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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CC2D0 it is the complementary color #733D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CC2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CC2D0 shade: #91C2CB, #A2D4DE, #B3E6F1, #C4F8FF and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CC2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CC2D0 shade: #8CC2D0, #7BB0BD, #6A9EAA, #598C97 and #487A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CC2D0 shade: #8BC1CF, #8BAFCF, #8B9CCF, #8C8BCF and #9E8BCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CC2D0 shade: #8BC1CF, #8BAFCF, #8B9CCF and #8B8BCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CC2D0 shade matches the following richer shades: #8BC1CF, #7DC9DC, #70D1EA and #63D8F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CC2D0 shade: #8BC1CF, #98B9C2, #A5B2B5, #B2AAA8 and #BFA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CC2D0 shade: #8BCFB8, #8BCFCB, #8BC1CF, #8BAFCF and #8B9DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CC2D0 shade: #50A2B7, #6DB2C3, #8BC1CF, #A8D1DB and #C5E0E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CC2D0 shade: #8CC2D0, #A68BCF and #CFC18B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CC2D0 shade: #8CC2D0, #CF8BC1 and #C1CF8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CC2D0 shade: #8CC2D0, #A68BCF, #CF988B and #B4CF8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CC2D0 shade: #8CC2D0, #BB8BCF, #CF988B and #9FCF8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 7 / 0 / 18

HEX #8CC2D0

RGB 140 194 208

HSL 192.35, 0.42%, 0.68%

LAB 75.27, -14.12, -12.65

 

Complementary color

CMYK 0 / 47 / 59 / 55

HEX #733D2F

RGB 115 61 47

HSL 12.35, 0.42%, 0.32%

LAB 32.23, 22.12, 19.03

 

CMYK 29 / 4 / 0 / 20

HEX #91C2CB

RGB 145 194 203

HSL 189.31, 0.36%, 0.68%

LAB 75.4, -13.88, -9.72

 

CMYK 27 / 5 / 0 / 13

HEX #A2D4DE

RGB 162 212 222

HSL 190, 0.48%, 0.75%

LAB 81.86, -13.85, -10.21

 

CMYK 26 / 5 / 0 / 5

HEX #B3E6F1

RGB 179 230 241

HSL 190.65, 0.69%, 0.82%

LAB 88.22, -13.83, -10.68

 

CMYK 23 / 3 / 0 / 0

HEX #C4F8FF

RGB 196 248 255

HSL 187.12, 1%, 0.88%

LAB 94.35, -14.89, -8.77

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 33 / 7 / 0 / 18

HEX #8CC2D0

RGB 140 194 208

HSL 192.35, 0.42%, 0.68%

LAB 75.27, -14.12, -12.65

 

CMYK 35 / 7 / 0 / 26

HEX #7BB0BD

RGB 123 176 189

HSL 191.82, 0.33%, 0.61%

LAB 68.7, -14.11, -12.2

 

CMYK 38 / 7 / 0 / 33

HEX #6A9EAA

RGB 106 158 170

HSL 191.25, 0.27%, 0.54%

LAB 62.02, -14.1, -11.73

 

CMYK 41 / 7 / 0 / 41

HEX #598C97

RGB 89 140 151

HSL 190.65, 0.26%, 0.47%

LAB 55.19, -14.07, -11.24

 

CMYK 45 / 8 / 0 / 48

HEX #487A84

RGB 72 122 132

HSL 190, 0.29%, 0.4%

LAB 48.21, -14.01, -10.73

 

CMYK 33 / 7 / 0 / 19

HEX #8BC1CF

RGB 139 193 207

HSL 192.35, 0.41%, 0.68%

LAB 74.91, -14.12, -12.66

 

CMYK 33 / 15 / 0 / 19

HEX #8BAFCF

RGB 139 175 207

HSL 208.24, 0.41%, 0.68%

LAB 69.93, -4.53, -20.17

 

CMYK 33 / 25 / 0 / 19

HEX #8B9CCF

RGB 139 156 207

HSL 225, 0.41%, 0.68%

LAB 64.78, 6.04, -28.06

 

CMYK 32 / 33 / 0 / 19

HEX #8C8BCF

RGB 140 139 207

HSL 240.88, 0.41%, 0.68%

LAB 60.38, 16.1, -34.87

 

CMYK 24 / 33 / 0 / 19

HEX #9E8BCF

RGB 158 139 207

HSL 256.76, 0.41%, 0.68%

LAB 61.86, 21.39, -32.45

 

CMYK 33 / 7 / 0 / 19

HEX #8BC1CF

RGB 139 193 207

HSL 192.35, 0.41%, 0.68%

LAB 74.91, -14.12, -12.66

 

CMYK 33 / 15 / 0 / 19

HEX #8BAFCF

RGB 139 175 207

HSL 208.24, 0.41%, 0.68%

LAB 69.93, -4.53, -20.17

 

CMYK 33 / 25 / 0 / 19

HEX #8B9CCF

RGB 139 156 207

HSL 225, 0.41%, 0.68%

LAB 64.78, 6.04, -28.06

 

CMYK 33 / 33 / 0 / 19

HEX #8B8BCF

RGB 139 139 207

HSL 240, 0.41%, 0.68%

LAB 60.3, 15.82, -35

 

CMYK 33 / 7 / 0 / 19

HEX #8BC1CF

RGB 139 193 207

HSL 192.35, 0.41%, 0.68%

LAB 74.91, -14.12, -12.66

 

CMYK 43 / 9 / 0 / 14

HEX #7DC9DC

RGB 125 201 220

HSL 192, 0.58%, 0.68%

LAB 76.86, -18.63, -16.83

 

CMYK 52 / 11 / 0 / 8

HEX #70D1EA

RGB 112 209 234

HSL 192.3, 0.74%, 0.68%

LAB 79.03, -21.86, -21.11

 

CMYK 60 / 13 / 0 / 3

HEX #63D8F7

RGB 99 216 247

HSL 192.57, 0.9%, 0.68%

LAB 81, -24.17, -25.08

 

CMYK 33 / 7 / 0 / 19

HEX #8BC1CF

RGB 139 193 207

HSL 192.35, 0.41%, 0.68%

LAB 74.91, -14.12, -12.66

 

CMYK 22 / 5 / 0 / 24

HEX #98B9C2

RGB 152 185 194

HSL 192.86, 0.26%, 0.68%

LAB 73.07, -9.11, -8.25

 

CMYK 9 / 2 / 0 / 29

HEX #A5B2B5

RGB 165 178 181

HSL 191.25, 0.1%, 0.68%

LAB 71.67, -3.91, -3.09

 

CMYK 0 / 4 / 6 / 30

HEX #B2AAA8

RGB 178 170 168

HSL 12, 0.06%, 0.68%

LAB 70.21, 2.5, 2.04

 

CMYK 0 / 15 / 19 / 25

HEX #BFA29A

RGB 191 162 154

HSL 12.97, 0.22%, 0.68%

LAB 68.93, 9.35, 8.1

 

CMYK 33 / 0 / 11 / 19

HEX #8BCFB8

RGB 139 207 184

HSL 159.71, 0.41%, 0.68%

LAB 78.21, -26.43, 4.62

 

CMYK 33 / 0 / 2 / 19

HEX #8BCFCB

RGB 139 207 203

HSL 176.47, 0.41%, 0.68%

LAB 78.71, -22.21, -4.85

 

CMYK 33 / 7 / 0 / 19

HEX #8BC1CF

RGB 139 193 207

HSL 192.35, 0.41%, 0.68%

LAB 74.91, -14.12, -12.66

 

CMYK 33 / 15 / 0 / 19

HEX #8BAFCF

RGB 139 175 207

HSL 208.24, 0.41%, 0.68%

LAB 69.93, -4.53, -20.17

 

CMYK 33 / 24 / 0 / 19

HEX #8B9DCF

RGB 139 157 207

HSL 224.12, 0.41%, 0.68%

LAB 65.05, 5.48, -27.64

 

CMYK 56 / 11 / 0 / 28

HEX #50A2B7

RGB 80 162 183

HSL 192.23, 0.42%, 0.52%

LAB 62.48, -18.87, -18.45

 

CMYK 44 / 9 / 0 / 24

HEX #6DB2C3

RGB 109 178 195

HSL 191.86, 0.42%, 0.6%

LAB 68.77, -17.29, -15.47

 

CMYK 33 / 7 / 0 / 19

HEX #8BC1CF

RGB 139 193 207

HSL 192.35, 0.41%, 0.68%

LAB 74.91, -14.12, -12.66

 

CMYK 23 / 5 / 0 / 14

HEX #A8D1DB

RGB 168 209 219

HSL 191.76, 0.41%, 0.76%

LAB 81.31, -11.21, -9.39

 

CMYK 15 / 3 / 0 / 9

HEX #C5E0E7

RGB 197 224 231

HSL 192.35, 0.41%, 0.84%

LAB 87.46, -7.47, -6.43

 

CMYK 33 / 7 / 0 / 18

HEX #8CC2D0

RGB 140 194 208

HSL 192.35, 0.42%, 0.68%

LAB 75.27, -14.12, -12.65

 

CMYK 20 / 33 / 0 / 19

HEX #A68BCF

RGB 166 139 207

HSL 263.82, 0.41%, 0.68%

LAB 62.57, 23.83, -31.29

 

CMYK 0 / 7 / 33 / 19

HEX #CFC18B

RGB 207 193 139

HSL 47.65, 0.41%, 0.68%

LAB 78.03, -3.14, 29.02

 

CMYK 33 / 7 / 0 / 18

HEX #8CC2D0

RGB 140 194 208

HSL 192.35, 0.42%, 0.68%

LAB 75.27, -14.12, -12.65

 

CMYK 0 / 33 / 7 / 19

HEX #CF8BC1

RGB 207 139 193

HSL 312.35, 0.41%, 0.68%

LAB 66.2, 34.21, -17.53

 

CMYK 7 / 0 / 33 / 19

HEX #C1CF8B

RGB 193 207 139

HSL 72.35, 0.41%, 0.68%

LAB 80.64, -15.74, 32.27

 

CMYK 33 / 7 / 0 / 18

HEX #8CC2D0

RGB 140 194 208

HSL 192.35, 0.42%, 0.68%

LAB 75.27, -14.12, -12.65

 

CMYK 20 / 33 / 0 / 19

HEX #A68BCF

RGB 166 139 207

HSL 263.82, 0.41%, 0.68%

LAB 62.57, 23.83, -31.29

 

CMYK 0 / 27 / 33 / 19

HEX #CF988B

RGB 207 152 139

HSL 11.47, 0.41%, 0.68%

LAB 67.71, 18.85, 14.94

 

CMYK 13 / 0 / 33 / 19

HEX #B4CF8B

RGB 180 207 139

HSL 83.82, 0.41%, 0.68%

LAB 79.72, -20.62, 30.89

 

CMYK 33 / 7 / 0 / 18

HEX #8CC2D0

RGB 140 194 208

HSL 192.35, 0.42%, 0.68%

LAB 75.27, -14.12, -12.65

 

CMYK 10 / 33 / 0 / 19

HEX #BB8BCF

RGB 187 139 207

HSL 282.35, 0.41%, 0.68%

LAB 64.59, 30.38, -28.01

 

CMYK 0 / 27 / 33 / 19

HEX #CF988B

RGB 207 152 139

HSL 11.47, 0.41%, 0.68%

LAB 67.71, 18.85, 14.94

 

CMYK 23 / 0 / 33 / 19

HEX #9FCF8B

RGB 159 207 139

HSL 102.35, 0.41%, 0.68%

LAB 78.38, -28.19, 28.86

 

Description

Color code: HEX #8CC2D0 | qconv.com Color code: HEX #8CC2D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 194 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 194 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 7 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 7% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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