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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ABED5 it is the complementary color #75412A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ABED5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ABED5 shade: #8FBED0, #A0D0E3, #B1E2F6, #C2F4FF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ABED5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ABED5 shade: #8ABED5, #79ACC2, #689AAF, #57889C and #467689

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ABED5 shade: #8ABED5, #8AAAD5, #8A96D5, #938AD5 and #A78AD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ABED5 shade: #8ABED5, #8AAAD5, #8A96D5 and #8A8AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ABED5 shade matches the following richer shades: #8ABED5, #7EC3E1, #71C8EE and #64CDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ABED5 shade: #8ABED5, #97B9C8, #A4B4BB, #B1AFAE and #BDAAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ABED5 shade: #8AD5C3, #8AD2D5, #8ABED5, #8AAAD5 and #8A97D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ABED5 shade: #4E9CBF, #6CADCA, #8ABED5, #A9CFE0 and #C7E0EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ABED5 shade: #8ABED5, #AF8AD5 and #D5CD8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ABED5 shade: #8ABED5, #D58ABE and #BED58A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ABED5 shade: #8ABED5, #AF8AD5, #D5A18A and #AFD58A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ABED5 shade: #8ABED5, #C68AD5, #D5A18A and #99D58A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

Complementary color

CMYK 0 / 44 / 64 / 54

HEX #75412A

RGB 117 65 42

HSL 18.4, 0.47%, 0.31%

LAB 33.41, 20.22, 23.64

 

CMYK 31 / 9 / 0 / 18

HEX #8FBED0

RGB 143 190 208

HSL 196.62, 0.41%, 0.69%

LAB 74.33, -11.18, -14.05

 

CMYK 30 / 8 / 0 / 11

HEX #A0D0E3

RGB 160 208 227

HSL 197.01, 0.54%, 0.76%

LAB 80.81, -11.21, -14.46

 

CMYK 28 / 8 / 0 / 4

HEX #B1E2F6

RGB 177 226 246

HSL 197.39, 0.79%, 0.83%

LAB 87.19, -11.24, -14.87

 

CMYK 24 / 4 / 0 / 0

HEX #C2F4FF

RGB 194 244 255

HSL 190.82, 1%, 0.88%

LAB 93.19, -13.47, -10.51

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 38 / 11 / 0 / 24

HEX #79ACC2

RGB 121 172 194

HSL 198.08, 0.37%, 0.62%

LAB 67.62, -11.26, -16.6

 

CMYK 41 / 12 / 0 / 31

HEX #689AAF

RGB 104 154 175

HSL 197.75, 0.31%, 0.55%

LAB 60.91, -11.15, -16.22

 

CMYK 44 / 13 / 0 / 39

HEX #57889C

RGB 87 136 156

HSL 197.39, 0.28%, 0.48%

LAB 54.06, -11.01, -15.84

 

CMYK 49 / 14 / 0 / 46

HEX #467689

RGB 70 118 137

HSL 197.01, 0.32%, 0.41%

LAB 47.06, -10.81, -15.44

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 35 / 20 / 0 / 16

HEX #8AAAD5

RGB 138 170 213

HSL 214.4, 0.47%, 0.69%

LAB 68.72, -0.53, -25.33

 

CMYK 35 / 30 / 0 / 16

HEX #8A96D5

RGB 138 150 213

HSL 230.4, 0.47%, 0.69%

LAB 63.36, 10.76, -33.6

 

CMYK 31 / 35 / 0 / 16

HEX #938AD5

RGB 147 138 213

HSL 247.2, 0.47%, 0.69%

LAB 60.94, 20.23, -37.31

 

CMYK 22 / 35 / 0 / 16

HEX #A78AD5

RGB 167 138 213

HSL 263.2, 0.47%, 0.69%

LAB 62.67, 26.09, -34.49

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 35 / 20 / 0 / 16

HEX #8AAAD5

RGB 138 170 213

HSL 214.4, 0.47%, 0.69%

LAB 68.72, -0.53, -25.33

 

CMYK 35 / 30 / 0 / 16

HEX #8A96D5

RGB 138 150 213

HSL 230.4, 0.47%, 0.69%

LAB 63.36, 10.76, -33.6

 

CMYK 35 / 35 / 0 / 16

HEX #8A8AD5

RGB 138 138 213

HSL 240, 0.47%, 0.69%

LAB 60.23, 17.71, -38.47

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 44 / 13 / 0 / 12

HEX #7EC3E1

RGB 126 195 225

HSL 198.18, 0.62%, 0.69%

LAB 75.39, -13.96, -21.75

 

CMYK 53 / 16 / 0 / 7

HEX #71C8EE

RGB 113 200 238

HSL 198.24, 0.79%, 0.69%

LAB 76.67, -15.93, -26.84

 

CMYK 60 / 18 / 0 / 2

HEX #64CDFB

RGB 100 205 251

HSL 198.28, 0.95%, 0.69%

LAB 78.07, -17.24, -31.7

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 25 / 8 / 0 / 22

HEX #97B9C8

RGB 151 185 200

HSL 198.37, 0.31%, 0.69%

LAB 73.19, -8.06, -11.36

 

CMYK 12 / 4 / 0 / 27

HEX #A4B4BB

RGB 164 180 187

HSL 198.26, 0.14%, 0.69%

LAB 72.31, -4.09, -5.45

 

CMYK 0 / 1 / 2 / 31

HEX #B1AFAE

RGB 177 175 174

HSL 20, 0.02%, 0.69%

LAB 71.6, 0.53, 0.75

 

CMYK 0 / 10 / 15 / 26

HEX #BDAAA1

RGB 189 170 161

HSL 19.29, 0.18%, 0.69%

LAB 70.97, 5.35, 7.13

 

CMYK 35 / 0 / 8 / 16

HEX #8AD5C3

RGB 138 213 195

HSL 165.6, 0.47%, 0.69%

LAB 80.14, -27.24, 1.53

 

CMYK 35 / 1 / 0 / 16

HEX #8AD2D5

RGB 138 210 213

HSL 182.4, 0.47%, 0.69%

LAB 79.78, -21.62, -8.63

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 35 / 20 / 0 / 16

HEX #8AAAD5

RGB 138 170 213

HSL 214.4, 0.47%, 0.69%

LAB 68.72, -0.53, -25.33

 

CMYK 35 / 29 / 0 / 16

HEX #8A97D5

RGB 138 151 213

HSL 229.6, 0.47%, 0.69%

LAB 63.62, 10.19, -33.19

 

CMYK 59 / 18 / 0 / 25

HEX #4E9CBF

RGB 78 156 191

HSL 198.58, 0.47%, 0.53%

LAB 60.92, -13.63, -25.33

 

CMYK 47 / 14 / 0 / 21

HEX #6CADCA

RGB 108 173 202

HSL 198.51, 0.47%, 0.61%

LAB 67.53, -12.98, -21.22

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 25 / 8 / 0 / 12

HEX #A9CFE0

RGB 169 207 224

HSL 198.55, 0.47%, 0.77%

LAB 80.98, -8.76, -12.54

 

CMYK 15 / 4 / 0 / 8

HEX #C7E0EA

RGB 199 224 234

HSL 197.14, 0.45%, 0.85%

LAB 87.68, -6.23, -7.68

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 18 / 35 / 0 / 16

HEX #AF8AD5

RGB 175 138 213

HSL 269.6, 0.47%, 0.69%

LAB 63.42, 28.51, -33.26

 

CMYK 0 / 4 / 35 / 16

HEX #D5CD8A

RGB 213 205 138

HSL 53.6, 0.47%, 0.69%

LAB 81.64, -7.12, 34.39

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 0 / 35 / 11 / 16

HEX #D58ABE

RGB 213 138 190

HSL 318.4, 0.47%, 0.69%

LAB 66.55, 36.24, -15.25

 

CMYK 11 / 0 / 35 / 16

HEX #BED58A

RGB 190 213 138

HSL 78.4, 0.47%, 0.69%

LAB 82.04, -19.99, 34.58

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 18 / 35 / 0 / 16

HEX #AF8AD5

RGB 175 138 213

HSL 269.6, 0.47%, 0.69%

LAB 63.42, 28.51, -33.26

 

CMYK 0 / 24 / 35 / 16

HEX #D5A18A

RGB 213 161 138

HSL 18.4, 0.47%, 0.69%

LAB 70.5, 16.18, 19.45

 

CMYK 18 / 0 / 35 / 16

HEX #AFD58A

RGB 175 213 138

HSL 90.4, 0.47%, 0.69%

LAB 81.04, -25.52, 33.08

 

CMYK 35 / 11 / 0 / 16

HEX #8ABED5

RGB 138 190 213

HSL 198.4, 0.47%, 0.69%

LAB 74.21, -11.34, -16.97

 

CMYK 7 / 35 / 0 / 16

HEX #C68AD5

RGB 198 138 213

HSL 288, 0.47%, 0.69%

LAB 65.74, 35.6, -29.49

 

CMYK 0 / 24 / 35 / 16

HEX #D5A18A

RGB 213 161 138

HSL 18.4, 0.47%, 0.69%

LAB 70.5, 16.18, 19.45

 

CMYK 28 / 0 / 35 / 16

HEX #99D58A

RGB 153 213 138

HSL 108, 0.47%, 0.69%

LAB 79.73, -33.23, 31.1

 

Description

Color code: HEX #8ABED5 | qconv.com Color code: HEX #8ABED5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 190 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 190 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 11 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 11% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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