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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A82BE it is the complementary color #757D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A82BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A82BE shade: #8F82B9, #A094CC, #B1A6DF, #C2B8F2 and #D3CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A82BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A82BE shade: #8A82BE, #7970AB, #685E98, #574C85 and #463A72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A82BE shade: #8A82BE, #9A82BE, #AB82BE, #BB82BE and #BE82B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A82BE shade: #8A82BE and #8282BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A82BE shade matches the following richer shades: #8A82BE, #7F73CE, #7463DD, #6854EC and #5D45FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A82BE shade: #8A82BE, #9591AF, #A0A0A0, #ACB091 and #B7BF81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A82BE shade: #829ABE, #828ABE, #8A82BE, #9A82BE and #AA82BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A82BE shade: #5B519D, #7167B0, #8A82BE, #A39DCC and #BDB8DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A82BE shade: #8A82BE, #BE82AA and #92BE82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A82BE shade: #8A82BE, #BE8A82 and #82BE8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A82BE shade: #8A82BE, #BE82AA, #B6BE82 and #82BE96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A82BE shade: #8A82BE, #BE8298, #B6BE82 and #82BEA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

Complementary color

CMYK 6 / 0 / 48 / 51

HEX #757D41

RGB 117 125 65

HSL 68, 0.32%, 0.37%

LAB 50.49, -12.69, 31.53

 

CMYK 23 / 30 / 0 / 27

HEX #8F82B9

RGB 143 130 185

HSL 254.18, 0.28%, 0.62%

LAB 57.37, 16.69, -27.07

 

CMYK 22 / 27 / 0 / 20

HEX #A094CC

RGB 160 148 204

HSL 252.86, 0.35%, 0.69%

LAB 64.17, 16.15, -27.19

 

CMYK 21 / 26 / 0 / 13

HEX #B1A6DF

RGB 177 166 223

HSL 251.58, 0.47%, 0.76%

LAB 70.83, 15.66, -27.33

 

CMYK 20 / 24 / 0 / 5

HEX #C2B8F2

RGB 194 184 242

HSL 250.34, 0.69%, 0.84%

LAB 77.38, 15.22, -27.5

 

CMYK 17 / 21 / 0 / 0

HEX #D3CAFF

RGB 211 202 255

HSL 250.19, 1%, 0.9%

LAB 83.61, 13.51, -24.82

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 29 / 35 / 0 / 33

HEX #7970AB

RGB 121 112 171

HSL 249.15, 0.26%, 0.55%

LAB 50.21, 17.03, -30.28

 

CMYK 32 / 38 / 0 / 40

HEX #685E98

RGB 104 94 152

HSL 250.34, 0.24%, 0.48%

LAB 43.09, 17.78, -30.33

 

CMYK 35 / 43 / 0 / 48

HEX #574C85

RGB 87 76 133

HSL 251.58, 0.27%, 0.41%

LAB 35.77, 18.65, -30.44

 

CMYK 39 / 49 / 0 / 55

HEX #463A72

RGB 70 58 114

HSL 252.86, 0.33%, 0.34%

LAB 28.23, 19.7, -30.62

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 19 / 32 / 0 / 25

HEX #9A82BE

RGB 154 130 190

HSL 264, 0.32%, 0.63%

LAB 58.56, 21.33, -28.01

 

CMYK 10 / 32 / 0 / 25

HEX #AB82BE

RGB 171 130 190

HSL 281, 0.32%, 0.63%

LAB 60.2, 26.76, -25.35

 

CMYK 2 / 32 / 0 / 25

HEX #BB82BE

RGB 187 130 190

HSL 297, 0.32%, 0.63%

LAB 61.87, 31.96, -22.64

 

CMYK 0 / 32 / 6 / 25

HEX #BE82B2

RGB 190 130 178

HSL 312, 0.32%, 0.63%

LAB 61.76, 30.73, -15.96

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 32 / 32 / 0 / 25

HEX #8282BE

RGB 130 130 190

HSL 240, 0.32%, 0.63%

LAB 56.51, 14.01, -31.34

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 38 / 44 / 0 / 19

HEX #7F73CE

RGB 127 115 206

HSL 247.91, 0.48%, 0.63%

LAB 53.2, 26.4, -45.67

 

CMYK 48 / 55 / 0 / 13

HEX #7463DD

RGB 116 99 221

HSL 248.36, 0.64%, 0.63%

LAB 49.32, 37.58, -60.44

 

CMYK 56 / 64 / 0 / 7

HEX #6854EC

RGB 104 84 236

HSL 247.89, 0.8%, 0.63%

LAB 46.1, 48.46, -74.2

 

CMYK 63 / 73 / 0 / 2

HEX #5D45FB

RGB 93 69 251

HSL 247.91, 0.96%, 0.63%

LAB 43.58, 59.47, -86.78

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 15 / 17 / 0 / 31

HEX #9591AF

RGB 149 145 175

HSL 248, 0.16%, 0.63%

LAB 61.43, 7.67, -15.15

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 2 / 0 / 18 / 31

HEX #ACB091

RGB 172 176 145

HSL 67.74, 0.16%, 0.63%

LAB 70.78, -6.84, 15.43

 

CMYK 4 / 0 / 32 / 25

HEX #B7BF81

RGB 183 191 129

HSL 67.74, 0.33%, 0.63%

LAB 75.4, -12.75, 30.41

 

CMYK 32 / 19 / 0 / 25

HEX #829ABE

RGB 130 154 190

HSL 216, 0.32%, 0.63%

LAB 62.99, 0.17, -21.36

 

CMYK 32 / 27 / 0 / 25

HEX #828ABE

RGB 130 138 190

HSL 232, 0.32%, 0.63%

LAB 58.64, 9.33, -28.04

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 19 / 32 / 0 / 25

HEX #9A82BE

RGB 154 130 190

HSL 264, 0.32%, 0.63%

LAB 58.56, 21.33, -28.01

 

CMYK 11 / 32 / 0 / 25

HEX #AA82BE

RGB 170 130 190

HSL 280, 0.32%, 0.63%

LAB 60.1, 26.43, -25.51

 

CMYK 42 / 48 / 0 / 38

HEX #5B519D

RGB 91 81 157

HSL 247.89, 0.32%, 0.47%

LAB 38.8, 23.65, -40.17

 

CMYK 36 / 41 / 0 / 31

HEX #7167B0

RGB 113 103 176

HSL 248.22, 0.32%, 0.55%

LAB 47.42, 21.5, -37.61

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 20 / 23 / 0 / 20

HEX #A39DCC

RGB 163 157 204

HSL 247.66, 0.32%, 0.71%

LAB 66.72, 11.99, -23.26

 

CMYK 13 / 16 / 0 / 15

HEX #BDB8DA

RGB 189 184 218

HSL 248.82, 0.31%, 0.79%

LAB 76.17, 8.44, -16.4

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 0 / 32 / 11 / 25

HEX #BE82AA

RGB 190 130 170

HSL 320, 0.32%, 0.63%

LAB 61.49, 29.32, -11.82

 

CMYK 23 / 0 / 32 / 25

HEX #92BE82

RGB 146 190 130

HSL 104, 0.32%, 0.63%

LAB 72.59, -25.91, 25.7

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 0 / 27 / 32 / 25

HEX #BE8A82

RGB 190 138 130

HSL 8, 0.32%, 0.63%

LAB 62.28, 18.73, 12.11

 

CMYK 32 / 0 / 27 / 25

HEX #82BE8A

RGB 130 190 138

HSL 128, 0.32%, 0.63%

LAB 71.83, -30, 20.25

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 0 / 32 / 11 / 25

HEX #BE82AA

RGB 190 130 170

HSL 320, 0.32%, 0.63%

LAB 61.49, 29.32, -11.82

 

CMYK 4 / 0 / 32 / 25

HEX #B6BE82

RGB 182 190 130

HSL 68, 0.32%, 0.63%

LAB 75.07, -12.49, 29.44

 

CMYK 32 / 0 / 21 / 25

HEX #82BE96

RGB 130 190 150

HSL 140, 0.32%, 0.63%

LAB 72.08, -27.78, 14.13

 

CMYK 27 / 32 / 0 / 25

HEX #8A82BE

RGB 138 130 190

HSL 248, 0.32%, 0.63%

LAB 57.16, 16.39, -30.29

 

CMYK 0 / 32 / 20 / 25

HEX #BE8298

RGB 190 130 152

HSL 338, 0.32%, 0.63%

LAB 60.94, 26.35, -2.36

 

CMYK 4 / 0 / 32 / 25

HEX #B6BE82

RGB 182 190 130

HSL 68, 0.32%, 0.63%

LAB 75.07, -12.49, 29.44

 

CMYK 32 / 0 / 12 / 25

HEX #82BEA8

RGB 130 190 168

HSL 158, 0.32%, 0.63%

LAB 72.49, -24.13, 4.95

 

Description

Color code: HEX #8A82BE | qconv.com Color code: HEX #8A82BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 130 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 130 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 32 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 32% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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