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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CBDD3 it is the complementary color #73422C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CBDD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CBDD3 shade: #91BDCE, #A2CFE1, #B3E1F4, #C4F3FF and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CBDD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CBDD3 shade: #8CBDD3, #7BABC0, #6A99AD, #59879A and #487587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CBDD3 shade: #8CBDD3, #8CAAD3, #8C97D3, #948CD3 and #A88CD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CBDD3 shade: #8CBDD3, #8CAAD3, #8C97D3 and #8C8CD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CBDD3 shade matches the following richer shades: #8CBDD3, #7FC2E0, #72C7ED and #66CCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CBDD3 shade: #8CBDD3, #99B8C6, #A5B3B9, #B2AEAD and #BFAAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CBDD3 shade: #8CD3C2, #8CD1D3, #8CBED3, #8CABD3 and #8C98D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CBDD3 shade: #509BBC, #6EACC8, #8CBDD3, #AACEDE and #C8DFEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CBDD3 shade: #8CBDD3, #AF8CD3 and #D3CC8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CBDD3 shade: #8CBDD3, #D38CBE and #BED38C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CBDD3 shade: #8CBDD3, #AF8CD3, #D3A18C and #AFD38C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CBDD3 shade: #8CBDD3, #C58CD3, #D3A18C and #9AD38C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

Complementary color

CMYK 0 / 43 / 62 / 55

HEX #73422C

RGB 115 66 44

HSL 18.59, 0.45%, 0.31%

LAB 33.4, 18.89, 22.35

 

CMYK 30 / 8 / 0 / 19

HEX #91BDCE

RGB 145 189 206

HSL 196.72, 0.38%, 0.69%

LAB 74.11, -10.56, -13.28

 

CMYK 28 / 8 / 0 / 12

HEX #A2CFE1

RGB 162 207 225

HSL 197.14, 0.51%, 0.76%

LAB 80.6, -10.58, -13.7

 

CMYK 27 / 8 / 0 / 4

HEX #B3E1F4

RGB 179 225 244

HSL 197.54, 0.75%, 0.83%

LAB 86.98, -10.61, -14.12

 

CMYK 23 / 5 / 0 / 0

HEX #C4F3FF

RGB 196 243 255

HSL 192.2, 1%, 0.88%

LAB 93.04, -12.38, -10.72

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 36 / 11 / 0 / 25

HEX #7BABC0

RGB 123 171 192

HSL 198.26, 0.35%, 0.62%

LAB 67.38, -10.69, -15.84

 

CMYK 39 / 12 / 0 / 32

HEX #6A99AD

RGB 106 153 173

HSL 197.91, 0.29%, 0.55%

LAB 60.66, -10.6, -15.46

 

CMYK 42 / 12 / 0 / 40

HEX #59879A

RGB 89 135 154

HSL 197.54, 0.27%, 0.48%

LAB 53.8, -10.48, -15.07

 

CMYK 47 / 13 / 0 / 47

HEX #487587

RGB 72 117 135

HSL 197.14, 0.3%, 0.41%

LAB 46.78, -10.31, -14.68

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 34 / 19 / 0 / 17

HEX #8CAAD3

RGB 140 170 211

HSL 214.65, 0.45%, 0.69%

LAB 68.77, -0.48, -24.13

 

CMYK 34 / 28 / 0 / 17

HEX #8C97D3

RGB 140 151 211

HSL 230.7, 0.45%, 0.69%

LAB 63.68, 10.22, -31.97

 

CMYK 30 / 34 / 0 / 17

HEX #948CD3

RGB 148 140 211

HSL 246.76, 0.45%, 0.69%

LAB 61.44, 18.85, -35.41

 

CMYK 20 / 34 / 0 / 17

HEX #A88CD3

RGB 168 140 211

HSL 263.66, 0.45%, 0.69%

LAB 63.16, 24.79, -32.6

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 34 / 19 / 0 / 17

HEX #8CAAD3

RGB 140 170 211

HSL 214.65, 0.45%, 0.69%

LAB 68.77, -0.48, -24.13

 

CMYK 34 / 28 / 0 / 17

HEX #8C97D3

RGB 140 151 211

HSL 230.7, 0.45%, 0.69%

LAB 63.68, 10.22, -31.97

 

CMYK 34 / 34 / 0 / 17

HEX #8C8CD3

RGB 140 140 211

HSL 240, 0.45%, 0.69%

LAB 60.81, 16.57, -36.44

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 43 / 13 / 0 / 12

HEX #7FC2E0

RGB 127 194 224

HSL 198.56, 0.61%, 0.69%

LAB 75.13, -13.46, -21.61

 

CMYK 52 / 16 / 0 / 7

HEX #72C7ED

RGB 114 199 237

HSL 198.54, 0.77%, 0.69%

LAB 76.4, -15.48, -26.73

 

CMYK 59 / 18 / 0 / 2

HEX #66CCF9

RGB 102 204 249

HSL 198.37, 0.92%, 0.69%

LAB 77.79, -16.96, -31.07

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 23 / 7 / 0 / 22

HEX #99B8C6

RGB 153 184 198

HSL 198.67, 0.28%, 0.69%

LAB 72.98, -7.37, -10.56

 

CMYK 11 / 3 / 0 / 27

HEX #A5B3B9

RGB 165 179 185

HSL 198, 0.13%, 0.69%

LAB 72.06, -3.63, -4.72

 

CMYK 0 / 2 / 3 / 30

HEX #B2AEAD

RGB 178 174 173

HSL 12, 0.03%, 0.69%

LAB 71.39, 1.24, 1.01

 

CMYK 0 / 11 / 16 / 25

HEX #BFAAA0

RGB 191 170 160

HSL 19.35, 0.19%, 0.69%

LAB 71.12, 5.94, 7.92

 

CMYK 34 / 0 / 8 / 17

HEX #8CD3C2

RGB 140 211 194

HSL 165.63, 0.45%, 0.69%

LAB 79.65, -25.93, 1.35

 

CMYK 34 / 1 / 0 / 17

HEX #8CD1D3

RGB 140 209 211

HSL 181.69, 0.45%, 0.69%

LAB 79.55, -21.06, -7.9

 

CMYK 34 / 10 / 0 / 17

HEX #8CBED3

RGB 140 190 211

HSL 197.75, 0.45%, 0.69%

LAB 74.26, -11.29, -15.81

 

CMYK 34 / 19 / 0 / 17

HEX #8CABD3

RGB 140 171 211

HSL 213.8, 0.45%, 0.69%

LAB 69.04, -1.04, -23.72

 

CMYK 34 / 28 / 0 / 17

HEX #8C98D3

RGB 140 152 211

HSL 229.86, 0.45%, 0.69%

LAB 63.95, 9.65, -31.56

 

CMYK 57 / 18 / 0 / 26

HEX #509BBC

RGB 80 155 188

HSL 198.33, 0.45%, 0.53%

LAB 60.59, -13.62, -24.15

 

CMYK 45 / 14 / 0 / 22

HEX #6EACC8

RGB 110 172 200

HSL 198.67, 0.45%, 0.61%

LAB 67.27, -12.51, -20.51

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 23 / 7 / 0 / 13

HEX #AACEDE

RGB 170 206 222

HSL 198.46, 0.44%, 0.77%

LAB 80.72, -8.39, -11.86

 

CMYK 15 / 5 / 0 / 8

HEX #C8DFEA

RGB 200 223 234

HSL 199.41, 0.45%, 0.85%

LAB 87.48, -5.4, -7.96

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 17 / 34 / 0 / 17

HEX #AF8CD3

RGB 175 140 211

HSL 269.58, 0.45%, 0.69%

LAB 63.81, 26.93, -31.54

 

CMYK 0 / 3 / 34 / 17

HEX #D3CC8C

RGB 211 204 140

HSL 54.08, 0.45%, 0.69%

LAB 81.25, -7.15, 32.82

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 0 / 34 / 10 / 17

HEX #D38CBE

RGB 211 140 190

HSL 317.75, 0.45%, 0.69%

LAB 66.77, 34.49, -14.95

 

CMYK 10 / 0 / 34 / 17

HEX #BED38C

RGB 190 211 140

HSL 77.75, 0.45%, 0.69%

LAB 81.53, -18.74, 32.88

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 17 / 34 / 0 / 17

HEX #AF8CD3

RGB 175 140 211

HSL 269.58, 0.45%, 0.69%

LAB 63.81, 26.93, -31.54

 

CMYK 0 / 24 / 34 / 17

HEX #D3A18C

RGB 211 161 140

HSL 17.75, 0.45%, 0.69%

LAB 70.34, 15.64, 18.09

 

CMYK 17 / 0 / 34 / 17

HEX #AFD38C

RGB 175 211 140

HSL 90.42, 0.45%, 0.69%

LAB 80.51, -24.28, 31.36

 

CMYK 34 / 10 / 0 / 17

HEX #8CBDD3

RGB 140 189 211

HSL 198.59, 0.45%, 0.69%

LAB 73.98, -10.76, -16.22

 

CMYK 7 / 34 / 0 / 17

HEX #C58CD3

RGB 197 140 211

HSL 288.17, 0.45%, 0.69%

LAB 66, 33.8, -27.98

 

CMYK 0 / 24 / 34 / 17

HEX #D3A18C

RGB 211 161 140

HSL 17.75, 0.45%, 0.69%

LAB 70.34, 15.64, 18.09

 

CMYK 27 / 0 / 34 / 17

HEX #9AD38C

RGB 154 211 140

HSL 108.17, 0.45%, 0.69%

LAB 79.24, -31.66, 29.44

 

Description

Color code: HEX #8CBDD3 | qconv.com Color code: HEX #8CBDD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 189 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 189 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 10 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 10% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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