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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A595E it is the complementary color #75A6A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A595E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A595E shade: #8F5959, #A06B6C, #B17D7F, #C28F92 and #D3A1A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A595E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A595E shade: #8A595E, #79474B, #683538, #572325 and #461112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A595E shade: #8B595E and #8B5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A595E shade: #8B595E, #8B596C, #8B5979, #8B5987 and #82598B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A595E shade matches the following richer shades: #8B595E, #9E464F, #B13441, #C32132 and #D60F23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A595E shade: #8B595E, #796C6D, #667E7C, #54918A and #41A399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A595E shade: #8B597A, #8B596C, #8B595F, #8B6159 and #8B6E59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A595E shade: #59393C, #72494D, #8B595E, #A16D72 and #B1868A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A595E shade: #8A595E, #878B59 and #59738B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A595E shade: #8A595E, #5F8B59 and #595F8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A595E shade: #8A595E, #878B59, #598B86 and #5D598B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A595E shade: #8A595E, #788B59, #598B86 and #6C598B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 32 / 46

HEX #8A595E

RGB 138 89 94

HSL 353.88, 0.22%, 0.45%

LAB 43.3, 20.92, 5.5

 

Complementary color

CMYK 30 / 0 / 3 / 35

HEX #75A6A1

RGB 117 166 161

HSL 173.88, 0.22%, 0.55%

LAB 64.67, -17.38, -2.67

 

CMYK 0 / 38 / 38 / 44

HEX #8F5959

RGB 143 89 89

HSL 0, 0.23%, 0.45%

LAB 43.81, 22.27, 9.36

 

CMYK 0 / 33 / 33 / 37

HEX #A06B6C

RGB 160 107 108

HSL 358.87, 0.22%, 0.52%

LAB 50.77, 21.32, 8.1

 

CMYK 0 / 29 / 28 / 31

HEX #B17D7F

RGB 177 125 127

HSL 357.69, 0.25%, 0.59%

LAB 57.6, 20.49, 6.99

 

CMYK 0 / 26 / 25 / 24

HEX #C28F92

RGB 194 143 146

HSL 356.47, 0.29%, 0.66%

LAB 64.31, 19.75, 6.01

 

CMYK 0 / 24 / 22 / 17

HEX #D3A1A5

RGB 211 161 165

HSL 355.2, 0.36%, 0.73%

LAB 70.91, 19.09, 5.1

 

CMYK 0 / 36 / 32 / 46

HEX #8A595E

RGB 138 89 94

HSL 353.88, 0.22%, 0.45%

LAB 43.3, 20.92, 5.5

 

CMYK 0 / 41 / 38 / 53

HEX #79474B

RGB 121 71 75

HSL 355.2, 0.26%, 0.38%

LAB 36.14, 21.91, 6.8

 

CMYK 0 / 49 / 46 / 59

HEX #683538

RGB 104 53 56

HSL 356.47, 0.32%, 0.31%

LAB 28.84, 23.05, 8.41

 

CMYK 0 / 60 / 57 / 66

HEX #572325

RGB 87 35 37

HSL 357.69, 0.43%, 0.24%

LAB 21.44, 24.28, 10.55

 

CMYK 0 / 76 / 74 / 73

HEX #461112

RGB 70 17 18

HSL 358.87, 0.61%, 0.17%

LAB 14.1, 25.34, 13.44

 

CMYK 0 / 36 / 32 / 45

HEX #8B595E

RGB 139 89 94

HSL 354, 0.22%, 0.45%

LAB 43.42, 21.32, 5.7

 

CMYK 0 / 36 / 36 / 45

HEX #8B5959

RGB 139 89 89

HSL 0, 0.22%, 0.45%

LAB 43.29, 20.63, 8.56

 

CMYK 0 / 36 / 32 / 45

HEX #8B595E

RGB 139 89 94

HSL 354, 0.22%, 0.45%

LAB 43.42, 21.32, 5.7

 

CMYK 0 / 36 / 22 / 45

HEX #8B596C

RGB 139 89 108

HSL 337.2, 0.22%, 0.45%

LAB 43.82, 23.45, -2.27

 

CMYK 0 / 36 / 13 / 45

HEX #8B5979

RGB 139 89 121

HSL 321.6, 0.22%, 0.45%

LAB 44.25, 25.66, -9.54

 

CMYK 0 / 36 / 3 / 45

HEX #8B5987

RGB 139 89 135

HSL 304.8, 0.22%, 0.45%

LAB 44.78, 28.28, -17.22

 

CMYK 6 / 36 / 0 / 45

HEX #82598B

RGB 130 89 139

HSL 289.2, 0.22%, 0.45%

LAB 43.88, 26.02, -21.1

 

CMYK 0 / 36 / 32 / 45

HEX #8B595E

RGB 139 89 94

HSL 354, 0.22%, 0.45%

LAB 43.42, 21.32, 5.7

 

CMYK 0 / 56 / 50 / 38

HEX #9E464F

RGB 158 70 79

HSL 353.86, 0.39%, 0.45%

LAB 41.55, 37.46, 12.69

 

CMYK 0 / 71 / 63 / 31

HEX #B13441

RGB 177 52 65

HSL 353.76, 0.55%, 0.45%

LAB 41.51, 51.06, 21.87

 

CMYK 0 / 83 / 74 / 24

HEX #C32132

RGB 195 33 50

HSL 353.7, 0.71%, 0.45%

LAB 42.64, 61.61, 33.18

 

CMYK 0 / 93 / 84 / 16

HEX #D60F23

RGB 214 15 35

HSL 353.97, 0.87%, 0.45%

LAB 45.3, 69.27, 45.61

 

CMYK 0 / 36 / 32 / 45

HEX #8B595E

RGB 139 89 94

HSL 354, 0.22%, 0.45%

LAB 43.42, 21.32, 5.7

 

CMYK 0 / 11 / 10 / 53

HEX #796C6D

RGB 121 108 109

HSL 355.38, 0.06%, 0.45%

LAB 46.84, 5.28, 1.3

 

CMYK 19 / 0 / 2 / 51

HEX #667E7C

RGB 102 126 124

HSL 175, 0.11%, 0.45%

LAB 50.92, -9.09, -1.8

 

CMYK 42 / 0 / 5 / 43

HEX #54918A

RGB 84 145 138

HSL 173.11, 0.27%, 0.45%

LAB 56.06, -21.52, -2.49

 

CMYK 60 / 0 / 6 / 36

HEX #41A399

RGB 65 163 153

HSL 173.88, 0.43%, 0.45%

LAB 61.32, -30.89, -3.36

 

CMYK 0 / 36 / 12 / 45

HEX #8B597A

RGB 139 89 122

HSL 320.4, 0.22%, 0.45%

LAB 44.29, 25.84, -10.1

 

CMYK 0 / 36 / 22 / 45

HEX #8B596C

RGB 139 89 108

HSL 337.2, 0.22%, 0.45%

LAB 43.82, 23.45, -2.27

 

CMYK 0 / 36 / 32 / 45

HEX #8B595F

RGB 139 89 95

HSL 352.8, 0.22%, 0.45%

LAB 43.45, 21.47, 5.12

 

CMYK 0 / 30 / 36 / 45

HEX #8B6159

RGB 139 97 89

HSL 9.6, 0.22%, 0.45%

LAB 45.3, 15.95, 11.38

 

CMYK 0 / 21 / 36 / 45

HEX #8B6E59

RGB 139 110 89

HSL 25.2, 0.22%, 0.45%

LAB 48.71, 8.34, 16.08

 

CMYK 0 / 36 / 33 / 65

HEX #59393C

RGB 89 57 60

HSL 354.38, 0.22%, 0.29%

LAB 27.78, 14.69, 3.98

 

CMYK 0 / 36 / 32 / 55

HEX #72494D

RGB 114 73 77

HSL 354.15, 0.22%, 0.37%

LAB 35.75, 18.08, 4.86

 

CMYK 0 / 36 / 32 / 45

HEX #8B595E

RGB 139 89 94

HSL 354, 0.22%, 0.45%

LAB 43.42, 21.32, 5.7

 

CMYK 0 / 32 / 29 / 37

HEX #A16D72

RGB 161 109 114

HSL 354.23, 0.22%, 0.53%

LAB 51.53, 21.42, 5.65

 

CMYK 0 / 24 / 22 / 31

HEX #B1868A

RGB 177 134 138

HSL 354.42, 0.22%, 0.61%

LAB 60.1, 17.07, 4.25

 

CMYK 0 / 36 / 32 / 46

HEX #8A595E

RGB 138 89 94

HSL 353.88, 0.22%, 0.45%

LAB 43.3, 20.92, 5.5

 

CMYK 3 / 0 / 36 / 45

HEX #878B59

RGB 135 139 89

HSL 64.8, 0.22%, 0.45%

LAB 56.42, -9.77, 26.28

 

CMYK 36 / 17 / 0 / 45

HEX #59738B

RGB 89 115 139

HSL 208.8, 0.22%, 0.45%

LAB 47.3, -3.18, -16.17

 

CMYK 0 / 36 / 32 / 46

HEX #8A595E

RGB 138 89 94

HSL 353.88, 0.22%, 0.45%

LAB 43.3, 20.92, 5.5

 

CMYK 32 / 0 / 36 / 45

HEX #5F8B59

RGB 95 139 89

HSL 112.8, 0.22%, 0.45%

LAB 53.62, -25.43, 22.08

 

CMYK 36 / 32 / 0 / 45

HEX #595F8B

RGB 89 95 139

HSL 232.8, 0.22%, 0.45%

LAB 41.49, 8.97, -25.12

 

CMYK 0 / 36 / 32 / 46

HEX #8A595E

RGB 138 89 94

HSL 353.88, 0.22%, 0.45%

LAB 43.3, 20.92, 5.5

 

CMYK 3 / 0 / 36 / 45

HEX #878B59

RGB 135 139 89

HSL 64.8, 0.22%, 0.45%

LAB 56.42, -9.77, 26.28

 

CMYK 36 / 0 / 4 / 45

HEX #598B86

RGB 89 139 134

HSL 174, 0.22%, 0.45%

LAB 54.35, -17.96, -2.67

 

CMYK 33 / 36 / 0 / 45

HEX #5D598B

RGB 93 89 139

HSL 244.8, 0.22%, 0.45%

LAB 40.14, 13.95, -27.19

 

CMYK 0 / 36 / 32 / 46

HEX #8A595E

RGB 138 89 94

HSL 353.88, 0.22%, 0.45%

LAB 43.3, 20.92, 5.5

 

CMYK 14 / 0 / 36 / 45

HEX #788B59

RGB 120 139 89

HSL 82.8, 0.22%, 0.45%

LAB 55.26, -15.91, 24.54

 

CMYK 36 / 0 / 4 / 45

HEX #598B86

RGB 89 139 134

HSL 174, 0.22%, 0.45%

LAB 54.35, -17.96, -2.67

 

CMYK 22 / 36 / 0 / 45

HEX #6C598B

RGB 108 89 139

HSL 262.8, 0.22%, 0.45%

LAB 41.53, 18.69, -24.93

 

Description

Color code: HEX #8A595E | qconv.com Color code: HEX #8A595E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 89 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 89 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 32 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 32% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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