / 0 / 69 / 31

HEX #80AF36

RGB 128 175 54

HSL 83.31, 0.53%, 0.45%

LAB 66.15, -34.16, 54.41

 

CMYK 21 / 0 / 54 / 39

HEX #7C9C48

RGB 124 156 72

HSL 82.86, 0.37%, 0.45%

LAB 60.36, -25.12, 39.91

 

CMYK 13 / 0 / 34 / 46

HEX #788A5B

RGB 120 138 91

HSL 82.98, 0.21%, 0.45%

LAB 55, -15.09, 23.08

 

CMYK 0 / 14 / 92 / 17

HEX #D4B711

RGB 212 183 17

HSL 51.08, 0.85%, 0.45%

LAB 74.76, -3.89, 74.7

 

CMYK 11 / 0 / 92 / 17

HEX #BDD411

RGB 189 212 17

HSL 67.08, 0.85%, 0.45%

LAB 80.71, -28.22, 78.46

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 60 / 0 / 92 / 17

HEX #55D411

RGB 85 212 17

HSL 99.08, 0.85%, 0.45%

LAB 75.49, -64.08, 72.07

 

CMYK 84 / 0 / 92 / 17

HEX #21D411

RGB 33 212 17

HSL 115.08, 0.85%, 0.45%

LAB 74.48, -72.77, 70.82

 

CMYK 36 / 0 / 92 / 47

HEX #57870B

RGB 87 135 11

HSL 83.23, 0.85%, 0.29%

LAB 51.13, -34.03, 52.82

 

CMYK 36 / 0 / 92 / 32

HEX #70AE0E

RGB 112 174 14

HSL 83.25, 0.85%, 0.37%

LAB 64.76, -41.6, 64.1

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 33 / 0 / 86 / 7

HEX #9EED21

RGB 158 237 33

HSL 83.24, 0.85%, 0.53%

LAB 85.98, -50.86, 79.41

 

CMYK 27 / 0 / 70 / 6

HEX #AFF047

RGB 175 240 71

HSL 83.08, 0.85%, 0.61%

LAB 87.92, -44.35, 71.04

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 92 / 0 / 38 / 17

HEX #11D483

RGB 17 212 131

HSL 155.08, 0.85%, 0.45%

LAB 75.35, -61.59, 28.19

 

CMYK 1 / 92 / 0 / 17

HEX #D111D4

RGB 209 17 212

HSL 299.08, 0.85%, 0.45%

LAB 50.35, 83.59, -53.04

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 92 / 35 / 0 / 17

HEX #1189D4

RGB 17 137 212

HSL 203.08, 0.85%, 0.45%

LAB 54.83, -2.73, -46.78

 

CMYK 0 / 92 / 35 / 17

HEX #D41189

RGB 212 17 137

HSL 323.08, 0.85%, 0.45%

LAB 47.24, 74.76, -13.62

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 92 / 0 / 38 / 17

HEX #11D483

RGB 17 212 131

HSL 155.08, 0.85%, 0.45%

LAB 75.35, -61.59, 28.19

 

CMYK 57 / 92 / 0 / 17

HEX #5B11D4

RGB 91 17 212

HSL 262.77, 0.85%, 0.45%

LAB 32.65, 68.64, -82.64

 

CMYK 0 / 92 / 54 / 17

HEX #D41162

RGB 212 17 98

HSL 335.08, 0.85%, 0.45%

LAB 46.02, 71.44, 8.57

 

CMYK 35 / 0 / 92 / 17

HEX #89D411

RGB 137 212 17

HSL 83.08, 0.85%, 0.45%

LAB 77.55, -48.42, 74.61

 

CMYK 92 / 0 / 11 / 17

HEX #11D4BD

RGB 17 212 189

HSL 172.92, 0.85%, 0.45%

LAB 76.61, -47.89, -0.79

 

CMYK 57 / 92 / 0 / 17

HEX #5B11D4

RGB 91 17 212

HSL 262.77, 0.85%, 0.45%

LAB 32.65, 68.64, -82.64

 

CMYK 0 / 92 / 82 / 17

HEX #D41127

RGB 212 17 39

HSL 353.23, 0.85%, 0.45%

LAB 45, 68.62, 43.04

 

Description

Color code: HEX #89D411 | qconv.com Color code: HEX #89D411 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 212 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 212 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 92 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 92% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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