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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AC90C it is the complementary color #7536F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AC90C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AC90C shade: #8FC907, #A0DB1A, #B1ED2D, #C2FF40 and #D3FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AC90C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AC90C shade: #8AC90C, #79B700, #68A500, #579300 and #468100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AC90C shade: #8ACA0B, #BECA0B, #CAA30B, #CA6F0B and #CA3C0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AC90C shade: #8ACA0B, #57CA0B, #24CA0B, #0BCA26 and #0BCA5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AC90C shade matches the following richer shades: #8ACA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AC90C shade: #8ACA0B, #85B91D, #7FA72E, #79963F and #738551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AC90C shade: #CAA40B, #BDCA0B, #8ACA0B, #58CA0B and #25CA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AC90C shade: #557C07, #70A309, #8ACA0B, #A5F10E and #B3F335

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AC90C shade: #8AC90C, #0BCA71 and #BD0BCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AC90C shade: #8AC90C, #0B8ACA and #CA0B8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AC90C shade: #8AC90C, #0BCA71, #4B0BCA and #CA0B64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AC90C shade: #8AC90C, #0BCAAA, #4B0BCA and #CA0B2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 94 / 21

HEX #8AC90C

RGB 138 201 12

HSL 80, 0.89%, 0.42%

LAB 74.32, -43.53, 72.65

 

Complementary color

CMYK 52 / 78 / 0 / 5

HEX #7536F3

RGB 117 54 243

HSL 260, 0.89%, 0.58%

LAB 42.6, 67.06, -83.82

 

CMYK 29 / 0 / 97 / 21

HEX #8FC907

RGB 143 201 7

HSL 77.94, 0.93%, 0.41%

LAB 74.59, -41.72, 73.5

 

CMYK 27 / 0 / 88 / 14

HEX #A0DB1A

RGB 160 219 26

HSL 78.34, 0.79%, 0.48%

LAB 80.86, -42.74, 76.45

 

CMYK 25 / 0 / 81 / 7

HEX #B1ED2D

RGB 177 237 45

HSL 78.75, 0.84%, 0.55%

LAB 87.05, -43.56, 78.09

 

CMYK 24 / 0 / 75 / 0

HEX #C2FF40

RGB 194 255 64

HSL 79.16, 1%, 0.63%

LAB 93.17, -44.21, 78.8

 

CMYK 17 / 0 / 67 / 0

HEX #D3FF53

RGB 211 255 83

HSL 75.35, 1%, 0.66%

LAB 94.31, -36.8, 73.91

 

CMYK 31 / 0 / 94 / 21

HEX #8AC90C

RGB 138 201 12

HSL 80, 0.89%, 0.42%

LAB 74.32, -43.53, 72.65

 

CMYK 34 / 0 / 100 / 28

HEX #79B700

RGB 121 183 0

HSL 80.33, 1%, 0.36%

LAB 67.97, -42.36, 68.61

 

CMYK 37 / 0 / 100 / 35

HEX #68A500

RGB 104 165 0

HSL 82.18, 1%, 0.32%

LAB 61.53, -40.98, 63.25

 

CMYK 41 / 0 / 100 / 42

HEX #579300

RGB 87 147 0

HSL 84.49, 1%, 0.29%

LAB 54.96, -39.54, 57.79

 

CMYK 46 / 0 / 100 / 49

HEX #468100

RGB 70 129 0

HSL 87.44, 1%, 0.25%

LAB 48.26, -38.03, 52.23

 

CMYK 32 / 0 / 95 / 21

HEX #8ACA0B

RGB 138 202 11

HSL 80.1, 0.9%, 0.42%

LAB 74.62, -43.98, 73

 

CMYK 6 / 0 / 95 / 21

HEX #BECA0B

RGB 190 202 11

HSL 63.77, 0.9%, 0.42%

LAB 78, -23.08, 77.09

 

CMYK 0 / 19 / 95 / 21

HEX #CAA30B

RGB 202 163 11

HSL 47.75, 0.9%, 0.42%

LAB 68.59, 2.16, 70.49

 

CMYK 0 / 45 / 95 / 21

HEX #CA6F0B

RGB 202 111 11

HSL 31.41, 0.9%, 0.42%

LAB 56.04, 30.31, 61.52

 

CMYK 0 / 70 / 95 / 21

HEX #CA3C0B

RGB 202 60 11

HSL 15.39, 0.9%, 0.42%

LAB 46.73, 54.34, 55.41

 

CMYK 32 / 0 / 95 / 21

HEX #8ACA0B

RGB 138 202 11

HSL 80.1, 0.9%, 0.42%

LAB 74.62, -43.98, 73

 

CMYK 57 / 0 / 95 / 21

HEX #57CA0B

RGB 87 202 11

HSL 96.13, 0.9%, 0.42%

LAB 72.42, -60.3, 70.32

 

CMYK 82 / 0 / 95 / 21

HEX #24CA0B

RGB 36 202 11

HSL 112.15, 0.9%, 0.42%

LAB 71.31, -69.77, 68.94

 

CMYK 95 / 0 / 81 / 21

HEX #0BCA26

RGB 11 202 38

HSL 128.48, 0.9%, 0.42%

LAB 71.18, -70.62, 63.55

 

CMYK 95 / 0 / 55 / 21

HEX #0BCA5A

RGB 11 202 90

HSL 144.82, 0.9%, 0.42%

LAB 71.59, -65.49, 43.82

 

CMYK 32 / 0 / 95 / 21

HEX #8ACA0B

RGB 138 202 11

HSL 80.1, 0.9%, 0.42%

LAB 74.62, -43.98, 73

 

CMYK 32 / 0 / 95 / 21

HEX #8ACA0B

RGB 138 202 11

HSL 80.1, 0.9%, 0.42%

LAB 74.62, -43.98, 73

 

CMYK 28 / 0 / 84 / 27

HEX #85B91D

RGB 133 185 29

HSL 80, 0.73%, 0.42%

LAB 69.31, -38.04, 65.45

 

CMYK 24 / 0 / 72 / 35

HEX #7FA72E

RGB 127 167 46

HSL 79.83, 0.57%, 0.42%

LAB 63.63, -31.36, 54.9

 

CMYK 19 / 0 / 58 / 41

HEX #79963F

RGB 121 150 63

HSL 80, 0.41%, 0.42%

LAB 58.26, -24.25, 41.8

 

CMYK 14 / 0 / 39 / 48

HEX #738551

RGB 115 133 81

HSL 80.77, 0.24%, 0.42%

LAB 52.96, -15.86, 25.9

 

CMYK 0 / 19 / 95 / 21

HEX #CAA40B

RGB 202 164 11

HSL 48.06, 0.9%, 0.42%

LAB 68.85, 1.63, 70.68

 

CMYK 6 / 0 / 95 / 21

HEX #BDCA0B

RGB 189 202 11

HSL 64.08, 0.9%, 0.42%

LAB 77.92, -23.5, 77

 

CMYK 32 / 0 / 95 / 21

HEX #8ACA0B

RGB 138 202 11

HSL 80.1, 0.9%, 0.42%

LAB 74.62, -43.98, 73

 

CMYK 56 / 0 / 95 / 21

HEX #58CA0B

RGB 88 202 11

HSL 95.81, 0.9%, 0.42%

LAB 72.46, -60.04, 70.36

 

CMYK 82 / 0 / 95 / 21

HEX #25CA0B

RGB 37 202 11

HSL 111.83, 0.9%, 0.42%

LAB 71.32, -69.66, 68.96

 

CMYK 31 / 0 / 94 / 51

HEX #557C07

RGB 85 124 7

HSL 80, 0.89%, 0.26%

LAB 47.45, -29.87, 50.5

 

CMYK 31 / 0 / 94 / 36

HEX #70A309

RGB 112 163 9

HSL 79.87, 0.9%, 0.34%

LAB 61.36, -36.9, 62.05

 

CMYK 32 / 0 / 95 / 21

HEX #8ACA0B

RGB 138 202 11

HSL 80.1, 0.9%, 0.42%

LAB 74.62, -43.98, 73

 

CMYK 32 / 0 / 94 / 5

HEX #A5F10E

RGB 165 241 14

HSL 80.09, 0.89%, 0.5%

LAB 87.46, -50.4, 83.48

 

CMYK 26 / 0 / 78 / 5

HEX #B3F335

RGB 179 243 53

HSL 80.21, 0.89%, 0.58%

LAB 88.9, -45.08, 77.7

 

CMYK 31 / 0 / 94 / 21

HEX #8AC90C

RGB 138 201 12

HSL 80, 0.89%, 0.42%

LAB 74.32, -43.53, 72.65

 

CMYK 95 / 0 / 44 / 21

HEX #0BCA71

RGB 11 202 113

HSL 152.04, 0.9%, 0.42%

LAB 71.9, -61.79, 32.88

 

CMYK 6 / 95 / 0 / 21

HEX #BD0BCA

RGB 189 11 202

HSL 295.92, 0.9%, 0.42%

LAB 46.07, 79.43, -54.32

 

CMYK 31 / 0 / 94 / 21

HEX #8AC90C

RGB 138 201 12

HSL 80, 0.89%, 0.42%

LAB 74.32, -43.53, 72.65

 

CMYK 95 / 32 / 0 / 21

HEX #0B8ACA

RGB 11 138 202

HSL 200.1, 0.9%, 0.42%

LAB 54.57, -7.33, -41.55

 

CMYK 0 / 95 / 32 / 21

HEX #CA0B8A

RGB 202 11 138

HSL 320.1, 0.9%, 0.42%

LAB 45.12, 73.39, -17.63

 

CMYK 31 / 0 / 94 / 21

HEX #8AC90C

RGB 138 201 12

HSL 80, 0.89%, 0.42%

LAB 74.32, -43.53, 72.65

 

CMYK 95 / 0 / 44 / 21

HEX #0BCA71

RGB 11 202 113

HSL 152.04, 0.9%, 0.42%

LAB 71.9, -61.79, 32.88

 

CMYK 63 / 95 / 0 / 21

HEX #4B0BCA

RGB 75 11 202

HSL 260.1, 0.9%, 0.42%

LAB 29.41, 66.31, -82.24

 

CMYK 0 / 95 / 50 / 21

HEX #CA0B64

RGB 202 11 100

HSL 332.04, 0.9%, 0.42%

LAB 43.82, 69.92, 3.93

 

CMYK 31 / 0 / 94 / 21

HEX #8AC90C

RGB 138 201 12

HSL 80, 0.89%, 0.42%

LAB 74.32, -43.53, 72.65

 

CMYK 95 / 0 / 16 / 21

HEX #0BCAAA

RGB 11 202 170

HSL 169.95, 0.9%, 0.42%

LAB 73.03, -49.05, 4.25

 

CMYK 63 / 95 / 0 / 21

HEX #4B0BCA

RGB 75 11 202

HSL 260.1, 0.9%, 0.42%

LAB 29.41, 66.31, -82.24

 

CMYK 0 / 95 / 79 / 21

HEX #CA0B2B

RGB 202 11 43

HSL 349.95, 0.9%, 0.42%

LAB 42.72, 66.89, 37.79

 

Description

Color code: HEX #8AC90C | qconv.com Color code: HEX #8AC90C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 201 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 201 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 94 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 94% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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