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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A38AC it is the complementary color #75C753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A38AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A38AC shade: #8F38A7, #A04ABA, #B15CCD, #C26EE0 and #D380F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A38AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A38AC shade: #8A38AC, #792699, #681486, #570273 and #460060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A38AC shade: #8A38AD, #AA38AD, #AD3890, #AD3870 and #AD3851

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A38AC shade: #8A38AD, #6B38AD, #4B38AD and #3838AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A38AC shade matches the following richer shades: #8A38AD, #9225BF, #9A13D2 and #A100E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A38AC shade: #8A38AD, #834A9A, #7B5D88, #736F75 and #6C8263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A38AC shade: #4B38AD, #6A38AD, #8A38AD, #A938AD and #AD3891

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A38AC shade: #58246E, #712E8E, #8A38AD, #A04AC4 and #B069CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A38AC shade: #8A38AC, #AD3843 and #38AD5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A38AC shade: #8A38AC, #AD8A38 and #38AD8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A38AC shade: #8A38AC, #AD3843, #5BAD38 and #38ADA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A38AC shade: #8A38AC, #AD4F38, #5BAD38 and #3895AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 67 / 0 / 33

HEX #8A38AC

RGB 138 56 172

HSL 282.41, 0.51%, 0.45%

LAB 39.93, 53.01, -47.01

 

Complementary color

CMYK 41 / 0 / 58 / 22

HEX #75C753

RGB 117 199 83

HSL 102.41, 0.51%, 0.55%

LAB 73.06, -46.03, 49.41

 

CMYK 14 / 66 / 0 / 35

HEX #8F38A7

RGB 143 56 167

HSL 287.03, 0.5%, 0.44%

LAB 40.34, 53.13, -43.34

 

CMYK 14 / 60 / 0 / 27

HEX #A04ABA

RGB 160 74 186

HSL 286.07, 0.45%, 0.51%

LAB 46.86, 52.81, -44

 

CMYK 14 / 55 / 0 / 20

HEX #B15CCD

RGB 177 92 205

HSL 285.13, 0.53%, 0.58%

LAB 53.39, 52.23, -44.46

 

CMYK 13 / 51 / 0 / 12

HEX #C26EE0

RGB 194 110 224

HSL 284.21, 0.65%, 0.65%

LAB 59.89, 51.53, -44.8

 

CMYK 13 / 47 / 0 / 5

HEX #D380F3

RGB 211 128 243

HSL 283.3, 0.83%, 0.73%

LAB 66.33, 50.77, -45.06

 

CMYK 20 / 67 / 0 / 33

HEX #8A38AC

RGB 138 56 172

HSL 282.41, 0.51%, 0.45%

LAB 39.93, 53.01, -47.01

 

CMYK 21 / 75 / 0 / 40

HEX #792699

RGB 121 38 153

HSL 283.3, 0.6%, 0.37%

LAB 33.46, 52.92, -46.13

 

CMYK 22 / 85 / 0 / 47

HEX #681486

RGB 104 20 134

HSL 284.21, 0.74%, 0.3%

LAB 27.2, 51.89, -44.65

 

CMYK 24 / 98 / 0 / 55

HEX #570273

RGB 87 2 115

HSL 285.13, 0.97%, 0.23%

LAB 21.24, 49.55, -42.4

 

CMYK 27 / 100 / 0 / 62

HEX #460060

RGB 70 0 96

HSL 283.75, 1%, 0.19%

LAB 16.24, 43.74, -38.23

 

CMYK 20 / 68 / 0 / 32

HEX #8A38AD

RGB 138 56 173

HSL 282.05, 0.51%, 0.45%

LAB 40, 53.22, -47.5

 

CMYK 2 / 68 / 0 / 32

HEX #AA38AD

RGB 170 56 173

HSL 298.46, 0.51%, 0.45%

LAB 44.79, 60.6, -39.58

 

CMYK 0 / 68 / 17 / 32

HEX #AD3890

RGB 173 56 144

HSL 314.87, 0.51%, 0.45%

LAB 43.84, 56.71, -23.69

 

CMYK 0 / 68 / 35 / 32

HEX #AD3870

RGB 173 56 112

HSL 331.28, 0.51%, 0.45%

LAB 42.59, 52.47, -6

 

CMYK 0 / 68 / 53 / 32

HEX #AD3851

RGB 173 56 81

HSL 347.18, 0.51%, 0.45%

LAB 41.7, 49.35, 12.04

 

CMYK 20 / 68 / 0 / 32

HEX #8A38AD

RGB 138 56 173

HSL 282.05, 0.51%, 0.45%

LAB 40, 53.22, -47.5

 

CMYK 38 / 68 / 0 / 32

HEX #6B38AD

RGB 107 56 173

HSL 266.15, 0.51%, 0.45%

LAB 35.93, 46.49, -54.27

 

CMYK 57 / 68 / 0 / 32

HEX #4B38AD

RGB 75 56 173

HSL 249.74, 0.51%, 0.45%

LAB 32.57, 40.48, -59.88

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 20 / 68 / 0 / 32

HEX #8A38AD

RGB 138 56 173

HSL 282.05, 0.51%, 0.45%

LAB 40, 53.22, -47.5

 

CMYK 24 / 81 / 0 / 25

HEX #9225BF

RGB 146 37 191

HSL 282.47, 0.68%, 0.45%

LAB 39.91, 65.64, -58.21

 

CMYK 27 / 91 / 0 / 18

HEX #9A13D2

RGB 154 19 210

HSL 282.41, 0.83%, 0.45%

LAB 41.2, 74.63, -67.12

 

CMYK 29 / 100 / 0 / 11

HEX #A100E4

RGB 161 0 228

HSL 282.37, 1%, 0.45%

LAB 43.03, 81, -74.4

 

CMYK 20 / 68 / 0 / 32

HEX #8A38AD

RGB 138 56 173

HSL 282.05, 0.51%, 0.45%

LAB 40, 53.22, -47.5

 

CMYK 15 / 52 / 0 / 40

HEX #834A9A

RGB 131 74 154

HSL 282.75, 0.35%, 0.45%

LAB 41.3, 38.21, -34.13

 

CMYK 10 / 32 / 0 / 47

HEX #7B5D88

RGB 123 93 136

HSL 281.86, 0.19%, 0.45%

LAB 43.97, 20.58, -19.22

 

CMYK 2 / 5 / 0 / 54

HEX #736F75

RGB 115 111 117

HSL 280, 0.03%, 0.45%

LAB 47.36, 2.76, -2.78

 

CMYK 17 / 0 / 24 / 49

HEX #6C8263

RGB 108 130 99

HSL 102.58, 0.14%, 0.45%

LAB 51.9, -14.2, 14.21

 

CMYK 57 / 68 / 0 / 32

HEX #4B38AD

RGB 75 56 173

HSL 249.74, 0.51%, 0.45%

LAB 32.57, 40.48, -59.88

 

CMYK 39 / 68 / 0 / 32

HEX #6A38AD

RGB 106 56 173

HSL 265.64, 0.51%, 0.45%

LAB 35.81, 46.29, -54.47

 

CMYK 20 / 68 / 0 / 32

HEX #8A38AD

RGB 138 56 173

HSL 282.05, 0.51%, 0.45%

LAB 40, 53.22, -47.5

 

CMYK 2 / 68 / 0 / 32

HEX #A938AD

RGB 169 56 173

HSL 297.95, 0.51%, 0.45%

LAB 44.63, 60.37, -39.83

 

CMYK 0 / 68 / 16 / 32

HEX #AD3891

RGB 173 56 145

HSL 314.36, 0.51%, 0.45%

LAB 43.88, 56.85, -24.23

 

CMYK 20 / 67 / 0 / 57

HEX #58246E

RGB 88 36 110

HSL 282.16, 0.51%, 0.29%

LAB 25.14, 36.83, -32.86

 

CMYK 20 / 68 / 0 / 44

HEX #712E8E

RGB 113 46 142

HSL 281.88, 0.51%, 0.37%

LAB 32.74, 45.33, -40.61

 

CMYK 20 / 68 / 0 / 32

HEX #8A38AD

RGB 138 56 173

HSL 282.05, 0.51%, 0.45%

LAB 40, 53.22, -47.5

 

CMYK 18 / 62 / 0 / 23

HEX #A04AC4

RGB 160 74 196

HSL 282.3, 0.51%, 0.53%

LAB 47.44, 54.87, -48.9

 

CMYK 15 / 49 / 0 / 19

HEX #B069CE

RGB 176 105 206

HSL 282.18, 0.51%, 0.61%

LAB 55.88, 45.46, -41.12

 

CMYK 20 / 67 / 0 / 33

HEX #8A38AC

RGB 138 56 172

HSL 282.41, 0.51%, 0.45%

LAB 39.93, 53.01, -47.01

 

CMYK 0 / 68 / 61 / 32

HEX #AD3843

RGB 173 56 67

HSL 354.36, 0.51%, 0.45%

LAB 41.4, 48.28, 20.35

 

CMYK 68 / 0 / 47 / 32

HEX #38AD5B

RGB 56 173 91

HSL 137.95, 0.51%, 0.45%

LAB 62.91, -50.57, 32.76

 

CMYK 20 / 67 / 0 / 33

HEX #8A38AC

RGB 138 56 172

HSL 282.41, 0.51%, 0.45%

LAB 39.93, 53.01, -47.01

 

CMYK 0 / 20 / 68 / 32

HEX #AD8A38

RGB 173 138 56

HSL 42.05, 0.51%, 0.45%

LAB 59.29, 4.29, 47.49

 

CMYK 68 / 0 / 20 / 32

HEX #38AD8A

RGB 56 173 138

HSL 162.05, 0.51%, 0.45%

LAB 63.81, -40.94, 8.6

 

CMYK 20 / 67 / 0 / 33

HEX #8A38AC

RGB 138 56 172

HSL 282.41, 0.51%, 0.45%

LAB 39.93, 53.01, -47.01

 

CMYK 0 / 68 / 61 / 32

HEX #AD3843

RGB 173 56 67

HSL 354.36, 0.51%, 0.45%

LAB 41.4, 48.28, 20.35

 

CMYK 47 / 0 / 68 / 32

HEX #5BAD38

RGB 91 173 56

HSL 102.05, 0.51%, 0.45%

LAB 63.67, -46.15, 50.43

 

CMYK 68 / 0 / 7 / 32

HEX #38ADA1

RGB 56 173 161

HSL 173.85, 0.51%, 0.45%

LAB 64.4, -34.96, -3.33

 

CMYK 20 / 67 / 0 / 33

HEX #8A38AC

RGB 138 56 172

HSL 282.41, 0.51%, 0.45%

LAB 39.93, 53.01, -47.01

 

CMYK 0 / 54 / 68 / 32

HEX #AD4F38

RGB 173 79 56

HSL 11.79, 0.51%, 0.45%

LAB 45.31, 36.78, 31.78

 

CMYK 47 / 0 / 68 / 32

HEX #5BAD38

RGB 91 173 56

HSL 102.05, 0.51%, 0.45%

LAB 63.67, -46.15, 50.43

 

CMYK 68 / 14 / 0 / 32

HEX #3895AD

RGB 56 149 173

HSL 192.31, 0.51%, 0.45%

LAB 57.42, -19.45, -20.58

 

Description

Color code: HEX #8A38AC | qconv.com Color code: HEX #8A38AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 56 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 56 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 67 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 67% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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