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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CF580 it is the complementary color #730A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CF580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CF580 shade: #91F57B, #A2FF8E, #B3FFA1, #C4FFB4 and #D5FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CF580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CF580 shade: #8CF580, #7BE36D, #6AD15A, #59BF47 and #48AD34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CF580 shade: #8BF47F, #ABF47F, #CAF47F, #EAF47F and #F4DF7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CF580 shade: #8BF47F, #7FF493, #7FF4B2, #7FF4D2 and #7FF4F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CF580 shade matches the following richer shades: #8BF47F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CF580 shade: #8BF47F, #94E98A, #9DDE95, #A6D3A1 and #AFC8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CF580 shade: #CBF47F, #ACF47F, #8DF47F, #7FF491 and #7FF4B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CF580 shade: #46EE33, #69F159, #8BF47F, #AEF7A5 and #D0FACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CF580 shade: #8CF580, #7FEAF4 and #F47FBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CF580 shade: #8CF580, #7F8DF4 and #F47F8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CF580 shade: #8CF580, #7FEAF4, #E77FF4 and #F4897F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CF580 shade: #8CF580, #7FC7F4, #E77FF4 and #F4AC7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 48 / 4

HEX #8CF580

RGB 140 245 128

HSL 113.85, 0.85%, 0.73%

LAB 88.18, -52.64, 46.78

 

Complementary color

CMYK 9 / 92 / 0 / 50

HEX #730A7F

RGB 115 10 127

HSL 293.85, 0.85%, 0.27%

LAB 27.83, 54.81, -39.13

 

CMYK 41 / 0 / 50 / 4

HEX #91F57B

RGB 145 245 123

HSL 109.18, 0.86%, 0.72%

LAB 88.33, -51.79, 49.37

 

CMYK 36 / 0 / 44 / 0

HEX #A2FF8E

RGB 162 255 142

HSL 109.38, 1%, 0.78%

LAB 92.2, -48.36, 45.34

 

CMYK 30 / 0 / 37 / 0

HEX #B3FFA1

RGB 179 255 161

HSL 108.51, 1%, 0.82%

LAB 93.31, -40.39, 37.67

 

CMYK 23 / 0 / 29 / 0

HEX #C4FFB4

RGB 196 255 180

HSL 107.2, 1%, 0.85%

LAB 94.55, -32.03, 30.01

 

CMYK 16 / 0 / 22 / 0

HEX #D5FFC7

RGB 213 255 199

HSL 105, 1%, 0.89%

LAB 95.91, -23.41, 22.42

 

CMYK 43 / 0 / 48 / 4

HEX #8CF580

RGB 140 245 128

HSL 113.85, 0.85%, 0.73%

LAB 88.18, -52.64, 46.78

 

CMYK 46 / 0 / 52 / 11

HEX #7BE36D

RGB 123 227 109

HSL 112.88, 0.68%, 0.66%

LAB 81.98, -52.69, 47.99

 

CMYK 49 / 0 / 57 / 18

HEX #6AD15A

RGB 106 209 90

HSL 111.93, 0.56%, 0.59%

LAB 75.7, -52.62, 49.17

 

CMYK 53 / 0 / 63 / 25

HEX #59BF47

RGB 89 191 71

HSL 111, 0.48%, 0.51%

LAB 69.36, -52.38, 50.24

 

CMYK 58 / 0 / 70 / 32

HEX #48AD34

RGB 72 173 52

HSL 110.08, 0.54%, 0.44%

LAB 62.94, -51.87, 51.06

 

CMYK 43 / 0 / 48 / 4

HEX #8BF47F

RGB 139 244 127

HSL 113.85, 0.84%, 0.73%

LAB 87.83, -52.66, 46.81

 

CMYK 30 / 0 / 48 / 4

HEX #ABF47F

RGB 171 244 127

HSL 97.44, 0.84%, 0.73%

LAB 89.34, -42.58, 49.01

 

CMYK 17 / 0 / 48 / 4

HEX #CAF47F

RGB 202 244 127

HSL 81.54, 0.84%, 0.73%

LAB 91.14, -31.61, 51.62

 

CMYK 4 / 0 / 48 / 4

HEX #EAF47F

RGB 234 244 127

HSL 65.13, 0.84%, 0.73%

LAB 93.33, -19.48, 54.78

 

CMYK 0 / 9 / 48 / 4

HEX #F4DF7F

RGB 244 223 127

HSL 49.23, 0.84%, 0.73%

LAB 88.7, -5.16, 49.36

 

CMYK 43 / 0 / 48 / 4

HEX #8BF47F

RGB 139 244 127

HSL 113.85, 0.84%, 0.73%

LAB 87.83, -52.66, 46.81

 

CMYK 48 / 0 / 40 / 4

HEX #7FF493

RGB 127 244 147

HSL 130.26, 0.84%, 0.73%

LAB 87.64, -53.11, 36.74

 

CMYK 48 / 0 / 27 / 4

HEX #7FF4B2

RGB 127 244 178

HSL 146.15, 0.84%, 0.73%

LAB 88.17, -47.73, 21.78

 

CMYK 48 / 0 / 14 / 4

HEX #7FF4D2

RGB 127 244 210

HSL 162.56, 0.84%, 0.73%

LAB 88.86, -41.12, 6.19

 

CMYK 48 / 0 / 1 / 4

HEX #7FF4F1

RGB 127 244 241

HSL 178.46, 0.84%, 0.73%

LAB 89.66, -33.82, -8.81

 

CMYK 43 / 0 / 48 / 4

HEX #8BF47F

RGB 139 244 127

HSL 113.85, 0.84%, 0.73%

LAB 87.83, -52.66, 46.81

 

CMYK 43 / 0 / 48 / 4

HEX #8BF47F

RGB 139 244 127

HSL 113.85, 0.84%, 0.73%

LAB 87.83, -52.66, 46.81

 

CMYK 36 / 0 / 41 / 9

HEX #94E98A

RGB 148 233 138

HSL 113.68, 0.68%, 0.73%

LAB 85.2, -43.84, 38.22

 

CMYK 29 / 0 / 33 / 13

HEX #9DDE95

RGB 157 222 149

HSL 113.42, 0.53%, 0.73%

LAB 82.69, -34.39, 29.44

 

CMYK 21 / 0 / 24 / 17

HEX #A6D3A1

RGB 166 211 161

HSL 114, 0.36%, 0.73%

LAB 80.33, -24.22, 20.07

 

CMYK 13 / 0 / 14 / 22

HEX #AFC8AC

RGB 175 200 172

HSL 113.57, 0.2%, 0.73%

LAB 78.11, -13.72, 11.19

 

CMYK 17 / 0 / 48 / 4

HEX #CBF47F

RGB 203 244 127

HSL 81.03, 0.84%, 0.73%

LAB 91.2, -31.24, 51.71

 

CMYK 30 / 0 / 48 / 4

HEX #ACF47F

RGB 172 244 127

HSL 96.92, 0.84%, 0.73%

LAB 89.4, -42.24, 49.09

 

CMYK 42 / 0 / 48 / 4

HEX #8DF47F

RGB 141 244 127

HSL 112.82, 0.84%, 0.73%

LAB 87.92, -52.07, 46.94

 

CMYK 48 / 0 / 41 / 4

HEX #7FF491

RGB 127 244 145

HSL 129.23, 0.84%, 0.73%

LAB 87.61, -53.42, 37.7

 

CMYK 48 / 0 / 28 / 4

HEX #7FF4B0

RGB 127 244 176

HSL 145.13, 0.84%, 0.73%

LAB 88.14, -48.11, 22.75

 

CMYK 71 / 0 / 79 / 7

HEX #46EE33

RGB 70 238 51

HSL 113.9, 0.85%, 0.57%

LAB 83.28, -74.05, 71.55

 

CMYK 56 / 0 / 63 / 5

HEX #69F159

RGB 105 241 89

HSL 113.68, 0.84%, 0.65%

LAB 85.32, -64.91, 60.52

 

CMYK 43 / 0 / 48 / 4

HEX #8BF47F

RGB 139 244 127

HSL 113.85, 0.84%, 0.73%

LAB 87.83, -52.66, 46.81

 

CMYK 30 / 0 / 33 / 3

HEX #AEF7A5

RGB 174 247 165

HSL 113.41, 0.84%, 0.81%

LAB 90.89, -37.83, 32.43

 

CMYK 17 / 0 / 19 / 2

HEX #D0FACB

RGB 208 250 203

HSL 113.62, 0.82%, 0.89%

LAB 94.35, -22.03, 18.16

 

CMYK 43 / 0 / 48 / 4

HEX #8CF580

RGB 140 245 128

HSL 113.85, 0.85%, 0.73%

LAB 88.18, -52.64, 46.78

 

CMYK 48 / 4 / 0 / 4

HEX #7FEAF4

RGB 127 234 244

HSL 185.13, 0.84%, 0.73%

LAB 86.94, -28.32, -14.43

 

CMYK 0 / 48 / 23 / 4

HEX #F47FBC

RGB 244 127 188

HSL 328.72, 0.84%, 0.73%

LAB 68.05, 51.76, -11.49

 

CMYK 43 / 0 / 48 / 4

HEX #8CF580

RGB 140 245 128

HSL 113.85, 0.85%, 0.73%

LAB 88.18, -52.64, 46.78

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 0 / 48 / 42 / 4

HEX #F47F8D

RGB 244 127 141

HSL 352.82, 0.84%, 0.73%

LAB 66.78, 46.04, 13.17

 

CMYK 43 / 0 / 48 / 4

HEX #8CF580

RGB 140 245 128

HSL 113.85, 0.85%, 0.73%

LAB 88.18, -52.64, 46.78

 

CMYK 48 / 4 / 0 / 4

HEX #7FEAF4

RGB 127 234 244

HSL 185.13, 0.84%, 0.73%

LAB 86.94, -28.32, -14.43

 

CMYK 5 / 48 / 0 / 4

HEX #E77FF4

RGB 231 127 244

HSL 293.33, 0.84%, 0.73%

LAB 68.53, 56.97, -41.99

 

CMYK 0 / 44 / 48 / 4

HEX #F4897F

RGB 244 137 127

HSL 5.13, 0.84%, 0.73%

LAB 68.5, 39.62, 23.39

 

CMYK 43 / 0 / 48 / 4

HEX #8CF580

RGB 140 245 128

HSL 113.85, 0.85%, 0.73%

LAB 88.18, -52.64, 46.78

 

CMYK 48 / 18 / 0 / 4

HEX #7FC7F4

RGB 127 199 244

HSL 203.08, 0.84%, 0.73%

LAB 77.22, -10.64, -29.18

 

CMYK 5 / 48 / 0 / 4

HEX #E77FF4

RGB 231 127 244

HSL 293.33, 0.84%, 0.73%

LAB 68.53, 56.97, -41.99

 

CMYK 0 / 30 / 48 / 4

HEX #F4AC7F

RGB 244 172 127

HSL 23.08, 0.84%, 0.73%

LAB 76.23, 21.33, 33.63

 

Description

Color code: HEX #8CF580 | qconv.com Color code: HEX #8CF580 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 245 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 245 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 48 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 48% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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