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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89E0B8 it is the complementary color #761F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89E0B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89E0B8 shade: #8EE0B3, #9FF2C6, #B0FFD9, #C1FFEC and #D2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89E0B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89E0B8 shade: #89E0B8, #78CEA5, #67BC92, #56AA7F and #45986C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89E0B8 shade: #8ADFB8, #8ADFA1, #8ADF8A, #A1DF8A and #B8DF8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89E0B8 shade: #8ADFB8, #8ADFCF, #8AD9DF, #8AC1DF and #8AAADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89E0B8 shade matches the following richer shades: #8ADFB8, #7EEBB9 and #72F7BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89E0B8 shade: #8ADFB8, #96D3B7, #A2C8B6, #AEBCB5 and #BAB0B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89E0B8 shade: #8ADF8A, #8ADFA1, #8ADFB7, #8ADFCE and #8ADADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89E0B8 shade: #48CE91, #69D7A4, #8ADFB8, #AAE8CC and #CBF1DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89E0B8 shade: #89E0B8, #8AA1DF and #DF958A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89E0B8 shade: #89E0B8, #B78ADF and #DFB78A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89E0B8 shade: #89E0B8, #8AA1DF, #DF8AB2 and #DFC98A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89E0B8 shade: #89E0B8, #8D8ADF, #DF8AB2 and #DDDF8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 18 / 12

HEX #89E0B8

RGB 137 224 184

HSL 152.41, 0.58%, 0.71%

LAB 82.96, -35.07, 11.41

 

Complementary color

CMYK 0 / 74 / 40 / 54

HEX #761F47

RGB 118 31 71

HSL 332.41, 0.58%, 0.29%

LAB 27.54, 41.07, -3.11

 

CMYK 37 / 0 / 20 / 12

HEX #8EE0B3

RGB 142 224 179

HSL 147.07, 0.57%, 0.72%

LAB 83.08, -34.66, 14.24

 

CMYK 34 / 0 / 18 / 5

HEX #9FF2C6

RGB 159 242 198

HSL 148.19, 0.76%, 0.79%

LAB 89.37, -34.41, 13.33

 

CMYK 31 / 0 / 15 / 0

HEX #B0FFD9

RGB 176 255 217

HSL 151.14, 1%, 0.85%

LAB 94.21, -31.86, 10.52

 

CMYK 24 / 0 / 7 / 0

HEX #C1FFEC

RGB 193 255 236

HSL 161.61, 1%, 0.88%

LAB 95.54, -23.13, 2.78

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 39 / 0 / 18 / 12

HEX #89E0B8

RGB 137 224 184

HSL 152.41, 0.58%, 0.71%

LAB 82.96, -35.07, 11.41

 

CMYK 42 / 0 / 20 / 19

HEX #78CEA5

RGB 120 206 165

HSL 151.4, 0.47%, 0.64%

LAB 76.59, -35.3, 12.35

 

CMYK 45 / 0 / 22 / 26

HEX #67BC92

RGB 103 188 146

HSL 150.35, 0.39%, 0.57%

LAB 70.12, -35.53, 13.37

 

CMYK 49 / 0 / 25 / 33

HEX #56AA7F

RGB 86 170 127

HSL 149.29, 0.33%, 0.5%

LAB 63.56, -35.72, 14.47

 

CMYK 55 / 0 / 29 / 40

HEX #45986C

RGB 69 152 108

HSL 148.19, 0.38%, 0.43%

LAB 56.88, -35.86, 15.67

 

CMYK 38 / 0 / 17 / 13

HEX #8ADFB8

RGB 138 223 184

HSL 152.47, 0.57%, 0.71%

LAB 82.72, -34.33, 11.08

 

CMYK 38 / 0 / 28 / 13

HEX #8ADFA1

RGB 138 223 161

HSL 136.24, 0.57%, 0.71%

LAB 82.25, -38.74, 22.47

 

CMYK 38 / 0 / 38 / 13

HEX #8ADF8A

RGB 138 223 138

HSL 120, 0.57%, 0.71%

LAB 81.85, -42.56, 33.76

 

CMYK 28 / 0 / 38 / 13

HEX #A1DF8A

RGB 161 223 138

HSL 103.76, 0.57%, 0.71%

LAB 83.01, -35.15, 35.51

 

CMYK 17 / 0 / 38 / 13

HEX #B8DF8A

RGB 184 223 138

HSL 87.53, 0.57%, 0.71%

LAB 84.38, -27.06, 37.55

 

CMYK 38 / 0 / 17 / 13

HEX #8ADFB8

RGB 138 223 184

HSL 152.47, 0.57%, 0.71%

LAB 82.72, -34.33, 11.08

 

CMYK 38 / 0 / 7 / 13

HEX #8ADFCF

RGB 138 223 207

HSL 168.71, 0.57%, 0.71%

LAB 83.28, -29.38, -0.29

 

CMYK 38 / 3 / 0 / 13

HEX #8AD9DF

RGB 138 217 223

HSL 184.24, 0.57%, 0.71%

LAB 82.03, -22.69, -10.62

 

CMYK 38 / 13 / 0 / 13

HEX #8AC1DF

RGB 138 193 223

HSL 201.18, 0.57%, 0.71%

LAB 75.37, -10.39, -20.64

 

CMYK 38 / 24 / 0 / 13

HEX #8AAADF

RGB 138 170 223

HSL 217.41, 0.57%, 0.71%

LAB 69.1, 2.11, -30.24

 

CMYK 38 / 0 / 17 / 13

HEX #8ADFB8

RGB 138 223 184

HSL 152.47, 0.57%, 0.71%

LAB 82.72, -34.33, 11.08

 

CMYK 46 / 0 / 21 / 8

HEX #7EEBB9

RGB 126 235 185

HSL 152.48, 0.73%, 0.71%

LAB 85.68, -42.71, 14.68

 

CMYK 54 / 0 / 25 / 3

HEX #72F7BA

RGB 114 247 186

HSL 152.48, 0.89%, 0.71%

LAB 88.75, -50.44, 18.41

 

CMYK 38 / 0 / 17 / 13

HEX #8ADFB8

RGB 138 223 184

HSL 152.47, 0.57%, 0.71%

LAB 82.72, -34.33, 11.08

 

CMYK 29 / 0 / 13 / 17

HEX #96D3B7

RGB 150 211 183

HSL 152.46, 0.41%, 0.71%

LAB 79.89, -25.32, 7.65

 

CMYK 19 / 0 / 9 / 22

HEX #A2C8B6

RGB 162 200 182

HSL 151.58, 0.26%, 0.71%

LAB 77.5, -16.23, 4.83

 

CMYK 7 / 0 / 4 / 26

HEX #AEBCB5

RGB 174 188 181

HSL 150, 0.09%, 0.71%

LAB 75.01, -6.16, 1.87

 

CMYK 0 / 5 / 3 / 27

HEX #BAB0B4

RGB 186 176 180

HSL 336, 0.07%, 0.71%

LAB 72.75, 4.28, -0.77

 

CMYK 38 / 0 / 38 / 13

HEX #8ADF8A

RGB 138 223 138

HSL 120, 0.57%, 0.71%

LAB 81.85, -42.56, 33.76

 

CMYK 38 / 0 / 28 / 13

HEX #8ADFA1

RGB 138 223 161

HSL 136.24, 0.57%, 0.71%

LAB 82.25, -38.74, 22.47

 

CMYK 38 / 0 / 18 / 13

HEX #8ADFB7

RGB 138 223 183

HSL 151.76, 0.57%, 0.71%

LAB 82.7, -34.53, 11.57

 

CMYK 38 / 0 / 8 / 13

HEX #8ADFCE

RGB 138 223 206

HSL 168, 0.57%, 0.71%

LAB 83.25, -29.6, 0.21

 

CMYK 38 / 2 / 0 / 13

HEX #8ADADF

RGB 138 218 223

HSL 183.53, 0.57%, 0.71%

LAB 82.31, -23.18, -10.2

 

CMYK 65 / 0 / 30 / 19

HEX #48CE91

RGB 72 206 145

HSL 152.69, 0.58%, 0.55%

LAB 74.55, -50.42, 19.91

 

CMYK 51 / 0 / 24 / 16

HEX #69D7A4

RGB 105 215 164

HSL 152.18, 0.58%, 0.63%

LAB 78.63, -43.36, 15.67

 

CMYK 38 / 0 / 17 / 13

HEX #8ADFB8

RGB 138 223 184

HSL 152.47, 0.57%, 0.71%

LAB 82.72, -34.33, 11.08

 

CMYK 27 / 0 / 12 / 9

HEX #AAE8CC

RGB 170 232 204

HSL 152.9, 0.57%, 0.79%

LAB 87.3, -25.26, 7.33

 

CMYK 16 / 0 / 7 / 5

HEX #CBF1DF

RGB 203 241 223

HSL 151.58, 0.58%, 0.87%

LAB 92.1, -15.71, 4.59

 

CMYK 39 / 0 / 18 / 12

HEX #89E0B8

RGB 137 224 184

HSL 152.41, 0.58%, 0.71%

LAB 82.96, -35.07, 11.41

 

CMYK 38 / 28 / 0 / 13

HEX #8AA1DF

RGB 138 161 223

HSL 223.76, 0.57%, 0.71%

LAB 66.69, 7.17, -33.97

 

CMYK 0 / 33 / 38 / 13

HEX #DF958A

RGB 223 149 138

HSL 7.76, 0.57%, 0.71%

LAB 68.76, 26.53, 17.22

 

CMYK 39 / 0 / 18 / 12

HEX #89E0B8

RGB 137 224 184

HSL 152.41, 0.58%, 0.71%

LAB 82.96, -35.07, 11.41

 

CMYK 18 / 38 / 0 / 13

HEX #B78ADF

RGB 183 138 223

HSL 271.76, 0.57%, 0.71%

LAB 64.62, 33.14, -36.9

 

CMYK 0 / 18 / 38 / 13

HEX #DFB78A

RGB 223 183 138

HSL 31.76, 0.57%, 0.71%

LAB 76.91, 8.32, 28.31

 

CMYK 39 / 0 / 18 / 12

HEX #89E0B8

RGB 137 224 184

HSL 152.41, 0.58%, 0.71%

LAB 82.96, -35.07, 11.41

 

CMYK 38 / 28 / 0 / 13

HEX #8AA1DF

RGB 138 161 223

HSL 223.76, 0.57%, 0.71%

LAB 66.69, 7.17, -33.97

 

CMYK 0 / 38 / 20 / 13

HEX #DF8AB2

RGB 223 138 178

HSL 331.76, 0.57%, 0.71%

LAB 67.34, 37.73, -7.22

 

CMYK 0 / 10 / 38 / 13

HEX #DFC98A

RGB 223 201 138

HSL 44.47, 0.57%, 0.71%

LAB 81.45, -1.13, 34.3

 

CMYK 39 / 0 / 18 / 12

HEX #89E0B8

RGB 137 224 184

HSL 152.41, 0.58%, 0.71%

LAB 82.96, -35.07, 11.41

 

CMYK 37 / 38 / 0 / 13

HEX #8D8ADF

RGB 141 138 223

HSL 242.12, 0.57%, 0.71%

LAB 60.93, 21.22, -42.95

 

CMYK 0 / 38 / 20 / 13

HEX #DF8AB2

RGB 223 138 178

HSL 331.76, 0.57%, 0.71%

LAB 67.34, 37.73, -7.22

 

CMYK 1 / 0 / 38 / 13

HEX #DDDF8A

RGB 221 223 138

HSL 61.41, 0.57%, 0.71%

LAB 86.99, -13.11, 41.42

 

Description

Color code: HEX #89E0B8 | qconv.com Color code: HEX #89E0B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 224 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 224 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 18 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 18% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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