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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CC3E8 it is the complementary color #733C17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CC3E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CC3E8 shade: #91C3E3, #A2D5F6, #B3E7FF, #C4F9FF and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CC3E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CC3E8 shade: #8CC3E8, #7BB1D5, #6A9FC2, #598DAF and #487B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CC3E8 shade: #8CC3E8, #8CAAE8, #8C91E8, #9F8CE8 and #B88CE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CC3E8 shade: #8CC3E8, #8CAAE8, #8C91E8 and #8C8CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CC3E8 shade matches the following richer shades: #8CC3E8, #80C5F3 and #75C7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CC3E8 shade: #8CC3E8, #97C0DD, #A2BED1, #ADBCC6 and #B8BABB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CC3E8 shade: #8CE8DB, #8CDBE8, #8CC3E8, #8CAAE8 and #8C92E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CC3E8 shade: #479FDA, #69B1E1, #8CC3E8, #AED5EF and #D0E7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CC3E8 shade: #8CC3E8, #C38CE8 and #E8E88C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CC3E8 shade: #8CC3E8, #E88CC3 and #C3E88C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CC3E8 shade: #8CC3E8, #C38CE8, #E8B08C and #B0E88C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CC3E8 shade: #8CC3E8, #DF8CE8, #E8B08C and #95E88C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

Complementary color

CMYK 0 / 48 / 80 / 55

HEX #733C17

RGB 115 60 23

HSL 24.13, 0.67%, 0.27%

LAB 31.67, 21.09, 32.35

 

CMYK 36 / 14 / 0 / 11

HEX #91C3E3

RGB 145 195 227

HSL 203.41, 0.59%, 0.73%

LAB 76.43, -8.56, -21.15

 

CMYK 34 / 13 / 0 / 4

HEX #A2D5F6

RGB 162 213 246

HSL 203.57, 0.82%, 0.8%

LAB 82.87, -8.69, -21.46

 

CMYK 30 / 9 / 0 / 0

HEX #B3E7FF

RGB 179 231 255

HSL 198.95, 1%, 0.85%

LAB 88.9, -11.16, -17.01

 

CMYK 23 / 2 / 0 / 0

HEX #C4F9FF

RGB 196 249 255

HSL 186.1, 1%, 0.88%

LAB 94.61, -15.38, -8.38

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 42 / 17 / 0 / 16

HEX #7BB1D5

RGB 123 177 213

HSL 204, 0.52%, 0.66%

LAB 69.8, -8.38, -23.76

 

CMYK 45 / 18 / 0 / 24

HEX #6A9FC2

RGB 106 159 194

HSL 203.86, 0.42%, 0.59%

LAB 63.14, -8.11, -23.49

 

CMYK 49 / 19 / 0 / 31

HEX #598DAF

RGB 89 141 175

HSL 203.72, 0.35%, 0.52%

LAB 56.36, -7.78, -23.24

 

CMYK 54 / 21 / 0 / 39

HEX #487B9C

RGB 72 123 156

HSL 203.57, 0.37%, 0.45%

LAB 49.43, -7.35, -22.99

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 40 / 27 / 0 / 9

HEX #8CAAE8

RGB 140 170 232

HSL 220.43, 0.67%, 0.73%

LAB 69.58, 5.06, -34.41

 

CMYK 40 / 38 / 0 / 9

HEX #8C91E8

RGB 140 145 232

HSL 236.74, 0.67%, 0.73%

LAB 63.05, 19.35, -44.61

 

CMYK 31 / 40 / 0 / 9

HEX #9F8CE8

RGB 159 140 232

HSL 252.39, 0.67%, 0.73%

LAB 63.3, 27.29, -44.11

 

CMYK 21 / 40 / 0 / 9

HEX #B88CE8

RGB 184 140 232

HSL 268.7, 0.67%, 0.73%

LAB 65.57, 34.34, -40.39

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 40 / 27 / 0 / 9

HEX #8CAAE8

RGB 140 170 232

HSL 220.43, 0.67%, 0.73%

LAB 69.58, 5.06, -34.41

 

CMYK 40 / 38 / 0 / 9

HEX #8C91E8

RGB 140 145 232

HSL 236.74, 0.67%, 0.73%

LAB 63.05, 19.35, -44.61

 

CMYK 40 / 40 / 0 / 9

HEX #8C8CE8

RGB 140 140 232

HSL 240, 0.67%, 0.73%

LAB 61.79, 22.25, -46.6

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 47 / 19 / 0 / 5

HEX #80C5F3

RGB 128 197 243

HSL 204, 0.83%, 0.73%

LAB 76.67, -9.63, -29.47

 

CMYK 54 / 22 / 0 / 0

HEX #75C7FE

RGB 117 199 254

HSL 204.09, 0.99%, 0.73%

LAB 77.15, -9.95, -34.67

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 32 / 13 / 0 / 13

HEX #97C0DD

RGB 151 192 221

HSL 204.86, 0.51%, 0.73%

LAB 75.76, -6.8, -18.9

 

CMYK 22 / 9 / 0 / 18

HEX #A2BED1

RGB 162 190 209

HSL 204.26, 0.34%, 0.73%

LAB 75.52, -5.3, -12.69

 

CMYK 13 / 5 / 0 / 22

HEX #ADBCC6

RGB 173 188 198

HSL 204, 0.18%, 0.73%

LAB 75.41, -3.12, -6.8

 

CMYK 2 / 1 / 0 / 27

HEX #B8BABB

RGB 184 186 187

HSL 200, 0.02%, 0.73%

LAB 75.39, -0.5, -0.76

 

CMYK 40 / 0 / 6 / 9

HEX #8CE8DB

RGB 140 232 219

HSL 171.52, 0.67%, 0.73%

LAB 86.21, -30.41, -2.32

 

CMYK 40 / 6 / 0 / 9

HEX #8CDBE8

RGB 140 219 232

HSL 188.48, 0.67%, 0.73%

LAB 82.95, -20.96, -14.02

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 40 / 27 / 0 / 9

HEX #8CAAE8

RGB 140 170 232

HSL 220.43, 0.67%, 0.73%

LAB 69.58, 5.06, -34.41

 

CMYK 40 / 37 / 0 / 9

HEX #8C92E8

RGB 140 146 232

HSL 236.09, 0.67%, 0.73%

LAB 63.31, 18.77, -44.21

 

CMYK 67 / 27 / 0 / 15

HEX #479FDA

RGB 71 159 218

HSL 204.08, 0.67%, 0.57%

LAB 62.67, -7.81, -37.7

 

CMYK 53 / 21 / 0 / 12

HEX #69B1E1

RGB 105 177 225

HSL 204, 0.67%, 0.65%

LAB 69.39, -9.19, -31.03

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 27 / 11 / 0 / 6

HEX #AED5EF

RGB 174 213 239

HSL 204, 0.67%, 0.81%

LAB 83.35, -6.99, -16.96

 

CMYK 15 / 6 / 0 / 4

HEX #D0E7F5

RGB 208 231 245

HSL 202.7, 0.65%, 0.89%

LAB 90.39, -4.77, -9.36

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 16 / 40 / 0 / 9

HEX #C38CE8

RGB 195 140 232

HSL 275.87, 0.67%, 0.73%

LAB 66.66, 37.54, -38.61

 

CMYK 0 / 0 / 40 / 9

HEX #E8E88C

RGB 232 232 140

HSL 60, 0.67%, 0.73%

LAB 90.21, -13.11, 44.7

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 0 / 40 / 16 / 9

HEX #E88CC3

RGB 232 140 195

HSL 324.13, 0.67%, 0.73%

LAB 69.36, 42.32, -13.59

 

CMYK 16 / 0 / 40 / 9

HEX #C3E88C

RGB 195 232 140

HSL 84.13, 0.67%, 0.73%

LAB 87.59, -27.09, 40.82

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 16 / 40 / 0 / 9

HEX #C38CE8

RGB 195 140 232

HSL 275.87, 0.67%, 0.73%

LAB 66.66, 37.54, -38.61

 

CMYK 0 / 24 / 40 / 9

HEX #E8B08C

RGB 232 176 140

HSL 23.48, 0.67%, 0.73%

LAB 76.13, 15.82, 26.35

 

CMYK 24 / 0 / 40 / 9

HEX #B0E88C

RGB 176 232 140

HSL 96.52, 0.67%, 0.73%

LAB 86.42, -33.87, 39.09

 

CMYK 40 / 16 / 0 / 9

HEX #8CC3E8

RGB 140 195 232

HSL 204.13, 0.67%, 0.73%

LAB 76.33, -8.59, -24.02

 

CMYK 4 / 40 / 0 / 9

HEX #DF8CE8

RGB 223 140 232

HSL 294.13, 0.67%, 0.73%

LAB 69.66, 45.84, -33.71

 

CMYK 0 / 24 / 40 / 9

HEX #E8B08C

RGB 232 176 140

HSL 23.48, 0.67%, 0.73%

LAB 76.13, 15.82, 26.35

 

CMYK 36 / 0 / 40 / 9

HEX #95E88C

RGB 149 232 140

HSL 114.13, 0.67%, 0.73%

LAB 84.99, -42.8, 36.96

 

Description

Color code: HEX #8CC3E8 | qconv.com Color code: HEX #8CC3E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 195 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 195 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 16 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 16% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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