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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A1E63 it is the complementary color #75E19C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A1E63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A1E63 shade: #8F1E5E, #A03071, #B14284, #C25497 and #D366AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A1E63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A1E63 shade: #8A1E63, #790C50, #68003D, #57002A and #460017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A1E63 shade: #8A1E63, #8A1E46, #8A1E29 and #8A1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A1E63 shade: #8A1E63, #8A1E80, #761E8A, #591E8A and #3C1E8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A1E63 shade matches the following richer shades: #8A1E63, #971066 and #A5036A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A1E63 shade: #8A1E63, #7C2B5F, #6E395B, #614757 and #535453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A1E63 shade: #761E8A, #8A1E81, #8A1E64, #8A1E47 and #8A1E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A1E63 shade: #460F32, #68164A, #8A1E63, #AB257B and #CD2D93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A1E63 shade: #8A1E63, #8A591E and #1E8A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A1E63 shade: #8A1E63, #648A1E and #1E648A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A1E63 shade: #8A1E63, #8A591E, #1E8A43 and #1E4E8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A1E63 shade: #8A1E63, #8A791E, #1E8A43 and #1E2E8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

Complementary color

CMYK 48 / 0 / 31 / 12

HEX #75E19C

RGB 117 225 156

HSL 141.67, 0.64%, 0.67%

LAB 81.86, -46.28, 24.39

 

CMYK 0 / 79 / 34 / 44

HEX #8F1E5E

RGB 143 30 94

HSL 326.02, 0.65%, 0.34%

LAB 33.08, 51.3, -9.43

 

CMYK 0 / 70 / 29 / 37

HEX #A03071

RGB 160 48 113

HSL 325.18, 0.54%, 0.41%

LAB 39.21, 51.99, -11.93

 

CMYK 0 / 63 / 25 / 31

HEX #B14284

RGB 177 66 132

HSL 324.32, 0.46%, 0.48%

LAB 45.51, 51.97, -13.8

 

CMYK 0 / 57 / 22 / 24

HEX #C25497

RGB 194 84 151

HSL 323.45, 0.47%, 0.55%

LAB 51.89, 51.57, -15.25

 

CMYK 0 / 52 / 19 / 17

HEX #D366AA

RGB 211 102 170

HSL 322.57, 0.55%, 0.61%

LAB 58.28, 50.97, -16.42

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 90 / 34 / 53

HEX #790C50

RGB 121 12 80

HSL 322.57, 0.82%, 0.26%

LAB 26.47, 48.7, -10.68

 

CMYK 0 / 100 / 41 / 59

HEX #68003D

RGB 104 0 61

HSL 324.81, 1%, 0.2%

LAB 21.13, 44.95, -6.15

 

CMYK 0 / 100 / 52 / 66

HEX #57002A

RGB 87 0 42

HSL 331.03, 1%, 0.17%

LAB 16.47, 38.87, 0.03

 

CMYK 0 / 100 / 67 / 73

HEX #460017

RGB 70 0 23

HSL 340.29, 1%, 0.14%

LAB 11.72, 32.73, 6.86

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 78 / 49 / 46

HEX #8A1E46

RGB 138 30 70

HSL 337.78, 0.64%, 0.33%

LAB 31.29, 47.37, 3.5

 

CMYK 0 / 78 / 70 / 46

HEX #8A1E29

RGB 138 30 41

HSL 353.89, 0.64%, 0.33%

LAB 30.62, 45.24, 21.68

 

CMYK 0 / 78 / 78 / 46

HEX #8A1E1E

RGB 138 30 30

HSL 0, 0.64%, 0.33%

LAB 30.46, 44.72, 28.42

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 78 / 7 / 46

HEX #8A1E80

RGB 138 30 128

HSL 305.56, 0.64%, 0.33%

LAB 33.75, 54.79, -30.07

 

CMYK 14 / 78 / 0 / 46

HEX #761E8A

RGB 118 30 138

HSL 288.89, 0.64%, 0.33%

LAB 30.91, 52.21, -41.03

 

CMYK 36 / 78 / 0 / 46

HEX #591E8A

RGB 89 30 138

HSL 272.78, 0.64%, 0.33%

LAB 26.41, 46.53, -48.53

 

CMYK 57 / 78 / 0 / 46

HEX #3C1E8A

RGB 60 30 138

HSL 256.67, 0.64%, 0.33%

LAB 22.74, 41.76, -54.69

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 89 / 32 / 41

HEX #971066

RGB 151 16 102

HSL 321.78, 0.81%, 0.33%

LAB 33.79, 57.64, -13.35

 

CMYK 0 / 98 / 36 / 35

HEX #A5036A

RGB 165 3 106

HSL 321.85, 0.96%, 0.33%

LAB 36.19, 62.99, -12.01

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 65 / 23 / 51

HEX #7C2B5F

RGB 124 43 95

HSL 321.48, 0.49%, 0.33%

LAB 31.44, 40.96, -12.9

 

CMYK 0 / 48 / 17 / 57

HEX #6E395B

RGB 110 57 91

HSL 321.51, 0.32%, 0.33%

LAB 31.8, 28.28, -9.97

 

CMYK 0 / 27 / 10 / 62

HEX #614757

RGB 97 71 87

HSL 323.08, 0.15%, 0.33%

LAB 33.43, 14.03, -5.14

 

CMYK 1 / 0 / 1 / 67

HEX #535453

RGB 83 84 83

HSL 120, 0.01%, 0.33%

LAB 35.6, -0.61, 0.44

 

CMYK 14 / 78 / 0 / 46

HEX #761E8A

RGB 118 30 138

HSL 288.89, 0.64%, 0.33%

LAB 30.91, 52.21, -41.03

 

CMYK 0 / 78 / 7 / 46

HEX #8A1E81

RGB 138 30 129

HSL 305, 0.64%, 0.33%

LAB 33.81, 54.95, -30.61

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E64

RGB 138 30 100

HSL 321.11, 0.64%, 0.33%

LAB 32.37, 50.72, -14.46

 

CMYK 0 / 78 / 49 / 46

HEX #8A1E47

RGB 138 30 71

HSL 337.22, 0.64%, 0.33%

LAB 31.32, 47.46, 2.88

 

CMYK 0 / 78 / 70 / 46

HEX #8A1E2A

RGB 138 30 42

HSL 353.33, 0.64%, 0.33%

LAB 30.64, 45.29, 21.06

 

CMYK 0 / 79 / 29 / 73

HEX #460F32

RGB 70 15 50

HSL 321.82, 0.65%, 0.17%

LAB 14.81, 29.85, -8.64

 

CMYK 0 / 79 / 29 / 59

HEX #68164A

RGB 104 22 74

HSL 321.95, 0.65%, 0.25%

LAB 23.71, 40.71, -11.16

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 78 / 28 / 33

HEX #AB257B

RGB 171 37 123

HSL 321.49, 0.64%, 0.41%

LAB 40.26, 59.9, -16.36

 

CMYK 0 / 78 / 28 / 20

HEX #CD2D93

RGB 205 45 147

HSL 321.75, 0.64%, 0.49%

LAB 48.21, 68.8, -18.3

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 36 / 78 / 46

HEX #8A591E

RGB 138 89 30

HSL 32.78, 0.64%, 0.33%

LAB 42.22, 14.91, 40.54

 

CMYK 78 / 0 / 4 / 46

HEX #1E8A84

RGB 30 138 132

HSL 176.67, 0.64%, 0.33%

LAB 51.97, -30.26, -5.25

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 28 / 0 / 78 / 46

HEX #648A1E

RGB 100 138 30

HSL 81.11, 0.64%, 0.33%

LAB 52.93, -29.46, 49.64

 

CMYK 78 / 28 / 0 / 46

HEX #1E648A

RGB 30 100 138

HSL 201.11, 0.64%, 0.33%

LAB 39.96, -7.7, -27.12

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 36 / 78 / 46

HEX #8A591E

RGB 138 89 30

HSL 32.78, 0.64%, 0.33%

LAB 42.22, 14.91, 40.54

 

CMYK 78 / 0 / 51 / 46

HEX #1E8A43

RGB 30 138 67

HSL 140.56, 0.64%, 0.33%

LAB 50.52, -45.78, 29.59

 

CMYK 78 / 43 / 0 / 46

HEX #1E4E8A

RGB 30 78 138

HSL 213.33, 0.64%, 0.33%

LAB 33.05, 6.3, -38.05

 

CMYK 0 / 78 / 28 / 46

HEX #8A1E63

RGB 138 30 99

HSL 321.67, 0.64%, 0.33%

LAB 32.33, 50.59, -13.89

 

CMYK 0 / 12 / 78 / 46

HEX #8A791E

RGB 138 121 30

HSL 50.56, 0.64%, 0.33%

LAB 50.89, -3.57, 48.82

 

CMYK 78 / 0 / 51 / 46

HEX #1E8A43

RGB 30 138 67

HSL 140.56, 0.64%, 0.33%

LAB 50.52, -45.78, 29.59

 

CMYK 78 / 67 / 0 / 46

HEX #1E2E8A

RGB 30 46 138

HSL 231.11, 0.64%, 0.33%

LAB 23.89, 28.27, -52.89

 

Description

Color code: HEX #8A1E63 | qconv.com Color code: HEX #8A1E63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 30 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 30 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 28 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 28% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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