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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A87DD it is the complementary color #757822. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A87DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A87DD shade: #8F87D8, #A099EB, #B1ABFE, #C2BDFF and #D3CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A87DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A87DD shade: #8A87DD, #7975CA, #6863B7, #5751A4 and #463F91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A87DD shade: #8A87DD, #A187DD, #B887DD, #CF87DD and #DD87D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A87DD shade: #8A87DD and #8787DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A87DD shade matches the following richer shades: #8A87DD, #7F7BE9 and #736EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A87DD shade: #8A87DD, #9694D0, #A1A0C4, #ADACB8 and #B8B9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A87DD shade: #87B2DD, #879BDD, #8A87DD, #A187DD and #B887DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A87DD shade: #4B47CB, #6B67D4, #8A87DD, #AAA7E6 and #C9C8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A87DD shade: #8A87DD, #DD87C9 and #A7DD87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A87DD shade: #8A87DD, #DD8A87 and #87DD8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A87DD shade: #8A87DD, #DD87C9, #DADD87 and #87DD9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A87DD shade: #8A87DD, #DD87AF, #DADD87 and #87DDB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

Complementary color

CMYK 3 / 0 / 72 / 53

HEX #757822

RGB 117 120 34

HSL 62.09, 0.56%, 0.3%

LAB 48.67, -12.58, 44.46

 

CMYK 34 / 38 / 0 / 15

HEX #8F87D8

RGB 143 135 216

HSL 245.93, 0.51%, 0.69%

LAB 60, 21.64, -40.49

 

CMYK 32 / 35 / 0 / 8

HEX #A099EB

RGB 160 153 235

HSL 245.12, 0.67%, 0.76%

LAB 66.71, 20.91, -40.41

 

CMYK 30 / 33 / 0 / 0

HEX #B1ABFE

RGB 177 171 254

HSL 244.34, 0.98%, 0.83%

LAB 73.3, 20.26, -40.37

 

CMYK 24 / 26 / 0 / 0

HEX #C2BDFF

RGB 194 189 255

HSL 244.55, 1%, 0.87%

LAB 79.09, 15.43, -31.85

 

CMYK 17 / 19 / 0 / 0

HEX #D3CFFF

RGB 211 207 255

HSL 245, 1%, 0.91%

LAB 84.84, 10.83, -22.94

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 40 / 42 / 0 / 21

HEX #7975CA

RGB 121 117 202

HSL 242.82, 0.45%, 0.63%

LAB 53.01, 22.52, -43.73

 

CMYK 43 / 46 / 0 / 28

HEX #6863B7

RGB 104 99 183

HSL 243.57, 0.37%, 0.55%

LAB 46.02, 23.56, -43.96

 

CMYK 47 / 51 / 0 / 36

HEX #5751A4

RGB 87 81 164

HSL 244.34, 0.34%, 0.48%

LAB 38.88, 24.78, -44.24

 

CMYK 52 / 57 / 0 / 43

HEX #463F91

RGB 70 63 145

HSL 245.12, 0.39%, 0.41%

LAB 31.58, 26.25, -44.57

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 27 / 39 / 0 / 13

HEX #A187DD

RGB 161 135 221

HSL 258.14, 0.56%, 0.7%

LAB 61.76, 27.96, -40.41

 

CMYK 17 / 39 / 0 / 13

HEX #B887DD

RGB 184 135 221

HSL 274.19, 0.56%, 0.7%

LAB 63.95, 34.66, -36.83

 

CMYK 6 / 39 / 0 / 13

HEX #CF87DD

RGB 207 135 221

HSL 290.23, 0.56%, 0.7%

LAB 66.38, 41.56, -32.87

 

CMYK 0 / 39 / 5 / 13

HEX #DD87D3

RGB 221 135 211

HSL 306.98, 0.56%, 0.7%

LAB 67.58, 44.02, -25.33

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 39 / 39 / 0 / 13

HEX #8787DD

RGB 135 135 221

HSL 240, 0.56%, 0.7%

LAB 59.62, 20.84, -43.94

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 45 / 47 / 0 / 9

HEX #7F7BE9

RGB 127 123 233

HSL 242.18, 0.71%, 0.7%

LAB 56.65, 29.35, -55.39

 

CMYK 53 / 55 / 0 / 4

HEX #736EF6

RGB 115 110 246

HSL 242.21, 0.88%, 0.7%

LAB 53.44, 38.38, -67.83

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 28 / 29 / 0 / 18

HEX #9694D0

RGB 150 148 208

HSL 242, 0.39%, 0.7%

LAB 63.52, 14.08, -30.49

 

CMYK 18 / 18 / 0 / 23

HEX #A1A0C4

RGB 161 160 196

HSL 241.67, 0.23%, 0.7%

LAB 67.05, 7.85, -18.32

 

CMYK 6 / 7 / 0 / 28

HEX #ADACB8

RGB 173 172 184

HSL 245, 0.08%, 0.7%

LAB 70.77, 2.68, -6.01

 

CMYK 1 / 0 / 8 / 27

HEX #B8B9AB

RGB 184 185 171

HSL 64.29, 0.09%, 0.7%

LAB 74.72, -2.87, 6.97

 

CMYK 39 / 19 / 0 / 13

HEX #87B2DD

RGB 135 178 221

HSL 210, 0.56%, 0.7%

LAB 71.02, -3.64, -26.21

 

CMYK 39 / 30 / 0 / 13

HEX #879BDD

RGB 135 155 221

HSL 226.05, 0.56%, 0.7%

LAB 64.81, 9.24, -35.79

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 27 / 39 / 0 / 13

HEX #A187DD

RGB 161 135 221

HSL 258.14, 0.56%, 0.7%

LAB 61.76, 27.96, -40.41

 

CMYK 17 / 39 / 0 / 13

HEX #B887DD

RGB 184 135 221

HSL 274.19, 0.56%, 0.7%

LAB 63.95, 34.66, -36.83

 

CMYK 63 / 65 / 0 / 20

HEX #4B47CB

RGB 75 71 203

HSL 241.82, 0.56%, 0.54%

LAB 38.4, 41.21, -68.01

 

CMYK 50 / 51 / 0 / 17

HEX #6B67D4

RGB 107 103 212

HSL 242.2, 0.56%, 0.62%

LAB 48.98, 30.56, -55.91

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 26 / 27 / 0 / 10

HEX #AAA7E6

RGB 170 167 230

HSL 242.86, 0.56%, 0.78%

LAB 70.8, 14.63, -31.26

 

CMYK 16 / 16 / 0 / 6

HEX #C9C8EF

RGB 201 200 239

HSL 241.54, 0.55%, 0.86%

LAB 81.82, 8.07, -19.09

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 0 / 39 / 9 / 13

HEX #DD87C9

RGB 221 135 201

HSL 313.95, 0.56%, 0.7%

LAB 67.21, 42.3, -20.31

 

CMYK 24 / 0 / 39 / 13

HEX #A7DD87

RGB 167 221 135

HSL 97.67, 0.56%, 0.7%

LAB 82.74, -32.58, 36.73

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 0 / 38 / 39 / 13

HEX #DD8A87

RGB 221 138 135

HSL 2.09, 0.56%, 0.7%

LAB 65.98, 31.31, 14.99

 

CMYK 39 / 0 / 38 / 13

HEX #87DD8A

RGB 135 221 138

HSL 122.09, 0.56%, 0.7%

LAB 81.13, -42.6, 32.79

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 0 / 39 / 9 / 13

HEX #DD87C9

RGB 221 135 201

HSL 313.95, 0.56%, 0.7%

LAB 67.21, 42.3, -20.31

 

CMYK 1 / 0 / 39 / 13

HEX #DADD87

RGB 218 221 135

HSL 62.09, 0.56%, 0.7%

LAB 86.19, -13.61, 41.85

 

CMYK 39 / 0 / 30 / 13

HEX #87DD9B

RGB 135 221 155

HSL 133.95, 0.56%, 0.7%

LAB 81.42, -39.78, 24.43

 

CMYK 38 / 39 / 0 / 13

HEX #8A87DD

RGB 138 135 221

HSL 242.09, 0.56%, 0.7%

LAB 59.85, 21.63, -43.56

 

CMYK 0 / 39 / 21 / 13

HEX #DD87AF

RGB 221 135 175

HSL 332.09, 0.56%, 0.7%

LAB 66.36, 38.18, -7

 

CMYK 1 / 0 / 39 / 13

HEX #DADD87

RGB 218 221 135

HSL 62.09, 0.56%, 0.7%

LAB 86.19, -13.61, 41.85

 

CMYK 39 / 0 / 18 / 13

HEX #87DDB5

RGB 135 221 181

HSL 152.09, 0.56%, 0.7%

LAB 81.95, -34.84, 11.54

 

Description

Color code: HEX #8A87DD | qconv.com Color code: HEX #8A87DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 135 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 135 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 39 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 39% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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