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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D557 it is the complementary color #762AA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D557. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D557 shade: #8ED552, #9FE765, #B0F978, #C1FF8B and #D2FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D557. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D557 shade: #89D557, #78C344, #67B131, #569F1E and #458D0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D557 shade: #89D557, #ABD557, #CDD557, #D5BB57 and #D59957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D557 shade: #89D557, #67D557, #57D569, #57D58B and #57D5AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D557 shade matches the following richer shades: #89D557, #86E646 and #82F735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D557 shade: #89D557, #8CC468, #90B379, #93A28A and #97919B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D557 shade: #CCD557, #ABD557, #89D557, #68D557 and #57D568

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D557 shade: #5FAE2B, #72CC36, #89D557, #A0DD78 and #B7E599

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D557 shade: #89D557, #57D5BC and #D557BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D557 shade: #89D557, #5789D5 and #D55789

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D557 shade: #89D557, #57D5BC, #A257D5 and #D55770

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D557 shade: #89D557, #57C8D5, #A257D5 and #D56457

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

Complementary color

CMYK 30 / 75 / 0 / 34

HEX #762AA8

RGB 118 42 168

HSL 276.19, 0.6%, 0.41%

LAB 34.67, 53.98, -53.26

 

CMYK 33 / 0 / 62 / 16

HEX #8ED552

RGB 142 213 82

HSL 92.52, 0.61%, 0.58%

LAB 78.43, -43.69, 56.24

 

CMYK 31 / 0 / 56 / 9

HEX #9FE765

RGB 159 231 101

HSL 93.23, 0.73%, 0.65%

LAB 84.72, -43.8, 55.3

 

CMYK 29 / 0 / 52 / 2

HEX #B0F978

RGB 176 249 120

HSL 93.95, 0.91%, 0.72%

LAB 90.93, -43.84, 54.25

 

CMYK 24 / 0 / 45 / 0

HEX #C1FF8B

RGB 193 255 139

HSL 92.07, 1%, 0.77%

LAB 93.76, -38.52, 49.07

 

CMYK 18 / 0 / 38 / 0

HEX #D2FF9E

RGB 210 255 158

HSL 87.84, 1%, 0.81%

LAB 95.03, -30.27, 41.73

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 38 / 0 / 65 / 24

HEX #78C344

RGB 120 195 68

HSL 95.43, 0.51%, 0.52%

LAB 71.85, -44.78, 54.63

 

CMYK 42 / 0 / 72 / 31

HEX #67B131

RGB 103 177 49

HSL 94.69, 0.57%, 0.44%

LAB 65.4, -44.46, 55.12

 

CMYK 46 / 0 / 81 / 38

HEX #569F1E

RGB 86 159 30

HSL 93.95, 0.68%, 0.37%

LAB 58.85, -43.88, 54.92

 

CMYK 51 / 0 / 92 / 45

HEX #458D0B

RGB 69 141 11

HSL 93.23, 0.86%, 0.3%

LAB 52.22, -42.94, 53.38

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 20 / 0 / 59 / 16

HEX #ABD557

RGB 171 213 87

HSL 80, 0.6%, 0.59%

LAB 80.14, -32.64, 56.45

 

CMYK 4 / 0 / 59 / 16

HEX #CDD557

RGB 205 213 87

HSL 63.81, 0.6%, 0.59%

LAB 82.52, -19.16, 59.75

 

CMYK 0 / 12 / 59 / 16

HEX #D5BB57

RGB 213 187 87

HSL 47.62, 0.6%, 0.59%

LAB 76.3, -2.64, 53.01

 

CMYK 0 / 28 / 59 / 16

HEX #D59957

RGB 213 153 87

HSL 31.43, 0.6%, 0.59%

LAB 67.74, 15.47, 43.09

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 52 / 0 / 59 / 16

HEX #67D557

RGB 103 213 87

HSL 112.38, 0.6%, 0.59%

LAB 76.78, -55.32, 51.73

 

CMYK 59 / 0 / 51 / 16

HEX #57D569

RGB 87 213 105

HSL 128.57, 0.6%, 0.59%

LAB 76.46, -57.05, 42.87

 

CMYK 59 / 0 / 35 / 16

HEX #57D58B

RGB 87 213 139

HSL 144.76, 0.6%, 0.59%

LAB 76.97, -51.5, 26.42

 

CMYK 59 / 0 / 19 / 16

HEX #57D5AD

RGB 87 213 173

HSL 160.95, 0.6%, 0.59%

LAB 77.66, -44.4, 9.44

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 42 / 0 / 70 / 10

HEX #86E646

RGB 134 230 70

HSL 96, 0.76%, 0.59%

LAB 82.97, -54.3, 65.73

 

CMYK 47 / 0 / 79 / 3

HEX #82F735

RGB 130 247 53

HSL 96.19, 0.92%, 0.59%

LAB 87.74, -62.99, 75.79

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 29 / 0 / 47 / 23

HEX #8CC468

RGB 140 196 104

HSL 96.52, 0.44%, 0.59%

LAB 73.58, -34.51, 40.3

 

CMYK 20 / 0 / 32 / 30

HEX #90B379

RGB 144 179 121

HSL 96.21, 0.28%, 0.59%

LAB 69.15, -22.57, 25.85

 

CMYK 9 / 0 / 15 / 36

HEX #93A28A

RGB 147 162 138

HSL 97.5, 0.11%, 0.59%

LAB 64.87, -9.88, 10.7

 

CMYK 3 / 6 / 0 / 39

HEX #97919B

RGB 151 145 155

HSL 276, 0.05%, 0.59%

LAB 60.95, 4.15, -4.49

 

CMYK 4 / 0 / 59 / 16

HEX #CCD557

RGB 204 213 87

HSL 64.29, 0.6%, 0.59%

LAB 82.44, -19.57, 59.64

 

CMYK 20 / 0 / 59 / 16

HEX #ABD557

RGB 171 213 87

HSL 80, 0.6%, 0.59%

LAB 80.14, -32.64, 56.45

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 51 / 0 / 59 / 16

HEX #68D557

RGB 104 213 87

HSL 111.9, 0.6%, 0.59%

LAB 76.81, -55.05, 51.78

 

CMYK 59 / 0 / 51 / 16

HEX #57D568

RGB 87 213 104

HSL 128.1, 0.6%, 0.59%

LAB 76.44, -57.19, 43.33

 

CMYK 45 / 0 / 75 / 32

HEX #5FAE2B

RGB 95 174 43

HSL 96.18, 0.6%, 0.43%

LAB 64.06, -46.27, 55.83

 

CMYK 44 / 0 / 74 / 20

HEX #72CC36

RGB 114 204 54

HSL 96, 0.6%, 0.51%

LAB 74.21, -51.46, 62.3

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 28 / 0 / 46 / 13

HEX #A0DD78

RGB 160 221 120

HSL 96.24, 0.6%, 0.67%

LAB 82.13, -36.95, 43.31

 

CMYK 20 / 0 / 33 / 10

HEX #B7E599

RGB 183 229 153

HSL 96.32, 0.59%, 0.75%

LAB 86.21, -28.24, 32.35

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 59 / 0 / 12 / 16

HEX #57D5BC

RGB 87 213 188

HSL 168.1, 0.6%, 0.59%

LAB 78.02, -40.83, 1.94

 

CMYK 0 / 59 / 12 / 16

HEX #D557BC

RGB 213 87 188

HSL 311.9, 0.6%, 0.59%

LAB 56.68, 61.2, -29.22

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 59 / 36 / 0 / 16

HEX #5789D5

RGB 87 137 213

HSL 216.19, 0.6%, 0.59%

LAB 56.8, 6.07, -44.09

 

CMYK 0 / 59 / 36 / 16

HEX #D55789

RGB 213 87 137

HSL 336.19, 0.6%, 0.59%

LAB 54.83, 54.31, -2.27

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 59 / 0 / 12 / 16

HEX #57D5BC

RGB 87 213 188

HSL 168.1, 0.6%, 0.59%

LAB 78.02, -40.83, 1.94

 

CMYK 24 / 59 / 0 / 16

HEX #A257D5

RGB 162 87 213

HSL 275.71, 0.6%, 0.59%

LAB 51.04, 52.67, -52.89

 

CMYK 0 / 59 / 47 / 16

HEX #D55770

RGB 213 87 112

HSL 348.1, 0.6%, 0.59%

LAB 54.17, 51.7, 11.58

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 59 / 6 / 0 / 16

HEX #57C8D5

RGB 87 200 213

HSL 186.19, 0.6%, 0.59%

LAB 74.91, -28.12, -16.13

 

CMYK 24 / 59 / 0 / 16

HEX #A257D5

RGB 162 87 213

HSL 275.71, 0.6%, 0.59%

LAB 51.04, 52.67, -52.89

 

CMYK 0 / 53 / 59 / 16

HEX #D56457

RGB 213 100 87

HSL 6.19, 0.6%, 0.59%

LAB 56.04, 43.45, 28.68

 

Description

Color code: HEX #89D557 | qconv.com Color code: HEX #89D557 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 213 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 213 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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