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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A64C8 it is the complementary color #759B37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A64C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A64C8 shade: #8F64C3, #A076D6, #B188E9, #C29AFC and #D3ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A64C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A64C8 shade: #8A64C8, #7952B5, #6840A2, #572E8F and #461C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A64C8 shade: #8A64C8, #A564C8, #C064C8, #C864B5 and #C8649A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A64C8 shade: #8A64C8, #6F64C8 and #6464C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A64C8 shade matches the following richer shades: #8A64C8, #8653D9, #8242EA and #7E31FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A64C8 shade: #8A64C8, #8E75B7, #9286A6, #969795 and #9AA784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A64C8 shade: #6474C8, #6E64C8, #8964C8, #A364C8 and #BE64C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A64C8 shade: #6038A1, #7345BD, #8A64C8, #A182D3 and #B8A1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A64C8 shade: #8A64C8, #C8648F and #67C864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A64C8 shade: #8A64C8, #C88964 and #64C889

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A64C8 shade: #8A64C8, #C8648F, #A3C864 and #64C89D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A64C8 shade: #8A64C8, #C86471, #A3C864 and #64C8BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

Complementary color

CMYK 25 / 0 / 65 / 39

HEX #759B37

RGB 117 155 55

HSL 82.8, 0.48%, 0.41%

LAB 59.43, -29.01, 46.71

 

CMYK 27 / 49 / 0 / 24

HEX #8F64C3

RGB 143 100 195

HSL 267.16, 0.44%, 0.58%

LAB 50.56, 36.56, -43.47

 

CMYK 25 / 45 / 0 / 16

HEX #A076D6

RGB 160 118 214

HSL 266.25, 0.54%, 0.65%

LAB 57.35, 35.65, -43.43

 

CMYK 24 / 42 / 0 / 9

HEX #B188E9

RGB 177 136 233

HSL 265.36, 0.69%, 0.72%

LAB 64.03, 34.8, -43.41

 

CMYK 23 / 39 / 0 / 1

HEX #C29AFC

RGB 194 154 252

HSL 264.49, 0.94%, 0.8%

LAB 70.6, 34.01, -43.41

 

CMYK 17 / 33 / 0 / 0

HEX #D3ACFF

RGB 211 172 255

HSL 268.19, 1%, 0.84%

LAB 76.42, 29.76, -35.85

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 33 / 55 / 0 / 29

HEX #7952B5

RGB 121 82 181

HSL 263.64, 0.4%, 0.52%

LAB 43.41, 37.51, -46.86

 

CMYK 36 / 60 / 0 / 36

HEX #6840A2

RGB 104 64 162

HSL 264.49, 0.43%, 0.44%

LAB 36.4, 38.59, -46.94

 

CMYK 39 / 68 / 0 / 44

HEX #572E8F

RGB 87 46 143

HSL 265.36, 0.51%, 0.37%

LAB 29.32, 39.63, -46.92

 

CMYK 44 / 77 / 0 / 51

HEX #461C7C

RGB 70 28 124

HSL 266.25, 0.63%, 0.3%

LAB 22.26, 40.39, -46.6

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 18 / 50 / 0 / 22

HEX #A564C8

RGB 165 100 200

HSL 279, 0.48%, 0.59%

LAB 53.26, 43.78, -41.91

 

CMYK 4 / 50 / 0 / 22

HEX #C064C8

RGB 192 100 200

HSL 295.2, 0.48%, 0.59%

LAB 56.58, 51.33, -36.47

 

CMYK 0 / 50 / 10 / 22

HEX #C864B5

RGB 200 100 181

HSL 311.4, 0.48%, 0.59%

LAB 56.81, 50.31, -25.13

 

CMYK 0 / 50 / 23 / 22

HEX #C8649A

RGB 200 100 154

HSL 327.6, 0.48%, 0.59%

LAB 55.81, 46.12, -11

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 45 / 50 / 0 / 22

HEX #6F64C8

RGB 111 100 200

HSL 246.6, 0.48%, 0.59%

LAB 47.83, 29.69, -50.87

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 38 / 62 / 0 / 15

HEX #8653D9

RGB 134 83 217

HSL 262.84, 0.64%, 0.59%

LAB 47.32, 49.34, -61.31

 

CMYK 44 / 72 / 0 / 8

HEX #8242EA

RGB 130 66 234

HSL 262.86, 0.8%, 0.59%

LAB 45.06, 61.42, -74.66

 

CMYK 50 / 80 / 0 / 2

HEX #7E31FB

RGB 126 49 251

HSL 262.87, 0.96%, 0.59%

LAB 43.65, 72.04, -86.55

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 22 / 36 / 0 / 28

HEX #8E75B7

RGB 142 117 183

HSL 262.73, 0.31%, 0.59%

LAB 53.91, 23.49, -31.31

 

CMYK 12 / 19 / 0 / 35

HEX #9286A6

RGB 146 134 166

HSL 262.5, 0.15%, 0.59%

LAB 57.96, 10.97, -15.3

 

CMYK 1 / 0 / 1 / 41

HEX #969795

RGB 150 151 149

HSL 90, 0.01%, 0.59%

LAB 62.33, -0.74, 0.92

 

CMYK 8 / 0 / 21 / 35

HEX #9AA784

RGB 154 167 132

HSL 82.29, 0.17%, 0.59%

LAB 66.65, -10.94, 16.6

 

CMYK 50 / 42 / 0 / 22

HEX #6474C8

RGB 100 116 200

HSL 230.4, 0.48%, 0.59%

LAB 51.12, 17.35, -45.68

 

CMYK 45 / 50 / 0 / 22

HEX #6E64C8

RGB 110 100 200

HSL 246, 0.48%, 0.59%

LAB 47.75, 29.45, -51.01

 

CMYK 32 / 50 / 0 / 22

HEX #8964C8

RGB 137 100 200

HSL 262.2, 0.48%, 0.59%

LAB 50.22, 36.2, -46.92

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 5 / 50 / 0 / 22

HEX #BE64C8

RGB 190 100 200

HSL 294, 0.48%, 0.59%

LAB 56.32, 50.77, -36.89

 

CMYK 40 / 65 / 0 / 37

HEX #6038A1

RGB 96 56 161

HSL 262.86, 0.48%, 0.43%

LAB 33.75, 40.99, -50.67

 

CMYK 39 / 63 / 0 / 26

HEX #7345BD

RGB 115 69 189

HSL 263, 0.48%, 0.51%

LAB 40.53, 45.48, -56.22

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 24 / 38 / 0 / 17

HEX #A182D3

RGB 161 130 211

HSL 262.96, 0.48%, 0.67%

LAB 60.11, 28.4, -37.41

 

CMYK 17 / 27 / 0 / 13

HEX #B8A1DE

RGB 184 161 222

HSL 262.62, 0.48%, 0.75%

LAB 70.14, 20.39, -27.79

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 0 / 50 / 29 / 22

HEX #C8648F

RGB 200 100 143

HSL 334.2, 0.48%, 0.59%

LAB 55.46, 44.59, -5.09

 

CMYK 49 / 0 / 50 / 22

HEX #67C864

RGB 103 200 100

HSL 118.2, 0.48%, 0.59%

LAB 72.97, -48.62, 41.12

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 0 / 32 / 50 / 22

HEX #C88964

RGB 200 137 100

HSL 22.2, 0.48%, 0.59%

LAB 62.58, 19.88, 29.49

 

CMYK 50 / 0 / 32 / 22

HEX #64C889

RGB 100 200 137

HSL 142.2, 0.48%, 0.59%

LAB 73.43, -43.45, 22.75

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 0 / 50 / 29 / 22

HEX #C8648F

RGB 200 100 143

HSL 334.2, 0.48%, 0.59%

LAB 55.46, 44.59, -5.09

 

CMYK 19 / 0 / 50 / 22

HEX #A3C864

RGB 163 200 100

HSL 82.2, 0.48%, 0.59%

LAB 76.08, -28.36, 45.63

 

CMYK 50 / 0 / 22 / 22

HEX #64C89D

RGB 100 200 157

HSL 154.2, 0.48%, 0.59%

LAB 73.84, -39.41, 12.64

 

CMYK 31 / 50 / 0 / 22

HEX #8A64C8

RGB 138 100 200

HSL 262.8, 0.48%, 0.59%

LAB 50.32, 36.47, -46.76

 

CMYK 0 / 50 / 44 / 22

HEX #C86471

RGB 200 100 113

HSL 352.2, 0.48%, 0.59%

LAB 54.64, 40.99, 11.37

 

CMYK 19 / 0 / 50 / 22

HEX #A3C864

RGB 163 200 100

HSL 82.2, 0.48%, 0.59%

LAB 76.08, -28.36, 45.63

 

CMYK 50 / 0 / 7 / 22

HEX #64C8BB

RGB 100 200 187

HSL 172.2, 0.48%, 0.59%

LAB 74.58, -32.44, -2.5

 

Description

Color code: HEX #8A64C8 | qconv.com Color code: HEX #8A64C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 100 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 100 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 50 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 50% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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