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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CE3ED it is the complementary color #731C12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CE3ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CE3ED shade: #91E3E8, #A2F5FB, #B3FFFF, #C4FFFF and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CE3ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CE3ED shade: #8CE3ED, #7BD1DA, #6ABFC7, #59ADB4 and #489BA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CE3ED shade: #8CE3ED, #8CC9ED, #8CAEED, #8C94ED and #9D8CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CE3ED shade: #8CE3ED, #8CC9ED, #8CAEED, #8C94ED and #8C8CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CE3ED shade matches the following richer shades: #8CE3ED and #81EBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CE3ED shade: #8CE3ED, #97DAE2, #A1D2D7, #ACC9CC and #B7C1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CE3ED shade: #8CEDC3, #8CEDDC, #8CE3ED, #8CC9ED and #8CAFED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CE3ED shade: #44D1E1, #68DAE7, #8CE3ED, #AFEBF2 and #D3F4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CE3ED shade: #8CE3ED, #A98CED and #EDD08C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CE3ED shade: #8CE3ED, #ED8CE3 and #E3ED8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CE3ED shade: #8CE3ED, #A98CED, #ED958C and #D0ED8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CE3ED shade: #8CE3ED, #C68CED, #ED958C and #B3ED8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

Complementary color

CMYK 0 / 76 / 84 / 55

HEX #731C12

RGB 115 28 18

HSL 6.19, 0.73%, 0.26%

LAB 25.32, 37.26, 28.75

 

CMYK 38 / 2 / 0 / 9

HEX #91E3E8

RGB 145 227 232

HSL 183.45, 0.65%, 0.74%

LAB 85.39, -23.67, -10.34

 

CMYK 35 / 2 / 0 / 2

HEX #A2F5FB

RGB 162 245 251

HSL 184.04, 0.92%, 0.81%

LAB 91.66, -23.63, -10.88

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 44 / 4 / 0 / 15

HEX #7BD1DA

RGB 123 209 218

HSL 185.68, 0.56%, 0.67%

LAB 78.97, -23.66, -12.59

 

CMYK 47 / 4 / 0 / 22

HEX #6ABFC7

RGB 106 191 199

HSL 185.16, 0.45%, 0.6%

LAB 72.53, -23.6, -12.04

 

CMYK 51 / 4 / 0 / 29

HEX #59ADB4

RGB 89 173 180

HSL 184.62, 0.38%, 0.53%

LAB 65.99, -23.49, -11.44

 

CMYK 55 / 4 / 0 / 37

HEX #489BA1

RGB 72 155 161

HSL 184.04, 0.38%, 0.46%

LAB 59.34, -23.29, -10.81

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 41 / 15 / 0 / 7

HEX #8CC9ED

RGB 140 201 237

HSL 202.27, 0.73%, 0.74%

LAB 78.15, -10.46, -23.95

 

CMYK 41 / 27 / 0 / 7

HEX #8CAEED

RGB 140 174 237

HSL 218.97, 0.73%, 0.74%

LAB 70.84, 4.19, -35.18

 

CMYK 41 / 38 / 0 / 7

HEX #8C94ED

RGB 140 148 237

HSL 235.05, 0.73%, 0.74%

LAB 64.06, 19, -45.79

 

CMYK 34 / 41 / 0 / 7

HEX #9D8CED

RGB 157 140 237

HSL 250.52, 0.73%, 0.74%

LAB 63.37, 28.04, -46.77

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 41 / 15 / 0 / 7

HEX #8CC9ED

RGB 140 201 237

HSL 202.27, 0.73%, 0.74%

LAB 78.15, -10.46, -23.95

 

CMYK 41 / 27 / 0 / 7

HEX #8CAEED

RGB 140 174 237

HSL 218.97, 0.73%, 0.74%

LAB 70.84, 4.19, -35.18

 

CMYK 41 / 38 / 0 / 7

HEX #8C94ED

RGB 140 148 237

HSL 235.05, 0.73%, 0.74%

LAB 64.06, 19, -45.79

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CED

RGB 140 140 237

HSL 240, 0.73%, 0.74%

LAB 62.04, 23.64, -48.98

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 48 / 5 / 0 / 3

HEX #81EBF7

RGB 129 235 247

HSL 186.1, 0.88%, 0.74%

LAB 87.39, -27.59, -15.33

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 33 / 4 / 0 / 11

HEX #97DAE2

RGB 151 218 226

HSL 186.4, 0.56%, 0.74%

LAB 83.03, -19.05, -10.66

 

CMYK 25 / 2 / 0 / 16

HEX #A1D2D7

RGB 161 210 215

HSL 185.56, 0.4%, 0.74%

LAB 81.06, -14.7, -7.67

 

CMYK 16 / 1 / 0 / 20

HEX #ACC9CC

RGB 172 201 204

HSL 185.63, 0.24%, 0.74%

LAB 78.99, -9.05, -4.77

 

CMYK 6 / 1 / 0 / 24

HEX #B7C1C2

RGB 183 193 194

HSL 185.45, 0.08%, 0.74%

LAB 77.34, -3.24, -1.7

 

CMYK 41 / 0 / 18 / 7

HEX #8CEDC3

RGB 140 237 195

HSL 154.02, 0.73%, 0.74%

LAB 87.04, -37.96, 11.46

 

CMYK 41 / 0 / 7 / 7

HEX #8CEDDC

RGB 140 237 220

HSL 169.48, 0.73%, 0.74%

LAB 87.64, -32.55, -0.75

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 41 / 15 / 0 / 7

HEX #8CC9ED

RGB 140 201 237

HSL 202.27, 0.73%, 0.74%

LAB 78.15, -10.46, -23.95

 

CMYK 41 / 26 / 0 / 7

HEX #8CAFED

RGB 140 175 237

HSL 218.35, 0.73%, 0.74%

LAB 71.11, 3.63, -34.76

 

CMYK 70 / 7 / 0 / 12

HEX #44D1E1

RGB 68 209 225

HSL 186.11, 0.72%, 0.57%

LAB 77.44, -31.93, -18.82

 

CMYK 55 / 6 / 0 / 9

HEX #68DAE7

RGB 104 218 231

HSL 186.14, 0.73%, 0.66%

LAB 81.21, -28.73, -16.24

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 28 / 3 / 0 / 5

HEX #AFEBF2

RGB 175 235 242

HSL 186.27, 0.72%, 0.82%

LAB 89.37, -17.26, -9.53

 

CMYK 15 / 2 / 0 / 3

HEX #D3F4F8

RGB 211 244 248

HSL 186.49, 0.73%, 0.9%

LAB 94.02, -9.84, -5.52

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 29 / 41 / 0 / 7

HEX #A98CED

RGB 169 140 237

HSL 257.94, 0.73%, 0.74%

LAB 64.41, 31.29, -45.08

 

CMYK 0 / 12 / 41 / 7

HEX #EDD08C

RGB 237 208 140

HSL 42.06, 0.73%, 0.74%

LAB 84.49, 0.99, 37.46

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 0 / 41 / 4 / 7

HEX #ED8CE3

RGB 237 140 227

HSL 306.19, 0.73%, 0.74%

LAB 71.08, 49.16, -28.64

 

CMYK 4 / 0 / 41 / 7

HEX #E3ED8C

RGB 227 237 140

HSL 66.19, 0.73%, 0.74%

LAB 91.14, -17.5, 45.79

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 29 / 41 / 0 / 7

HEX #A98CED

RGB 169 140 237

HSL 257.94, 0.73%, 0.74%

LAB 64.41, 31.29, -45.08

 

CMYK 0 / 37 / 41 / 7

HEX #ED958C

RGB 237 149 140

HSL 5.57, 0.73%, 0.74%

LAB 70.45, 32.09, 18.7

 

CMYK 12 / 0 / 41 / 7

HEX #D0ED8C

RGB 208 237 140

HSL 77.94, 0.73%, 0.74%

LAB 89.8, -24.67, 43.81

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 16 / 41 / 0 / 7

HEX #C68CED

RGB 198 140 237

HSL 275.88, 0.73%, 0.74%

LAB 67.18, 39.49, -40.52

 

CMYK 0 / 37 / 41 / 7

HEX #ED958C

RGB 237 149 140

HSL 5.57, 0.73%, 0.74%

LAB 70.45, 32.09, 18.7

 

CMYK 24 / 0 / 41 / 7

HEX #B3ED8C

RGB 179 237 140

HSL 95.88, 0.73%, 0.74%

LAB 87.99, -35.12, 41.14

 

Description

Color code: HEX #8CE3ED | qconv.com Color code: HEX #8CE3ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 227 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 227 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 4 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 4% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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