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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89E8A9 it is the complementary color #761756. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89E8A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89E8A9 shade: #8EE8A4, #9FFAB7, #B0FFCA, #C1FFDD and #D2FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89E8A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89E8A9 shade: #89E8A9, #78D696, #67C483, #56B270 and #45A05D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89E8A9 shade: #87E7A7, #87E78E, #9BE787, #B4E787 and #CEE787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89E8A9 shade: #87E7A7, #87E7C1, #87E7DB, #87D9E7 and #87BFE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89E8A9 shade matches the following richer shades: #87E7A7, #7CF2A4 and #70FEA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89E8A9 shade: #87E7A7, #93DBAB, #9ED0AF, #AAC4B3 and #B5B9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89E8A9 shade: #9AE787, #87E78E, #87E7A7, #87E7C1 and #87E7DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89E8A9 shade: #42D975, #65E08E, #87E7A7, #AAEEC1 and #CCF5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89E8A9 shade: #89E8A9, #87B4E7 and #E7878E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89E8A9 shade: #89E8A9, #A787E7 and #E7A787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89E8A9 shade: #89E8A9, #87B4E7, #E787C7 and #E7BA87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89E8A9 shade: #89E8A9, #8797E7, #E787C7 and #E7D787

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 27 / 9

HEX #89E8A9

RGB 137 232 169

HSL 140.21, 0.67%, 0.72%

LAB 84.94, -41.59, 22.02

 

Complementary color

CMYK 0 / 81 / 27 / 54

HEX #761756

RGB 118 23 86

HSL 320.21, 0.67%, 0.28%

LAB 27.12, 45.83, -13.73

 

CMYK 39 / 0 / 29 / 9

HEX #8EE8A4

RGB 142 232 164

HSL 134.67, 0.66%, 0.73%

LAB 85.07, -41.07, 24.81

 

CMYK 36 / 0 / 27 / 2

HEX #9FFAB7

RGB 159 250 183

HSL 135.82, 0.9%, 0.8%

LAB 91.31, -40.81, 23.75

 

CMYK 31 / 0 / 21 / 0

HEX #B0FFCA

RGB 176 255 202

HSL 139.75, 1%, 0.85%

LAB 93.89, -34.67, 17.76

 

CMYK 24 / 0 / 13 / 0

HEX #C1FFDD

RGB 193 255 221

HSL 147.1, 1%, 0.88%

LAB 95.19, -26.03, 9.99

 

CMYK 18 / 0 / 6 / 0

HEX #D2FFF0

RGB 210 255 240

HSL 160, 1%, 0.91%

LAB 96.62, -17.18, 2.4

 

CMYK 41 / 0 / 27 / 9

HEX #89E8A9

RGB 137 232 169

HSL 140.21, 0.67%, 0.72%

LAB 84.94, -41.59, 22.02

 

CMYK 44 / 0 / 30 / 16

HEX #78D696

RGB 120 214 150

HSL 139.15, 0.53%, 0.65%

LAB 78.63, -41.83, 23.13

 

CMYK 47 / 0 / 33 / 23

HEX #67C483

RGB 103 196 131

HSL 138.06, 0.44%, 0.59%

LAB 72.23, -42.04, 24.31

 

CMYK 52 / 0 / 37 / 30

HEX #56B270

RGB 86 178 112

HSL 136.96, 0.37%, 0.52%

LAB 65.74, -42.19, 25.58

 

CMYK 57 / 0 / 42 / 37

HEX #45A05D

RGB 69 160 93

HSL 135.82, 0.4%, 0.45%

LAB 59.16, -42.23, 26.96

 

CMYK 42 / 0 / 28 / 9

HEX #87E7A7

RGB 135 231 167

HSL 140, 0.67%, 0.72%

LAB 84.53, -42.07, 22.48

 

CMYK 42 / 0 / 39 / 9

HEX #87E78E

RGB 135 231 142

HSL 124.38, 0.67%, 0.72%

LAB 84.1, -46.29, 34.67

 

CMYK 33 / 0 / 42 / 9

HEX #9BE787

RGB 155 231 135

HSL 107.5, 0.67%, 0.72%

LAB 84.93, -41.16, 39.42

 

CMYK 22 / 0 / 42 / 9

HEX #B4E787

RGB 180 231 135

HSL 91.88, 0.67%, 0.72%

LAB 86.31, -32.64, 41.46

 

CMYK 11 / 0 / 42 / 9

HEX #CEE787

RGB 206 231 135

HSL 75.63, 0.67%, 0.72%

LAB 87.98, -23.11, 43.93

 

CMYK 42 / 0 / 28 / 9

HEX #87E7A7

RGB 135 231 167

HSL 140, 0.67%, 0.72%

LAB 84.53, -42.07, 22.48

 

CMYK 42 / 0 / 16 / 9

HEX #87E7C1

RGB 135 231 193

HSL 156.25, 0.67%, 0.72%

LAB 85.07, -36.96, 9.68

 

CMYK 42 / 0 / 5 / 9

HEX #87E7DB

RGB 135 231 219

HSL 172.5, 0.67%, 0.72%

LAB 85.71, -31.19, -3.07

 

CMYK 42 / 6 / 0 / 9

HEX #87D9E7

RGB 135 217 231

HSL 188.75, 0.67%, 0.72%

LAB 82.13, -21.45, -14.74

 

CMYK 42 / 17 / 0 / 9

HEX #87BFE7

RGB 135 191 231

HSL 205, 0.67%, 0.72%

LAB 74.94, -8.01, -25.64

 

CMYK 42 / 0 / 28 / 9

HEX #87E7A7

RGB 135 231 167

HSL 140, 0.67%, 0.72%

LAB 84.53, -42.07, 22.48

 

CMYK 49 / 0 / 32 / 5

HEX #7CF2A4

RGB 124 242 164

HSL 140.34, 0.82%, 0.72%

LAB 87.23, -50.21, 27.63

 

CMYK 56 / 0 / 37 / 0

HEX #70FEA0

RGB 112 254 160

HSL 140.28, 0.99%, 0.72%

LAB 90.26, -58.55, 33.64

 

CMYK 42 / 0 / 28 / 9

HEX #87E7A7

RGB 135 231 167

HSL 140, 0.67%, 0.72%

LAB 84.53, -42.07, 22.48

 

CMYK 33 / 0 / 22 / 14

HEX #93DBAB

RGB 147 219 171

HSL 140, 0.5%, 0.72%

LAB 81.73, -32.39, 16.59

 

CMYK 24 / 0 / 16 / 18

HEX #9ED0AF

RGB 158 208 175

HSL 140.4, 0.35%, 0.72%

LAB 79.31, -22.9, 11.15

 

CMYK 13 / 0 / 9 / 23

HEX #AAC4B3

RGB 170 196 179

HSL 140.77, 0.18%, 0.72%

LAB 76.85, -12.09, 5.58

 

CMYK 2 / 0 / 1 / 27

HEX #B5B9B7

RGB 181 185 183

HSL 150, 0.03%, 0.72%

LAB 74.79, -1.77, 0.52

 

CMYK 33 / 0 / 42 / 9

HEX #9AE787

RGB 154 231 135

HSL 108.13, 0.67%, 0.72%

LAB 84.88, -41.48, 39.35

 

CMYK 42 / 0 / 39 / 9

HEX #87E78E

RGB 135 231 142

HSL 124.38, 0.67%, 0.72%

LAB 84.1, -46.29, 34.67

 

CMYK 42 / 0 / 28 / 9

HEX #87E7A7

RGB 135 231 167

HSL 140, 0.67%, 0.72%

LAB 84.53, -42.07, 22.48

 

CMYK 42 / 0 / 16 / 9

HEX #87E7C1

RGB 135 231 193

HSL 156.25, 0.67%, 0.72%

LAB 85.07, -36.96, 9.68

 

CMYK 42 / 0 / 6 / 9

HEX #87E7DA

RGB 135 231 218

HSL 171.88, 0.67%, 0.72%

LAB 85.69, -31.42, -2.58

 

CMYK 70 / 0 / 46 / 15

HEX #42D975

RGB 66 217 117

HSL 140.26, 0.67%, 0.55%

LAB 77.32, -60.8, 37.97

 

CMYK 55 / 0 / 37 / 12

HEX #65E08E

RGB 101 224 142

HSL 140, 0.66%, 0.64%

LAB 80.76, -52.28, 30.02

 

CMYK 42 / 0 / 28 / 9

HEX #87E7A7

RGB 135 231 167

HSL 140, 0.67%, 0.72%

LAB 84.53, -42.07, 22.48

 

CMYK 29 / 0 / 19 / 7

HEX #AAEEC1

RGB 170 238 193

HSL 140.29, 0.67%, 0.8%

LAB 88.71, -30.23, 15.07

 

CMYK 17 / 0 / 11 / 4

HEX #CCF5DA

RGB 204 245 218

HSL 140.49, 0.67%, 0.88%

LAB 93.1, -18.29, 8.63

 

CMYK 41 / 0 / 27 / 9

HEX #89E8A9

RGB 137 232 169

HSL 140.21, 0.67%, 0.72%

LAB 84.94, -41.59, 22.02

 

CMYK 42 / 22 / 0 / 9

HEX #87B4E7

RGB 135 180 231

HSL 211.88, 0.67%, 0.72%

LAB 71.94, -2.05, -30.25

 

CMYK 0 / 42 / 39 / 9

HEX #E7878E

RGB 231 135 142

HSL 355.63, 0.67%, 0.72%

LAB 66.73, 37.41, 12.28

 

CMYK 41 / 0 / 27 / 9

HEX #89E8A9

RGB 137 232 169

HSL 140.21, 0.67%, 0.72%

LAB 84.94, -41.59, 22.02

 

CMYK 28 / 42 / 0 / 9

HEX #A787E7

RGB 167 135 231

HSL 260, 0.67%, 0.72%

LAB 62.77, 32.09, -44.35

 

CMYK 0 / 28 / 42 / 9

HEX #E7A787

RGB 231 167 135

HSL 20, 0.67%, 0.72%

LAB 73.79, 19.67, 25.87

 

CMYK 41 / 0 / 27 / 9

HEX #89E8A9

RGB 137 232 169

HSL 140.21, 0.67%, 0.72%

LAB 84.94, -41.59, 22.02

 

CMYK 42 / 22 / 0 / 9

HEX #87B4E7

RGB 135 180 231

HSL 211.88, 0.67%, 0.72%

LAB 71.94, -2.05, -30.25

 

CMYK 0 / 42 / 14 / 9

HEX #E787C7

RGB 231 135 199

HSL 320, 0.67%, 0.72%

LAB 68.34, 45.2, -17.37

 

CMYK 0 / 19 / 42 / 9

HEX #E7BA87

RGB 231 186 135

HSL 31.88, 0.67%, 0.72%

LAB 78.38, 9.57, 31.97

 

CMYK 41 / 0 / 27 / 9

HEX #89E8A9

RGB 137 232 169

HSL 140.21, 0.67%, 0.72%

LAB 84.94, -41.59, 22.02

 

CMYK 42 / 35 / 0 / 9

HEX #8797E7

RGB 135 151 231

HSL 230, 0.67%, 0.72%

LAB 64.2, 14.31, -42.27

 

CMYK 0 / 42 / 14 / 9

HEX #E787C7

RGB 231 135 199

HSL 320, 0.67%, 0.72%

LAB 68.34, 45.2, -17.37

 

CMYK 0 / 7 / 42 / 9

HEX #E7D787

RGB 231 215 135

HSL 50, 0.67%, 0.72%

LAB 85.67, -5.49, 41.41

 

Description

Color code: HEX #89E8A9 | qconv.com Color code: HEX #89E8A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 232 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 232 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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