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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A693D it is the complementary color #7596C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A693D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A693D shade: #8F6938, #A07B4B, #B18D5E, #C29F71 and #D3B184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A693D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A693D shade: #8A693D, #79572A, #684517, #573304 and #462100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A693D shade: #8A683C, #8A543C, #8A3F3C and #8A3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A693D shade: #8A683C, #8A7D3C, #818A3C, #6C8A3C and #578A3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A693D shade matches the following richer shades: #8A683C, #9A6B2C, #AA6D1C and #BA6F0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A693D shade: #8A683C, #7A664C, #6A645C, #59626C and #495F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A693D shade: #8A3F3C, #8A533C, #8A683C, #8A7D3C and #828A3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A693D shade: #503D23, #6D5330, #8A683C, #A67E49 and #B99360

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A693D shade: #8A693D, #4E8A3C and #493C8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A693D shade: #8A693D, #3C8A68 and #683C8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A693D shade: #8A693D, #4E8A3C, #3C5E8A and #783C8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A693D shade: #8A693D, #3C8A41, #3C5E8A and #8A3C85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 56 / 46

HEX #8A693D

RGB 138 105 61

HSL 34.29, 0.39%, 0.39%

LAB 46.77, 7.67, 29.62

 

Complementary color

CMYK 40 / 23 / 0 / 24

HEX #7596C2

RGB 117 150 194

HSL 214.29, 0.39%, 0.61%

LAB 61.21, -0.19, -26.41

 

CMYK 0 / 27 / 61 / 44

HEX #8F6938

RGB 143 105 56

HSL 33.79, 0.44%, 0.39%

LAB 47.27, 9.5, 33.1

 

CMYK 0 / 23 / 53 / 37

HEX #A07B4B

RGB 160 123 75

HSL 33.88, 0.36%, 0.46%

LAB 54.18, 8.39, 31.6

 

CMYK 0 / 20 / 47 / 31

HEX #B18D5E

RGB 177 141 94

HSL 33.98, 0.35%, 0.53%

LAB 60.96, 7.47, 30.18

 

CMYK 0 / 18 / 42 / 24

HEX #C29F71

RGB 194 159 113

HSL 34.07, 0.4%, 0.6%

LAB 67.62, 6.71, 28.86

 

CMYK 0 / 16 / 37 / 17

HEX #D3B184

RGB 211 177 132

HSL 34.18, 0.47%, 0.67%

LAB 74.16, 6.05, 27.62

 

CMYK 0 / 24 / 56 / 46

HEX #8A693D

RGB 138 105 61

HSL 34.29, 0.39%, 0.39%

LAB 46.77, 7.67, 29.62

 

CMYK 0 / 28 / 65 / 53

HEX #79572A

RGB 121 87 42

HSL 34.18, 0.48%, 0.32%

LAB 39.66, 8.88, 31.15

 

CMYK 0 / 34 / 78 / 59

HEX #684517

RGB 104 69 23

HSL 34.07, 0.64%, 0.25%

LAB 32.39, 10.45, 32.58

 

CMYK 0 / 41 / 95 / 66

HEX #573304

RGB 87 51 4

HSL 33.98, 0.91%, 0.18%

LAB 24.96, 12.48, 33.11

 

CMYK 0 / 53 / 100 / 73

HEX #462100

RGB 70 33 0

HSL 28.29, 1%, 0.14%

LAB 17.41, 15.21, 25.74

 

CMYK 0 / 25 / 57 / 46

HEX #8A683C

RGB 138 104 60

HSL 33.85, 0.39%, 0.39%

LAB 46.49, 8.16, 29.83

 

CMYK 0 / 39 / 57 / 46

HEX #8A543C

RGB 138 84 60

HSL 18.46, 0.39%, 0.39%

LAB 41.33, 19.86, 23.41

 

CMYK 0 / 54 / 57 / 46

HEX #8A3F3C

RGB 138 63 60

HSL 2.31, 0.39%, 0.39%

LAB 36.53, 31.7, 17.18

 

CMYK 0 / 57 / 57 / 46

HEX #8A3C3C

RGB 138 60 60

HSL 0, 0.39%, 0.39%

LAB 35.91, 33.29, 16.36

 

CMYK 0 / 25 / 57 / 46

HEX #8A683C

RGB 138 104 60

HSL 33.85, 0.39%, 0.39%

LAB 46.49, 8.16, 29.83

 

CMYK 0 / 9 / 57 / 46

HEX #8A7D3C

RGB 138 125 60

HSL 50, 0.39%, 0.39%

LAB 52.28, -3.88, 36.74

 

CMYK 7 / 0 / 57 / 46

HEX #818A3C

RGB 129 138 60

HSL 66.92, 0.39%, 0.39%

LAB 55.25, -14.97, 39.96

 

CMYK 22 / 0 / 57 / 46

HEX #6C8A3C

RGB 108 138 60

HSL 83.08, 0.39%, 0.39%

LAB 53.7, -23.84, 37.77

 

CMYK 37 / 0 / 57 / 46

HEX #578A3C

RGB 87 138 60

HSL 99.23, 0.39%, 0.39%

LAB 52.43, -31.95, 35.97

 

CMYK 0 / 25 / 57 / 46

HEX #8A683C

RGB 138 104 60

HSL 33.85, 0.39%, 0.39%

LAB 46.49, 8.16, 29.83

 

CMYK 0 / 31 / 71 / 40

HEX #9A6B2C

RGB 154 107 44

HSL 34.36, 0.56%, 0.39%

LAB 48.97, 12.52, 41.51

 

CMYK 0 / 36 / 84 / 33

HEX #AA6D1C

RGB 170 109 28

HSL 34.23, 0.72%, 0.39%

LAB 51.34, 17.9, 51.32

 

CMYK 0 / 40 / 94 / 27

HEX #BA6F0C

RGB 186 111 12

HSL 34.14, 0.88%, 0.39%

LAB 53.85, 23.5, 58.76

 

CMYK 0 / 25 / 57 / 46

HEX #8A683C

RGB 138 104 60

HSL 33.85, 0.39%, 0.39%

LAB 46.49, 8.16, 29.83

 

CMYK 0 / 16 / 38 / 52

HEX #7A664C

RGB 122 102 76

HSL 33.91, 0.23%, 0.39%

LAB 44.46, 3.95, 17.68

 

CMYK 0 / 6 / 13 / 58

HEX #6A645C

RGB 106 100 92

HSL 34.29, 0.07%, 0.39%

LAB 42.69, 0.84, 5.38

 

CMYK 18 / 9 / 0 / 58

HEX #59626C

RGB 89 98 108

HSL 211.58, 0.1%, 0.39%

LAB 41.12, -1.13, -6.84

 

CMYK 42 / 24 / 0 / 51

HEX #495F7D

RGB 73 95 125

HSL 214.62, 0.26%, 0.39%

LAB 39.72, 0.07, -19.46

 

CMYK 0 / 54 / 57 / 46

HEX #8A3F3C

RGB 138 63 60

HSL 2.31, 0.39%, 0.39%

LAB 36.53, 31.7, 17.18

 

CMYK 0 / 40 / 57 / 46

HEX #8A533C

RGB 138 83 60

HSL 17.69, 0.39%, 0.39%

LAB 41.08, 20.44, 23.09

 

CMYK 0 / 25 / 57 / 46

HEX #8A683C

RGB 138 104 60

HSL 33.85, 0.39%, 0.39%

LAB 46.49, 8.16, 29.83

 

CMYK 0 / 9 / 57 / 46

HEX #8A7D3C

RGB 138 125 60

HSL 50, 0.39%, 0.39%

LAB 52.28, -3.88, 36.74

 

CMYK 6 / 0 / 57 / 46

HEX #828A3C

RGB 130 138 60

HSL 66.15, 0.39%, 0.39%

LAB 55.33, -14.53, 40.08

 

CMYK 0 / 24 / 56 / 69

HEX #503D23

RGB 80 61 35

HSL 34.67, 0.39%, 0.23%

LAB 27.2, 4.59, 19.12

 

CMYK 0 / 24 / 56 / 57

HEX #6D5330

RGB 109 83 48

HSL 34.43, 0.39%, 0.31%

LAB 37.21, 6.17, 24.51

 

CMYK 0 / 25 / 57 / 46

HEX #8A683C

RGB 138 104 60

HSL 33.85, 0.39%, 0.39%

LAB 46.49, 8.16, 29.83

 

CMYK 0 / 24 / 56 / 35

HEX #A67E49

RGB 166 126 73

HSL 34.19, 0.39%, 0.47%

LAB 55.59, 9.14, 34.56

 

CMYK 0 / 21 / 48 / 27

HEX #B99360

RGB 185 147 96

HSL 34.38, 0.39%, 0.55%

LAB 63.36, 7.74, 32.33

 

CMYK 0 / 24 / 56 / 46

HEX #8A693D

RGB 138 105 61

HSL 34.29, 0.39%, 0.39%

LAB 46.77, 7.67, 29.62

 

CMYK 43 / 0 / 57 / 46

HEX #4E8A3C

RGB 78 138 60

HSL 106.15, 0.39%, 0.39%

LAB 51.98, -35.08, 35.32

 

CMYK 47 / 57 / 0 / 46

HEX #493C8A

RGB 73 60 138

HSL 250, 0.39%, 0.39%

LAB 30.6, 26.62, -41.84

 

CMYK 0 / 24 / 56 / 46

HEX #8A693D

RGB 138 105 61

HSL 34.29, 0.39%, 0.39%

LAB 46.77, 7.67, 29.62

 

CMYK 57 / 0 / 25 / 46

HEX #3C8A68

RGB 60 138 104

HSL 153.85, 0.39%, 0.39%

LAB 51.99, -32.51, 11.09

 

CMYK 25 / 57 / 0 / 46

HEX #683C8A

RGB 104 60 138

HSL 273.85, 0.39%, 0.39%

LAB 34, 34.69, -36.2

 

CMYK 0 / 24 / 56 / 46

HEX #8A693D

RGB 138 105 61

HSL 34.29, 0.39%, 0.39%

LAB 46.77, 7.67, 29.62

 

CMYK 43 / 0 / 57 / 46

HEX #4E8A3C

RGB 78 138 60

HSL 106.15, 0.39%, 0.39%

LAB 51.98, -35.08, 35.32

 

CMYK 57 / 32 / 0 / 46

HEX #3C5E8A

RGB 60 94 138

HSL 213.85, 0.39%, 0.39%

LAB 39.24, 1.44, -28.16

 

CMYK 13 / 57 / 0 / 46

HEX #783C8A

RGB 120 60 138

HSL 286.15, 0.39%, 0.39%

LAB 36.1, 39.17, -32.74

 

CMYK 0 / 24 / 56 / 46

HEX #8A693D

RGB 138 105 61

HSL 34.29, 0.39%, 0.39%

LAB 46.77, 7.67, 29.62

 

CMYK 57 / 0 / 53 / 46

HEX #3C8A41

RGB 60 138 65

HSL 123.85, 0.39%, 0.39%

LAB 51.29, -39.86, 31.76

 

CMYK 57 / 32 / 0 / 46

HEX #3C5E8A

RGB 60 94 138

HSL 213.85, 0.39%, 0.39%

LAB 39.24, 1.44, -28.16

 

CMYK 0 / 57 / 4 / 46

HEX #8A3C85

RGB 138 60 133

HSL 303.85, 0.39%, 0.39%

LAB 38.43, 43.37, -25.83

 

Description

Color code: HEX #8A693D | qconv.com Color code: HEX #8A693D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 105 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 105 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 56 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 56% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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