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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A5ED3 it is the complementary color #75A12C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A5ED3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A5ED3 shade: #8F5ECE, #A070E1, #B182F4, #C294FF and #D3A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A5ED3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A5ED3 shade: #8A5ED3, #794CC0, #683AAD, #57289A and #461687

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A5ED3 shade: #8A5ED3, #A95ED3, #C95ED3, #D35EBD and #D35E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A5ED3 shade: #8A5ED3, #6B5ED3 and #5E5ED3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A5ED3 shade matches the following richer shades: #8A5ED3, #864EE3 and #823DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A5ED3 shade: #8A5ED3, #8E6FC2, #927FB2, #9690A1 and #9AA091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A5ED3 shade: #5E72D3, #6A5ED3, #895ED3, #A85ED3 and #C75ED3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A5ED3 shade: #5F30AF, #733ECA, #8A5ED3, #A27FDC and #B99FE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A5ED3 shade: #8A5ED3, #D35E91 and #62D35E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A5ED3 shade: #8A5ED3, #D3895E and #5ED389

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A5ED3 shade: #8A5ED3, #D35E91, #A8D35E and #5ED3A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A5ED3 shade: #8A5ED3, #D35E6E, #A8D35E and #5ED3C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

Complementary color

CMYK 27 / 0 / 73 / 37

HEX #75A12C

RGB 117 161 44

HSL 82.56, 0.57%, 0.4%

LAB 61.18, -32.64, 53

 

CMYK 31 / 54 / 0 / 19

HEX #8F5ECE

RGB 143 94 206

HSL 266.25, 0.53%, 0.59%

LAB 49.86, 42.65, -50.9

 

CMYK 29 / 50 / 0 / 12

HEX #A070E1

RGB 160 112 225

HSL 265.49, 0.65%, 0.66%

LAB 56.58, 41.67, -50.84

 

CMYK 27 / 47 / 0 / 4

HEX #B182F4

RGB 177 130 244

HSL 264.74, 0.84%, 0.73%

LAB 63.21, 40.73, -50.77

 

CMYK 24 / 42 / 0 / 0

HEX #C294FF

RGB 194 148 255

HSL 265.79, 1%, 0.79%

LAB 69.38, 38, -46.96

 

CMYK 17 / 35 / 0 / 0

HEX #D3A6FF

RGB 211 166 255

HSL 270.34, 1%, 0.83%

LAB 75.04, 33.02, -37.99

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 37 / 60 / 0 / 25

HEX #794CC0

RGB 121 76 192

HSL 263.28, 0.48%, 0.53%

LAB 42.82, 43.77, -54.24

 

CMYK 40 / 66 / 0 / 32

HEX #683AAD

RGB 104 58 173

HSL 264, 0.5%, 0.45%

LAB 35.96, 44.83, -54.24

 

CMYK 44 / 74 / 0 / 40

HEX #57289A

RGB 87 40 154

HSL 264.74, 0.59%, 0.38%

LAB 29.1, 45.68, -54.03

 

CMYK 48 / 84 / 0 / 47

HEX #461687

RGB 70 22 135

HSL 265.49, 0.72%, 0.31%

LAB 22.39, 45.94, -53.34

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 20 / 55 / 0 / 17

HEX #A95ED3

RGB 169 94 211

HSL 278.46, 0.57%, 0.6%

LAB 53.11, 50.41, -48.4

 

CMYK 5 / 55 / 0 / 17

HEX #C95ED3

RGB 201 94 211

HSL 294.87, 0.57%, 0.6%

LAB 57.2, 58.71, -41.66

 

CMYK 0 / 55 / 10 / 17

HEX #D35EBD

RGB 211 94 189

HSL 311.28, 0.57%, 0.6%

LAB 57.59, 57.67, -28.41

 

CMYK 0 / 55 / 25 / 17

HEX #D35E9E

RGB 211 94 158

HSL 327.18, 0.57%, 0.6%

LAB 56.41, 53.1, -12.28

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 49 / 55 / 0 / 17

HEX #6B5ED3

RGB 107 94 211

HSL 246.67, 0.57%, 0.6%

LAB 46.76, 35.67, -58.93

 

CMYK 55 / 55 / 0 / 17

HEX #5E5ED3

RGB 94 94 211

HSL 240, 0.57%, 0.6%

LAB 45.75, 33.07, -60.59

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 41 / 66 / 0 / 11

HEX #864EE3

RGB 134 78 227

HSL 262.55, 0.73%, 0.6%

LAB 47.06, 54.52, -67.42

 

CMYK 47 / 75 / 0 / 4

HEX #823DF4

RGB 130 61 244

HSL 262.62, 0.89%, 0.6%

LAB 45.1, 66.14, -80.22

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 27 / 43 / 0 / 24

HEX #8E6FC2

RGB 142 111 194

HSL 262.41, 0.4%, 0.6%

LAB 52.97, 29.69, -39.1

 

CMYK 18 / 29 / 0 / 30

HEX #927FB2

RGB 146 127 178

HSL 262.35, 0.25%, 0.6%

LAB 56.59, 17.73, -24.26

 

CMYK 7 / 11 / 0 / 37

HEX #9690A1

RGB 150 144 161

HSL 261.18, 0.08%, 0.6%

LAB 60.78, 5.58, -8.16

 

CMYK 4 / 0 / 9 / 37

HEX #9AA091

RGB 154 160 145

HSL 84, 0.07%, 0.6%

LAB 65.01, -4.96, 7.07

 

CMYK 55 / 46 / 0 / 17

HEX #5E72D3

RGB 94 114 211

HSL 229.74, 0.57%, 0.6%

LAB 50.82, 20.77, -52.44

 

CMYK 50 / 55 / 0 / 17

HEX #6A5ED3

RGB 106 94 211

HSL 246.15, 0.57%, 0.6%

LAB 46.67, 35.46, -59.06

 

CMYK 35 / 55 / 0 / 17

HEX #895ED3

RGB 137 94 211

HSL 262.05, 0.57%, 0.6%

LAB 49.53, 42.44, -54.32

 

CMYK 20 / 55 / 0 / 17

HEX #A85ED3

RGB 168 94 211

HSL 277.95, 0.57%, 0.6%

LAB 52.99, 50.15, -48.6

 

CMYK 6 / 55 / 0 / 17

HEX #C75ED3

RGB 199 94 211

HSL 293.85, 0.57%, 0.6%

LAB 56.93, 58.19, -42.1

 

CMYK 46 / 73 / 0 / 31

HEX #5F30AF

RGB 95 48 175

HSL 262.2, 0.57%, 0.44%

LAB 33.23, 48.79, -59.93

 

CMYK 43 / 69 / 0 / 21

HEX #733ECA

RGB 115 62 202

HSL 262.71, 0.57%, 0.52%

LAB 40.17, 52.55, -64.38

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 26 / 42 / 0 / 14

HEX #A27FDC

RGB 162 127 220

HSL 262.58, 0.57%, 0.68%

LAB 59.91, 32.56, -42.75

 

CMYK 19 / 30 / 0 / 11

HEX #B99FE4

RGB 185 159 228

HSL 262.61, 0.56%, 0.76%

LAB 69.97, 23.15, -31.34

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 0 / 55 / 31 / 17

HEX #D35E91

RGB 211 94 145

HSL 333.85, 0.57%, 0.6%

LAB 55.99, 51.4, -5.31

 

CMYK 54 / 0 / 55 / 17

HEX #62D35E

RGB 98 211 94

HSL 117.95, 0.57%, 0.6%

LAB 76.07, -55.08, 47.68

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 0 / 35 / 55 / 17

HEX #D3895E

RGB 211 137 94

HSL 22.05, 0.57%, 0.6%

LAB 63.79, 23.85, 34.56

 

CMYK 55 / 0 / 35 / 17

HEX #5ED389

RGB 94 211 137

HSL 142.05, 0.57%, 0.6%

LAB 76.54, -49.52, 26.92

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 0 / 55 / 31 / 17

HEX #D35E91

RGB 211 94 145

HSL 333.85, 0.57%, 0.6%

LAB 55.99, 51.4, -5.31

 

CMYK 20 / 0 / 55 / 17

HEX #A8D35E

RGB 168 211 94

HSL 82.05, 0.57%, 0.6%

LAB 79.46, -32.24, 52.5

 

CMYK 55 / 0 / 24 / 17

HEX #5ED3A0

RGB 94 211 160

HSL 153.85, 0.57%, 0.6%

LAB 76.98, -44.97, 15.43

 

CMYK 35 / 55 / 0 / 17

HEX #8A5ED3

RGB 138 94 211

HSL 262.56, 0.57%, 0.6%

LAB 49.63, 42.68, -54.15

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6E

RGB 211 94 110

HSL 351.79, 0.57%, 0.6%

LAB 55.05, 47.57, 13.95

 

CMYK 20 / 0 / 55 / 17

HEX #A8D35E

RGB 168 211 94

HSL 82.05, 0.57%, 0.6%

LAB 79.46, -32.24, 52.5

 

CMYK 55 / 0 / 8 / 17

HEX #5ED3C3

RGB 94 211 195

HSL 171.79, 0.57%, 0.6%

LAB 77.82, -36.83, -2.07

 

Description

Color code: HEX #8A5ED3 | qconv.com Color code: HEX #8A5ED3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 94 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 94 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 55 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 55% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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