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Color name
HEX #8CD57A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CD57A it is the complementary color #732A85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CD57A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CD57A shade: #91D575, #A2E788, #B3F99B, #C4FFAE and #D5FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CD57A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CD57A shade: #8CD57A, #7BC367, #6AB154, #599F41 and #488D2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CD57A shade: #8DD57B, #A5D57B, #BDD57B, #D5D47B and #D5BC7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CD57A shade: #8DD57B, #7BD581, #7BD59A, #7BD5B2 and #7BD5CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CD57A shade matches the following richer shades: #8DD57B, #84E36D and #7CF15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CD57A shade: #8DD57B, #95C789, #9EB997, #A6ABA5 and #AE9DB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CD57A shade: #BDD57B, #A5D57B, #8DD57B, #7BD581 and #7BD599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CD57A shade: #57C13C, #71CB5B, #8DD57B, #A8DF9A and #C3E9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CD57A shade: #8CD57A, #7BD5D5 and #D57BB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CD57A shade: #8CD57A, #7B8DD5 and #D57B8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CD57A shade: #8CD57A, #7BD5D5, #C37BD5 and #D57B7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CD57A shade: #8CD57A, #7BBAD5, #C37BD5 and #D5967B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 43 / 16

HEX #8CD57A

RGB 140 213 122

HSL 108.13, 0.52%, 0.66%

LAB 78.79, -39.85, 37.88

 

Complementary color

CMYK 14 / 68 / 0 / 48

HEX #732A85

RGB 115 42 133

HSL 288.13, 0.52%, 0.34%

LAB 31.79, 45.74, -36.54

 

CMYK 32 / 0 / 45 / 16

HEX #91D575

RGB 145 213 117

HSL 102.5, 0.53%, 0.65%

LAB 78.98, -38.86, 40.66

 

CMYK 30 / 0 / 41 / 9

HEX #A2E788

RGB 162 231 136

HSL 103.58, 0.66%, 0.72%

LAB 85.31, -38.72, 39.48

 

CMYK 28 / 0 / 38 / 2

HEX #B3F99B

RGB 179 249 155

HSL 104.68, 0.89%, 0.79%

LAB 91.55, -38.55, 38.34

 

CMYK 23 / 0 / 32 / 0

HEX #C4FFAE

RGB 196 255 174

HSL 103.7, 1%, 0.84%

LAB 94.45, -32.93, 32.88

 

CMYK 16 / 0 / 24 / 0

HEX #D5FFC1

RGB 213 255 193

HSL 100.65, 1%, 0.88%

LAB 95.8, -24.35, 25.31

 

CMYK 34 / 0 / 43 / 16

HEX #8CD57A

RGB 140 213 122

HSL 108.13, 0.52%, 0.66%

LAB 78.79, -39.85, 37.88

 

CMYK 37 / 0 / 47 / 24

HEX #7BC367

RGB 123 195 103

HSL 106.96, 0.43%, 0.58%

LAB 72.38, -40, 39.1

 

CMYK 40 / 0 / 53 / 31

HEX #6AB154

RGB 106 177 84

HSL 105.81, 0.37%, 0.51%

LAB 65.86, -40.09, 40.33

 

CMYK 44 / 0 / 59 / 38

HEX #599F41

RGB 89 159 65

HSL 104.68, 0.42%, 0.44%

LAB 59.25, -40.07, 41.51

 

CMYK 49 / 0 / 67 / 45

HEX #488D2E

RGB 72 141 46

HSL 103.58, 0.51%, 0.37%

LAB 52.54, -39.86, 42.5

 

CMYK 34 / 0 / 42 / 16

HEX #8DD57B

RGB 141 213 123

HSL 108, 0.52%, 0.66%

LAB 78.86, -39.39, 37.48

 

CMYK 23 / 0 / 42 / 16

HEX #A5D57B

RGB 165 213 123

HSL 92, 0.52%, 0.66%

LAB 80.19, -31.11, 39.45

 

CMYK 11 / 0 / 42 / 16

HEX #BDD57B

RGB 189 213 123

HSL 76, 0.52%, 0.66%

LAB 81.75, -22.18, 41.75

 

CMYK 0 / 0 / 42 / 16

HEX #D5D47B

RGB 213 212 123

HSL 59.33, 0.52%, 0.66%

LAB 83.26, -12.33, 44.03

 

CMYK 0 / 12 / 42 / 16

HEX #D5BC7B

RGB 213 188 123

HSL 43.33, 0.52%, 0.66%

LAB 77.01, 0.03, 36.11

 

CMYK 34 / 0 / 42 / 16

HEX #8DD57B

RGB 141 213 123

HSL 108, 0.52%, 0.66%

LAB 78.86, -39.39, 37.48

 

CMYK 42 / 0 / 39 / 16

HEX #7BD581

RGB 123 213 129

HSL 124, 0.52%, 0.66%

LAB 78.1, -44.1, 33.3

 

CMYK 42 / 0 / 28 / 16

HEX #7BD59A

RGB 123 213 154

HSL 140.67, 0.52%, 0.66%

LAB 78.54, -39.82, 20.93

 

CMYK 42 / 0 / 16 / 16

HEX #7BD5B2

RGB 123 213 178

HSL 156.67, 0.52%, 0.66%

LAB 79.05, -35.01, 8.93

 

CMYK 42 / 0 / 5 / 16

HEX #7BD5CA

RGB 123 213 202

HSL 172.67, 0.52%, 0.66%

LAB 79.65, -29.57, -3.01

 

CMYK 34 / 0 / 42 / 16

HEX #8DD57B

RGB 141 213 123

HSL 108, 0.52%, 0.66%

LAB 78.86, -39.39, 37.48

 

CMYK 42 / 0 / 52 / 11

HEX #84E36D

RGB 132 227 109

HSL 108.31, 0.68%, 0.66%

LAB 82.35, -50.03, 48.53

 

CMYK 49 / 0 / 61 / 5

HEX #7CF15F

RGB 124 241 95

HSL 108.08, 0.84%, 0.66%

LAB 86.02, -59.4, 58.98

 

CMYK 34 / 0 / 42 / 16

HEX #8DD57B

RGB 141 213 123

HSL 108, 0.52%, 0.66%

LAB 78.86, -39.39, 37.48

 

CMYK 25 / 0 / 31 / 22

HEX #95C789

RGB 149 199 137

HSL 108.39, 0.36%, 0.66%

LAB 75.48, -28.13, 25.91

 

CMYK 15 / 0 / 18 / 27

HEX #9EB997

RGB 158 185 151

HSL 107.65, 0.2%, 0.66%

LAB 72.36, -15.68, 14.24

 

CMYK 3 / 0 / 4 / 33

HEX #A6ABA5

RGB 166 171 165

HSL 110, 0.03%, 0.66%

LAB 69.43, -2.9, 2.46

 

CMYK 3 / 12 / 0 / 30

HEX #AE9DB3

RGB 174 157 179

HSL 286.36, 0.13%, 0.66%

LAB 66.8, 10.31, -9.12

 

CMYK 11 / 0 / 42 / 16

HEX #BDD57B

RGB 189 213 123

HSL 76, 0.52%, 0.66%

LAB 81.75, -22.18, 41.75

 

CMYK 23 / 0 / 42 / 16

HEX #A5D57B

RGB 165 213 123

HSL 92, 0.52%, 0.66%

LAB 80.19, -31.11, 39.45

 

CMYK 34 / 0 / 42 / 16

HEX #8DD57B

RGB 141 213 123

HSL 108, 0.52%, 0.66%

LAB 78.86, -39.39, 37.48

 

CMYK 42 / 0 / 39 / 16

HEX #7BD581

RGB 123 213 129

HSL 124, 0.52%, 0.66%

LAB 78.1, -44.1, 33.3

 

CMYK 42 / 0 / 28 / 16

HEX #7BD599

RGB 123 213 153

HSL 140, 0.52%, 0.66%

LAB 78.52, -40, 21.43

 

CMYK 55 / 0 / 69 / 24

HEX #57C13C

RGB 87 193 60

HSL 107.82, 0.53%, 0.5%

LAB 69.82, -54.69, 55.28

 

CMYK 44 / 0 / 55 / 20

HEX #71CB5B

RGB 113 203 91

HSL 108.21, 0.52%, 0.58%

LAB 74.18, -48.05, 46.98

 

CMYK 34 / 0 / 42 / 16

HEX #8DD57B

RGB 141 213 123

HSL 108, 0.52%, 0.66%

LAB 78.86, -39.39, 37.48

 

CMYK 25 / 0 / 31 / 13

HEX #A8DF9A

RGB 168 223 154

HSL 107.83, 0.52%, 0.74%

LAB 83.67, -30.42, 28.29

 

CMYK 16 / 0 / 21 / 9

HEX #C3E9B9

RGB 195 233 185

HSL 107.5, 0.52%, 0.82%

LAB 88.63, -21.12, 19.32

 

CMYK 34 / 0 / 43 / 16

HEX #8CD57A

RGB 140 213 122

HSL 108.13, 0.52%, 0.66%

LAB 78.79, -39.85, 37.88

 

CMYK 42 / 0 / 0 / 16

HEX #7BD5D5

RGB 123 213 213

HSL 180, 0.52%, 0.66%

LAB 79.96, -26.89, -8.44

 

CMYK 0 / 42 / 17 / 16

HEX #D57BB1

RGB 213 123 177

HSL 324, 0.52%, 0.66%

LAB 62.92, 42.07, -13.39

 

CMYK 34 / 0 / 43 / 16

HEX #8CD57A

RGB 140 213 122

HSL 108.13, 0.52%, 0.66%

LAB 78.79, -39.85, 37.88

 

CMYK 42 / 34 / 0 / 16

HEX #7B8DD5

RGB 123 141 213

HSL 228, 0.52%, 0.66%

LAB 59.95, 11.95, -39

 

CMYK 0 / 42 / 34 / 16

HEX #D57B8D

RGB 213 123 141

HSL 348, 0.52%, 0.66%

LAB 61.86, 37.01, 5.61

 

CMYK 34 / 0 / 43 / 16

HEX #8CD57A

RGB 140 213 122

HSL 108.13, 0.52%, 0.66%

LAB 78.79, -39.85, 37.88

 

CMYK 42 / 0 / 0 / 16

HEX #7BD5D5

RGB 123 213 213

HSL 180, 0.52%, 0.66%

LAB 79.96, -26.89, -8.44

 

CMYK 8 / 42 / 0 / 16

HEX #C37BD5

RGB 195 123 213

HSL 288, 0.52%, 0.66%

LAB 62.14, 42.79, -35.09

 

CMYK 0 / 42 / 42 / 16

HEX #D57B7B

RGB 213 123 123

HSL 0, 0.52%, 0.66%

LAB 61.43, 34.91, 15.31

 

CMYK 34 / 0 / 43 / 16

HEX #8CD57A

RGB 140 213 122

HSL 108.13, 0.52%, 0.66%

LAB 78.79, -39.85, 37.88

 

CMYK 42 / 13 / 0 / 16

HEX #7BBAD5

RGB 123 186 213

HSL 198, 0.52%, 0.66%

LAB 72.32, -13.19, -19.91

 

CMYK 8 / 42 / 0 / 16

HEX #C37BD5

RGB 195 123 213

HSL 288, 0.52%, 0.66%

LAB 62.14, 42.79, -35.09

 

CMYK 0 / 30 / 42 / 16

HEX #D5967B

RGB 213 150 123

HSL 18, 0.52%, 0.66%

LAB 67.57, 20.4, 23.7

 

Description

Color code: HEX #8CD57A | qconv.com Color code: HEX #8CD57A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 213 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 213 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 43% 16% C M Y K

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Provide designers and agencies with accurate color values.

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