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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CB2D0 it is the complementary color #734D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CB2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CB2D0 shade: #91B2CB, #A2C4DE, #B3D6F1, #C4E8FF and #D5FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CB2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CB2D0 shade: #8CB2D0, #7BA0BD, #6A8EAA, #597C97 and #486A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CB2D0 shade: #8BB1CF, #8B9ECF, #8B8CCF, #9C8BCF and #AE8BCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CB2D0 shade: #8BB1CF, #8B9ECF, #8B8CCF and #8B8BCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CB2D0 shade matches the following richer shades: #8BB1CF, #7DB2DC, #70B4EA and #63B6F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CB2D0 shade: #8BB1CF, #98AFC2, #A5AEB5, #B2ACA8 and #BFAB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CB2D0 shade: #8BCFC8, #8BC4CF, #8BB1CF, #8B9FCF and #8B8DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CB2D0 shade: #508AB7, #6D9DC3, #8BB1CF, #A8C5DB and #C5D8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CB2D0 shade: #8CB2D0, #B68BCF and #CDCF8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CB2D0 shade: #8CB2D0, #CF8BB1 and #B1CF8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CB2D0 shade: #8CB2D0, #B68BCF, #CFA88B and #A4CF8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CB2D0 shade: #8CB2D0, #CB8BCF, #CFA88B and #8FCF8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 14 / 0 / 18

HEX #8CB2D0

RGB 140 178 208

HSL 206.47, 0.42%, 0.68%

LAB 70.85, -5.62, -19.32

 

Complementary color

CMYK 0 / 33 / 59 / 55

HEX #734D2F

RGB 115 77 47

HSL 26.47, 0.42%, 0.32%

LAB 36.29, 12.52, 24.12

 

CMYK 29 / 12 / 0 / 20

HEX #91B2CB

RGB 145 178 203

HSL 205.86, 0.36%, 0.68%

LAB 70.99, -5.4, -16.34

 

CMYK 27 / 12 / 0 / 13

HEX #A2C4DE

RGB 162 196 222

HSL 206, 0.48%, 0.75%

LAB 77.54, -5.5, -16.68

 

CMYK 26 / 11 / 0 / 5

HEX #B3D6F1

RGB 179 214 241

HSL 206.13, 0.69%, 0.82%

LAB 83.98, -5.6, -17.04

 

CMYK 23 / 9 / 0 / 0

HEX #C4E8FF

RGB 196 232 255

HSL 203.39, 1%, 0.88%

LAB 90.17, -6.8, -15

 

CMYK 16 / 2 / 0 / 0

HEX #D5FAFF

RGB 213 250 255

HSL 187.14, 1%, 0.92%

LAB 95.89, -10.83, -6.38

 

CMYK 33 / 14 / 0 / 18

HEX #8CB2D0

RGB 140 178 208

HSL 206.47, 0.42%, 0.68%

LAB 70.85, -5.62, -19.32

 

CMYK 35 / 15 / 0 / 26

HEX #7BA0BD

RGB 123 160 189

HSL 206.36, 0.33%, 0.61%

LAB 64.18, -5.47, -19.02

 

CMYK 38 / 16 / 0 / 33

HEX #6A8EAA

RGB 106 142 170

HSL 206.25, 0.27%, 0.54%

LAB 57.38, -5.29, -18.74

 

CMYK 41 / 18 / 0 / 41

HEX #597C97

RGB 89 124 151

HSL 206.13, 0.26%, 0.47%

LAB 50.42, -5.06, -18.47

 

CMYK 45 / 20 / 0 / 48

HEX #486A84

RGB 72 106 132

HSL 206, 0.29%, 0.4%

LAB 43.29, -4.78, -18.21

 

CMYK 33 / 14 / 0 / 19

HEX #8BB1CF

RGB 139 177 207

HSL 206.47, 0.41%, 0.68%

LAB 70.48, -5.62, -19.34

 

CMYK 33 / 24 / 0 / 19

HEX #8B9ECF

RGB 139 158 207

HSL 223.24, 0.41%, 0.68%

LAB 65.32, 4.91, -27.23

 

CMYK 33 / 32 / 0 / 19

HEX #8B8CCF

RGB 139 140 207

HSL 239.12, 0.41%, 0.68%

LAB 60.56, 15.23, -34.6

 

CMYK 25 / 33 / 0 / 19

HEX #9C8BCF

RGB 156 139 207

HSL 255, 0.41%, 0.68%

LAB 61.69, 20.79, -32.74

 

CMYK 16 / 33 / 0 / 19

HEX #AE8BCF

RGB 174 139 207

HSL 270.88, 0.41%, 0.68%

LAB 63.32, 26.3, -30.08

 

CMYK 33 / 14 / 0 / 19

HEX #8BB1CF

RGB 139 177 207

HSL 206.47, 0.41%, 0.68%

LAB 70.48, -5.62, -19.34

 

CMYK 33 / 24 / 0 / 19

HEX #8B9ECF

RGB 139 158 207

HSL 223.24, 0.41%, 0.68%

LAB 65.32, 4.91, -27.23

 

CMYK 33 / 32 / 0 / 19

HEX #8B8CCF

RGB 139 140 207

HSL 239.12, 0.41%, 0.68%

LAB 60.56, 15.23, -34.6

 

CMYK 33 / 33 / 0 / 19

HEX #8B8BCF

RGB 139 139 207

HSL 240, 0.41%, 0.68%

LAB 60.3, 15.82, -35

 

CMYK 33 / 14 / 0 / 19

HEX #8BB1CF

RGB 139 177 207

HSL 206.47, 0.41%, 0.68%

LAB 70.48, -5.62, -19.34

 

CMYK 43 / 19 / 0 / 14

HEX #7DB2DC

RGB 125 178 220

HSL 206.53, 0.58%, 0.68%

LAB 70.43, -6.5, -26.6

 

CMYK 52 / 23 / 0 / 8

HEX #70B4EA

RGB 112 180 234

HSL 206.56, 0.74%, 0.68%

LAB 70.89, -6.65, -33.59

 

CMYK 60 / 26 / 0 / 3

HEX #63B6F7

RGB 99 182 247

HSL 206.35, 0.9%, 0.68%

LAB 71.44, -6.41, -39.84

 

CMYK 33 / 14 / 0 / 19

HEX #8BB1CF

RGB 139 177 207

HSL 206.47, 0.41%, 0.68%

LAB 70.48, -5.62, -19.34

 

CMYK 22 / 10 / 0 / 24

HEX #98AFC2

RGB 152 175 194

HSL 207.14, 0.26%, 0.68%

LAB 70.34, -3.75, -12.33

 

CMYK 9 / 4 / 0 / 29

HEX #A5AEB5

RGB 165 174 181

HSL 206.25, 0.1%, 0.68%

LAB 70.6, -1.75, -4.67

 

CMYK 0 / 3 / 6 / 30

HEX #B2ACA8

RGB 178 172 168

HSL 24, 0.06%, 0.68%

LAB 70.73, 1.42, 2.81

 

CMYK 0 / 10 / 19 / 25

HEX #BFAB9A

RGB 191 171 154

HSL 27.57, 0.22%, 0.68%

LAB 71.24, 4.45, 11.38

 

CMYK 33 / 0 / 3 / 19

HEX #8BCFC8

RGB 139 207 200

HSL 173.82, 0.41%, 0.68%

LAB 78.63, -22.9, -3.36

 

CMYK 33 / 5 / 0 / 19

HEX #8BC4CF

RGB 139 196 207

HSL 189.71, 0.41%, 0.68%

LAB 75.75, -15.68, -11.41

 

CMYK 33 / 14 / 0 / 19

HEX #8BB1CF

RGB 139 177 207

HSL 206.47, 0.41%, 0.68%

LAB 70.48, -5.62, -19.34

 

CMYK 33 / 23 / 0 / 19

HEX #8B9FCF

RGB 139 159 207

HSL 222.35, 0.41%, 0.68%

LAB 65.59, 4.35, -26.82

 

CMYK 33 / 32 / 0 / 19

HEX #8B8DCF

RGB 139 141 207

HSL 238.24, 0.41%, 0.68%

LAB 60.82, 14.65, -34.19

 

CMYK 56 / 25 / 0 / 28

HEX #508AB7

RGB 80 138 183

HSL 206.21, 0.42%, 0.52%

LAB 55.38, -5.68, -29.35

 

CMYK 44 / 19 / 0 / 24

HEX #6D9DC3

RGB 109 157 195

HSL 206.51, 0.42%, 0.6%

LAB 62.76, -5.96, -24.62

 

CMYK 33 / 14 / 0 / 19

HEX #8BB1CF

RGB 139 177 207

HSL 206.47, 0.41%, 0.68%

LAB 70.48, -5.62, -19.34

 

CMYK 23 / 10 / 0 / 14

HEX #A8C5DB

RGB 168 197 219

HSL 205.88, 0.41%, 0.76%

LAB 78.09, -4.93, -14.2

 

CMYK 15 / 6 / 0 / 9

HEX #C5D8E7

RGB 197 216 231

HSL 206.47, 0.41%, 0.84%

LAB 85.38, -3.33, -9.52

 

CMYK 33 / 14 / 0 / 18

HEX #8CB2D0

RGB 140 178 208

HSL 206.47, 0.42%, 0.68%

LAB 70.85, -5.62, -19.32

 

CMYK 12 / 33 / 0 / 19

HEX #B68BCF

RGB 182 139 207

HSL 277.94, 0.41%, 0.68%

LAB 64.09, 28.8, -28.82

 

CMYK 1 / 0 / 33 / 19

HEX #CDCF8B

RGB 205 207 139

HSL 61.76, 0.41%, 0.68%

LAB 81.55, -11.14, 33.63

 

CMYK 33 / 14 / 0 / 18

HEX #8CB2D0

RGB 140 178 208

HSL 206.47, 0.42%, 0.68%

LAB 70.85, -5.62, -19.32

 

CMYK 0 / 33 / 14 / 19

HEX #CF8BB1

RGB 207 139 177

HSL 326.47, 0.41%, 0.68%

LAB 65.67, 31.5, -9.33

 

CMYK 14 / 0 / 33 / 19

HEX #B1CF8B

RGB 177 207 139

HSL 86.47, 0.41%, 0.68%

LAB 79.52, -21.73, 30.58

 

CMYK 33 / 14 / 0 / 18

HEX #8CB2D0

RGB 140 178 208

HSL 206.47, 0.42%, 0.68%

LAB 70.85, -5.62, -19.32

 

CMYK 12 / 33 / 0 / 19

HEX #B68BCF

RGB 182 139 207

HSL 277.94, 0.41%, 0.68%

LAB 64.09, 28.8, -28.82

 

CMYK 0 / 19 / 33 / 19

HEX #CFA88B

RGB 207 168 139

HSL 25.59, 0.41%, 0.68%

LAB 71.65, 10.16, 20.38

 

CMYK 21 / 0 / 33 / 19

HEX #A4CF8B

RGB 164 207 139

HSL 97.94, 0.41%, 0.68%

LAB 78.68, -26.43, 29.32

 

CMYK 33 / 14 / 0 / 18

HEX #8CB2D0

RGB 140 178 208

HSL 206.47, 0.42%, 0.68%

LAB 70.85, -5.62, -19.32

 

CMYK 2 / 33 / 0 / 19

HEX #CB8BCF

RGB 203 139 207

HSL 296.47, 0.41%, 0.68%

LAB 66.26, 35.47, -25.29

 

CMYK 0 / 19 / 33 / 19

HEX #CFA88B

RGB 207 168 139

HSL 25.59, 0.41%, 0.68%

LAB 71.65, 10.16, 20.38

 

CMYK 31 / 0 / 33 / 19

HEX #8FCF8B

RGB 143 207 139

HSL 116.47, 0.41%, 0.68%

LAB 77.48, -33.61, 27.5

 

Description

Color code: HEX #8CB2D0 | qconv.com Color code: HEX #8CB2D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 178 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 178 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 14 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 14% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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