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Color name
HEX #8A9F1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A9F1D it is the complementary color #7560E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A9F1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A9F1D shade: #8F9F18, #A0B12B, #B1C33E, #C2D551 and #D3E764

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A9F1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A9F1D shade: #8A9F1D, #798D0A, #687B00, #576900 and #465700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A9F1D shade: #8A9F1D, #9F911D, #9F6E1D, #9F4B1D and #9F281D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A9F1D shade: #8A9F1D, #679F1D, #449F1D, #219F1D and #1D9F3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A9F1D shade matches the following richer shades: #8A9F1D and #94AE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A9F1D shade: #8A9F1D, #80902C, #75803B, #6B714B and #61625A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A9F1D shade: #9F6D1D, #9F901D, #8B9F1D, #699F1D and #469F1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A9F1D shade: #4D5910, #6C7C16, #8A9F1D, #A8C223 and #BFD935

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A9F1D shade: #8A9F1D, #1D9F4A and #7E1D9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A9F1D shade: #8A9F1D, #1D8B9F and #9F1D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A9F1D shade: #8A9F1D, #1D9F4A, #301D9F and #9F1D71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A9F1D shade: #8A9F1D, #1D9F71, #301D9F and #9F1D4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

Complementary color

CMYK 48 / 58 / 0 / 11

HEX #7560E2

RGB 117 96 226

HSL 249.69, 0.69%, 0.63%

LAB 49.05, 41, -63.7

 

CMYK 10 / 0 / 85 / 38

HEX #8F9F18

RGB 143 159 24

HSL 67.11, 0.74%, 0.36%

LAB 62.26, -21.76, 60.85

 

CMYK 10 / 0 / 76 / 31

HEX #A0B12B

RGB 160 177 43

HSL 67.61, 0.61%, 0.43%

LAB 68.82, -22.7, 61.73

 

CMYK 9 / 0 / 68 / 24

HEX #B1C33E

RGB 177 195 62

HSL 68.12, 0.53%, 0.5%

LAB 75.28, -23.45, 61.67

 

CMYK 9 / 0 / 62 / 16

HEX #C2D551

RGB 194 213 81

HSL 68.64, 0.61%, 0.58%

LAB 81.65, -24.04, 61.1

 

CMYK 9 / 0 / 57 / 9

HEX #D3E764

RGB 211 231 100

HSL 69.16, 0.73%, 0.65%

LAB 87.93, -24.51, 60.26

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 14 / 0 / 93 / 45

HEX #798D0A

RGB 121 141 10

HSL 69.16, 0.87%, 0.3%

LAB 55.21, -22.69, 57.24

 

CMYK 15 / 0 / 100 / 52

HEX #687B00

RGB 104 123 0

HSL 69.27, 1%, 0.24%

LAB 48.4, -21.34, 53.23

 

CMYK 17 / 0 / 100 / 59

HEX #576900

RGB 87 105 0

HSL 70.29, 1%, 0.21%

LAB 41.42, -19.76, 47.42

 

CMYK 20 / 0 / 100 / 66

HEX #465700

RGB 70 87 0

HSL 71.72, 1%, 0.17%

LAB 34.23, -18.15, 41.43

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 0 / 9 / 82 / 38

HEX #9F911D

RGB 159 145 29

HSL 53.54, 0.69%, 0.37%

LAB 59.63, -7.14, 57.77

 

CMYK 0 / 31 / 82 / 38

HEX #9F6E1D

RGB 159 110 29

HSL 37.38, 0.69%, 0.37%

LAB 50.23, 12.4, 49.43

 

CMYK 0 / 53 / 82 / 38

HEX #9F4B1D

RGB 159 75 29

HSL 21.23, 0.69%, 0.37%

LAB 41.99, 31.97, 41.83

 

CMYK 0 / 75 / 82 / 38

HEX #9F281D

RGB 159 40 29

HSL 5.08, 0.69%, 0.37%

LAB 35.94, 47.98, 36

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 35 / 0 / 82 / 38

HEX #679F1D

RGB 103 159 29

HSL 85.85, 0.69%, 0.37%

LAB 59.68, -37.94, 56.27

 

CMYK 57 / 0 / 82 / 38

HEX #449F1D

RGB 68 159 29

HSL 102, 0.69%, 0.37%

LAB 58.15, -49.37, 54.3

 

CMYK 79 / 0 / 82 / 38

HEX #219F1D

RGB 33 159 29

HSL 118.15, 0.69%, 0.37%

LAB 57.28, -56.62, 53.18

 

CMYK 82 / 0 / 62 / 38

HEX #1D9F3C

RGB 29 159 60

HSL 134.31, 0.69%, 0.37%

LAB 57.45, -54.29, 41.32

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 15 / 0 / 93 / 32

HEX #94AE0D

RGB 148 174 13

HSL 69.69, 0.86%, 0.37%

LAB 66.97, -27.26, 66.95

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 11 / 0 / 69 / 44

HEX #80902C

RGB 128 144 44

HSL 69.6, 0.53%, 0.37%

LAB 56.8, -19.75, 48.84

 

CMYK 9 / 0 / 54 / 50

HEX #75803B

RGB 117 128 59

HSL 69.57, 0.37%, 0.37%

LAB 51.31, -14.94, 35.65

 

CMYK 5 / 0 / 34 / 56

HEX #6B714B

RGB 107 113 75

HSL 69.47, 0.2%, 0.37%

LAB 46.24, -9.08, 20.38

 

CMYK 1 / 0 / 8 / 62

HEX #61625A

RGB 97 98 90

HSL 67.5, 0.04%, 0.37%

LAB 41.24, -2.01, 4.41

 

CMYK 0 / 31 / 82 / 38

HEX #9F6D1D

RGB 159 109 29

HSL 36.92, 0.69%, 0.37%

LAB 49.97, 12.97, 49.2

 

CMYK 0 / 9 / 82 / 38

HEX #9F901D

RGB 159 144 29

HSL 53.08, 0.69%, 0.37%

LAB 59.35, -6.6, 57.53

 

CMYK 13 / 0 / 82 / 38

HEX #8B9F1D

RGB 139 159 29

HSL 69.23, 0.69%, 0.37%

LAB 61.98, -23.32, 59.19

 

CMYK 34 / 0 / 82 / 38

HEX #699F1D

RGB 105 159 29

HSL 84.92, 0.69%, 0.37%

LAB 59.79, -37.19, 56.41

 

CMYK 56 / 0 / 82 / 38

HEX #469F1D

RGB 70 159 29

HSL 101.08, 0.69%, 0.37%

LAB 58.21, -48.82, 54.39

 

CMYK 13 / 0 / 82 / 65

HEX #4D5910

RGB 77 89 16

HSL 69.86, 0.7%, 0.21%

LAB 35.52, -15.24, 37.63

 

CMYK 13 / 0 / 82 / 51

HEX #6C7C16

RGB 108 124 22

HSL 69.41, 0.7%, 0.29%

LAB 49.08, -19.42, 48.9

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 13 / 0 / 82 / 24

HEX #A8C223

RGB 168 194 35

HSL 69.81, 0.69%, 0.45%

LAB 74.21, -27.93, 69.11

 

CMYK 12 / 0 / 76 / 15

HEX #BFD935

RGB 191 217 53

HSL 69.51, 0.68%, 0.53%

LAB 82.36, -28.73, 71.96

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 82 / 0 / 53 / 38

HEX #1D9F4A

RGB 29 159 74

HSL 140.77, 0.69%, 0.37%

LAB 57.61, -52.34, 34.72

 

CMYK 21 / 82 / 0 / 38

HEX #7E1D9F

RGB 126 29 159

HSL 284.77, 0.69%, 0.37%

LAB 33.6, 58.21, -49.51

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 82 / 13 / 0 / 38

HEX #1D8B9F

RGB 29 139 159

HSL 189.23, 0.69%, 0.37%

LAB 53.2, -22.21, -19.06

 

CMYK 0 / 82 / 13 / 38

HEX #9F1D8B

RGB 159 29 139

HSL 309.23, 0.69%, 0.37%

LAB 38.05, 61.42, -29.86

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 82 / 0 / 53 / 38

HEX #1D9F4A

RGB 29 159 74

HSL 140.77, 0.69%, 0.37%

LAB 57.61, -52.34, 34.72

 

CMYK 70 / 82 / 0 / 38

HEX #301D9F

RGB 48 29 159

HSL 248.77, 0.69%, 0.37%

LAB 23.71, 47.21, -66.1

 

CMYK 0 / 82 / 29 / 38

HEX #9F1D71

RGB 159 29 113

HSL 321.23, 0.69%, 0.37%

LAB 36.82, 57.95, -15.58

 

CMYK 13 / 0 / 82 / 38

HEX #8A9F1D

RGB 138 159 29

HSL 69.69, 0.69%, 0.37%

LAB 61.9, -23.75, 59.1

 

CMYK 82 / 0 / 29 / 38

HEX #1D9F71

RGB 29 159 113

HSL 158.77, 0.69%, 0.37%

LAB 58.27, -44.73, 14.65

 

CMYK 70 / 82 / 0 / 38

HEX #301D9F

RGB 48 29 159

HSL 248.77, 0.69%, 0.37%

LAB 23.71, 47.21, -66.1

 

CMYK 0 / 82 / 53 / 38

HEX #9F1D4A

RGB 159 29 74

HSL 339.23, 0.69%, 0.37%

LAB 35.49, 54, 7.43

 

Description

Color code: HEX #8A9F1D | qconv.com Color code: HEX #8A9F1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 159 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 159 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 82 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 82% 38% C M Y K

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Provide designers and agencies with accurate color values.

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