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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CD920 it is the complementary color #7326DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CD920. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CD920 shade: #91D91B, #A2EB2E, #B3FD41, #C4FF54 and #D5FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CD920. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CD920 shade: #8CD920, #7BC70D, #6AB500, #59A300 and #489100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CD920 shade: #8CD920, #BED920, #D9C220, #D99020 and #D95E20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CD920 shade: #8CD920, #5AD920, #28D920, #20D94A and #20D97B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CD920 shade matches the following richer shades: #8CD920 and #8FED0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CD920 shade: #8CD920, #89C534, #85B048, #829C5D and #7E8871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CD920 shade: #D9C020, #C0D920, #8FD920, #5ED920 and #2CD920

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CD920 shade: #5E9115, #75B51B, #8CD920, #9FE240 and #B1E764

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CD920 shade: #8CD920, #20D98F and #D920D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CD920 shade: #8CD920, #208FD9 and #D9208F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CD920 shade: #8CD920, #20D98F, #6A20D9 and #D9206A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CD920 shade: #8CD920, #20D9C6, #6A20D9 and #D92032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

Complementary color

CMYK 48 / 83 / 0 / 13

HEX #7326DF

RGB 115 38 223

HSL 264.97, 0.74%, 0.51%

LAB 38.48, 67.84, -79.26

 

CMYK 33 / 0 / 88 / 15

HEX #91D91B

RGB 145 217 27

HSL 82.74, 0.78%, 0.48%

LAB 79.46, -47.4, 74.77

 

CMYK 31 / 0 / 80 / 8

HEX #A2EB2E

RGB 162 235 46

HSL 83.17, 0.83%, 0.55%

LAB 85.65, -48.17, 76.29

 

CMYK 29 / 0 / 74 / 1

HEX #B3FD41

RGB 179 253 65

HSL 83.62, 0.98%, 0.62%

LAB 91.78, -48.76, 76.88

 

CMYK 23 / 0 / 67 / 0

HEX #C4FF54

RGB 196 255 84

HSL 80.7, 1%, 0.66%

LAB 93.41, -42.36, 72.33

 

CMYK 16 / 0 / 60 / 0

HEX #D5FF67

RGB 213 255 103

HSL 76.58, 1%, 0.7%

LAB 94.59, -34.69, 66.44

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 38 / 0 / 93 / 22

HEX #7BC70D

RGB 123 199 13

HSL 84.52, 0.88%, 0.42%

LAB 72.95, -48.1, 71.11

 

CMYK 41 / 0 / 100 / 29

HEX #6AB500

RGB 106 181 0

HSL 84.86, 1%, 0.35%

LAB 66.61, -46.9, 67.23

 

CMYK 45 / 0 / 100 / 36

HEX #59A300

RGB 89 163 0

HSL 87.24, 1%, 0.32%

LAB 60.18, -45.43, 61.89

 

CMYK 50 / 0 / 100 / 43

HEX #489100

RGB 72 145 0

HSL 90.21, 1%, 0.28%

LAB 53.63, -43.86, 56.46

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 12 / 0 / 85 / 15

HEX #BED920

RGB 190 217 32

HSL 68.76, 0.74%, 0.49%

LAB 82.2, -29.86, 77.2

 

CMYK 0 / 11 / 85 / 15

HEX #D9C220

RGB 217 194 32

HSL 52.54, 0.74%, 0.49%

LAB 78.13, -7.11, 74.72

 

CMYK 0 / 34 / 85 / 15

HEX #D99020

RGB 217 144 32

HSL 36.32, 0.74%, 0.49%

LAB 65.59, 19.37, 64.42

 

CMYK 0 / 57 / 85 / 15

HEX #D95E20

RGB 217 94 32

HSL 20.11, 0.74%, 0.49%

LAB 54.93, 45.26, 55.55

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 59 / 0 / 85 / 15

HEX #5AD920

RGB 90 217 32

HSL 101.19, 0.74%, 0.49%

LAB 77.22, -64.1, 70.97

 

CMYK 82 / 0 / 85 / 15

HEX #28D920

RGB 40 217 32

HSL 117.41, 0.74%, 0.49%

LAB 76.18, -72.97, 69.65

 

CMYK 85 / 0 / 66 / 15

HEX #20D94A

RGB 32 217 74

HSL 133.62, 0.74%, 0.49%

LAB 76.33, -70.74, 56.34

 

CMYK 85 / 0 / 43 / 15

HEX #20D97B

RGB 32 217 123

HSL 149.51, 0.74%, 0.49%

LAB 76.9, -63.88, 34.32

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 40 / 0 / 95 / 7

HEX #8FED0C

RGB 143 237 12

HSL 85.07, 0.9%, 0.49%

LAB 85.22, -56.42, 81.44

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 30 / 0 / 74 / 23

HEX #89C534

RGB 137 197 52

HSL 84.83, 0.58%, 0.49%

LAB 73.22, -40.75, 62.4

 

CMYK 24 / 0 / 59 / 31

HEX #85B048

RGB 133 176 72

HSL 84.81, 0.42%, 0.49%

LAB 66.9, -31.25, 47.62

 

CMYK 17 / 0 / 40 / 39

HEX #829C5D

RGB 130 156 93

HSL 84.76, 0.25%, 0.49%

LAB 61.06, -20.25, 30.03

 

CMYK 7 / 0 / 17 / 47

HEX #7E8871

RGB 126 136 113

HSL 86.09, 0.09%, 0.49%

LAB 55.31, -8.08, 11.13

 

CMYK 0 / 12 / 85 / 15

HEX #D9C020

RGB 217 192 32

HSL 51.89, 0.74%, 0.49%

LAB 77.61, -6.09, 74.29

 

CMYK 12 / 0 / 85 / 15

HEX #C0D920

RGB 192 217 32

HSL 68.11, 0.74%, 0.49%

LAB 82.34, -29.04, 77.38

 

CMYK 34 / 0 / 85 / 15

HEX #8FD920

RGB 143 217 32

HSL 84, 0.74%, 0.49%

LAB 79.37, -47.97, 73.67

 

CMYK 57 / 0 / 85 / 15

HEX #5ED920

RGB 94 217 32

HSL 99.89, 0.74%, 0.49%

LAB 77.35, -63.1, 71.13

 

CMYK 80 / 0 / 85 / 15

HEX #2CD920

RGB 44 217 32

HSL 116.11, 0.74%, 0.49%

LAB 76.23, -72.51, 69.72

 

CMYK 35 / 0 / 86 / 43

HEX #5E9115

RGB 94 145 21

HSL 84.68, 0.75%, 0.33%

LAB 54.75, -35.48, 53.85

 

CMYK 35 / 0 / 85 / 29

HEX #75B51B

RGB 117 181 27

HSL 84.94, 0.74%, 0.41%

LAB 67.21, -42.37, 63.75

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 30 / 0 / 72 / 11

HEX #9FE240

RGB 159 226 64

HSL 84.81, 0.74%, 0.57%

LAB 82.98, -44.55, 68.28

 

CMYK 23 / 0 / 57 / 9

HEX #B1E764

RGB 177 231 100

HSL 84.73, 0.73%, 0.65%

LAB 85.72, -37.49, 57.15

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 85 / 0 / 34 / 15

HEX #20D98F

RGB 32 217 143

HSL 156, 0.74%, 0.49%

LAB 77.23, -60.04, 24.52

 

CMYK 0 / 85 / 0 / 15

HEX #D920D9

RGB 217 32 217

HSL 300, 0.74%, 0.49%

LAB 52.72, 83.57, -52.01

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 85 / 34 / 0 / 15

HEX #208FD9

RGB 32 143 217

HSL 204, 0.74%, 0.49%

LAB 57.04, -3.5, -46.07

 

CMYK 0 / 85 / 34 / 15

HEX #D9208F

RGB 217 32 143

HSL 324, 0.74%, 0.49%

LAB 49.21, 74.16, -14.17

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 85 / 0 / 34 / 15

HEX #20D98F

RGB 32 217 143

HSL 156, 0.74%, 0.49%

LAB 77.23, -60.04, 24.52

 

CMYK 51 / 85 / 0 / 15

HEX #6A20D9

RGB 106 32 217

HSL 264, 0.74%, 0.49%

LAB 36.19, 67.32, -79.62

 

CMYK 0 / 85 / 51 / 15

HEX #D9206A

RGB 217 32 106

HSL 336, 0.74%, 0.49%

LAB 48.04, 70.84, 6.64

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 85 / 0 / 9 / 15

HEX #20D9C6

RGB 32 217 198

HSL 173.84, 0.74%, 0.49%

LAB 78.47, -46.76, -2.87

 

CMYK 51 / 85 / 0 / 15

HEX #6A20D9

RGB 106 32 217

HSL 264, 0.74%, 0.49%

LAB 36.19, 67.32, -79.62

 

CMYK 0 / 85 / 77 / 15

HEX #D92032

RGB 217 32 50

HSL 354.16, 0.74%, 0.49%

LAB 46.99, 67.8, 39.24

 

Description

Color code: HEX #8CD920 | qconv.com Color code: HEX #8CD920 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 217 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 217 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 85 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 85% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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