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Color name
HEX #8A62C0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A62C0 it is the complementary color #759D3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A62C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A62C0 shade: #8F62BB, #A074CE, #B186E1, #C298F4 and #D3AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A62C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A62C0 shade: #8A62C0, #7950AD, #683E9A, #572C87 and #461A74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A62C0 shade: #8A62C0, #A362C0, #BD62C0, #C062AA and #C06290

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A62C0 shade: #8A62C0, #7062C0 and #6262C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A62C0 shade matches the following richer shades: #8A62C0, #8750D2, #853EE3 and #822CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A62C0 shade: #8A62C0, #8C73AE, #8F859D, #92978B and #94A979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A62C0 shade: #626DC0, #7062C0, #8962C0, #A262C0 and #BB62C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A62C0 shade: #613B94, #7447B2, #8A62C0, #A07FCC and #B69DD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A62C0 shade: #8A62C0, #C06286 and #62C063

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A62C0 shade: #8A62C0, #C08962 and #62C089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A62C0 shade: #8A62C0, #C06286, #99C062 and #62C09C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A62C0 shade: #8A62C0, #C0626A, #99C062 and #62C0B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

Complementary color

CMYK 25 / 0 / 60 / 38

HEX #759D3F

RGB 117 157 63

HSL 85.53, 0.43%, 0.43%

LAB 60.12, -29.27, 43.84

 

CMYK 24 / 48 / 0 / 27

HEX #8F62BB

RGB 143 98 187

HSL 270.34, 0.4%, 0.56%

LAB 49.69, 35.76, -40.23

 

CMYK 22 / 44 / 0 / 19

HEX #A074CE

RGB 160 116 206

HSL 269.33, 0.48%, 0.63%

LAB 56.51, 34.88, -40.25

 

CMYK 21 / 40 / 0 / 12

HEX #B186E1

RGB 177 134 225

HSL 268.35, 0.6%, 0.7%

LAB 63.21, 34.06, -40.27

 

CMYK 20 / 38 / 0 / 4

HEX #C298F4

RGB 194 152 244

HSL 267.39, 0.81%, 0.78%

LAB 69.79, 33.3, -40.31

 

CMYK 17 / 33 / 0 / 0

HEX #D3AAFF

RGB 211 170 255

HSL 268.94, 1%, 0.83%

LAB 75.96, 30.85, -36.57

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 30 / 54 / 0 / 32

HEX #7950AD

RGB 121 80 173

HSL 266.45, 0.37%, 0.5%

LAB 42.49, 36.59, -43.63

 

CMYK 32 / 60 / 0 / 40

HEX #683E9A

RGB 104 62 154

HSL 267.39, 0.43%, 0.42%

LAB 35.44, 37.62, -43.66

 

CMYK 36 / 67 / 0 / 47

HEX #572C87

RGB 87 44 135

HSL 268.35, 0.51%, 0.35%

LAB 28.32, 38.58, -43.58

 

CMYK 40 / 78 / 0 / 55

HEX #461A74

RGB 70 26 116

HSL 269.33, 0.63%, 0.28%

LAB 21.21, 39.2, -43.2

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 15 / 49 / 0 / 25

HEX #A362C0

RGB 163 98 192

HSL 281.49, 0.43%, 0.57%

LAB 52.21, 42.56, -39

 

CMYK 2 / 49 / 0 / 25

HEX #BD62C0

RGB 189 98 192

HSL 298.09, 0.43%, 0.57%

LAB 55.44, 50, -33.7

 

CMYK 0 / 49 / 11 / 25

HEX #C062AA

RGB 192 98 170

HSL 314.04, 0.43%, 0.57%

LAB 54.91, 47.05, -21.79

 

CMYK 0 / 49 / 25 / 25

HEX #C06290

RGB 192 98 144

HSL 330.64, 0.43%, 0.57%

LAB 53.98, 43.05, -8

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 42 / 49 / 0 / 25

HEX #7062C0

RGB 112 98 192

HSL 248.94, 0.43%, 0.57%

LAB 46.96, 28.8, -47.66

 

CMYK 49 / 49 / 0 / 25

HEX #6262C0

RGB 98 98 192

HSL 240, 0.43%, 0.57%

LAB 45.82, 25.46, -49.53

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 36 / 62 / 0 / 18

HEX #8750D2

RGB 135 80 210

HSL 265.38, 0.59%, 0.57%

LAB 46.37, 49.36, -58.85

 

CMYK 41 / 73 / 0 / 11

HEX #853EE3

RGB 133 62 227

HSL 265.82, 0.75%, 0.57%

LAB 44.2, 61.98, -72.08

 

CMYK 47 / 82 / 0 / 4

HEX #822CF5

RGB 130 44 245

HSL 265.67, 0.91%, 0.57%

LAB 42.97, 72.81, -84.28

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 20 / 34 / 0 / 32

HEX #8C73AE

RGB 140 115 174

HSL 265.42, 0.27%, 0.57%

LAB 52.83, 21.89, -27.81

 

CMYK 9 / 15 / 0 / 38

HEX #8F859D

RGB 143 133 157

HSL 265, 0.11%, 0.57%

LAB 57.12, 8.56, -11.41

 

CMYK 3 / 0 / 8 / 41

HEX #92978B

RGB 146 151 139

HSL 85, 0.05%, 0.57%

LAB 61.75, -4.09, 5.69

 

CMYK 12 / 0 / 28 / 34

HEX #94A979

RGB 148 169 121

HSL 86.25, 0.22%, 0.57%

LAB 66.56, -15.99, 22.42

 

CMYK 49 / 43 / 0 / 25

HEX #626DC0

RGB 98 109 192

HSL 232.98, 0.43%, 0.57%

LAB 48.69, 18.68, -44.97

 

CMYK 42 / 49 / 0 / 25

HEX #7062C0

RGB 112 98 192

HSL 248.94, 0.43%, 0.57%

LAB 46.96, 28.8, -47.66

 

CMYK 29 / 49 / 0 / 25

HEX #8962C0

RGB 137 98 192

HSL 264.89, 0.43%, 0.57%

LAB 49.33, 35.32, -43.74

 

CMYK 16 / 49 / 0 / 25

HEX #A262C0

RGB 162 98 192

HSL 280.85, 0.43%, 0.57%

LAB 52.09, 42.28, -39.19

 

CMYK 3 / 49 / 0 / 25

HEX #BB62C0

RGB 187 98 192

HSL 296.81, 0.43%, 0.57%

LAB 55.18, 49.42, -34.12

 

CMYK 34 / 60 / 0 / 42

HEX #613B94

RGB 97 59 148

HSL 265.62, 0.43%, 0.41%

LAB 33.58, 36.01, -43.05

 

CMYK 35 / 60 / 0 / 30

HEX #7447B2

RGB 116 71 178

HSL 265.23, 0.43%, 0.49%

LAB 40.3, 41.72, -50.12

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 22 / 38 / 0 / 20

HEX #A07FCC

RGB 160 127 204

HSL 265.71, 0.43%, 0.65%

LAB 58.99, 28.16, -35.23

 

CMYK 16 / 27 / 0 / 15

HEX #B69DD8

RGB 182 157 216

HSL 265.42, 0.43%, 0.73%

LAB 68.76, 20.68, -26.63

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 0 / 49 / 30 / 25

HEX #C06286

RGB 192 98 134

HSL 337.02, 0.43%, 0.57%

LAB 53.67, 41.68, -2.57

 

CMYK 49 / 0 / 48 / 25

HEX #62C063

RGB 98 192 99

HSL 120.64, 0.43%, 0.57%

LAB 70.31, -46.89, 38.29

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 0 / 29 / 49 / 25

HEX #C08962

RGB 192 137 98

HSL 24.89, 0.43%, 0.57%

LAB 61.64, 16.38, 29.18

 

CMYK 49 / 0 / 29 / 25

HEX #62C089

RGB 98 192 137

HSL 144.89, 0.43%, 0.57%

LAB 70.94, -40.47, 19.33

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 0 / 49 / 30 / 25

HEX #C06286

RGB 192 98 134

HSL 337.02, 0.43%, 0.57%

LAB 53.67, 41.68, -2.57

 

CMYK 20 / 0 / 49 / 25

HEX #99C062

RGB 153 192 98

HSL 84.89, 0.43%, 0.57%

LAB 73.12, -28.56, 42.87

 

CMYK 49 / 0 / 19 / 25

HEX #62C09C

RGB 98 192 156

HSL 157.02, 0.43%, 0.57%

LAB 71.35, -36.5, 9.64

 

CMYK 28 / 49 / 0 / 25

HEX #8A62C0

RGB 138 98 192

HSL 265.53, 0.43%, 0.57%

LAB 49.43, 35.6, -43.57

 

CMYK 0 / 49 / 45 / 25

HEX #C0626A

RGB 192 98 106

HSL 354.89, 0.43%, 0.57%

LAB 52.93, 38.36, 12.93

 

CMYK 20 / 0 / 49 / 25

HEX #99C062

RGB 153 192 98

HSL 84.89, 0.43%, 0.57%

LAB 73.12, -28.56, 42.87

 

CMYK 49 / 0 / 4 / 25

HEX #62C0B8

RGB 98 192 184

HSL 174.89, 0.43%, 0.57%

LAB 72.07, -29.82, -4.57

 

Description

Color code: HEX #8A62C0 | qconv.com Color code: HEX #8A62C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 98 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 98 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 49 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 49% 0% 25% C M Y K

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Provide designers and agencies with accurate color values.

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