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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A38F9 it is the complementary color #75C706. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A38F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A38F9 shade: #8F38F4, #A04AFF, #B15CFF, #C26EFF and #D380FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A38F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A38F9 shade: #8A38F9, #7926E6, #6814D3, #5702C0 and #4600AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A38F9 shade: #8A39F8, #BE39F8, #F239F8, #F839CC and #F83998

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A38F9 shade: #8A39F8, #5639F8 and #3939F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A38F9 shade matches the following richer shades: #8A39F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A38F9 shade: #8A39F8, #8D49E8, #8F5AD7, #926AC7 and #947BB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A38F9 shade: #394FF8, #5539F8, #8939F8, #BC39F8 and #EF39F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A38F9 shade: #5F06D8, #7311F7, #8A39F8, #A261FA and #B989FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A38F9 shade: #8A38F9, #F83982 and #39F83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A38F9 shade: #8A38F9, #F88939 and #39F889

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A38F9 shade: #8A38F9, #F83982, #A8F839 and #39F8AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A38F9 shade: #8A38F9, #F83949, #A8F839 and #39F8E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 78 / 0 / 2

HEX #8A38F9

RGB 138 56 249

HSL 265.49, 0.94%, 0.6%

LAB 45.73, 70.5, -81.96

 

Complementary color

CMYK 41 / 0 / 97 / 22

HEX #75C706

RGB 117 199 6

HSL 85.49, 0.94%, 0.4%

LAB 72.66, -50.27, 71.52

 

CMYK 41 / 77 / 0 / 4

HEX #8F38F4

RGB 143 56 244

HSL 267.77, 0.9%, 0.59%

LAB 45.91, 70.04, -78.85

 

CMYK 37 / 71 / 0 / 0

HEX #A04AFF

RGB 160 74 255

HSL 268.51, 1%, 0.65%

LAB 51.37, 67.97, -75.98

 

CMYK 31 / 64 / 0 / 0

HEX #B15CFF

RGB 177 92 255

HSL 271.29, 1%, 0.68%

LAB 56.31, 63.05, -67.89

 

CMYK 24 / 57 / 0 / 0

HEX #C26EFF

RGB 194 110 255

HSL 274.76, 1%, 0.72%

LAB 61.52, 58.08, -59.42

 

CMYK 17 / 50 / 0 / 0

HEX #D380FF

RGB 211 128 255

HSL 279.21, 1%, 0.75%

LAB 66.91, 53.24, -50.74

 

CMYK 45 / 78 / 0 / 2

HEX #8A38F9

RGB 138 56 249

HSL 265.49, 0.94%, 0.6%

LAB 45.73, 70.5, -81.96

 

CMYK 47 / 83 / 0 / 10

HEX #7926E6

RGB 121 38 230

HSL 265.94, 0.79%, 0.53%

LAB 39.86, 70.19, -80.96

 

CMYK 51 / 91 / 0 / 17

HEX #6814D3

RGB 104 20 211

HSL 266.39, 0.83%, 0.45%

LAB 34.29, 68.87, -79.31

 

CMYK 55 / 99 / 0 / 25

HEX #5702C0

RGB 87 2 192

HSL 266.84, 0.98%, 0.38%

LAB 29.1, 66.28, -76.85

 

CMYK 60 / 100 / 0 / 32

HEX #4600AD

RGB 70 0 173

HSL 264.28, 1%, 0.34%

LAB 24.7, 61.15, -72.87

 

CMYK 44 / 77 / 0 / 3

HEX #8A39F8

RGB 138 57 248

HSL 265.45, 0.93%, 0.6%

LAB 45.78, 69.88, -81.32

 

CMYK 23 / 77 / 0 / 3

HEX #BE39F8

RGB 190 57 248

HSL 281.78, 0.93%, 0.6%

LAB 52.57, 78.03, -69.97

 

CMYK 2 / 77 / 0 / 3

HEX #F239F8

RGB 242 57 248

HSL 298.12, 0.93%, 0.6%

LAB 60.41, 87.37, -56.94

 

CMYK 0 / 77 / 18 / 3

HEX #F839CC

RGB 248 57 204

HSL 313.82, 0.93%, 0.6%

LAB 59.2, 82.37, -34.04

 

CMYK 0 / 77 / 39 / 3

HEX #F83998

RGB 248 57 152

HSL 330.16, 0.93%, 0.6%

LAB 57.22, 76.51, -6.93

 

CMYK 44 / 77 / 0 / 3

HEX #8A39F8

RGB 138 57 248

HSL 265.45, 0.93%, 0.6%

LAB 45.78, 69.88, -81.32

 

CMYK 65 / 77 / 0 / 3

HEX #5639F8

RGB 86 57 248

HSL 249.11, 0.93%, 0.6%

LAB 40.71, 63.7, -89.85

 

CMYK 77 / 77 / 0 / 3

HEX #3939F8

RGB 57 57 248

HSL 240, 0.93%, 0.6%

LAB 38.85, 61.43, -92.98

 

CMYK 44 / 77 / 0 / 3

HEX #8A39F8

RGB 138 57 248

HSL 265.45, 0.93%, 0.6%

LAB 45.78, 69.88, -81.32

 

CMYK 44 / 77 / 0 / 3

HEX #8A39F8

RGB 138 57 248

HSL 265.45, 0.93%, 0.6%

LAB 45.78, 69.88, -81.32

 

CMYK 39 / 69 / 0 / 9

HEX #8D49E8

RGB 141 73 232

HSL 265.66, 0.78%, 0.6%

LAB 47.31, 59.55, -69.81

 

CMYK 33 / 58 / 0 / 16

HEX #8F5AD7

RGB 143 90 215

HSL 265.44, 0.61%, 0.6%

LAB 49.57, 47.08, -56.5

 

CMYK 27 / 47 / 0 / 22

HEX #926AC7

RGB 146 106 199

HSL 265.81, 0.45%, 0.6%

LAB 52.45, 34.94, -42.76

 

CMYK 19 / 32 / 0 / 29

HEX #947BB6

RGB 148 123 182

HSL 265.42, 0.29%, 0.6%

LAB 55.93, 21.63, -27.56

 

CMYK 77 / 68 / 0 / 3

HEX #394FF8

RGB 57 79 248

HSL 233.09, 0.93%, 0.6%

LAB 43.12, 49.47, -85.93

 

CMYK 66 / 77 / 0 / 3

HEX #5539F8

RGB 85 57 248

HSL 248.8, 0.93%, 0.6%

LAB 40.63, 63.61, -89.98

 

CMYK 45 / 77 / 0 / 3

HEX #8939F8

RGB 137 57 248

HSL 265.13, 0.93%, 0.6%

LAB 45.66, 69.74, -81.51

 

CMYK 24 / 77 / 0 / 3

HEX #BC39F8

RGB 188 57 248

HSL 281.15, 0.93%, 0.6%

LAB 52.28, 77.69, -70.44

 

CMYK 4 / 77 / 0 / 3

HEX #EF39F8

RGB 239 57 248

HSL 297.17, 0.93%, 0.6%

LAB 59.94, 86.81, -57.72

 

CMYK 56 / 97 / 0 / 15

HEX #5F06D8

RGB 95 6 216

HSL 265.43, 0.95%, 0.44%

LAB 32.96, 71.64, -84.42

 

CMYK 53 / 93 / 0 / 3

HEX #7311F7

RGB 115 17 247

HSL 265.57, 0.93%, 0.52%

LAB 39.18, 78.46, -91.73

 

CMYK 44 / 77 / 0 / 3

HEX #8A39F8

RGB 138 57 248

HSL 265.45, 0.93%, 0.6%

LAB 45.78, 69.88, -81.32

 

CMYK 35 / 61 / 0 / 2

HEX #A261FA

RGB 162 97 250

HSL 265.49, 0.94%, 0.68%

LAB 55.21, 56.26, -66.98

 

CMYK 26 / 45 / 0 / 2

HEX #B989FB

RGB 185 137 251

HSL 265.26, 0.93%, 0.76%

LAB 65.88, 40.66, -50.35

 

CMYK 45 / 78 / 0 / 2

HEX #8A38F9

RGB 138 56 249

HSL 265.49, 0.94%, 0.6%

LAB 45.73, 70.5, -81.96

 

CMYK 0 / 77 / 48 / 3

HEX #F83982

RGB 248 57 130

HSL 337.07, 0.93%, 0.6%

LAB 56.58, 74.54, 5.14

 

CMYK 77 / 0 / 76 / 3

HEX #39F83C

RGB 57 248 60

HSL 120.94, 0.93%, 0.6%

LAB 86.17, -78.4, 71.59

 

CMYK 45 / 78 / 0 / 2

HEX #8A38F9

RGB 138 56 249

HSL 265.49, 0.94%, 0.6%

LAB 45.73, 70.5, -81.96

 

CMYK 0 / 45 / 77 / 3

HEX #F88939

RGB 248 137 57

HSL 25.13, 0.93%, 0.6%

LAB 68.13, 36.65, 58.96

 

CMYK 77 / 0 / 45 / 3

HEX #39F889

RGB 57 248 137

HSL 145.13, 0.93%, 0.6%

LAB 86.9, -69.58, 40.36

 

CMYK 45 / 78 / 0 / 2

HEX #8A38F9

RGB 138 56 249

HSL 265.49, 0.94%, 0.6%

LAB 45.73, 70.5, -81.96

 

CMYK 0 / 77 / 48 / 3

HEX #F83982

RGB 248 57 130

HSL 337.07, 0.93%, 0.6%

LAB 56.58, 74.54, 5.14

 

CMYK 32 / 0 / 77 / 3

HEX #A8F839

RGB 168 248 57

HSL 85.13, 0.93%, 0.6%

LAB 89.75, -50.95, 77.15

 

CMYK 77 / 0 / 29 / 3

HEX #39F8AF

RGB 57 248 175

HSL 157.07, 0.93%, 0.6%

LAB 87.53, -62.45, 22.16

 

CMYK 45 / 78 / 0 / 2

HEX #8A38F9

RGB 138 56 249

HSL 265.49, 0.94%, 0.6%

LAB 45.73, 70.5, -81.96

 

CMYK 0 / 77 / 71 / 3

HEX #F83949

RGB 248 57 73

HSL 354.97, 0.93%, 0.6%

LAB 55.45, 70.99, 37.26

 

CMYK 32 / 0 / 77 / 3

HEX #A8F839

RGB 168 248 57

HSL 85.13, 0.93%, 0.6%

LAB 89.75, -50.95, 77.15

 

CMYK 77 / 0 / 6 / 3

HEX #39F8E8

RGB 57 248 232

HSL 174.97, 0.93%, 0.6%

LAB 88.84, -48.76, -5.51

 

Description

Color code: HEX #8A38F9 | qconv.com Color code: HEX #8A38F9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 56 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 56 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 78 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 78% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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