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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A6ACC it is the complementary color #759533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A6ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A6ACC shade: #8F6AC7, #A07CDA, #B18EED, #C2A0FF and #D3B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A6ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A6ACC shade: #8A6ACC, #7958B9, #6846A6, #573493 and #462280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A6ACC shade: #8A6ACC, #A46ACC, #BF6ACC, #CC6ABF and #CC6AA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A6ACC shade: #8A6ACC, #706ACC and #6A6ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A6ACC shade matches the following richer shades: #8A6ACC, #855ADC, #7F4AEC and #793AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A6ACC shade: #8A6ACC, #907ABC, #958BAC, #9B9B9C and #A0AB8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A6ACC shade: #6A7FCC, #6F6ACC, #896ACC, #A36ACC and #BD6ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A6ACC shade: #5E3AAA, #724CC1, #8A6ACC, #A289D6 and #BAA8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A6ACC shade: #8A6ACC, #CC6A99 and #72CC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A6ACC shade: #8A6ACC, #CC896A and #6ACC89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A6ACC shade: #8A6ACC, #CC6A99, #ADCC6A and #6ACC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A6ACC shade: #8A6ACC, #CC6A7C, #ADCC6A and #6ACCBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

Complementary color

CMYK 21 / 0 / 66 / 42

HEX #759533

RGB 117 149 51

HSL 79.59, 0.49%, 0.39%

LAB 57.57, -26.42, 46.46

 

CMYK 28 / 47 / 0 / 22

HEX #8F6AC7

RGB 143 106 199

HSL 263.87, 0.45%, 0.6%

LAB 52.14, 34.11, -43.26

 

CMYK 27 / 43 / 0 / 15

HEX #A07CDA

RGB 160 124 218

HSL 262.98, 0.56%, 0.67%

LAB 58.93, 33.21, -43.2

 

CMYK 25 / 40 / 0 / 7

HEX #B18EED

RGB 177 142 237

HSL 262.11, 0.73%, 0.74%

LAB 65.6, 32.39, -43.16

 

CMYK 24 / 37 / 0 / 0

HEX #C2A0FF

RGB 194 160 255

HSL 261.47, 1%, 0.81%

LAB 72.12, 31.4, -42.67

 

CMYK 17 / 30 / 0 / 0

HEX #D3B2FF

RGB 211 178 255

HSL 265.71, 1%, 0.85%

LAB 77.82, 26.49, -33.69

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 35 / 52 / 0 / 27

HEX #7958B9

RGB 121 88 185

HSL 260.41, 0.41%, 0.54%

LAB 45.01, 35.08, -46.65

 

CMYK 37 / 58 / 0 / 35

HEX #6846A6

RGB 104 70 166

HSL 261.25, 0.41%, 0.46%

LAB 37.98, 36.22, -46.8

 

CMYK 41 / 65 / 0 / 42

HEX #573493

RGB 87 52 147

HSL 262.11, 0.48%, 0.39%

LAB 30.85, 37.39, -46.9

 

CMYK 45 / 73 / 0 / 50

HEX #462280

RGB 70 34 128

HSL 262.98, 0.58%, 0.32%

LAB 23.69, 38.46, -46.81

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 20 / 48 / 0 / 20

HEX #A46ACC

RGB 164 106 204

HSL 275.51, 0.49%, 0.61%

LAB 54.62, 41.13, -42.06

 

CMYK 6 / 48 / 0 / 20

HEX #BF6ACC

RGB 191 106 204

HSL 292.04, 0.49%, 0.61%

LAB 57.79, 48.77, -36.85

 

CMYK 0 / 48 / 6 / 20

HEX #CC6ABF

RGB 204 106 191

HSL 307.96, 0.49%, 0.61%

LAB 58.89, 50.21, -27.62

 

CMYK 0 / 48 / 20 / 20

HEX #CC6AA4

RGB 204 106 164

HSL 324.49, 0.49%, 0.61%

LAB 57.87, 45.87, -13.66

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 45 / 48 / 0 / 20

HEX #706ACC

RGB 112 106 204

HSL 243.67, 0.49%, 0.61%

LAB 49.63, 27.48, -50.28

 

CMYK 48 / 48 / 0 / 20

HEX #6A6ACC

RGB 106 106 204

HSL 240, 0.49%, 0.61%

LAB 49.17, 26.08, -51.05

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 40 / 59 / 0 / 14

HEX #855ADC

RGB 133 90 220

HSL 259.85, 0.65%, 0.61%

LAB 48.84, 46.11, -60.57

 

CMYK 46 / 69 / 0 / 7

HEX #7F4AEC

RGB 127 74 236

HSL 259.63, 0.81%, 0.61%

LAB 46.27, 57.6, -73.83

 

CMYK 52 / 77 / 0 / 1

HEX #793AFC

RGB 121 58 252

HSL 259.48, 0.97%, 0.61%

LAB 44.4, 68.2, -85.89

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 23 / 35 / 0 / 26

HEX #907ABC

RGB 144 122 188

HSL 260, 0.33%, 0.61%

LAB 55.56, 22.39, -31.59

 

CMYK 13 / 19 / 0 / 33

HEX #958BAC

RGB 149 139 172

HSL 258.18, 0.17%, 0.61%

LAB 59.74, 10.43, -16

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 6 / 0 / 19 / 33

HEX #A0AB8B

RGB 160 171 139

HSL 80.63, 0.16%, 0.61%

LAB 68.36, -9.66, 15.2

 

CMYK 48 / 38 / 0 / 20

HEX #6A7FCC

RGB 106 127 204

HSL 227.14, 0.49%, 0.61%

LAB 54.66, 13.34, -42.32

 

CMYK 46 / 48 / 0 / 20

HEX #6F6ACC

RGB 111 106 204

HSL 243.06, 0.49%, 0.61%

LAB 49.55, 27.24, -50.41

 

CMYK 33 / 48 / 0 / 20

HEX #896ACC

RGB 137 106 204

HSL 258.98, 0.49%, 0.61%

LAB 51.82, 33.77, -46.66

 

CMYK 20 / 48 / 0 / 20

HEX #A36ACC

RGB 163 106 204

HSL 274.9, 0.49%, 0.61%

LAB 54.51, 40.85, -42.24

 

CMYK 7 / 48 / 0 / 20

HEX #BD6ACC

RGB 189 106 204

HSL 290.82, 0.49%, 0.61%

LAB 57.55, 48.2, -37.25

 

CMYK 45 / 66 / 0 / 33

HEX #5E3AAA

RGB 94 58 170

HSL 259.29, 0.49%, 0.45%

LAB 34.62, 41.96, -54.68

 

CMYK 41 / 61 / 0 / 24

HEX #724CC1

RGB 114 76 193

HSL 259.49, 0.49%, 0.53%

LAB 42.15, 42.48, -55.95

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 24 / 36 / 0 / 16

HEX #A289D6

RGB 162 137 214

HSL 259.48, 0.48%, 0.69%

LAB 62.02, 25.41, -36.09

 

CMYK 17 / 25 / 0 / 12

HEX #BAA8E1

RGB 186 168 225

HSL 258.95, 0.49%, 0.77%

LAB 72.15, 17.79, -26.35

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 0 / 48 / 25 / 20

HEX #CC6A99

RGB 204 106 153

HSL 331.22, 0.49%, 0.61%

LAB 57.51, 44.27, -7.83

 

CMYK 44 / 0 / 48 / 20

HEX #72CC6A

RGB 114 204 106

HSL 115.1, 0.49%, 0.61%

LAB 74.7, -46.28, 40.42

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 0 / 33 / 48 / 20

HEX #CC896A

RGB 204 137 106

HSL 18.98, 0.49%, 0.61%

LAB 63.15, 22.09, 27.02

 

CMYK 48 / 0 / 33 / 20

HEX #6ACC89

RGB 106 204 137

HSL 138.98, 0.49%, 0.61%

LAB 74.86, -43.62, 24.73

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 0 / 48 / 25 / 20

HEX #CC6A99

RGB 204 106 153

HSL 331.22, 0.49%, 0.61%

LAB 57.51, 44.27, -7.83

 

CMYK 15 / 0 / 48 / 20

HEX #ADCC6A

RGB 173 204 106

HSL 78.98, 0.49%, 0.61%

LAB 77.94, -25.81, 45.14

 

CMYK 48 / 0 / 23 / 20

HEX #6ACC9D

RGB 106 204 157

HSL 151.22, 0.49%, 0.61%

LAB 75.25, -39.72, 14.67

 

CMYK 32 / 48 / 0 / 20

HEX #8A6ACC

RGB 138 106 204

HSL 259.59, 0.49%, 0.61%

LAB 51.92, 34.04, -46.51

 

CMYK 0 / 48 / 39 / 20

HEX #CC6A7C

RGB 204 106 124

HSL 348.98, 0.49%, 0.61%

LAB 56.68, 40.57, 7.88

 

CMYK 15 / 0 / 48 / 20

HEX #ADCC6A

RGB 173 204 106

HSL 78.98, 0.49%, 0.61%

LAB 77.94, -25.81, 45.14

 

CMYK 48 / 0 / 9 / 20

HEX #6ACCBA

RGB 106 204 186

HSL 168.98, 0.49%, 0.61%

LAB 75.94, -33.21, 0.07

 

Description

Color code: HEX #8A6ACC | qconv.com Color code: HEX #8A6ACC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 106 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 106 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 48 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 48% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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