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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AB1CA it is the complementary color #754E35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AB1CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AB1CA shade: #8FB1C5, #A0C3D8, #B1D5EB, #C2E7FE and #D3F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AB1CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AB1CA shade: #8AB1CA, #799FB7, #688DA4, #577B91 and #46697E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AB1CA shade: #8AB1CA, #8AA0CA, #8A8FCA, #978ACA and #A88ACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AB1CA shade: #8AB1CA, #8AA0CA, #8A8FCA and #8A8ACA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AB1CA shade matches the following richer shades: #8AB1CA, #7DB4D8, #6FB7E6 and #62BAF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AB1CA shade: #8AB1CA, #98AEBD, #A6ABAF, #B3A8A1 and #C1A594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AB1CA shade: #8ACAC1, #8AC3CA, #8AB2CA, #8AA1CA and #8A90CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AB1CA shade: #518CB1, #6E9EBE, #8AB1CA, #A7C4D7 and #C3D7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AB1CA shade: #8AB1CA, #B08ACA and #CAC98A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AB1CA shade: #8AB1CA, #CA8AB2 and #B2CA8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AB1CA shade: #8AB1CA, #B08ACA, #CAA38A and #A5CA8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AB1CA shade: #8AB1CA, #C38ACA, #CAA38A and #92CA8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

Complementary color

CMYK 0 / 33 / 55 / 54

HEX #754E35

RGB 117 78 53

HSL 23.44, 0.38%, 0.33%

LAB 36.91, 13.4, 21.38

 

CMYK 27 / 10 / 0 / 23

HEX #8FB1C5

RGB 143 177 197

HSL 202.22, 0.32%, 0.67%

LAB 70.4, -6.89, -13.95

 

CMYK 26 / 10 / 0 / 15

HEX #A0C3D8

RGB 160 195 216

HSL 202.5, 0.42%, 0.74%

LAB 76.96, -6.96, -14.34

 

CMYK 25 / 9 / 0 / 8

HEX #B1D5EB

RGB 177 213 235

HSL 202.76, 0.59%, 0.81%

LAB 83.41, -7.03, -14.72

 

CMYK 24 / 9 / 0 / 0

HEX #C2E7FE

RGB 194 231 254

HSL 203, 0.97%, 0.88%

LAB 89.76, -7.09, -15.11

 

CMYK 17 / 2 / 0 / 0

HEX #D3F9FF

RGB 211 249 255

HSL 188.18, 1%, 0.91%

LAB 95.51, -10.93, -6.96

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 34 / 13 / 0 / 28

HEX #799FB7

RGB 121 159 183

HSL 203.23, 0.3%, 0.6%

LAB 63.57, -7.04, -16.6

 

CMYK 37 / 14 / 0 / 36

HEX #688DA4

RGB 104 141 164

HSL 203, 0.25%, 0.53%

LAB 56.76, -6.91, -16.26

 

CMYK 40 / 15 / 0 / 43

HEX #577B91

RGB 87 123 145

HSL 202.76, 0.25%, 0.45%

LAB 49.78, -6.75, -15.94

 

CMYK 44 / 17 / 0 / 51

HEX #46697E

RGB 70 105 126

HSL 202.5, 0.29%, 0.38%

LAB 42.63, -6.54, -15.62

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 32 / 21 / 0 / 21

HEX #8AA0CA

RGB 138 160 202

HSL 219.38, 0.38%, 0.67%

LAB 65.6, 2.21, -24.02

 

CMYK 32 / 29 / 0 / 21

HEX #8A8FCA

RGB 138 143 202

HSL 235.31, 0.38%, 0.67%

LAB 61.06, 11.9, -31.02

 

CMYK 25 / 32 / 0 / 21

HEX #978ACA

RGB 151 138 202

HSL 252.19, 0.38%, 0.67%

LAB 60.8, 18.65, -31.34

 

CMYK 17 / 32 / 0 / 21

HEX #A88ACA

RGB 168 138 202

HSL 268.13, 0.38%, 0.67%

LAB 62.31, 23.88, -28.88

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 32 / 21 / 0 / 21

HEX #8AA0CA

RGB 138 160 202

HSL 219.38, 0.38%, 0.67%

LAB 65.6, 2.21, -24.02

 

CMYK 32 / 29 / 0 / 21

HEX #8A8FCA

RGB 138 143 202

HSL 235.31, 0.38%, 0.67%

LAB 61.06, 11.9, -31.02

 

CMYK 32 / 32 / 0 / 21

HEX #8A8ACA

RGB 138 138 202

HSL 240, 0.38%, 0.67%

LAB 59.75, 14.8, -33.06

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 42 / 17 / 0 / 15

HEX #7DB4D8

RGB 125 180 216

HSL 203.74, 0.54%, 0.67%

LAB 70.84, -8.67, -23.79

 

CMYK 52 / 20 / 0 / 10

HEX #6FB7E6

RGB 111 183 230

HSL 203.7, 0.7%, 0.67%

LAB 71.53, -9.67, -30.43

 

CMYK 60 / 23 / 0 / 5

HEX #62BAF3

RGB 98 186 243

HSL 203.59, 0.86%, 0.67%

LAB 72.35, -10, -36.25

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 20 / 8 / 0 / 26

HEX #98AEBD

RGB 152 174 189

HSL 204.32, 0.22%, 0.67%

LAB 69.91, -4.33, -10.21

 

CMYK 5 / 2 / 0 / 31

HEX #A6ABAF

RGB 166 171 175

HSL 206.67, 0.05%, 0.67%

LAB 69.7, -0.98, -2.67

 

CMYK 0 / 6 / 10 / 30

HEX #B3A8A1

RGB 179 168 161

HSL 23.33, 0.11%, 0.67%

LAB 69.58, 2.73, 5.02

 

CMYK 0 / 15 / 23 / 24

HEX #C1A594

RGB 193 165 148

HSL 22.67, 0.27%, 0.67%

LAB 69.74, 7.57, 12.6

 

CMYK 32 / 0 / 4 / 21

HEX #8ACAC1

RGB 138 202 193

HSL 171.56, 0.38%, 0.67%

LAB 76.98, -22.28, -2.02

 

CMYK 32 / 3 / 0 / 21

HEX #8AC3CA

RGB 138 195 202

HSL 186.56, 0.38%, 0.67%

LAB 75.26, -16.64, -9.43

 

CMYK 32 / 12 / 0 / 21

HEX #8AB2CA

RGB 138 178 202

HSL 202.5, 0.38%, 0.67%

LAB 70.53, -7.69, -16.52

 

CMYK 32 / 20 / 0 / 21

HEX #8AA1CA

RGB 138 161 202

HSL 218.44, 0.38%, 0.67%

LAB 65.87, 1.65, -23.61

 

CMYK 32 / 29 / 0 / 21

HEX #8A90CA

RGB 138 144 202

HSL 234.38, 0.38%, 0.67%

LAB 61.32, 11.32, -30.62

 

CMYK 54 / 21 / 0 / 31

HEX #518CB1

RGB 81 140 177

HSL 203.13, 0.38%, 0.51%

LAB 55.77, -8.48, -25.32

 

CMYK 42 / 17 / 0 / 25

HEX #6E9EBE

RGB 110 158 190

HSL 204, 0.38%, 0.59%

LAB 62.92, -7.66, -21.58

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 22 / 9 / 0 / 16

HEX #A7C4D7

RGB 167 196 215

HSL 203.75, 0.38%, 0.75%

LAB 77.64, -5.61, -12.73

 

CMYK 14 / 6 / 0 / 11

HEX #C3D7E4

RGB 195 215 228

HSL 203.64, 0.38%, 0.83%

LAB 84.9, -4.06, -8.66

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 13 / 32 / 0 / 21

HEX #B08ACA

RGB 176 138 202

HSL 275.63, 0.38%, 0.67%

LAB 63.07, 26.4, -27.65

 

CMYK 0 / 0 / 32 / 21

HEX #CAC98A

RGB 202 201 138

HSL 59.06, 0.38%, 0.67%

LAB 79.71, -9.36, 31.68

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 0 / 32 / 12 / 21

HEX #CA8AB2

RGB 202 138 178

HSL 322.5, 0.38%, 0.67%

LAB 64.92, 30.47, -11.08

 

CMYK 12 / 0 / 32 / 21

HEX #B2CA8A

RGB 178 202 138

HSL 82.5, 0.38%, 0.67%

LAB 78.19, -19.02, 29.35

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 13 / 32 / 0 / 21

HEX #B08ACA

RGB 176 138 202

HSL 275.63, 0.38%, 0.67%

LAB 63.07, 26.4, -27.65

 

CMYK 0 / 19 / 32 / 21

HEX #CAA38A

RGB 202 163 138

HSL 23.44, 0.38%, 0.67%

LAB 69.88, 10.77, 18.42

 

CMYK 18 / 0 / 32 / 21

HEX #A5CA8A

RGB 165 202 138

HSL 94.69, 0.38%, 0.67%

LAB 77.33, -23.79, 28.04

 

CMYK 32 / 12 / 0 / 21

HEX #8AB1CA

RGB 138 177 202

HSL 203.44, 0.38%, 0.67%

LAB 70.25, -7.15, -16.94

 

CMYK 3 / 32 / 0 / 21

HEX #C38ACA

RGB 195 138 202

HSL 293.44, 0.38%, 0.67%

LAB 65, 32.48, -24.52

 

CMYK 0 / 19 / 32 / 21

HEX #CAA38A

RGB 202 163 138

HSL 23.44, 0.38%, 0.67%

LAB 69.88, 10.77, 18.42

 

CMYK 28 / 0 / 32 / 21

HEX #92CA8A

RGB 146 202 138

HSL 112.5, 0.38%, 0.67%

LAB 76.18, -30.42, 26.31

 

Description

Color code: HEX #8AB1CA | qconv.com Color code: HEX #8AB1CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 177 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 177 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 12 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 12% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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