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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A3491 it is the complementary color #75CB6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A3491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A3491 shade: #8F348C, #A0469F, #B158B2, #C26AC5 and #D37CD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A3491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A3491 shade: #8A3491, #79227E, #68106B, #570058 and #460045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A3491 shade: #8B3492, #923480, #923466, #92344D and #923434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A3491 shade: #8B3492, #713492, #583492, #3F3492 and #343492

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A3491 shade matches the following richer shades: #8B3492, #9824A2, #A614B2 and #B404C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A3491 shade: #8B3492, #7D4482, #6F5472, #626461 and #547551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A3491 shade: #583492, #713492, #8A3492, #923481 and #923468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A3491 shade: #511E55, #6E2973, #8B3492, #A83FB0 and #BA56C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A3491 shade: #8A3491, #923F34 and #349265

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A3491 shade: #8A3491, #928A34 and #34928A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A3491 shade: #8A3491, #923F34, #3C9234 and #348792

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A3491 shade: #8A3491, #925B34, #3C9234 and #346B92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 64 / 0 / 43

HEX #8A3491

RGB 138 52 145

HSL 295.48, 0.47%, 0.39%

LAB 37.67, 49.38, -34.37

 

Complementary color

CMYK 42 / 0 / 46 / 20

HEX #75CB6E

RGB 117 203 110

HSL 115.48, 0.47%, 0.61%

LAB 74.58, -44.41, 38.32

 

CMYK 0 / 64 / 2 / 44

HEX #8F348C

RGB 143 52 140

HSL 301.98, 0.47%, 0.38%

LAB 38.18, 49.77, -30.45

 

CMYK 0 / 56 / 1 / 37

HEX #A0469F

RGB 160 70 159

HSL 300.67, 0.39%, 0.45%

LAB 44.74, 49.52, -31.44

 

CMYK 1 / 51 / 0 / 30

HEX #B158B2

RGB 177 88 178

HSL 299.33, 0.37%, 0.52%

LAB 51.31, 48.98, -32.17

 

CMYK 2 / 46 / 0 / 23

HEX #C26AC5

RGB 194 106 197

HSL 298.02, 0.44%, 0.59%

LAB 57.85, 48.31, -32.74

 

CMYK 2 / 43 / 0 / 15

HEX #D37CD8

RGB 211 124 216

HSL 296.74, 0.54%, 0.67%

LAB 64.34, 47.59, -33.21

 

CMYK 5 / 64 / 0 / 43

HEX #8A3491

RGB 138 52 145

HSL 295.48, 0.47%, 0.39%

LAB 37.67, 49.38, -34.37

 

CMYK 4 / 73 / 0 / 51

HEX #79227E

RGB 121 34 126

HSL 296.74, 0.58%, 0.31%

LAB 31.15, 49.15, -33.13

 

CMYK 3 / 85 / 0 / 58

HEX #68106B

RGB 104 16 107

HSL 298.02, 0.74%, 0.24%

LAB 24.87, 47.83, -31.2

 

CMYK 1 / 100 / 0 / 65

HEX #570058

RGB 87 0 88

HSL 299.32, 1%, 0.17%

LAB 18.93, 45.05, -28.35

 

CMYK 0 / 100 / 1 / 73

HEX #460045

RGB 70 0 69

HSL 300.86, 1%, 0.14%

LAB 14.01, 38.56, -23.4

 

CMYK 5 / 64 / 0 / 43

HEX #8B3492

RGB 139 52 146

HSL 295.53, 0.47%, 0.39%

LAB 37.88, 49.83, -34.63

 

CMYK 0 / 64 / 12 / 43

HEX #923480

RGB 146 52 128

HSL 311.49, 0.47%, 0.39%

LAB 38.07, 48.55, -23.21

 

CMYK 0 / 64 / 30 / 43

HEX #923466

RGB 146 52 102

HSL 328.09, 0.47%, 0.39%

LAB 36.98, 44.7, -8.62

 

CMYK 0 / 64 / 47 / 43

HEX #92344D

RGB 146 52 77

HSL 344.04, 0.47%, 0.39%

LAB 36.18, 41.76, 6.14

 

CMYK 0 / 64 / 64 / 43

HEX #923434

RGB 146 52 52

HSL 0, 0.47%, 0.39%

LAB 35.63, 39.65, 21.28

 

CMYK 5 / 64 / 0 / 43

HEX #8B3492

RGB 139 52 146

HSL 295.53, 0.47%, 0.39%

LAB 37.88, 49.83, -34.63

 

CMYK 23 / 64 / 0 / 43

HEX #713492

RGB 113 52 146

HSL 278.94, 0.47%, 0.39%

LAB 34.07, 43.28, -40.93

 

CMYK 40 / 64 / 0 / 43

HEX #583492

RGB 88 52 146

HSL 262.98, 0.47%, 0.39%

LAB 30.89, 37.34, -46.21

 

CMYK 57 / 64 / 0 / 43

HEX #3F3492

RGB 63 52 146

HSL 247.02, 0.47%, 0.39%

LAB 28.35, 32.14, -50.46

 

CMYK 64 / 64 / 0 / 43

HEX #343492

RGB 52 52 146

HSL 240, 0.47%, 0.39%

LAB 27.47, 30.23, -51.93

 

CMYK 5 / 64 / 0 / 43

HEX #8B3492

RGB 139 52 146

HSL 295.53, 0.47%, 0.39%

LAB 37.88, 49.83, -34.63

 

CMYK 6 / 78 / 0 / 36

HEX #9824A2

RGB 152 36 162

HSL 295.24, 0.64%, 0.39%

LAB 38.8, 61.67, -42.72

 

CMYK 7 / 89 / 0 / 30

HEX #A614B2

RGB 166 20 178

HSL 295.44, 0.8%, 0.39%

LAB 40.93, 70.69, -48.73

 

CMYK 7 / 98 / 0 / 24

HEX #B404C2

RGB 180 4 194

HSL 295.58, 0.96%, 0.39%

LAB 43.78, 77.4, -53.44

 

CMYK 5 / 64 / 0 / 43

HEX #8B3492

RGB 139 52 146

HSL 295.53, 0.47%, 0.39%

LAB 37.88, 49.83, -34.63

 

CMYK 4 / 48 / 0 / 49

HEX #7D4482

RGB 125 68 130

HSL 295.16, 0.31%, 0.39%

LAB 38.03, 34.6, -24.74

 

CMYK 3 / 26 / 0 / 55

HEX #6F5472

RGB 111 84 114

HSL 294, 0.15%, 0.39%

LAB 39.47, 16.94, -12.8

 

CMYK 2 / 0 / 3 / 61

HEX #626461

RGB 98 100 97

HSL 100, 0.02%, 0.39%

LAB 42.11, -1.4, 1.42

 

CMYK 28 / 0 / 31 / 54

HEX #547551

RGB 84 117 81

HSL 115, 0.18%, 0.39%

LAB 45.91, -19.53, 16.17

 

CMYK 40 / 64 / 0 / 43

HEX #583492

RGB 88 52 146

HSL 262.98, 0.47%, 0.39%

LAB 30.89, 37.34, -46.21

 

CMYK 23 / 64 / 0 / 43

HEX #713492

RGB 113 52 146

HSL 278.94, 0.47%, 0.39%

LAB 34.07, 43.28, -40.93

 

CMYK 5 / 64 / 0 / 43

HEX #8A3492

RGB 138 52 146

HSL 294.89, 0.47%, 0.39%

LAB 37.72, 49.57, -34.89

 

CMYK 0 / 64 / 12 / 43

HEX #923481

RGB 146 52 129

HSL 310.85, 0.47%, 0.39%

LAB 38.11, 48.71, -23.76

 

CMYK 0 / 64 / 29 / 43

HEX #923468

RGB 146 52 104

HSL 326.81, 0.47%, 0.39%

LAB 37.05, 44.97, -9.77

 

CMYK 5 / 65 / 0 / 67

HEX #511E55

RGB 81 30 85

HSL 295.64, 0.48%, 0.23%

LAB 21.33, 32.44, -22.58

 

CMYK 4 / 64 / 0 / 55

HEX #6E2973

RGB 110 41 115

HSL 295.95, 0.47%, 0.31%

LAB 29.76, 41.28, -28.5

 

CMYK 5 / 64 / 0 / 43

HEX #8B3492

RGB 139 52 146

HSL 295.53, 0.47%, 0.39%

LAB 37.88, 49.83, -34.63

 

CMYK 5 / 64 / 0 / 31

HEX #A83FB0

RGB 168 63 176

HSL 295.75, 0.47%, 0.47%

LAB 45.65, 57.83, -39.99

 

CMYK 4 / 56 / 0 / 24

HEX #BA56C2

RGB 186 86 194

HSL 295.56, 0.47%, 0.55%

LAB 52.94, 55.39, -38.8

 

CMYK 5 / 64 / 0 / 43

HEX #8A3491

RGB 138 52 145

HSL 295.48, 0.47%, 0.39%

LAB 37.67, 49.38, -34.37

 

CMYK 0 / 57 / 64 / 43

HEX #923F34

RGB 146 63 52

HSL 7.02, 0.47%, 0.39%

LAB 37.69, 34.22, 23.87

 

CMYK 64 / 0 / 31 / 43

HEX #349265

RGB 52 146 101

HSL 151.28, 0.47%, 0.39%

LAB 54.27, -38.54, 15.92

 

CMYK 5 / 64 / 0 / 43

HEX #8A3491

RGB 138 52 145

HSL 295.48, 0.47%, 0.39%

LAB 37.67, 49.38, -34.37

 

CMYK 0 / 5 / 64 / 43

HEX #928A34

RGB 146 138 52

HSL 54.89, 0.47%, 0.39%

LAB 56.62, -8.07, 45.67

 

CMYK 64 / 0 / 5 / 43

HEX #34928A

RGB 52 146 138

HSL 174.89, 0.47%, 0.39%

LAB 55.2, -29.2, -3.89

 

CMYK 5 / 64 / 0 / 43

HEX #8A3491

RGB 138 52 145

HSL 295.48, 0.47%, 0.39%

LAB 37.67, 49.38, -34.37

 

CMYK 0 / 57 / 64 / 43

HEX #923F34

RGB 146 63 52

HSL 7.02, 0.47%, 0.39%

LAB 37.69, 34.22, 23.87

 

CMYK 59 / 0 / 64 / 43

HEX #3C9234

RGB 60 146 52

HSL 114.89, 0.47%, 0.39%

LAB 53.78, -44.73, 41.05

 

CMYK 64 / 8 / 0 / 43

HEX #348792

RGB 52 135 146

HSL 187.02, 0.47%, 0.39%

LAB 51.99, -21.25, -13.32

 

CMYK 5 / 64 / 0 / 43

HEX #8A3491

RGB 138 52 145

HSL 295.48, 0.47%, 0.39%

LAB 37.67, 49.38, -34.37

 

CMYK 0 / 38 / 64 / 43

HEX #925B34

RGB 146 91 52

HSL 24.89, 0.47%, 0.39%

LAB 44, 18.67, 31.52

 

CMYK 59 / 0 / 64 / 43

HEX #3C9234

RGB 60 146 52

HSL 114.89, 0.47%, 0.39%

LAB 53.78, -44.73, 41.05

 

CMYK 64 / 27 / 0 / 43

HEX #346B92

RGB 52 107 146

HSL 204.89, 0.47%, 0.39%

LAB 43.24, -5.49, -26.74

 

Description

Color code: HEX #8A3491 | qconv.com Color code: HEX #8A3491 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 52 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 52 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 64 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 64% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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