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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89E65F it is the complementary color #7619A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89E65F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89E65F shade: #8EE65A, #9FF86D, #B0FF80, #C1FF93 and #D2FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89E65F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89E65F shade: #89E65F, #78D44C, #67C239, #56B026 and #459E13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89E65F shade: #89E660, #AEE660, #D2E660, #E6D660 and #E6B160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89E65F shade: #89E660, #65E660, #60E67E, #60E6A2 and #60E6C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89E65F shade matches the following richer shades: #89E660 and #84F551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89E65F shade: #89E660, #8FD76F, #95C87D, #9AB98C and #A0AA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89E65F shade: #D2E660, #AEE660, #8AE660, #66E660 and #60E67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89E65F shade: #58D220, #6FE03C, #89E660, #A4EB83 and #BEF1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89E65F shade: #89E65F, #60E6D6 and #E660C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89E65F shade: #89E65F, #608AE6 and #E6608A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89E65F shade: #89E65F, #60E6D6, #BB60E6 and #E6606F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89E65F shade: #89E65F, #60CDE6, #BB60E6 and #E67860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 59 / 10

HEX #89E65F

RGB 137 230 95

HSL 101.33, 0.73%, 0.64%

LAB 83.3, -51.23, 56.04

 

Complementary color

CMYK 26 / 84 / 0 / 37

HEX #7619A0

RGB 118 25 160

HSL 281.33, 0.73%, 0.36%

LAB 32, 58.19, -52.77

 

CMYK 38 / 0 / 61 / 10

HEX #8EE65A

RGB 142 230 90

HSL 97.71, 0.74%, 0.63%

LAB 83.49, -50.12, 58.46

 

CMYK 36 / 0 / 56 / 3

HEX #9FF86D

RGB 159 248 109

HSL 98.42, 0.91%, 0.7%

LAB 89.68, -50.2, 57.5

 

CMYK 31 / 0 / 50 / 0

HEX #B0FF80

RGB 176 255 128

HSL 97.32, 1%, 0.75%

LAB 92.71, -45.56, 52.72

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 18 / 0 / 35 / 0

HEX #D2FFA6

RGB 210 255 166

HSL 90.34, 1%, 0.83%

LAB 95.15, -29.24, 37.95

 

CMYK 40 / 0 / 59 / 10

HEX #89E65F

RGB 137 230 95

HSL 101.33, 0.73%, 0.64%

LAB 83.3, -51.23, 56.04

 

CMYK 43 / 0 / 64 / 17

HEX #78D44C

RGB 120 212 76

HSL 100.59, 0.61%, 0.56%

LAB 77.04, -51.07, 56.94

 

CMYK 47 / 0 / 71 / 24

HEX #67C239

RGB 103 194 57

HSL 99.85, 0.55%, 0.49%

LAB 70.71, -50.73, 57.54

 

CMYK 51 / 0 / 78 / 31

HEX #56B026

RGB 86 176 38

HSL 99.13, 0.64%, 0.42%

LAB 64.3, -50.14, 57.58

 

CMYK 56 / 0 / 88 / 38

HEX #459E13

RGB 69 158 19

HSL 98.42, 0.79%, 0.35%

LAB 57.81, -49.18, 56.57

 

CMYK 40 / 0 / 58 / 10

HEX #89E660

RGB 137 230 96

HSL 101.64, 0.73%, 0.64%

LAB 83.31, -51.13, 55.62

 

CMYK 24 / 0 / 58 / 10

HEX #AEE660

RGB 174 230 96

HSL 85.07, 0.73%, 0.64%

LAB 85.22, -38.49, 58.29

 

CMYK 9 / 0 / 58 / 10

HEX #D2E660

RGB 210 230 96

HSL 68.96, 0.73%, 0.64%

LAB 87.55, -24.74, 61.55

 

CMYK 0 / 7 / 58 / 10

HEX #E6D660

RGB 230 214 96

HSL 52.84, 0.73%, 0.64%

LAB 84.87, -8.78, 58.99

 

CMYK 0 / 23 / 58 / 10

HEX #E6B160

RGB 230 177 96

HSL 36.27, 0.73%, 0.64%

LAB 75.52, 10.39, 48.26

 

CMYK 40 / 0 / 58 / 10

HEX #89E660

RGB 137 230 96

HSL 101.64, 0.73%, 0.64%

LAB 83.31, -51.13, 55.62

 

CMYK 56 / 0 / 58 / 10

HEX #65E660

RGB 101 230 96

HSL 117.76, 0.73%, 0.64%

LAB 81.95, -61.19, 53.69

 

CMYK 58 / 0 / 45 / 10

HEX #60E67E

RGB 96 230 126

HSL 133.43, 0.73%, 0.64%

LAB 82.16, -58.38, 39.84

 

CMYK 58 / 0 / 30 / 10

HEX #60E6A2

RGB 96 230 162

HSL 149.55, 0.73%, 0.64%

LAB 82.75, -52.06, 22.39

 

CMYK 58 / 0 / 13 / 10

HEX #60E6C7

RGB 96 230 199

HSL 166.12, 0.73%, 0.64%

LAB 83.55, -43.98, 4.15

 

CMYK 40 / 0 / 58 / 10

HEX #89E660

RGB 137 230 96

HSL 101.64, 0.73%, 0.64%

LAB 83.31, -51.13, 55.62

 

CMYK 46 / 0 / 67 / 4

HEX #84F551

RGB 132 245 81

HSL 101.34, 0.89%, 0.64%

LAB 87.39, -59.88, 66.2

 

CMYK 40 / 0 / 58 / 10

HEX #89E660

RGB 137 230 96

HSL 101.64, 0.73%, 0.64%

LAB 83.31, -51.13, 55.62

 

CMYK 33 / 0 / 48 / 16

HEX #8FD76F

RGB 143 215 111

HSL 101.54, 0.57%, 0.64%

LAB 79.38, -41.17, 44.07

 

CMYK 26 / 0 / 38 / 22

HEX #95C87D

RGB 149 200 125

HSL 100.8, 0.41%, 0.64%

LAB 75.56, -30.41, 32.28

 

CMYK 17 / 0 / 24 / 27

HEX #9AB98C

RGB 154 185 140

HSL 101.33, 0.24%, 0.64%

LAB 71.87, -18.96, 19.45

 

CMYK 6 / 0 / 9 / 33

HEX #A0AA9B

RGB 160 170 155

HSL 100, 0.08%, 0.64%

LAB 68.45, -6.36, 6.52

 

CMYK 9 / 0 / 58 / 10

HEX #D2E660

RGB 210 230 96

HSL 68.96, 0.73%, 0.64%

LAB 87.55, -24.74, 61.55

 

CMYK 24 / 0 / 58 / 10

HEX #AEE660

RGB 174 230 96

HSL 85.07, 0.73%, 0.64%

LAB 85.22, -38.49, 58.29

 

CMYK 40 / 0 / 58 / 10

HEX #8AE660

RGB 138 230 96

HSL 101.19, 0.73%, 0.64%

LAB 83.36, -50.82, 55.68

 

CMYK 56 / 0 / 58 / 10

HEX #66E660

RGB 102 230 96

HSL 117.31, 0.73%, 0.64%

LAB 81.98, -60.94, 53.73

 

CMYK 58 / 0 / 46 / 10

HEX #60E67D

RGB 96 230 125

HSL 132.99, 0.73%, 0.64%

LAB 82.14, -58.53, 40.31

 

CMYK 58 / 0 / 85 / 18

HEX #58D220

RGB 88 210 32

HSL 101.12, 0.74%, 0.47%

LAB 75, -62.2, 68.99

 

CMYK 50 / 0 / 73 / 12

HEX #6FE03C

RGB 111 224 60

HSL 101.34, 0.73%, 0.56%

LAB 80.19, -59.58, 66.15

 

CMYK 40 / 0 / 58 / 10

HEX #89E660

RGB 137 230 96

HSL 101.64, 0.73%, 0.64%

LAB 83.31, -51.13, 55.62

 

CMYK 30 / 0 / 44 / 8

HEX #A4EB83

RGB 164 235 131

HSL 100.96, 0.72%, 0.72%

LAB 86.48, -40.49, 43.45

 

CMYK 21 / 0 / 31 / 5

HEX #BEF1A7

RGB 190 241 167

HSL 101.35, 0.73%, 0.8%

LAB 90.16, -29.46, 30.6

 

CMYK 40 / 0 / 59 / 10

HEX #89E65F

RGB 137 230 95

HSL 101.33, 0.73%, 0.64%

LAB 83.3, -51.23, 56.04

 

CMYK 58 / 0 / 7 / 10

HEX #60E6D6

RGB 96 230 214

HSL 172.84, 0.73%, 0.64%

LAB 83.93, -40.3, -3.21

 

CMYK 0 / 58 / 17 / 10

HEX #E660C0

RGB 230 96 192

HSL 317.01, 0.73%, 0.64%

LAB 60.78, 62.57, -24.98

 

CMYK 40 / 0 / 59 / 10

HEX #89E65F

RGB 137 230 95

HSL 101.33, 0.73%, 0.64%

LAB 83.3, -51.23, 56.04

 

CMYK 58 / 40 / 0 / 10

HEX #608AE6

RGB 96 138 230

HSL 221.19, 0.73%, 0.64%

LAB 58.39, 12.8, -51.05

 

CMYK 0 / 58 / 40 / 10

HEX #E6608A

RGB 230 96 138

HSL 341.19, 0.73%, 0.64%

LAB 59, 55.77, 3.53

 

CMYK 40 / 0 / 59 / 10

HEX #89E65F

RGB 137 230 95

HSL 101.33, 0.73%, 0.64%

LAB 83.3, -51.23, 56.04

 

CMYK 58 / 0 / 7 / 10

HEX #60E6D6

RGB 96 230 214

HSL 172.84, 0.73%, 0.64%

LAB 83.93, -40.3, -3.21

 

CMYK 19 / 58 / 0 / 10

HEX #BB60E6

RGB 187 96 230

HSL 280.75, 0.73%, 0.64%

LAB 56.73, 57.94, -53.23

 

CMYK 0 / 58 / 52 / 10

HEX #E6606F

RGB 230 96 111

HSL 353.28, 0.73%, 0.64%

LAB 58.36, 53.21, 18.37

 

CMYK 40 / 0 / 59 / 10

HEX #89E65F

RGB 137 230 95

HSL 101.33, 0.73%, 0.64%

LAB 83.3, -51.23, 56.04

 

CMYK 58 / 11 / 0 / 10

HEX #60CDE6

RGB 96 205 230

HSL 191.19, 0.73%, 0.64%

LAB 77.2, -24.12, -21.8

 

CMYK 19 / 58 / 0 / 10

HEX #BB60E6

RGB 187 96 230

HSL 280.75, 0.73%, 0.64%

LAB 56.73, 57.94, -53.23

 

CMYK 0 / 48 / 58 / 10

HEX #E67860

RGB 230 120 96

HSL 10.75, 0.73%, 0.64%

LAB 62.59, 40.44, 32.48

 

Description

Color code: HEX #89E65F | qconv.com Color code: HEX #89E65F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 230 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 230 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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