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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D731 it is the complementary color #7628CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D731. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D731 shade: #8ED72C, #9FE93F, #B0FB52, #C1FF65 and #D2FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D731. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D731 shade: #89D731, #78C51E, #67B30B, #56A100 and #458F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D731 shade: #89D632, #B5D632, #D6CB32, #D69E32 and #D67232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D731 shade: #89D632, #5DD632, #32D634, #32D660 and #32D68C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D731 shade matches the following richer shades: #89D632, #8AEA1E and #8BFE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D731 shade: #89D632, #88C246, #87AE5A, #859B6E and #848781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D731 shade: #D6CB32, #B5D632, #8AD632, #5ED632 and #32D632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D731 shade: #5F981E, #74BA24, #89D632, #9DDD55 and #B1E477

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D731 shade: #89D731, #32D69F and #D632CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D731 shade: #89D731, #328AD6 and #D6328A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D731 shade: #89D731, #32D69F, #7F32D6 and #D63269

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D731 shade: #89D731, #32D6D1, #7F32D6 and #D63238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 77 / 16

HEX #89D731

RGB 137 215 49

HSL 88.19, 0.67%, 0.52%

LAB 78.54, -48.55, 68.46

 

Complementary color

CMYK 43 / 81 / 0 / 19

HEX #7628CE

RGB 118 40 206

HSL 268.19, 0.67%, 0.48%

LAB 37.53, 63.52, -71.01

 

CMYK 34 / 0 / 80 / 16

HEX #8ED72C

RGB 142 215 44

HSL 85.61, 0.68%, 0.51%

LAB 78.77, -47.04, 70.21

 

CMYK 32 / 0 / 73 / 9

HEX #9FE93F

RGB 159 233 63

HSL 86.12, 0.79%, 0.58%

LAB 85, -47.58, 70.6

 

CMYK 30 / 0 / 67 / 2

HEX #B0FB52

RGB 176 251 82

HSL 86.63, 0.95%, 0.65%

LAB 91.16, -47.97, 70.4

 

CMYK 24 / 0 / 60 / 0

HEX #C1FF65

RGB 193 255 101

HSL 84.16, 1%, 0.7%

LAB 93.36, -42.23, 65.57

 

CMYK 18 / 0 / 53 / 0

HEX #D2FF78

RGB 210 255 120

HSL 80, 1%, 0.74%

LAB 94.56, -34.39, 59.02

 

CMYK 36 / 0 / 77 / 16

HEX #89D731

RGB 137 215 49

HSL 88.19, 0.67%, 0.52%

LAB 78.54, -48.55, 68.46

 

CMYK 39 / 0 / 85 / 23

HEX #78C51E

RGB 120 197 30

HSL 87.66, 0.74%, 0.45%

LAB 72.24, -47.87, 67.5

 

CMYK 42 / 0 / 94 / 30

HEX #67B30B

RGB 103 179 11

HSL 87.14, 0.88%, 0.37%

LAB 65.86, -46.92, 65.24

 

CMYK 47 / 0 / 100 / 37

HEX #56A100

RGB 86 161 0

HSL 87.95, 1%, 0.32%

LAB 59.41, -45.63, 61.23

 

CMYK 52 / 0 / 100 / 44

HEX #458F00

RGB 69 143 0

HSL 91.05, 1%, 0.28%

LAB 52.85, -44.03, 55.8

 

CMYK 36 / 0 / 77 / 16

HEX #89D632

RGB 137 214 50

HSL 88.17, 0.67%, 0.52%

LAB 78.25, -48.09, 67.88

 

CMYK 15 / 0 / 77 / 16

HEX #B5D632

RGB 181 214 50

HSL 72.07, 0.67%, 0.52%

LAB 80.82, -31.49, 71.21

 

CMYK 0 / 5 / 77 / 16

HEX #D6CB32

RGB 214 203 50

HSL 55.98, 0.67%, 0.52%

LAB 80.31, -12.43, 71.66

 

CMYK 0 / 26 / 77 / 16

HEX #D69E32

RGB 214 158 50

HSL 39.51, 0.67%, 0.52%

LAB 68.74, 11.11, 60.94

 

CMYK 0 / 47 / 77 / 16

HEX #D67232

RGB 214 114 50

HSL 23.41, 0.67%, 0.52%

LAB 58.57, 34.66, 51.06

 

CMYK 36 / 0 / 77 / 16

HEX #89D632

RGB 137 214 50

HSL 88.17, 0.67%, 0.52%

LAB 78.25, -48.09, 67.88

 

CMYK 57 / 0 / 77 / 16

HEX #5DD632

RGB 93 214 50

HSL 104.27, 0.67%, 0.52%

LAB 76.47, -61.43, 65.55

 

CMYK 77 / 0 / 76 / 16

HEX #32D634

RGB 50 214 52

HSL 120.73, 0.67%, 0.52%

LAB 75.46, -69.74, 63.59

 

CMYK 77 / 0 / 55 / 16

HEX #32D660

RGB 50 214 96

HSL 136.83, 0.67%, 0.52%

LAB 75.83, -65.24, 46.19

 

CMYK 77 / 0 / 35 / 16

HEX #32D68C

RGB 50 214 140

HSL 152.93, 0.67%, 0.52%

LAB 76.48, -57.81, 25.09

 

CMYK 36 / 0 / 77 / 16

HEX #89D632

RGB 137 214 50

HSL 88.17, 0.67%, 0.52%

LAB 78.25, -48.09, 67.88

 

CMYK 41 / 0 / 87 / 8

HEX #8AEA1E

RGB 138 234 30

HSL 88.24, 0.83%, 0.52%

LAB 84.14, -56.53, 78.04

 

CMYK 45 / 0 / 96 / 0

HEX #8BFE0A

RGB 139 254 10

HSL 88.28, 0.99%, 0.52%

LAB 90.04, -64.11, 85.37

 

CMYK 36 / 0 / 77 / 16

HEX #89D632

RGB 137 214 50

HSL 88.17, 0.67%, 0.52%

LAB 78.25, -48.09, 67.88

 

CMYK 30 / 0 / 64 / 24

HEX #88C246

RGB 136 194 70

HSL 88.06, 0.5%, 0.52%

LAB 72.4, -38.54, 54.63

 

CMYK 22 / 0 / 48 / 32

HEX #87AE5A

RGB 135 174 90

HSL 87.86, 0.34%, 0.52%

LAB 66.64, -27.64, 38.67

 

CMYK 14 / 0 / 29 / 39

HEX #859B6E

RGB 133 155 110

HSL 89.33, 0.18%, 0.52%

LAB 61.27, -16.11, 21.11

 

CMYK 2 / 0 / 4 / 47

HEX #848781

RGB 132 135 129

HSL 90, 0.02%, 0.52%

LAB 55.91, -2.28, 2.83

 

CMYK 0 / 5 / 77 / 16

HEX #D6CB32

RGB 214 203 50

HSL 55.98, 0.67%, 0.52%

LAB 80.31, -12.43, 71.66

 

CMYK 15 / 0 / 77 / 16

HEX #B5D632

RGB 181 214 50

HSL 72.07, 0.67%, 0.52%

LAB 80.82, -31.49, 71.21

 

CMYK 36 / 0 / 77 / 16

HEX #8AD632

RGB 138 214 50

HSL 87.8, 0.67%, 0.52%

LAB 78.3, -47.74, 67.95

 

CMYK 56 / 0 / 77 / 16

HEX #5ED632

RGB 94 214 50

HSL 103.9, 0.67%, 0.52%

LAB 76.5, -61.17, 65.6

 

CMYK 77 / 0 / 77 / 16

HEX #32D632

RGB 50 214 50

HSL 120, 0.67%, 0.52%

LAB 75.45, -69.88, 64.22

 

CMYK 38 / 0 / 80 / 40

HEX #5F981E

RGB 95 152 30

HSL 88.03, 0.67%, 0.36%

LAB 57.06, -37.79, 53.41

 

CMYK 38 / 0 / 81 / 27

HEX #74BA24

RGB 116 186 36

HSL 88, 0.68%, 0.44%

LAB 68.72, -44.48, 62.77

 

CMYK 36 / 0 / 77 / 16

HEX #89D632

RGB 137 214 50

HSL 88.17, 0.67%, 0.52%

LAB 78.25, -48.09, 67.88

 

CMYK 29 / 0 / 62 / 13

HEX #9DDD55

RGB 157 221 85

HSL 88.24, 0.67%, 0.6%

LAB 81.59, -41.61, 58.68

 

CMYK 22 / 0 / 48 / 11

HEX #B1E477

RGB 177 228 119

HSL 88.07, 0.67%, 0.68%

LAB 85.08, -34.22, 47.66

 

CMYK 36 / 0 / 77 / 16

HEX #89D731

RGB 137 215 49

HSL 88.19, 0.67%, 0.52%

LAB 78.54, -48.55, 68.46

 

CMYK 77 / 0 / 26 / 16

HEX #32D69F

RGB 50 214 159

HSL 159.88, 0.67%, 0.52%

LAB 76.84, -53.74, 15.62

 

CMYK 0 / 77 / 5 / 16

HEX #D632CB

RGB 214 50 203

HSL 304.02, 0.67%, 0.52%

LAB 52.83, 76.93, -43.87

 

CMYK 36 / 0 / 77 / 16

HEX #89D731

RGB 137 215 49

HSL 88.19, 0.67%, 0.52%

LAB 78.54, -48.55, 68.46

 

CMYK 77 / 36 / 0 / 16

HEX #328AD6

RGB 50 138 214

HSL 207.8, 0.67%, 0.52%

LAB 55.8, 0.03, -46.33

 

CMYK 0 / 77 / 36 / 16

HEX #D6328A

RGB 214 50 138

HSL 327.8, 0.67%, 0.52%

LAB 49.99, 68.6, -10.04

 

CMYK 36 / 0 / 77 / 16

HEX #89D731

RGB 137 215 49

HSL 88.19, 0.67%, 0.52%

LAB 78.54, -48.55, 68.46

 

CMYK 77 / 0 / 26 / 16

HEX #32D69F

RGB 50 214 159

HSL 159.88, 0.67%, 0.52%

LAB 76.84, -53.74, 15.62

 

CMYK 41 / 77 / 0 / 16

HEX #7F32D6

RGB 127 50 214

HSL 268.17, 0.67%, 0.52%

LAB 40.65, 62.95, -70.47

 

CMYK 0 / 77 / 51 / 16

HEX #D63269

RGB 214 50 105

HSL 339.88, 0.67%, 0.52%

LAB 49, 65.54, 8.54

 

CMYK 36 / 0 / 77 / 16

HEX #89D731

RGB 137 215 49

HSL 88.19, 0.67%, 0.52%

LAB 78.54, -48.55, 68.46

 

CMYK 77 / 0 / 2 / 16

HEX #32D6D1

RGB 50 214 209

HSL 178.17, 0.67%, 0.52%

LAB 78.1, -40.93, -9.29

 

CMYK 41 / 77 / 0 / 16

HEX #7F32D6

RGB 127 50 214

HSL 268.17, 0.67%, 0.52%

LAB 40.65, 62.95, -70.47

 

CMYK 0 / 77 / 74 / 16

HEX #D63238

RGB 214 50 56

HSL 357.8, 0.67%, 0.52%

LAB 48.09, 62.62, 36.85

 

Description

Color code: HEX #89D731 | qconv.com Color code: HEX #89D731 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 215 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 215 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 77 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 77% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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