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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A7C83 it is the complementary color #75837C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A7C83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A7C83 shade: #8F7C7E, #A08E91, #B1A0A4, #C2B2B7 and #D3C4CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A7C83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A7C83 shade: #8A7C83, #796A70, #68585D, #57464A and #463437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A7C83 shade: #897A82, #897A7E and #897A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A7C83 shade: #897A82, #897A86, #887A89, #847A89 and #807A89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A7C83 shade matches the following richer shades: #897A82, #9D6682, #B15282, #C63D82 and #DA2982

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A7C83 shade: #897A82, #758E82, #61A282, #4CB782 and #38CB82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A7C83 shade: #897A89, #897A86, #897A82, #897A7E and #897B7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A7C83 shade: #5E5358, #73666D, #897A82, #9C9096 and #B0A6AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A7C83 shade: #8A7C83, #89857A and #7A8889

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A7C83 shade: #8A7C83, #82897A and #7A8289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A7C83 shade: #8A7C83, #89857A, #7A8982 and #7A7F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A7C83 shade: #8A7C83, #89897A, #7A8982 and #7A7A89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 5 / 46

HEX #8A7C83

RGB 138 124 131

HSL 330, 0.06%, 0.51%

LAB 53.45, 6.66, -1.86

 

Complementary color

CMYK 11 / 0 / 5 / 49

HEX #75837C

RGB 117 131 124

HSL 150, 0.06%, 0.49%

LAB 53.46, -6.58, 2.03

 

CMYK 0 / 13 / 12 / 44

HEX #8F7C7E

RGB 143 124 126

HSL 353.68, 0.08%, 0.52%

LAB 53.77, 7.65, 1.6

 

CMYK 0 / 11 / 9 / 37

HEX #A08E91

RGB 160 142 145

HSL 350, 0.09%, 0.59%

LAB 60.66, 7.25, 0.86

 

CMYK 0 / 10 / 7 / 31

HEX #B1A0A4

RGB 177 160 164

HSL 345.88, 0.1%, 0.66%

LAB 67.4, 6.91, 0.17

 

CMYK 0 / 8 / 6 / 24

HEX #C2B2B7

RGB 194 178 183

HSL 341.25, 0.12%, 0.73%

LAB 74.02, 6.59, -0.48

 

CMYK 0 / 7 / 4 / 17

HEX #D3C4CA

RGB 211 196 202

HSL 336, 0.15%, 0.8%

LAB 80.51, 6.3, -1.11

 

CMYK 0 / 10 / 5 / 46

HEX #8A7C83

RGB 138 124 131

HSL 330, 0.06%, 0.51%

LAB 53.45, 6.66, -1.86

 

CMYK 0 / 12 / 7 / 53

HEX #796A70

RGB 121 106 112

HSL 336, 0.07%, 0.45%

LAB 46.37, 7.04, -1.18

 

CMYK 0 / 15 / 11 / 59

HEX #68585D

RGB 104 88 93

HSL 341.25, 0.08%, 0.38%

LAB 39.09, 7.48, -0.46

 

CMYK 0 / 20 / 15 / 66

HEX #57464A

RGB 87 70 74

HSL 345.88, 0.11%, 0.31%

LAB 31.58, 8, 0.33

 

CMYK 0 / 26 / 21 / 73

HEX #463437

RGB 70 52 55

HSL 350, 0.15%, 0.24%

LAB 23.78, 8.64, 1.24

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 0 / 11 / 8 / 46

HEX #897A7E

RGB 137 122 126

HSL 344, 0.06%, 0.51%

LAB 52.67, 6.49, -0.08

 

CMYK 0 / 11 / 11 / 46

HEX #897A7A

RGB 137 122 122

HSL 0, 0.06%, 0.51%

LAB 52.56, 5.75, 2.1

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 0 / 11 / 2 / 46

HEX #897A86

RGB 137 122 134

HSL 312, 0.06%, 0.51%

LAB 52.9, 8.02, -4.42

 

CMYK 1 / 11 / 0 / 46

HEX #887A89

RGB 136 122 137

HSL 296, 0.06%, 0.51%

LAB 52.91, 8.25, -6.18

 

CMYK 4 / 11 / 0 / 46

HEX #847A89

RGB 132 122 137

HSL 280, 0.06%, 0.51%

LAB 52.54, 6.78, -6.76

 

CMYK 7 / 11 / 0 / 46

HEX #807A89

RGB 128 122 137

HSL 264, 0.06%, 0.51%

LAB 52.19, 5.33, -7.32

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 0 / 35 / 17 / 38

HEX #9D6682

RGB 157 102 130

HSL 329.45, 0.22%, 0.51%

LAB 49.84, 26.37, -6.37

 

CMYK 0 / 54 / 27 / 31

HEX #B15282

RGB 177 82 130

HSL 329.68, 0.38%, 0.51%

LAB 48.25, 44.17, -8.46

 

CMYK 0 / 69 / 34 / 22

HEX #C63D82

RGB 198 61 130

HSL 329.78, 0.55%, 0.51%

LAB 48.2, 59.82, -8.18

 

CMYK 0 / 81 / 40 / 15

HEX #DA2982

RGB 218 41 130

HSL 329.83, 0.71%, 0.51%

LAB 49.62, 71.17, -5.69

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 18 / 0 / 8 / 44

HEX #758E82

RGB 117 142 130

HSL 151.2, 0.1%, 0.51%

LAB 56.82, -11.43, 3.44

 

CMYK 40 / 0 / 20 / 36

HEX #61A282

RGB 97 162 130

HSL 150.46, 0.26%, 0.51%

LAB 61.65, -28.26, 10.19

 

CMYK 58 / 0 / 29 / 28

HEX #4CB782

RGB 76 183 130

HSL 150.28, 0.43%, 0.51%

LAB 67.29, -43.22, 17.95

 

CMYK 72 / 0 / 36 / 20

HEX #38CB82

RGB 56 203 130

HSL 150.2, 0.59%, 0.51%

LAB 73, -54.87, 25.64

 

CMYK 0 / 11 / 0 / 46

HEX #897A89

RGB 137 122 137

HSL 300, 0.06%, 0.51%

LAB 53, 8.62, -6.04

 

CMYK 0 / 11 / 2 / 46

HEX #897A86

RGB 137 122 134

HSL 312, 0.06%, 0.51%

LAB 52.9, 8.02, -4.42

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 0 / 11 / 8 / 46

HEX #897A7E

RGB 137 122 126

HSL 344, 0.06%, 0.51%

LAB 52.67, 6.49, -0.08

 

CMYK 0 / 10 / 11 / 46

HEX #897B7A

RGB 137 123 122

HSL 4, 0.06%, 0.51%

LAB 52.83, 5.18, 2.49

 

CMYK 0 / 12 / 6 / 63

HEX #5E5358

RGB 94 83 88

HSL 332.73, 0.06%, 0.35%

LAB 36.5, 5.51, -1.26

 

CMYK 0 / 11 / 5 / 55

HEX #73666D

RGB 115 102 109

HSL 327.69, 0.06%, 0.43%

LAB 44.59, 6.5, -2.05

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 0 / 8 / 4 / 39

HEX #9C9096

RGB 156 144 150

HSL 330, 0.06%, 0.59%

LAB 60.97, 5.56, -1.57

 

CMYK 0 / 6 / 3 / 31

HEX #B0A6AB

RGB 176 166 171

HSL 330, 0.06%, 0.67%

LAB 69.07, 4.52, -1.29

 

CMYK 0 / 10 / 5 / 46

HEX #8A7C83

RGB 138 124 131

HSL 330, 0.06%, 0.51%

LAB 53.45, 6.66, -1.86

 

CMYK 0 / 3 / 11 / 46

HEX #89857A

RGB 137 133 122

HSL 44, 0.06%, 0.51%

LAB 55.58, -0.54, 6.46

 

CMYK 11 / 1 / 0 / 46

HEX #7A8889

RGB 122 136 137

HSL 184, 0.06%, 0.51%

LAB 55.64, -4.86, -2.28

 

CMYK 0 / 10 / 5 / 46

HEX #8A7C83

RGB 138 124 131

HSL 330, 0.06%, 0.51%

LAB 53.45, 6.66, -1.86

 

CMYK 5 / 0 / 11 / 46

HEX #82897A

RGB 130 137 122

HSL 88, 0.06%, 0.51%

LAB 56.13, -5.48, 7.16

 

CMYK 11 / 5 / 0 / 46

HEX #7A8289

RGB 122 130 137

HSL 208, 0.06%, 0.51%

LAB 53.93, -1.45, -4.79

 

CMYK 0 / 10 / 5 / 46

HEX #8A7C83

RGB 138 124 131

HSL 330, 0.06%, 0.51%

LAB 53.45, 6.66, -1.86

 

CMYK 0 / 3 / 11 / 46

HEX #89857A

RGB 137 133 122

HSL 44, 0.06%, 0.51%

LAB 55.58, -0.54, 6.46

 

CMYK 11 / 0 / 5 / 46

HEX #7A8982

RGB 122 137 130

HSL 152, 0.06%, 0.51%

LAB 55.73, -6.89, 1.9

 

CMYK 11 / 7 / 0 / 46

HEX #7A7F89

RGB 122 127 137

HSL 220, 0.06%, 0.51%

LAB 53.08, 0.27, -6.05

 

CMYK 0 / 10 / 5 / 46

HEX #8A7C83

RGB 138 124 131

HSL 330, 0.06%, 0.51%

LAB 53.45, 6.66, -1.86

 

CMYK 0 / 0 / 11 / 46

HEX #89897A

RGB 137 137 122

HSL 60, 0.06%, 0.51%

LAB 56.7, -2.8, 8.05

 

CMYK 11 / 0 / 5 / 46

HEX #7A8982

RGB 122 137 130

HSL 152, 0.06%, 0.51%

LAB 55.73, -6.89, 1.9

 

CMYK 11 / 11 / 0 / 46

HEX #7A7A89

RGB 122 122 137

HSL 240, 0.06%, 0.51%

LAB 51.68, 3.17, -8.14

 

Description

Color code: HEX #8A7C83 | qconv.com Color code: HEX #8A7C83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 124 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 124 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 5 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 5% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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