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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A2AA6 it is the complementary color #75D559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A2AA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A2AA6 shade: #8F2AA1, #A03CB4, #B14EC7, #C260DA and #D372ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A2AA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A2AA6 shade: #8A2AA6, #791893, #680680, #57006D and #46005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A2AA6 shade: #8A29A7, #A729A1, #A7297F, #A7295E and #A7293C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A2AA6 shade: #8A29A7, #6929A7, #4729A7 and #2929A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A2AA6 shade matches the following richer shades: #8A29A7, #9418B8 and #9D07C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A2AA6 shade: #8A29A7, #813A96, #784B85, #6F5C74 and #656D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A2AA6 shade: #4729A7, #6829A7, #8A29A7, #A729A3 and #A72981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A2AA6 shade: #541965, #6F2186, #8A29A7, #A632C8 and #B550D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A2AA6 shade: #8A2AA6, #A7292E and #29A757

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A2AA6 shade: #8A2AA6, #A78A29 and #29A78A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A2AA6 shade: #8A2AA6, #A7292E, #47A729 and #29A7A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A2AA6 shade: #8A2AA6, #A74B29, #47A729 and #2985A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 75 / 0 / 35

HEX #8A2AA6

RGB 138 42 166

HSL 286.45, 0.6%, 0.41%

LAB 37.5, 57.53, -47.33

 

Complementary color

CMYK 45 / 0 / 58 / 16

HEX #75D559

RGB 117 213 89

HSL 106.45, 0.6%, 0.59%

LAB 77.34, -51.12, 51.63

 

CMYK 11 / 74 / 0 / 37

HEX #8F2AA1

RGB 143 42 161

HSL 290.92, 0.59%, 0.4%

LAB 37.97, 57.62, -43.54

 

CMYK 11 / 67 / 0 / 29

HEX #A03CB4

RGB 160 60 180

HSL 290, 0.5%, 0.47%

LAB 44.23, 57.94, -44.68

 

CMYK 11 / 61 / 0 / 22

HEX #B14EC7

RGB 177 78 199

HSL 289.09, 0.52%, 0.54%

LAB 50.59, 57.74, -45.47

 

CMYK 11 / 56 / 0 / 15

HEX #C260DA

RGB 194 96 218

HSL 288.2, 0.62%, 0.62%

LAB 56.97, 57.27, -46.03

 

CMYK 11 / 52 / 0 / 7

HEX #D372ED

RGB 211 114 237

HSL 287.32, 0.77%, 0.69%

LAB 63.34, 56.65, -46.46

 

CMYK 17 / 75 / 0 / 35

HEX #8A2AA6

RGB 138 42 166

HSL 286.45, 0.6%, 0.41%

LAB 37.5, 57.53, -47.33

 

CMYK 18 / 84 / 0 / 42

HEX #791893

RGB 121 24 147

HSL 287.32, 0.72%, 0.34%

LAB 31.4, 56.41, -45.77

 

CMYK 19 / 95 / 0 / 50

HEX #680680

RGB 104 6 128

HSL 288.2, 0.91%, 0.26%

LAB 25.66, 53.86, -43.37

 

CMYK 20 / 100 / 0 / 57

HEX #57006D

RGB 87 0 109

HSL 287.89, 1%, 0.21%

LAB 20.56, 48.87, -39.61

 

CMYK 22 / 100 / 0 / 65

HEX #46005A

RGB 70 0 90

HSL 286.67, 1%, 0.18%

LAB 15.7, 42.51, -35.09

 

CMYK 17 / 75 / 0 / 35

HEX #8A29A7

RGB 138 41 167

HSL 286.19, 0.61%, 0.41%

LAB 37.44, 58.09, -48.03

 

CMYK 0 / 75 / 4 / 35

HEX #A729A1

RGB 167 41 161

HSL 302.86, 0.61%, 0.41%

LAB 41.81, 63.15, -37.19

 

CMYK 0 / 75 / 24 / 35

HEX #A7297F

RGB 167 41 127

HSL 319.05, 0.61%, 0.41%

LAB 40.14, 58.18, -19.1

 

CMYK 0 / 75 / 44 / 35

HEX #A7295E

RGB 167 41 94

HSL 334.76, 0.61%, 0.41%

LAB 38.91, 54.36, -0.27

 

CMYK 0 / 75 / 64 / 35

HEX #A7293C

RGB 167 41 60

HSL 350.95, 0.61%, 0.41%

LAB 38.07, 51.63, 20.18

 

CMYK 17 / 75 / 0 / 35

HEX #8A29A7

RGB 138 41 167

HSL 286.19, 0.61%, 0.41%

LAB 37.44, 58.09, -48.03

 

CMYK 37 / 75 / 0 / 35

HEX #6929A7

RGB 105 41 167

HSL 270.48, 0.61%, 0.41%

LAB 32.65, 51.76, -56.01

 

CMYK 57 / 75 / 0 / 35

HEX #4729A7

RGB 71 41 167

HSL 254.29, 0.61%, 0.41%

LAB 28.68, 46.29, -62.67

 

CMYK 75 / 75 / 0 / 35

HEX #2929A7

RGB 41 41 167

HSL 240, 0.61%, 0.41%

LAB 26.3, 42.88, -66.69

 

CMYK 17 / 75 / 0 / 35

HEX #8A29A7

RGB 138 41 167

HSL 286.19, 0.61%, 0.41%

LAB 37.44, 58.09, -48.03

 

CMYK 20 / 87 / 0 / 28

HEX #9418B8

RGB 148 24 184

HSL 286.5, 0.77%, 0.41%

LAB 38.57, 67.98, -56.25

 

CMYK 22 / 97 / 0 / 21

HEX #9D07C9

RGB 157 7 201

HSL 286.39, 0.93%, 0.41%

LAB 40.47, 74.9, -63.06

 

CMYK 17 / 75 / 0 / 35

HEX #8A29A7

RGB 138 41 167

HSL 286.19, 0.61%, 0.41%

LAB 37.44, 58.09, -48.03

 

CMYK 14 / 61 / 0 / 41

HEX #813A96

RGB 129 58 150

HSL 286.3, 0.44%, 0.41%

LAB 37.65, 45.22, -37.52

 

CMYK 10 / 44 / 0 / 48

HEX #784B85

RGB 120 75 133

HSL 286.55, 0.28%, 0.41%

LAB 39.1, 29.63, -24.96

 

CMYK 4 / 21 / 0 / 55

HEX #6F5C74

RGB 111 92 116

HSL 287.5, 0.12%, 0.41%

LAB 41.68, 12.48, -10.69

 

CMYK 7 / 0 / 9 / 57

HEX #656D63

RGB 101 109 99

HSL 108, 0.05%, 0.41%

LAB 45.09, -5.12, 4.54

 

CMYK 57 / 75 / 0 / 35

HEX #4729A7

RGB 71 41 167

HSL 254.29, 0.61%, 0.41%

LAB 28.68, 46.29, -62.67

 

CMYK 38 / 75 / 0 / 35

HEX #6829A7

RGB 104 41 167

HSL 270, 0.61%, 0.41%

LAB 32.52, 51.58, -56.23

 

CMYK 17 / 75 / 0 / 35

HEX #8A29A7

RGB 138 41 167

HSL 286.19, 0.61%, 0.41%

LAB 37.44, 58.09, -48.03

 

CMYK 0 / 75 / 2 / 35

HEX #A729A3

RGB 167 41 163

HSL 301.9, 0.61%, 0.41%

LAB 41.92, 63.47, -38.21

 

CMYK 0 / 75 / 23 / 35

HEX #A72981

RGB 167 41 129

HSL 318.1, 0.61%, 0.41%

LAB 40.22, 58.44, -20.2

 

CMYK 17 / 75 / 0 / 60

HEX #541965

RGB 84 25 101

HSL 286.58, 0.6%, 0.25%

LAB 22.02, 39.05, -32.06

 

CMYK 17 / 75 / 0 / 47

HEX #6F2186

RGB 111 33 134

HSL 286.34, 0.6%, 0.33%

LAB 29.88, 48.83, -40.26

 

CMYK 17 / 75 / 0 / 35

HEX #8A29A7

RGB 138 41 167

HSL 286.19, 0.61%, 0.41%

LAB 37.44, 58.09, -48.03

 

CMYK 17 / 75 / 0 / 22

HEX #A632C8

RGB 166 50 200

HSL 286.4, 0.6%, 0.49%

LAB 45.02, 66.83, -55.04

 

CMYK 14 / 62 / 0 / 17

HEX #B550D3

RGB 181 80 211

HSL 286.26, 0.6%, 0.57%

LAB 52.13, 60.14, -49.85

 

CMYK 17 / 75 / 0 / 35

HEX #8A2AA6

RGB 138 42 166

HSL 286.45, 0.6%, 0.41%

LAB 37.5, 57.53, -47.33

 

CMYK 0 / 75 / 72 / 35

HEX #A7292E

RGB 167 41 46

HSL 357.62, 0.61%, 0.41%

LAB 37.84, 50.87, 28.59

 

CMYK 75 / 0 / 48 / 35

HEX #29A757

RGB 41 167 87

HSL 141.9, 0.61%, 0.41%

LAB 60.6, -51.52, 31.83

 

CMYK 17 / 75 / 0 / 35

HEX #8A2AA6

RGB 138 42 166

HSL 286.45, 0.6%, 0.41%

LAB 37.5, 57.53, -47.33

 

CMYK 0 / 17 / 75 / 35

HEX #A78A29

RGB 167 138 41

HSL 46.19, 0.61%, 0.41%

LAB 58.56, 0.79, 52.94

 

CMYK 75 / 0 / 17 / 35

HEX #29A78A

RGB 41 167 138

HSL 166.19, 0.61%, 0.41%

LAB 61.61, -40.52, 5.41

 

CMYK 17 / 75 / 0 / 35

HEX #8A2AA6

RGB 138 42 166

HSL 286.45, 0.6%, 0.41%

LAB 37.5, 57.53, -47.33

 

CMYK 0 / 75 / 72 / 35

HEX #A7292E

RGB 167 41 46

HSL 357.62, 0.61%, 0.41%

LAB 37.84, 50.87, 28.59

 

CMYK 57 / 0 / 75 / 35

HEX #47A729

RGB 71 167 41

HSL 105.71, 0.61%, 0.41%

LAB 60.9, -50.77, 53.1

 

CMYK 75 / 0 / 2 / 35

HEX #29A7A3

RGB 41 167 163

HSL 178.1, 0.61%, 0.41%

LAB 62.3, -33.58, -7.6

 

CMYK 17 / 75 / 0 / 35

HEX #8A2AA6

RGB 138 42 166

HSL 286.45, 0.6%, 0.41%

LAB 37.5, 57.53, -47.33

 

CMYK 0 / 55 / 75 / 35

HEX #A74B29

RGB 167 75 41

HSL 16.19, 0.61%, 0.41%

LAB 43.37, 35.69, 37.63

 

CMYK 57 / 0 / 75 / 35

HEX #47A729

RGB 71 167 41

HSL 105.71, 0.61%, 0.41%

LAB 60.9, -50.77, 53.1

 

CMYK 75 / 20 / 0 / 35

HEX #2985A7

RGB 41 133 167

HSL 196.19, 0.61%, 0.41%

LAB 51.88, -14.92, -25.69

 

Description

Color code: HEX #8A2AA6 | qconv.com Color code: HEX #8A2AA6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 42 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 42 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 75 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 75% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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