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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A3341 it is the complementary color #75CCBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A3341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A3341 shade: #8F333C, #A0454F, #B15762, #C26975 and #D37B88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A3341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A3341 shade: #8A3341, #79212E, #680F1B, #570008 and #460000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A3341 shade: #893240 and #893232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A3341 shade: #893240, #893258, #89326F, #893287 and #743289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A3341 shade matches the following richer shades: #893240, #992336, #A8142C and #B70521

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A3341 shade: #893240, #7A424B, #6B5155, #5B605F and #4C706A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A3341 shade: #89326F, #893258, #893241, #893B32 and #895232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A3341 shade: #4D1C24, #6B2732, #893240, #A73E4F and #BE5062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A3341 shade: #8A3341, #868932 and #326489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A3341 shade: #8A3341, #418932 and #324189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A3341 shade: #8A3341, #868932, #32897B and #353289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A3341 shade: #8A3341, #6C8932, #32897B and #4F3289

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 53 / 46

HEX #8A3341

RGB 138 51 65

HSL 350.34, 0.46%, 0.37%

LAB 34.3, 38.27, 11

 

Complementary color

CMYK 43 / 0 / 7 / 20

HEX #75CCBE

RGB 117 204 190

HSL 170.34, 0.46%, 0.63%

LAB 76.49, -29.59, -1.24

 

CMYK 0 / 64 / 58 / 44

HEX #8F333C

RGB 143 51 60

HSL 354.13, 0.47%, 0.38%

LAB 35.07, 39.63, 15.4

 

CMYK 0 / 57 / 51 / 37

HEX #A0454F

RGB 160 69 79

HSL 353.41, 0.4%, 0.45%

LAB 41.68, 38.71, 12.91

 

CMYK 0 / 51 / 45 / 31

HEX #B15762

RGB 177 87 98

HSL 352.67, 0.37%, 0.52%

LAB 48.32, 37.67, 10.93

 

CMYK 0 / 46 / 40 / 24

HEX #C26975

RGB 194 105 117

HSL 351.91, 0.42%, 0.59%

LAB 54.92, 36.64, 9.29

 

CMYK 0 / 42 / 36 / 17

HEX #D37B88

RGB 211 123 136

HSL 351.14, 0.5%, 0.65%

LAB 61.47, 35.66, 7.9

 

CMYK 0 / 63 / 53 / 46

HEX #8A3341

RGB 138 51 65

HSL 350.34, 0.46%, 0.37%

LAB 34.3, 38.27, 11

 

CMYK 0 / 73 / 62 / 53

HEX #79212E

RGB 121 33 46

HSL 351.14, 0.57%, 0.3%

LAB 27.71, 38.84, 13.98

 

CMYK 0 / 86 / 74 / 59

HEX #680F1B

RGB 104 15 27

HSL 351.91, 0.75%, 0.23%

LAB 21.45, 38.54, 18.09

 

CMYK 0 / 100 / 91 / 66

HEX #570008

RGB 87 0 8

HSL 354.48, 1%, 0.17%

LAB 15.72, 36.84, 21.16

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 64 / 53 / 46

HEX #893240

RGB 137 50 64

HSL 350.34, 0.47%, 0.37%

LAB 33.92, 38.3, 11.09

 

CMYK 0 / 64 / 64 / 46

HEX #893232

RGB 137 50 50

HSL 0, 0.47%, 0.37%

LAB 33.63, 37.16, 19.66

 

CMYK 0 / 64 / 53 / 46

HEX #893240

RGB 137 50 64

HSL 350.34, 0.47%, 0.37%

LAB 33.92, 38.3, 11.09

 

CMYK 0 / 64 / 36 / 46

HEX #893258

RGB 137 50 88

HSL 333.79, 0.47%, 0.37%

LAB 34.61, 40.91, -3.39

 

CMYK 0 / 64 / 19 / 46

HEX #89326F

RGB 137 50 111

HSL 317.93, 0.47%, 0.37%

LAB 35.49, 44.14, -16.7

 

CMYK 0 / 64 / 1 / 46

HEX #893287

RGB 137 50 135

HSL 301.38, 0.47%, 0.37%

LAB 36.65, 48.17, -29.86

 

CMYK 15 / 64 / 0 / 46

HEX #743289

RGB 116 50 137

HSL 285.52, 0.47%, 0.37%

LAB 33.56, 43.04, -36.18

 

CMYK 0 / 64 / 53 / 46

HEX #893240

RGB 137 50 64

HSL 350.34, 0.47%, 0.37%

LAB 33.92, 38.3, 11.09

 

CMYK 0 / 77 / 65 / 40

HEX #992336

RGB 153 35 54

HSL 350.34, 0.63%, 0.37%

LAB 34.48, 48.99, 18.81

 

CMYK 0 / 88 / 74 / 34

HEX #A8142C

RGB 168 20 44

HSL 350.27, 0.79%, 0.37%

LAB 36, 56.77, 27.72

 

CMYK 0 / 97 / 82 / 28

HEX #B70521

RGB 183 5 33

HSL 350.56, 0.95%, 0.37%

LAB 38.35, 62.42, 37.81

 

CMYK 0 / 64 / 53 / 46

HEX #893240

RGB 137 50 64

HSL 350.34, 0.47%, 0.37%

LAB 33.92, 38.3, 11.09

 

CMYK 0 / 46 / 39 / 52

HEX #7A424B

RGB 122 66 75

HSL 350.36, 0.3%, 0.37%

LAB 35.09, 25.25, 5.33

 

CMYK 0 / 24 / 21 / 58

HEX #6B5155

RGB 107 81 85

HSL 350.77, 0.14%, 0.37%

LAB 37.24, 11.55, 1.86

 

CMYK 5 / 0 / 1 / 62

HEX #5B605F

RGB 91 96 95

HSL 168, 0.03%, 0.37%

LAB 40.27, -2.16, -0.11

 

CMYK 32 / 0 / 5 / 56

HEX #4C706A

RGB 76 112 106

HSL 170, 0.19%, 0.37%

LAB 44.47, -14.23, -0.77

 

CMYK 0 / 64 / 19 / 46

HEX #89326F

RGB 137 50 111

HSL 317.93, 0.47%, 0.37%

LAB 35.49, 44.14, -16.7

 

CMYK 0 / 64 / 36 / 46

HEX #893258

RGB 137 50 88

HSL 333.79, 0.47%, 0.37%

LAB 34.61, 40.91, -3.39

 

CMYK 0 / 64 / 53 / 46

HEX #893241

RGB 137 50 65

HSL 349.66, 0.47%, 0.37%

LAB 33.94, 38.39, 10.48

 

CMYK 0 / 57 / 64 / 46

HEX #893B32

RGB 137 59 50

HSL 6.21, 0.47%, 0.37%

LAB 35.35, 32.62, 21.86

 

CMYK 0 / 40 / 64 / 46

HEX #895232

RGB 137 82 50

HSL 22.07, 0.47%, 0.37%

LAB 40.55, 19.76, 28.24

 

CMYK 0 / 64 / 53 / 70

HEX #4D1C24

RGB 77 28 36

HSL 350.2, 0.47%, 0.21%

LAB 18.08, 23.99, 6.35

 

CMYK 0 / 64 / 53 / 58

HEX #6B2732

RGB 107 39 50

HSL 350.29, 0.47%, 0.29%

LAB 26.18, 31.36, 8.78

 

CMYK 0 / 64 / 53 / 46

HEX #893240

RGB 137 50 64

HSL 350.34, 0.47%, 0.37%

LAB 33.92, 38.3, 11.09

 

CMYK 0 / 63 / 53 / 35

HEX #A73E4F

RGB 167 62 79

HSL 350.29, 0.46%, 0.45%

LAB 41.57, 44.56, 12.95

 

CMYK 0 / 58 / 48 / 25

HEX #BE5062

RGB 190 80 98

HSL 350.18, 0.46%, 0.53%

LAB 48.97, 45.83, 12.14

 

CMYK 0 / 63 / 53 / 46

HEX #8A3341

RGB 138 51 65

HSL 350.34, 0.46%, 0.37%

LAB 34.3, 38.27, 11

 

CMYK 2 / 0 / 64 / 46

HEX #868932

RGB 134 137 50

HSL 62.07, 0.47%, 0.37%

LAB 55.27, -13.03, 44.82

 

CMYK 64 / 27 / 0 / 46

HEX #326489

RGB 50 100 137

HSL 205.52, 0.47%, 0.37%

LAB 40.57, -4.78, -25.51

 

CMYK 0 / 63 / 53 / 46

HEX #8A3341

RGB 138 51 65

HSL 350.34, 0.46%, 0.37%

LAB 34.3, 38.27, 11

 

CMYK 53 / 0 / 64 / 46

HEX #418932

RGB 65 137 50

HSL 109.66, 0.47%, 0.37%

LAB 50.97, -39.94, 38.88

 

CMYK 64 / 53 / 0 / 46

HEX #324189

RGB 50 65 137

HSL 229.66, 0.47%, 0.37%

LAB 30.07, 17.96, -42.16

 

CMYK 0 / 63 / 53 / 46

HEX #8A3341

RGB 138 51 65

HSL 350.34, 0.46%, 0.37%

LAB 34.3, 38.27, 11

 

CMYK 2 / 0 / 64 / 46

HEX #868932

RGB 134 137 50

HSL 62.07, 0.47%, 0.37%

LAB 55.27, -13.03, 44.82

 

CMYK 64 / 0 / 10 / 46

HEX #32897B

RGB 50 137 123

HSL 170.34, 0.47%, 0.37%

LAB 51.84, -29.37, -0.17

 

CMYK 61 / 64 / 0 / 46

HEX #353289

RGB 53 50 137

HSL 242.07, 0.47%, 0.37%

LAB 26.29, 28.55, -48.28

 

CMYK 0 / 63 / 53 / 46

HEX #8A3341

RGB 138 51 65

HSL 350.34, 0.46%, 0.37%

LAB 34.3, 38.27, 11

 

CMYK 21 / 0 / 64 / 46

HEX #6C8932

RGB 108 137 50

HSL 80, 0.47%, 0.37%

LAB 53.29, -24.28, 42.09

 

CMYK 64 / 0 / 10 / 46

HEX #32897B

RGB 50 137 123

HSL 170.34, 0.47%, 0.37%

LAB 51.84, -29.37, -0.17

 

CMYK 42 / 64 / 0 / 46

HEX #4F3289

RGB 79 50 137

HSL 260, 0.47%, 0.37%

LAB 28.77, 33.9, -44.14

 

Description

Color code: HEX #8A3341 | qconv.com Color code: HEX #8A3341 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 51 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 51 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 53 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 53% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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