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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CAFE3 it is the complementary color #73501C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CAFE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CAFE3 shade: #91AFDE, #A2C1F1, #B3D3FF, #C4E5FF and #D5F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CAFE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CAFE3 shade: #8CAFE3, #7B9DD0, #6A8BBD, #5979AA and #486797

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CAFE3 shade: #8CAFE3, #8C97E3, #978CE3, #AF8CE3 and #C68CE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CAFE3 shade: #8CAFE3, #8C97E3 and #8C8CE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CAFE3 shade matches the following richer shades: #8CAFE3, #80ACEE and #74AAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CAFE3 shade: #8CAFE3, #97B1D7, #A3B3CC, #AEB5C0 and #BAB8B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CAFE3 shade: #8CDEE3, #8CC7E3, #8CB0E3, #8C99E3 and #968CE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CAFE3 shade: #4980D3, #6A98DB, #8CAFE3, #ADC6EB and #CEDDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CAFE3 shade: #8CAFE3, #D08CE3 and #D3E38C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CAFE3 shade: #8CAFE3, #E38CB0 and #B0E38C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CAFE3 shade: #8CAFE3, #D08CE3, #E3BE8C and #9EE38C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CAFE3 shade: #8CAFE3, #E38CDB, #E3BE8C and #8CE393

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

Complementary color

CMYK 0 / 30 / 76 / 55

HEX #73501C

RGB 115 80 28

HSL 35.86, 0.61%, 0.28%

LAB 36.87, 9.33, 35.14

 

CMYK 35 / 21 / 0 / 13

HEX #91AFDE

RGB 145 175 222

HSL 216.62, 0.54%, 0.72%

LAB 70.84, 0.99, -26.98

 

CMYK 33 / 20 / 0 / 5

HEX #A2C1F1

RGB 162 193 241

HSL 216.46, 0.74%, 0.79%

LAB 77.38, 0.7, -27.15

 

CMYK 30 / 17 / 0 / 0

HEX #B3D3FF

RGB 179 211 255

HSL 214.74, 1%, 0.85%

LAB 83.65, -0.76, -24.96

 

CMYK 23 / 10 / 0 / 0

HEX #C4E5FF

RGB 196 229 255

HSL 206.44, 1%, 0.88%

LAB 89.39, -5.26, -16.17

 

CMYK 16 / 3 / 0 / 0

HEX #D5F7FF

RGB 213 247 255

HSL 191.43, 1%, 0.92%

LAB 95.11, -9.32, -7.53

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 41 / 25 / 0 / 18

HEX #7B9DD0

RGB 123 157 208

HSL 216, 0.47%, 0.65%

LAB 64.06, 1.32, -29.8

 

CMYK 44 / 26 / 0 / 26

HEX #6A8BBD

RGB 106 139 189

HSL 216.14, 0.39%, 0.58%

LAB 57.27, 1.78, -29.72

 

CMYK 48 / 29 / 0 / 33

HEX #5979AA

RGB 89 121 170

HSL 216.3, 0.32%, 0.51%

LAB 50.34, 2.33, -29.68

 

CMYK 52 / 32 / 0 / 41

HEX #486797

RGB 72 103 151

HSL 216.46, 0.35%, 0.44%

LAB 43.23, 3.03, -29.67

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 38 / 33 / 0 / 11

HEX #8C97E3

RGB 140 151 227

HSL 232.41, 0.61%, 0.72%

LAB 64.37, 14.51, -39.78

 

CMYK 33 / 38 / 0 / 11

HEX #978CE3

RGB 151 140 227

HSL 247.59, 0.61%, 0.72%

LAB 62.41, 23.82, -42.8

 

CMYK 23 / 38 / 0 / 11

HEX #AF8CE3

RGB 175 140 227

HSL 264.14, 0.61%, 0.72%

LAB 64.5, 30.59, -39.37

 

CMYK 13 / 38 / 0 / 11

HEX #C68CE3

RGB 198 140 227

HSL 280, 0.61%, 0.72%

LAB 66.75, 37.37, -35.68

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 38 / 33 / 0 / 11

HEX #8C97E3

RGB 140 151 227

HSL 232.41, 0.61%, 0.72%

LAB 64.37, 14.51, -39.78

 

CMYK 38 / 38 / 0 / 11

HEX #8C8CE3

RGB 140 140 227

HSL 240, 0.61%, 0.72%

LAB 61.55, 20.88, -44.21

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 46 / 28 / 0 / 7

HEX #80ACEE

RGB 128 172 238

HSL 216, 0.76%, 0.72%

LAB 69.66, 2.6, -37.62

 

CMYK 54 / 32 / 0 / 2

HEX #74AAFA

RGB 116 170 250

HSL 215.82, 0.93%, 0.72%

LAB 69.01, 4.57, -45.2

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 30 / 18 / 0 / 16

HEX #97B1D7

RGB 151 177 215

HSL 215.63, 0.44%, 0.72%

LAB 71.51, -0.16, -22.09

 

CMYK 20 / 12 / 0 / 20

HEX #A3B3CC

RGB 163 179 204

HSL 216.59, 0.29%, 0.72%

LAB 72.49, -0.19, -14.51

 

CMYK 9 / 6 / 0 / 25

HEX #AEB5C0

RGB 174 181 192

HSL 216.67, 0.13%, 0.72%

LAB 73.45, -0.26, -6.42

 

CMYK 0 / 1 / 3 / 27

HEX #BAB8B4

RGB 186 184 180

HSL 40, 0.04%, 0.72%

LAB 74.83, -0.03, 2.27

 

CMYK 38 / 2 / 0 / 11

HEX #8CDEE3

RGB 140 222 227

HSL 183.45, 0.61%, 0.72%

LAB 83.63, -23.68, -10.35

 

CMYK 38 / 12 / 0 / 11

HEX #8CC7E3

RGB 140 199 227

HSL 199.31, 0.61%, 0.72%

LAB 77.26, -11.99, -19.92

 

CMYK 38 / 22 / 0 / 11

HEX #8CB0E3

RGB 140 176 227

HSL 215.17, 0.61%, 0.72%

LAB 70.99, 0.38, -29.5

 

CMYK 38 / 33 / 0 / 11

HEX #8C99E3

RGB 140 153 227

HSL 231.03, 0.61%, 0.72%

LAB 64.89, 13.36, -38.97

 

CMYK 34 / 38 / 0 / 11

HEX #968CE3

RGB 150 140 227

HSL 246.9, 0.61%, 0.72%

LAB 62.33, 23.55, -42.93

 

CMYK 65 / 39 / 0 / 17

HEX #4980D3

RGB 73 128 211

HSL 216.09, 0.61%, 0.56%

LAB 53.55, 8.23, -48.15

 

CMYK 52 / 31 / 0 / 14

HEX #6A98DB

RGB 106 152 219

HSL 215.58, 0.61%, 0.64%

LAB 62.2, 3.21, -38.89

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 26 / 16 / 0 / 8

HEX #ADC6EB

RGB 173 198 235

HSL 215.81, 0.61%, 0.8%

LAB 79.2, -0.29, -21.1

 

CMYK 15 / 9 / 0 / 5

HEX #CEDDF3

RGB 206 221 243

HSL 215.68, 0.61%, 0.88%

LAB 87.63, -0.63, -12.43

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 8 / 38 / 0 / 11

HEX #D08CE3

RGB 208 140 227

HSL 286.9, 0.61%, 0.72%

LAB 67.81, 40.37, -33.96

 

CMYK 7 / 0 / 38 / 11

HEX #D3E38C

RGB 211 227 140

HSL 71.03, 0.61%, 0.72%

LAB 87.33, -18.7, 40.71

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 0 / 38 / 22 / 11

HEX #E38CB0

RGB 227 140 176

HSL 335.17, 0.61%, 0.72%

LAB 68.18, 37.77, -4.79

 

CMYK 22 / 0 / 38 / 11

HEX #B0E38C

RGB 176 227 140

HSL 95.17, 0.61%, 0.72%

LAB 85.03, -31.55, 37.29

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 8 / 38 / 0 / 11

HEX #D08CE3

RGB 208 140 227

HSL 286.9, 0.61%, 0.72%

LAB 67.81, 40.37, -33.96

 

CMYK 0 / 16 / 38 / 11

HEX #E3BE8C

RGB 227 190 140

HSL 34.48, 0.61%, 0.72%

LAB 79.07, 6.43, 30.19

 

CMYK 30 / 0 / 38 / 11

HEX #9EE38C

RGB 158 227 140

HSL 107.59, 0.61%, 0.72%

LAB 84.02, -37.69, 35.78

 

CMYK 38 / 23 / 0 / 11

HEX #8CAFE3

RGB 140 175 227

HSL 215.86, 0.61%, 0.72%

LAB 70.72, 0.93, -29.92

 

CMYK 0 / 38 / 4 / 11

HEX #E38CDB

RGB 227 140 219

HSL 305.52, 0.61%, 0.72%

LAB 69.61, 44.69, -26.59

 

CMYK 0 / 16 / 38 / 11

HEX #E3BE8C

RGB 227 190 140

HSL 34.48, 0.61%, 0.72%

LAB 79.07, 6.43, 30.19

 

CMYK 38 / 0 / 35 / 11

HEX #8CE393

RGB 140 227 147

HSL 124.83, 0.61%, 0.72%

LAB 83.24, -42.3, 31.05

 

Description

Color code: HEX #8CAFE3 | qconv.com Color code: HEX #8CAFE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 175 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 175 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 23 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 23% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - 优卡网
Link: http://www.ucc.sh.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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