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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AD741 it is the complementary color #7528BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AD741. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AD741 shade: #8FD73C, #A0E94F, #B1FB62, #C2FF75 and #D3FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AD741. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AD741 shade: #8AD741, #79C52E, #68B31B, #57A108 and #468F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AD741 shade: #8AD641, #B2D641, #D6D241, #D6AA41 and #D68241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AD741 shade: #8AD641, #62D641, #41D649, #41D671 and #41D699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AD741 shade matches the following richer shades: #8AD641, #89E92F and #89FB1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AD741 shade: #8AD641, #8AC454, #8BB166, #8B9F79 and #8C8C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AD741 shade: #D6D141, #B4D641, #8CD641, #64D641 and #41D646

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AD741 shade: #61A322, #75C529, #8AD641, #9FDE63 and #B4E585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AD741 shade: #8AD741, #41D6AA and #D641C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AD741 shade: #8AD741, #418CD6 and #D6418C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AD741 shade: #8AD741, #41D6AA, #8C41D6 and #D6416E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AD741 shade: #8AD741, #41D6D6, #8C41D6 and #D64141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 70 / 16

HEX #8AD741

RGB 138 215 65

HSL 90.8, 0.65%, 0.55%

LAB 78.69, -47.25, 63.24

 

Complementary color

CMYK 38 / 79 / 0 / 25

HEX #7528BE

RGB 117 40 190

HSL 270.8, 0.65%, 0.45%

LAB 36.02, 59.63, -64.14

 

CMYK 33 / 0 / 72 / 16

HEX #8FD73C

RGB 143 215 60

HSL 87.87, 0.66%, 0.54%

LAB 78.91, -45.84, 65.34

 

CMYK 31 / 0 / 66 / 9

HEX #A0E94F

RGB 160 233 79

HSL 88.44, 0.78%, 0.61%

LAB 85.16, -46.19, 65

 

CMYK 29 / 0 / 61 / 2

HEX #B1FB62

RGB 177 251 98

HSL 89.02, 0.95%, 0.68%

LAB 91.34, -46.42, 64.32

 

CMYK 24 / 0 / 54 / 0

HEX #C2FF75

RGB 194 255 117

HSL 86.52, 1%, 0.73%

LAB 93.57, -40.48, 58.96

 

CMYK 17 / 0 / 47 / 0

HEX #D3FF88

RGB 211 255 136

HSL 82.18, 1%, 0.77%

LAB 94.8, -32.45, 52

 

CMYK 36 / 0 / 70 / 16

HEX #8AD741

RGB 138 215 65

HSL 90.8, 0.65%, 0.55%

LAB 78.69, -47.25, 63.24

 

CMYK 39 / 0 / 77 / 23

HEX #79C52E

RGB 121 197 46

HSL 90.2, 0.62%, 0.48%

LAB 72.36, -46.8, 63.26

 

CMYK 42 / 0 / 85 / 30

HEX #68B31B

RGB 104 179 27

HSL 89.61, 0.74%, 0.4%

LAB 65.95, -46.12, 62.41

 

CMYK 46 / 0 / 95 / 37

HEX #57A108

RGB 87 161 8

HSL 89.02, 0.91%, 0.33%

LAB 59.46, -45.13, 60.14

 

CMYK 51 / 0 / 100 / 44

HEX #468F00

RGB 70 143 0

HSL 90.63, 1%, 0.28%

LAB 52.89, -43.71, 55.85

 

CMYK 36 / 0 / 70 / 16

HEX #8AD641

RGB 138 214 65

HSL 90.6, 0.65%, 0.55%

LAB 78.39, -46.84, 62.94

 

CMYK 17 / 0 / 70 / 16

HEX #B2D641

RGB 178 214 65

HSL 74.5, 0.65%, 0.55%

LAB 80.71, -31.93, 66.03

 

CMYK 0 / 2 / 70 / 16

HEX #D6D241

RGB 214 210 65

HSL 58.39, 0.65%, 0.55%

LAB 82.26, -15.28, 68.45

 

CMYK 0 / 21 / 70 / 16

HEX #D6AA41

RGB 214 170 65

HSL 42.28, 0.65%, 0.55%

LAB 71.84, 5.38, 57.99

 

CMYK 0 / 39 / 70 / 16

HEX #D68241

RGB 214 130 65

HSL 26.17, 0.65%, 0.55%

LAB 62.21, 26.9, 47.77

 

CMYK 36 / 0 / 70 / 16

HEX #8AD641

RGB 138 214 65

HSL 90.6, 0.65%, 0.55%

LAB 78.39, -46.84, 62.94

 

CMYK 54 / 0 / 70 / 16

HEX #62D641

RGB 98 214 65

HSL 106.71, 0.65%, 0.55%

LAB 76.72, -59.09, 60.69

 

CMYK 70 / 0 / 66 / 16

HEX #41D649

RGB 65 214 73

HSL 123.22, 0.65%, 0.55%

LAB 75.88, -65.63, 56.4

 

CMYK 70 / 0 / 47 / 16

HEX #41D671

RGB 65 214 113

HSL 139.33, 0.65%, 0.55%

LAB 76.32, -60.52, 38.67

 

CMYK 70 / 0 / 29 / 16

HEX #41D699

RGB 65 214 153

HSL 155.44, 0.65%, 0.55%

LAB 76.99, -53.07, 19.03

 

CMYK 36 / 0 / 70 / 16

HEX #8AD641

RGB 138 214 65

HSL 90.6, 0.65%, 0.55%

LAB 78.39, -46.84, 62.94

 

CMYK 41 / 0 / 80 / 9

HEX #89E92F

RGB 137 233 47

HSL 90.97, 0.81%, 0.55%

LAB 83.86, -55.84, 73.95

 

CMYK 45 / 0 / 89 / 2

HEX #89FB1C

RGB 137 251 28

HSL 90.67, 0.97%, 0.55%

LAB 89.11, -63.29, 82.53

 

CMYK 36 / 0 / 70 / 16

HEX #8AD641

RGB 138 214 65

HSL 90.6, 0.65%, 0.55%

LAB 78.39, -46.84, 62.94

 

CMYK 30 / 0 / 57 / 23

HEX #8AC454

RGB 138 196 84

HSL 91.07, 0.49%, 0.55%

LAB 73.24, -37.45, 49.43

 

CMYK 21 / 0 / 42 / 31

HEX #8BB166

RGB 139 177 102

HSL 90.4, 0.32%, 0.55%

LAB 67.94, -26.11, 34.22

 

CMYK 13 / 0 / 24 / 38

HEX #8B9F79

RGB 139 159 121

HSL 91.58, 0.17%, 0.55%

LAB 63.07, -14.17, 17.55

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 2 / 70 / 16

HEX #D6D141

RGB 214 209 65

HSL 57.99, 0.65%, 0.55%

LAB 81.99, -14.78, 68.19

 

CMYK 16 / 0 / 70 / 16

HEX #B4D641

RGB 180 214 65

HSL 73.69, 0.65%, 0.55%

LAB 80.84, -31.13, 66.21

 

CMYK 35 / 0 / 70 / 16

HEX #8CD641

RGB 140 214 65

HSL 89.8, 0.65%, 0.55%

LAB 78.49, -46.14, 63.07

 

CMYK 53 / 0 / 70 / 16

HEX #64D641

RGB 100 214 65

HSL 105.91, 0.65%, 0.55%

LAB 76.79, -58.56, 60.78

 

CMYK 70 / 0 / 67 / 16

HEX #41D646

RGB 65 214 70

HSL 122.01, 0.65%, 0.55%

LAB 75.86, -65.92, 57.58

 

CMYK 40 / 0 / 79 / 36

HEX #61A322

RGB 97 163 34

HSL 90.7, 0.65%, 0.39%

LAB 60.65, -41.59, 55.56

 

CMYK 41 / 0 / 79 / 23

HEX #75C529

RGB 117 197 41

HSL 90.77, 0.66%, 0.47%

LAB 72.14, -48.42, 64.51

 

CMYK 36 / 0 / 70 / 16

HEX #8AD641

RGB 138 214 65

HSL 90.6, 0.65%, 0.55%

LAB 78.39, -46.84, 62.94

 

CMYK 28 / 0 / 55 / 13

HEX #9FDE63

RGB 159 222 99

HSL 90.73, 0.65%, 0.63%

LAB 82.12, -40.06, 53.18

 

CMYK 21 / 0 / 42 / 10

HEX #B4E585

RGB 180 229 133

HSL 90.63, 0.65%, 0.71%

LAB 85.72, -31.96, 41.7

 

CMYK 36 / 0 / 70 / 16

HEX #8AD741

RGB 138 215 65

HSL 90.8, 0.65%, 0.55%

LAB 78.69, -47.25, 63.24

 

CMYK 70 / 0 / 21 / 16

HEX #41D6AA

RGB 65 214 170

HSL 162.28, 0.65%, 0.55%

LAB 77.35, -49.25, 10.53

 

CMYK 0 / 70 / 7 / 16

HEX #D641C7

RGB 214 65 199

HSL 306.04, 0.65%, 0.55%

LAB 54.24, 71.72, -39.34

 

CMYK 36 / 0 / 70 / 16

HEX #8AD741

RGB 138 215 65

HSL 90.8, 0.65%, 0.55%

LAB 78.69, -47.25, 63.24

 

CMYK 70 / 35 / 0 / 16

HEX #418CD6

RGB 65 140 214

HSL 209.8, 0.65%, 0.55%

LAB 56.82, 0.82, -44.69

 

CMYK 0 / 70 / 35 / 16

HEX #D6418C

RGB 214 65 140

HSL 329.8, 0.65%, 0.55%

LAB 51.8, 63.91, -8.52

 

CMYK 36 / 0 / 70 / 16

HEX #8AD741

RGB 138 215 65

HSL 90.8, 0.65%, 0.55%

LAB 78.69, -47.25, 63.24

 

CMYK 70 / 0 / 21 / 16

HEX #41D6AA

RGB 65 214 170

HSL 162.28, 0.65%, 0.55%

LAB 77.35, -49.25, 10.53

 

CMYK 35 / 70 / 0 / 16

HEX #8C41D6

RGB 140 65 214

HSL 270.2, 0.65%, 0.55%

LAB 44.53, 58.76, -64.08

 

CMYK 0 / 70 / 49 / 16

HEX #D6416E

RGB 214 65 110

HSL 341.88, 0.65%, 0.55%

LAB 50.92, 60.95, 8.22

 

CMYK 36 / 0 / 70 / 16

HEX #8AD741

RGB 138 215 65

HSL 90.8, 0.65%, 0.55%

LAB 78.69, -47.25, 63.24

 

CMYK 70 / 0 / 0 / 16

HEX #41D6D6

RGB 65 214 214

HSL 180, 0.65%, 0.55%

LAB 78.5, -37.83, -11.33

 

CMYK 35 / 70 / 0 / 16

HEX #8C41D6

RGB 140 65 214

HSL 270.2, 0.65%, 0.55%

LAB 44.53, 58.76, -64.08

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

Description

Color code: HEX #8AD741 | qconv.com Color code: HEX #8AD741 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 215 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 215 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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