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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A8617 it is the complementary color #7579E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A8617. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A8617 shade: #8F8612, #A09825, #B1AA38, #C2BC4B and #D3CE5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A8617. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A8617 shade: #8A8617, #797404, #686200, #575000 and #463E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A8617 shade: #8B8717, #8B6817, #8B4917, #8B2917 and #8B1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A8617 shade: #8B8717, #708B17, #518B17, #318B17 and #178B1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A8617 shade matches the following richer shades: #8B8717 and #98930A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A8617 shade: #8B8717, #7E7B24, #716E32, #63623F and #56564C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A8617 shade: #8B4717, #8B6617, #8B8517, #728B17 and #538B17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A8617 shade: #44420B, #686511, #8B8717, #AEA91D and #D2CC23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A8617 shade: #8A8617, #178B29 and #57178B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A8617 shade: #8A8617, #178B85 and #85178B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A8617 shade: #8A8617, #178B29, #171D8B and #8B177A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A8617 shade: #8A8617, #178B4B, #171D8B and #8B1757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 83 / 46

HEX #8A8617

RGB 138 134 23

HSL 57.91, 0.71%, 0.32%

LAB 54.57, -11, 54.38

 

Complementary color

CMYK 50 / 48 / 0 / 9

HEX #7579E8

RGB 117 121 232

HSL 237.91, 0.71%, 0.68%

LAB 55.36, 28, -56.92

 

CMYK 0 / 6 / 87 / 44

HEX #8F8612

RGB 143 134 18

HSL 55.68, 0.78%, 0.32%

LAB 55, -8.84, 56.23

 

CMYK 0 / 5 / 77 / 37

HEX #A09825

RGB 160 152 37

HSL 56.1, 0.62%, 0.39%

LAB 61.71, -10.13, 57.12

 

CMYK 0 / 4 / 68 / 31

HEX #B1AA38

RGB 177 170 56

HSL 56.53, 0.52%, 0.46%

LAB 68.3, -11.17, 56.96

 

CMYK 0 / 3 / 61 / 24

HEX #C2BC4B

RGB 194 188 75

HSL 56.97, 0.49%, 0.53%

LAB 74.79, -12.01, 56.26

 

CMYK 0 / 2 / 55 / 17

HEX #D3CE5E

RGB 211 206 94

HSL 57.44, 0.57%, 0.6%

LAB 81.18, -12.7, 55.3

 

CMYK 0 / 3 / 83 / 46

HEX #8A8617

RGB 138 134 23

HSL 57.91, 0.71%, 0.32%

LAB 54.57, -11, 54.38

 

CMYK 0 / 4 / 97 / 53

HEX #797404

RGB 121 116 4

HSL 57.44, 0.94%, 0.25%

LAB 47.71, -9.58, 52.5

 

CMYK 0 / 6 / 100 / 59

HEX #686200

RGB 104 98 0

HSL 56.54, 1%, 0.2%

LAB 40.7, -7.75, 47.55

 

CMYK 0 / 8 / 100 / 66

HEX #575000

RGB 87 80 0

HSL 55.17, 1%, 0.17%

LAB 33.49, -5.74, 41.56

 

CMYK 0 / 11 / 100 / 73

HEX #463E00

RGB 70 62 0

HSL 53.14, 1%, 0.14%

LAB 26, -3.6, 34.93

 

CMYK 0 / 3 / 83 / 45

HEX #8B8717

RGB 139 135 23

HSL 57.93, 0.72%, 0.32%

LAB 54.95, -11.08, 54.74

 

CMYK 0 / 25 / 83 / 45

HEX #8B6817

RGB 139 104 23

HSL 41.9, 0.72%, 0.32%

LAB 46.25, 6.34, 47.17

 

CMYK 0 / 47 / 83 / 45

HEX #8B4917

RGB 139 73 23

HSL 25.86, 0.72%, 0.32%

LAB 38.4, 24.33, 40.11

 

CMYK 0 / 71 / 83 / 45

HEX #8B2917

RGB 139 41 23

HSL 9.31, 0.72%, 0.32%

LAB 32.12, 40.58, 34.21

 

CMYK 0 / 83 / 83 / 45

HEX #8B1717

RGB 139 23 23

HSL 0, 0.72%, 0.32%

LAB 29.82, 46.95, 31.98

 

CMYK 0 / 3 / 83 / 45

HEX #8B8717

RGB 139 135 23

HSL 57.93, 0.72%, 0.32%

LAB 54.95, -11.08, 54.74

 

CMYK 19 / 0 / 83 / 45

HEX #708B17

RGB 112 139 23

HSL 73.97, 0.72%, 0.32%

LAB 54, -25.24, 53.08

 

CMYK 42 / 0 / 83 / 45

HEX #518B17

RGB 81 139 23

HSL 90, 0.72%, 0.32%

LAB 52.15, -37.58, 50.73

 

CMYK 65 / 0 / 83 / 45

HEX #318B17

RGB 49 139 23

HSL 106.55, 0.72%, 0.32%

LAB 50.9, -47.27, 49.13

 

CMYK 83 / 0 / 80 / 45

HEX #178B1C

RGB 23 139 28

HSL 122.59, 0.72%, 0.32%

LAB 50.37, -51.66, 46.87

 

CMYK 0 / 3 / 83 / 45

HEX #8B8717

RGB 139 135 23

HSL 57.93, 0.72%, 0.32%

LAB 54.95, -11.08, 54.74

 

CMYK 0 / 3 / 93 / 40

HEX #98930A

RGB 152 147 10

HSL 57.89, 0.88%, 0.32%

LAB 59.49, -11.86, 61.67

 

CMYK 0 / 3 / 83 / 45

HEX #8B8717

RGB 139 135 23

HSL 57.93, 0.72%, 0.32%

LAB 54.95, -11.08, 54.74

 

CMYK 0 / 2 / 71 / 51

HEX #7E7B24

RGB 126 123 36

HSL 58, 0.56%, 0.32%

LAB 50.37, -9.96, 45.59

 

CMYK 0 / 3 / 56 / 56

HEX #716E32

RGB 113 110 50

HSL 57.14, 0.39%, 0.32%

LAB 45.49, -7.67, 33.41

 

CMYK 0 / 1 / 36 / 61

HEX #63623F

RGB 99 98 63

HSL 58.33, 0.22%, 0.32%

LAB 40.81, -5.65, 20.1

 

CMYK 0 / 0 / 12 / 66

HEX #56564C

RGB 86 86 76

HSL 60, 0.06%, 0.32%

LAB 36.28, -2.02, 5.83

 

CMYK 0 / 49 / 83 / 45

HEX #8B4717

RGB 139 71 23

HSL 24.83, 0.72%, 0.32%

LAB 37.95, 25.46, 39.68

 

CMYK 0 / 27 / 83 / 45

HEX #8B6617

RGB 139 102 23

HSL 40.86, 0.72%, 0.32%

LAB 45.71, 7.5, 46.69

 

CMYK 0 / 4 / 83 / 45

HEX #8B8517

RGB 139 133 23

HSL 56.9, 0.72%, 0.32%

LAB 54.37, -10, 54.25

 

CMYK 18 / 0 / 83 / 45

HEX #728B17

RGB 114 139 23

HSL 72.93, 0.72%, 0.32%

LAB 54.14, -24.37, 53.26

 

CMYK 40 / 0 / 83 / 45

HEX #538B17

RGB 83 139 23

HSL 88.97, 0.72%, 0.32%

LAB 52.25, -36.86, 50.86

 

CMYK 0 / 3 / 84 / 73

HEX #44420B

RGB 68 66 11

HSL 57.89, 0.72%, 0.15%

LAB 27.16, -6.59, 31.45

 

CMYK 0 / 3 / 84 / 59

HEX #686511

RGB 104 101 17

HSL 57.93, 0.72%, 0.24%

LAB 41.67, -8.96, 43.75

 

CMYK 0 / 3 / 83 / 45

HEX #8B8717

RGB 139 135 23

HSL 57.93, 0.72%, 0.32%

LAB 54.95, -11.08, 54.74

 

CMYK 0 / 3 / 83 / 32

HEX #AEA91D

RGB 174 169 29

HSL 57.93, 0.71%, 0.4%

LAB 67.62, -13.1, 65.16

 

CMYK 0 / 3 / 83 / 18

HEX #D2CC23

RGB 210 204 35

HSL 57.94, 0.71%, 0.48%

LAB 80.18, -15.11, 75.48

 

CMYK 0 / 3 / 83 / 46

HEX #8A8617

RGB 138 134 23

HSL 57.91, 0.71%, 0.32%

LAB 54.57, -11, 54.38

 

CMYK 83 / 0 / 71 / 45

HEX #178B29

RGB 23 139 41

HSL 129.31, 0.72%, 0.32%

LAB 50.46, -50.54, 42.02

 

CMYK 37 / 83 / 0 / 45

HEX #57178B

RGB 87 23 139

HSL 273.1, 0.72%, 0.32%

LAB 25.27, 49.14, -51.03

 

CMYK 0 / 3 / 83 / 46

HEX #8A8617

RGB 138 134 23

HSL 57.91, 0.71%, 0.32%

LAB 54.57, -11, 54.38

 

CMYK 83 / 0 / 4 / 45

HEX #178B85

RGB 23 139 133

HSL 176.9, 0.72%, 0.32%

LAB 52.22, -31.13, -5.48

 

CMYK 4 / 83 / 0 / 45

HEX #85178B

RGB 133 23 139

HSL 296.9, 0.72%, 0.32%

LAB 32.84, 57.5, -38.42

 

CMYK 0 / 3 / 83 / 46

HEX #8A8617

RGB 138 134 23

HSL 57.91, 0.71%, 0.32%

LAB 54.57, -11, 54.38

 

CMYK 83 / 0 / 71 / 45

HEX #178B29

RGB 23 139 41

HSL 129.31, 0.72%, 0.32%

LAB 50.46, -50.54, 42.02

 

CMYK 83 / 79 / 0 / 45

HEX #171D8B

RGB 23 29 139

HSL 236.9, 0.72%, 0.32%

LAB 19.74, 38.79, -60.36

 

CMYK 0 / 83 / 12 / 45

HEX #8B177A

RGB 139 23 122

HSL 308.79, 0.72%, 0.32%

LAB 32.93, 56.04, -27.59

 

CMYK 0 / 3 / 83 / 46

HEX #8A8617

RGB 138 134 23

HSL 57.91, 0.71%, 0.32%

LAB 54.57, -11, 54.38

 

CMYK 83 / 0 / 46 / 45

HEX #178B4B

RGB 23 139 75

HSL 146.9, 0.72%, 0.32%

LAB 50.87, -45.63, 25.72

 

CMYK 83 / 79 / 0 / 45

HEX #171D8B

RGB 23 29 139

HSL 236.9, 0.72%, 0.32%

LAB 19.74, 38.79, -60.36

 

CMYK 0 / 83 / 37 / 45

HEX #8B1757

RGB 139 23 87

HSL 326.9, 0.72%, 0.32%

LAB 31.32, 51.46, -7.61

 

Description

Color code: HEX #8A8617 | qconv.com Color code: HEX #8A8617 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 134 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 134 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 83 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 83% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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