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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CA50D it is the complementary color #735AF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CA50D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CA50D shade: #91A508, #A2B71B, #B3C92E, #C4DB41 and #D5ED54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CA50D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CA50D shade: #8CA50D, #7B9300, #6A8100, #596F00 and #485D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CA50D shade: #8CA50D, #A5950D, #A56C0D, #A5430D and #A51A0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CA50D shade: #8CA50D, #63A50D, #3AA50D, #11A50D and #0DA532

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CA50D shade matches the following richer shades: #8CA50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CA50D shade: #8CA50D, #82961B, #78882A, #6F7938 and #656B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CA50D shade: #A56A0D, #A5930D, #8EA50D, #65A50D and #3DA50D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CA50D shade: #4B5807, #6B7E0A, #8CA50D, #ACCB10 and #C9EC18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CA50D shade: #8CA50D, #0DA542 and #7F0DA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CA50D shade: #8CA50D, #0D8EA5 and #A50D8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CA50D shade: #8CA50D, #0DA542, #240DA5 and #A50D70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CA50D shade: #8CA50D, #0DA570, #240DA5 and #A50D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

Complementary color

CMYK 52 / 63 / 0 / 5

HEX #735AF2

RGB 115 90 242

HSL 249.87, 0.85%, 0.65%

LAB 48.72, 48.71, -73.25

 

CMYK 12 / 0 / 95 / 35

HEX #91A508

RGB 145 165 8

HSL 67.64, 0.91%, 0.34%

LAB 64.12, -24.23, 65.28

 

CMYK 11 / 0 / 85 / 28

HEX #A2B71B

RGB 162 183 27

HSL 68.08, 0.74%, 0.41%

LAB 70.61, -25.38, 67.78

 

CMYK 11 / 0 / 77 / 21

HEX #B3C92E

RGB 179 201 46

HSL 68.52, 0.63%, 0.48%

LAB 77.01, -26.32, 68.86

 

CMYK 11 / 0 / 70 / 14

HEX #C4DB41

RGB 196 219 65

HSL 68.96, 0.68%, 0.56%

LAB 83.33, -27.08, 69.04

 

CMYK 10 / 0 / 65 / 7

HEX #D5ED54

RGB 213 237 84

HSL 69.41, 0.81%, 0.63%

LAB 89.56, -27.69, 68.68

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 16 / 0 / 100 / 42

HEX #7B9300

RGB 123 147 0

HSL 69.8, 1%, 0.29%

LAB 57.15, -25.01, 60.42

 

CMYK 18 / 0 / 100 / 49

HEX #6A8100

RGB 106 129 0

HSL 70.7, 1%, 0.25%

LAB 50.41, -23.5, 54.81

 

CMYK 20 / 0 / 100 / 56

HEX #596F00

RGB 89 111 0

HSL 71.89, 1%, 0.22%

LAB 43.5, -21.96, 49.05

 

CMYK 23 / 0 / 100 / 64

HEX #485D00

RGB 72 93 0

HSL 73.55, 1%, 0.18%

LAB 36.38, -20.39, 43.12

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 0 / 10 / 92 / 35

HEX #A5950D

RGB 165 149 13

HSL 53.68, 0.85%, 0.35%

LAB 61.24, -6.96, 63.06

 

CMYK 0 / 35 / 92 / 35

HEX #A56C0D

RGB 165 108 13

HSL 37.5, 0.85%, 0.35%

LAB 50.4, 15.85, 54.78

 

CMYK 0 / 59 / 92 / 35

HEX #A5430D

RGB 165 67 13

HSL 21.32, 0.85%, 0.35%

LAB 41.28, 38.06, 48.03

 

CMYK 0 / 84 / 92 / 35

HEX #A51A0D

RGB 165 26 13

HSL 5.13, 0.85%, 0.35%

LAB 35.53, 53.72, 43.95

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 40 / 0 / 92 / 35

HEX #63A50D

RGB 99 165 13

HSL 86.05, 0.85%, 0.35%

LAB 61.3, -42.52, 61.14

 

CMYK 65 / 0 / 92 / 35

HEX #3AA50D

RGB 58 165 13

HSL 102.24, 0.85%, 0.35%

LAB 59.74, -54.65, 59.21

 

CMYK 90 / 0 / 92 / 35

HEX #11A50D

RGB 17 165 13

HSL 118.42, 0.85%, 0.35%

LAB 59.03, -60.86, 58.32

 

CMYK 92 / 0 / 70 / 35

HEX #0DA532

RGB 13 165 50

HSL 134.61, 0.85%, 0.35%

LAB 59.18, -58.77, 47.55

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 13 / 0 / 82 / 41

HEX #82961B

RGB 130 150 27

HSL 69.76, 0.69%, 0.35%

LAB 58.64, -22.79, 56.55

 

CMYK 12 / 0 / 69 / 47

HEX #78882A

RGB 120 136 42

HSL 70.21, 0.53%, 0.35%

LAB 53.78, -19.24, 46.39

 

CMYK 8 / 0 / 54 / 53

HEX #6F7938

RGB 111 121 56

HSL 69.23, 0.37%, 0.35%

LAB 48.69, -14.09, 33.99

 

CMYK 6 / 0 / 34 / 58

HEX #656B47

RGB 101 107 71

HSL 70, 0.2%, 0.35%

LAB 43.85, -8.83, 19.45

 

CMYK 0 / 36 / 92 / 35

HEX #A56A0D

RGB 165 106 13

HSL 36.71, 0.85%, 0.35%

LAB 49.9, 16.98, 54.4

 

CMYK 0 / 11 / 92 / 35

HEX #A5930D

RGB 165 147 13

HSL 52.89, 0.85%, 0.35%

LAB 60.69, -5.89, 62.63

 

CMYK 14 / 0 / 92 / 35

HEX #8EA50D

RGB 142 165 13

HSL 69.08, 0.85%, 0.35%

LAB 63.91, -25.44, 64.34

 

CMYK 39 / 0 / 92 / 35

HEX #65A50D

RGB 101 165 13

HSL 85.26, 0.85%, 0.35%

LAB 61.4, -41.81, 61.27

 

CMYK 63 / 0 / 92 / 35

HEX #3DA50D

RGB 61 165 13

HSL 101.05, 0.85%, 0.35%

LAB 59.83, -53.95, 59.32

 

CMYK 15 / 0 / 92 / 65

HEX #4B5807

RGB 75 88 7

HSL 69.63, 0.85%, 0.19%

LAB 34.98, -16.03, 39.95

 

CMYK 15 / 0 / 92 / 51

HEX #6B7E0A

RGB 107 126 10

HSL 69.83, 0.85%, 0.27%

LAB 49.58, -21.29, 52.27

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 15 / 0 / 92 / 20

HEX #ACCB10

RGB 172 203 16

HSL 69.95, 0.85%, 0.43%

LAB 76.99, -31, 75.17

 

CMYK 15 / 0 / 90 / 7

HEX #C9EC18

RGB 201 236 24

HSL 69.91, 0.85%, 0.51%

LAB 88.2, -34.37, 83.78

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 92 / 0 / 60 / 35

HEX #0DA542

RGB 13 165 66

HSL 140.92, 0.85%, 0.35%

LAB 59.33, -56.91, 40.65

 

CMYK 23 / 92 / 0 / 35

HEX #7F0DA5

RGB 127 13 165

HSL 285, 0.85%, 0.35%

LAB 32.95, 63.26, -54.17

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 92 / 14 / 0 / 35

HEX #0D8EA5

RGB 13 142 165

HSL 189.08, 0.85%, 0.35%

LAB 54.18, -22.86, -21.02

 

CMYK 0 / 92 / 14 / 35

HEX #A50D8E

RGB 165 13 142

HSL 309.08, 0.85%, 0.35%

LAB 38.27, 66.14, -31.28

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 92 / 0 / 60 / 35

HEX #0DA542

RGB 13 165 66

HSL 140.92, 0.85%, 0.35%

LAB 59.33, -56.91, 40.65

 

CMYK 78 / 92 / 0 / 35

HEX #240DA5

RGB 36 13 165

HSL 249.08, 0.85%, 0.35%

LAB 21.5, 54.35, -73.44

 

CMYK 0 / 92 / 32 / 35

HEX #A50D70

RGB 165 13 112

HSL 320.92, 0.85%, 0.35%

LAB 36.85, 62.41, -14.8

 

CMYK 15 / 0 / 92 / 35

HEX #8CA50D

RGB 140 165 13

HSL 69.87, 0.85%, 0.35%

LAB 63.77, -26.29, 64.17

 

CMYK 92 / 0 / 32 / 35

HEX #0DA570

RGB 13 165 112

HSL 159.08, 0.85%, 0.35%

LAB 60.04, -48.57, 17.61

 

CMYK 78 / 92 / 0 / 35

HEX #240DA5

RGB 36 13 165

HSL 249.08, 0.85%, 0.35%

LAB 21.5, 54.35, -73.44

 

CMYK 0 / 92 / 60 / 35

HEX #A50D42

RGB 165 13 66

HSL 339.08, 0.85%, 0.35%

LAB 35.36, 58.35, 12.65

 

Description

Color code: HEX #8CA50D | qconv.com Color code: HEX #8CA50D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 165 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 165 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 92 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 92% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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