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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CB6E7 it is the complementary color #734918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CB6E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CB6E7 shade: #91B6E2, #A2C8F5, #B3DAFF, #C4ECFF and #D5FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CB6E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CB6E7 shade: #8CB6E7, #7BA4D4, #6A92C1, #5980AE and #486E9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CB6E7 shade: #8DB6E6, #8D9EE6, #948DE6, #AC8DE6 and #C48DE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CB6E7 shade: #8DB6E6, #8D9EE6 and #8D8DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CB6E7 shade matches the following richer shades: #8DB6E6, #82B5F2 and #77B4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CB6E7 shade: #8DB6E6, #98B7DB, #A3B8D0, #AEB9C5 and #B9BABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CB6E7 shade: #8DE6E6, #8DCFE6, #8DB7E6, #8D9FE6 and #938DE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CB6E7 shade: #498BD8, #6BA1DF, #8DB6E6, #AFCCEE and #D1E2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CB6E7 shade: #8CB6E7, #CF8DE6 and #DAE68D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CB6E7 shade: #8CB6E7, #E68DB7 and #B7E68D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CB6E7 shade: #8CB6E7, #CF8DE6, #E6BD8D and #A5E68D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CB6E7 shade: #8CB6E7, #E68DE3, #E6BD8D and #8DE690

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 21 / 0 / 9

HEX #8CB6E7

RGB 140 182 231

HSL 212.31, 0.65%, 0.73%

LAB 72.76, -1.85, -28.95

 

Complementary color

CMYK 0 / 37 / 79 / 55

HEX #734918

RGB 115 73 24

HSL 32.31, 0.65%, 0.27%

LAB 34.95, 13.36, 35.14

 

CMYK 36 / 19 / 0 / 11

HEX #91B6E2

RGB 145 182 226

HSL 212.59, 0.58%, 0.73%

LAB 72.87, -1.82, -26.04

 

CMYK 34 / 18 / 0 / 4

HEX #A2C8F5

RGB 162 200 245

HSL 212.53, 0.81%, 0.8%

LAB 79.38, -2.07, -26.25

 

CMYK 30 / 15 / 0 / 0

HEX #B3DAFF

RGB 179 218 255

HSL 209.21, 1%, 0.85%

LAB 85.48, -4.44, -22.18

 

CMYK 23 / 7 / 0 / 0

HEX #C4ECFF

RGB 196 236 255

HSL 199.32, 1%, 0.88%

LAB 91.21, -8.84, -13.44

 

CMYK 16 / 0 / 0 / 0

HEX #D5FEFF

RGB 213 254 255

HSL 181.43, 1%, 0.92%

LAB 96.92, -12.82, -4.86

 

CMYK 39 / 21 / 0 / 9

HEX #8CB6E7

RGB 140 182 231

HSL 212.31, 0.65%, 0.73%

LAB 72.76, -1.85, -28.95

 

CMYK 42 / 23 / 0 / 17

HEX #7BA4D4

RGB 123 164 212

HSL 212.36, 0.51%, 0.66%

LAB 66.15, -1.51, -28.8

 

CMYK 45 / 24 / 0 / 24

HEX #6A92C1

RGB 106 146 193

HSL 212.41, 0.41%, 0.59%

LAB 59.41, -1.1, -28.68

 

CMYK 49 / 26 / 0 / 32

HEX #5980AE

RGB 89 128 174

HSL 212.47, 0.34%, 0.52%

LAB 52.53, -0.59, -28.58

 

CMYK 54 / 29 / 0 / 39

HEX #486E9B

RGB 72 110 155

HSL 212.53, 0.37%, 0.45%

LAB 45.49, 0.04, -28.51

 

CMYK 39 / 21 / 0 / 10

HEX #8DB6E6

RGB 141 182 230

HSL 212.36, 0.64%, 0.73%

LAB 72.78, -1.85, -28.37

 

CMYK 39 / 31 / 0 / 10

HEX #8D9EE6

RGB 141 158 230

HSL 228.54, 0.64%, 0.73%

LAB 66.39, 11.57, -38.27

 

CMYK 36 / 39 / 0 / 10

HEX #948DE6

RGB 148 141 230

HSL 244.72, 0.64%, 0.73%

LAB 62.56, 23.22, -44.24

 

CMYK 25 / 39 / 0 / 10

HEX #AC8DE6

RGB 172 141 230

HSL 260.9, 0.64%, 0.73%

LAB 64.59, 29.87, -40.91

 

CMYK 15 / 39 / 0 / 10

HEX #C48DE6

RGB 196 141 230

HSL 277.08, 0.64%, 0.73%

LAB 66.9, 36.86, -37.13

 

CMYK 39 / 21 / 0 / 10

HEX #8DB6E6

RGB 141 182 230

HSL 212.36, 0.64%, 0.73%

LAB 72.78, -1.85, -28.37

 

CMYK 39 / 31 / 0 / 10

HEX #8D9EE6

RGB 141 158 230

HSL 228.54, 0.64%, 0.73%

LAB 66.39, 11.57, -38.27

 

CMYK 39 / 39 / 0 / 10

HEX #8D8DE6

RGB 141 141 230

HSL 240, 0.64%, 0.73%

LAB 62.02, 21.38, -45.12

 

CMYK 39 / 21 / 0 / 10

HEX #8DB6E6

RGB 141 182 230

HSL 212.36, 0.64%, 0.73%

LAB 72.78, -1.85, -28.37

 

CMYK 46 / 25 / 0 / 5

HEX #82B5F2

RGB 130 181 242

HSL 212.68, 0.81%, 0.73%

LAB 72.36, -0.78, -35.58

 

CMYK 53 / 29 / 0 / 1

HEX #77B4FD

RGB 119 180 253

HSL 212.69, 0.97%, 0.73%

LAB 72, 0.5, -42.14

 

CMYK 39 / 21 / 0 / 10

HEX #8DB6E6

RGB 141 182 230

HSL 212.36, 0.64%, 0.73%

LAB 72.78, -1.85, -28.37

 

CMYK 31 / 16 / 0 / 14

HEX #98B7DB

RGB 152 183 219

HSL 212.24, 0.48%, 0.73%

LAB 73.32, -2.16, -21.51

 

CMYK 22 / 12 / 0 / 18

HEX #A3B8D0

RGB 163 184 208

HSL 212, 0.32%, 0.73%

LAB 73.95, -2, -14.5

 

CMYK 12 / 6 / 0 / 23

HEX #AEB9C5

RGB 174 185 197

HSL 211.3, 0.17%, 0.73%

LAB 74.65, -1.39, -7.37

 

CMYK 1 / 0 / 0 / 27

HEX #B9BABA

RGB 185 186 186

HSL 180, 0.01%, 0.73%

LAB 75.44, -0.34, -0.13

 

CMYK 39 / 0 / 0 / 10

HEX #8DE6E6

RGB 141 230 230

HSL 180, 0.64%, 0.73%

LAB 85.99, -26.62, -8.42

 

CMYK 39 / 10 / 0 / 10

HEX #8DCFE6

RGB 141 207 230

HSL 195.51, 0.64%, 0.73%

LAB 79.61, -15.12, -17.97

 

CMYK 39 / 20 / 0 / 10

HEX #8DB7E6

RGB 141 183 230

HSL 211.69, 0.64%, 0.73%

LAB 73.05, -2.4, -27.96

 

CMYK 39 / 31 / 0 / 10

HEX #8D9FE6

RGB 141 159 230

HSL 227.87, 0.64%, 0.73%

LAB 66.65, 11, -37.86

 

CMYK 36 / 39 / 0 / 10

HEX #938DE6

RGB 147 141 230

HSL 244.04, 0.64%, 0.73%

LAB 62.48, 22.96, -44.37

 

CMYK 66 / 36 / 0 / 15

HEX #498BD8

RGB 73 139 216

HSL 212.31, 0.65%, 0.57%

LAB 56.92, 3.36, -45.63

 

CMYK 52 / 28 / 0 / 13

HEX #6BA1DF

RGB 107 161 223

HSL 212.07, 0.64%, 0.65%

LAB 64.92, -0.49, -36.86

 

CMYK 39 / 21 / 0 / 10

HEX #8DB6E6

RGB 141 182 230

HSL 212.36, 0.64%, 0.73%

LAB 72.78, -1.85, -28.37

 

CMYK 26 / 14 / 0 / 7

HEX #AFCCEE

RGB 175 204 238

HSL 212.38, 0.65%, 0.81%

LAB 81, -2.2, -19.96

 

CMYK 15 / 8 / 0 / 4

HEX #D1E2F5

RGB 209 226 245

HSL 211.67, 0.64%, 0.89%

LAB 89.18, -1.88, -11.16

 

CMYK 39 / 21 / 0 / 9

HEX #8CB6E7

RGB 140 182 231

HSL 212.31, 0.65%, 0.73%

LAB 72.76, -1.85, -28.95

 

CMYK 10 / 39 / 0 / 10

HEX #CF8DE6

RGB 207 141 230

HSL 284.49, 0.64%, 0.73%

LAB 68.04, 40.14, -35.26

 

CMYK 5 / 0 / 39 / 10

HEX #DAE68D

RGB 218 230 141

HSL 68.09, 0.64%, 0.73%

LAB 88.65, -17.4, 42

 

CMYK 39 / 21 / 0 / 9

HEX #8CB6E7

RGB 140 182 231

HSL 212.31, 0.65%, 0.73%

LAB 72.76, -1.85, -28.95

 

CMYK 0 / 39 / 20 / 10

HEX #E68DB7

RGB 230 141 183

HSL 331.69, 0.64%, 0.73%

LAB 68.96, 39.3, -7.52

 

CMYK 20 / 0 / 39 / 10

HEX #B7E68D

RGB 183 230 141

HSL 91.69, 0.64%, 0.73%

LAB 86.3, -30.35, 38.51

 

CMYK 39 / 21 / 0 / 9

HEX #8CB6E7

RGB 140 182 231

HSL 212.31, 0.65%, 0.73%

LAB 72.76, -1.85, -28.95

 

CMYK 10 / 39 / 0 / 10

HEX #CF8DE6

RGB 207 141 230

HSL 284.49, 0.64%, 0.73%

LAB 68.04, 40.14, -35.26

 

CMYK 0 / 18 / 39 / 10

HEX #E6BD8D

RGB 230 189 141

HSL 32.36, 0.64%, 0.73%

LAB 79.12, 8.25, 29.78

 

CMYK 28 / 0 / 39 / 10

HEX #A5E68D

RGB 165 230 141

HSL 103.82, 0.64%, 0.73%

LAB 85.26, -36.58, 36.96

 

CMYK 39 / 21 / 0 / 9

HEX #8CB6E7

RGB 140 182 231

HSL 212.31, 0.65%, 0.73%

LAB 72.76, -1.85, -28.95

 

CMYK 0 / 39 / 1 / 10

HEX #E68DE3

RGB 230 141 227

HSL 302.02, 0.64%, 0.73%

LAB 70.47, 46.52, -29.65

 

CMYK 0 / 18 / 39 / 10

HEX #E6BD8D

RGB 230 189 141

HSL 32.36, 0.64%, 0.73%

LAB 79.12, 8.25, 29.78

 

CMYK 39 / 0 / 37 / 10

HEX #8DE690

RGB 141 230 144

HSL 122.02, 0.64%, 0.73%

LAB 84.11, -43.78, 33.72

 

Description

Color code: HEX #8CB6E7 | qconv.com Color code: HEX #8CB6E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 182 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 182 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 21 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 21% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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