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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CEE3E it is the complementary color #7311C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CEE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CEE3E shade: #91EE39, #A2FF4C, #B3FF5F, #C4FF72 and #D5FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CEE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CEE3E shade: #8CEE3E, #7BDC2B, #6ACA18, #59B805 and #48A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CEE3E shade: #8CEE3E, #BBEE3E, #EBEE3E, #EEC13E and #EE923E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CEE3E shade: #8CEE3E, #5DEE3E, #3EEE4F, #3EEE7E and #3EEEAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CEE3E shade matches the following richer shades: #8CEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CEE3E shade: #8CEE3E, #8EDD4F, #90CC60, #92BB71 and #94AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CEE3E shade: #EBEE3E, #BCEE3E, #8DEE3E, #5EEE3E and #3EEE4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CEE3E shade: #62C811, #75EA18, #8CEE3E, #A3F164 and #B9F48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CEE3E shade: #8CEE3E, #3EEEC2 and #EE3ED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CEE3E shade: #8CEE3E, #3E8DEE and #EE3E8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CEE3E shade: #8CEE3E, #3EEEC2, #9F3EEE and #EE3E6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CEE3E shade: #8CEE3E, #3EE5EE, #9F3EEE and #EE473E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

Complementary color

CMYK 40 / 91 / 0 / 24

HEX #7311C1

RGB 115 17 193

HSL 273.41, 0.84%, 0.41%

LAB 33.77, 66.63, -69.61

 

CMYK 39 / 0 / 76 / 7

HEX #91EE39

RGB 145 238 57

HSL 90.83, 0.84%, 0.58%

LAB 85.74, -54.72, 72.98

 

CMYK 36 / 0 / 70 / 0

HEX #A2FF4C

RGB 162 255 76

HSL 91.17, 1%, 0.65%

LAB 91.56, -54.78, 72.74

 

CMYK 30 / 0 / 63 / 0

HEX #B3FF5F

RGB 179 255 95

HSL 88.5, 1%, 0.69%

LAB 92.54, -47.66, 66.89

 

CMYK 23 / 0 / 55 / 0

HEX #C4FF72

RGB 196 255 114

HSL 85.11, 1%, 0.72%

LAB 93.65, -40.04, 60.41

 

CMYK 16 / 0 / 48 / 0

HEX #D5FF85

RGB 213 255 133

HSL 80.66, 1%, 0.76%

LAB 94.89, -32.03, 53.54

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 44 / 0 / 80 / 14

HEX #7BDC2B

RGB 123 220 43

HSL 92.88, 0.72%, 0.52%

LAB 79.37, -55.45, 70.69

 

CMYK 48 / 0 / 88 / 21

HEX #6ACA18

RGB 106 202 24

HSL 92.36, 0.79%, 0.44%

LAB 73.14, -54.59, 69.27

 

CMYK 52 / 0 / 97 / 28

HEX #59B805

RGB 89 184 5

HSL 91.84, 0.95%, 0.37%

LAB 66.84, -53.41, 66.5

 

CMYK 57 / 0 / 100 / 35

HEX #48A600

RGB 72 166 0

HSL 93.98, 1%, 0.33%

LAB 60.47, -51.78, 61.84

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 21 / 0 / 74 / 7

HEX #BBEE3E

RGB 187 238 62

HSL 77.39, 0.84%, 0.59%

LAB 88, -39.49, 74.37

 

CMYK 1 / 0 / 74 / 7

HEX #EBEE3E

RGB 235 238 62

HSL 61.02, 0.84%, 0.59%

LAB 91.31, -20.42, 78.66

 

CMYK 0 / 19 / 74 / 7

HEX #EEC13E

RGB 238 193 62

HSL 44.66, 0.84%, 0.59%

LAB 79.99, 3.41, 68.08

 

CMYK 0 / 39 / 74 / 7

HEX #EE923E

RGB 238 146 62

HSL 28.64, 0.84%, 0.59%

LAB 68.81, 28.16, 57.04

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 61 / 0 / 74 / 7

HEX #5DEE3E

RGB 93 238 62

HSL 109.43, 0.84%, 0.59%

LAB 83.87, -68.87, 68.95

 

CMYK 74 / 0 / 67 / 7

HEX #3EEE4F

RGB 62 238 79

HSL 125.8, 0.84%, 0.59%

LAB 83.3, -73.2, 62.03

 

CMYK 74 / 0 / 47 / 7

HEX #3EEE7E

RGB 62 238 126

HSL 141.82, 0.84%, 0.59%

LAB 83.8, -67.31, 41.76

 

CMYK 74 / 0 / 27 / 7

HEX #3EEEAE

RGB 62 238 174

HSL 158.18, 0.84%, 0.59%

LAB 84.6, -58.31, 18.62

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 36 / 0 / 64 / 13

HEX #8EDD4F

RGB 142 221 79

HSL 93.38, 0.68%, 0.59%

LAB 80.75, -47.34, 60.03

 

CMYK 29 / 0 / 53 / 20

HEX #90CC60

RGB 144 204 96

HSL 93.33, 0.51%, 0.59%

LAB 76.04, -37.66, 47.22

 

CMYK 22 / 0 / 40 / 27

HEX #92BB71

RGB 146 187 113

HSL 93.24, 0.35%, 0.59%

LAB 71.45, -26.92, 33.11

 

CMYK 13 / 0 / 24 / 33

HEX #94AA82

RGB 148 170 130

HSL 93, 0.19%, 0.59%

LAB 67.02, -15.09, 18.14

 

CMYK 1 / 0 / 74 / 7

HEX #EBEE3E

RGB 235 238 62

HSL 61.02, 0.84%, 0.59%

LAB 91.31, -20.42, 78.66

 

CMYK 21 / 0 / 74 / 7

HEX #BCEE3E

RGB 188 238 62

HSL 77.05, 0.84%, 0.59%

LAB 88.06, -39.11, 74.45

 

CMYK 41 / 0 / 74 / 7

HEX #8DEE3E

RGB 141 238 62

HSL 93.07, 0.84%, 0.59%

LAB 85.58, -55.74, 71.2

 

CMYK 61 / 0 / 74 / 7

HEX #5EEE3E

RGB 94 238 62

HSL 109.09, 0.84%, 0.59%

LAB 83.9, -68.64, 68.98

 

CMYK 74 / 0 / 68 / 7

HEX #3EEE4D

RGB 62 238 77

HSL 125.11, 0.84%, 0.59%

LAB 83.29, -73.38, 62.78

 

CMYK 51 / 0 / 92 / 22

HEX #62C811

RGB 98 200 17

HSL 93.44, 0.84%, 0.43%

LAB 72.19, -56.43, 69.52

 

CMYK 50 / 0 / 90 / 8

HEX #75EA18

RGB 117 234 24

HSL 93.43, 0.83%, 0.51%

LAB 83.28, -63.1, 77.97

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 32 / 0 / 59 / 5

HEX #A3F164

RGB 163 241 100

HSL 93.19, 0.83%, 0.67%

LAB 87.78, -46.81, 59.3

 

CMYK 24 / 0 / 43 / 4

HEX #B9F48A

RGB 185 244 138

HSL 93.4, 0.83%, 0.75%

LAB 90.25, -36.47, 45.06

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 74 / 0 / 18 / 7

HEX #3EEEC2

RGB 62 238 194

HSL 165, 0.84%, 0.59%

LAB 85.03, -53.74, 8.81

 

CMYK 0 / 74 / 11 / 7

HEX #EE3ED3

RGB 238 62 211

HSL 309.2, 0.84%, 0.59%

LAB 58.34, 79.76, -39.48

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 74 / 41 / 0 / 7

HEX #3E8DEE

RGB 62 141 238

HSL 213.07, 0.84%, 0.59%

LAB 58.27, 8.32, -55.77

 

CMYK 0 / 74 / 41 / 7

HEX #EE3E8D

RGB 238 62 141

HSL 333.07, 0.84%, 0.59%

LAB 55.63, 71.45, -2.99

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 74 / 0 / 18 / 7

HEX #3EEEC2

RGB 62 238 194

HSL 165, 0.84%, 0.59%

LAB 85.03, -53.74, 8.81

 

CMYK 33 / 74 / 0 / 7

HEX #9F3EEE

RGB 159 62 238

HSL 273.07, 0.84%, 0.59%

LAB 48.25, 68.92, -71.57

 

CMYK 0 / 74 / 55 / 7

HEX #EE3E6A

RGB 238 62 106

HSL 345, 0.84%, 0.59%

LAB 54.72, 68.55, 16.57

 

CMYK 41 / 0 / 74 / 7

HEX #8CEE3E

RGB 140 238 62

HSL 93.41, 0.84%, 0.59%

LAB 85.54, -56.05, 71.15

 

CMYK 74 / 4 / 0 / 7

HEX #3EE5EE

RGB 62 229 238

HSL 183.07, 0.84%, 0.59%

LAB 83.57, -38.21, -16.52

 

CMYK 33 / 74 / 0 / 7

HEX #9F3EEE

RGB 159 62 238

HSL 273.07, 0.84%, 0.59%

LAB 48.25, 68.92, -71.57

 

CMYK 0 / 70 / 74 / 7

HEX #EE473E

RGB 238 71 62

HSL 3.07, 0.84%, 0.59%

LAB 55.1, 63.09, 42.55

 

Description

Color code: HEX #8CEE3E | qconv.com Color code: HEX #8CEE3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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