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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ADFB2 it is the complementary color #75204D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ADFB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ADFB2 shade: #8FDFAD, #A0F1C0, #B1FFD3, #C2FFE6 and #D3FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ADFB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ADFB2 shade: #8ADFB2, #79CD9F, #68BB8C, #57A979 and #469766

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ADFB2 shade: #8ADFB2, #8ADF9B, #90DF8A, #A7DF8A and #BEDF8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ADFB2 shade: #8ADFB2, #8ADFC9, #8ADEDF, #8AC7DF and #8AB0DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ADFB2 shade matches the following richer shades: #8ADFB2, #7EEBB1 and #72F7B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ADFB2 shade: #8ADFB2, #96D3B3, #A2C7B3, #AEBBB4 and #BAAFB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ADFB2 shade: #90DF8A, #8ADF9B, #8ADFB2, #8ADFC8 and #8ADFDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ADFB2 shade: #4ACD87, #6AD69D, #8ADFB2, #ABE8C7 and #CBF0DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ADFB2 shade: #8ADFB2, #8AA6DF and #DF908A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ADFB2 shade: #8ADFB2, #B28ADF and #DFB28A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ADFB2 shade: #8ADFB2, #8AA6DF, #DF8AB7 and #DFC38A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ADFB2 shade: #8ADFB2, #8A8DDF, #DF8AB7 and #DFDC8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

Complementary color

CMYK 0 / 73 / 34 / 54

HEX #75204D

RGB 117 32 77

HSL 328.24, 0.57%, 0.29%

LAB 27.71, 41.1, -6.87

 

CMYK 36 / 0 / 22 / 13

HEX #8FDFAD

RGB 143 223 173

HSL 142.5, 0.56%, 0.72%

LAB 82.72, -35.06, 16.89

 

CMYK 34 / 0 / 20 / 5

HEX #A0F1C0

RGB 160 241 192

HSL 143.7, 0.74%, 0.79%

LAB 89.01, -34.81, 15.94

 

CMYK 31 / 0 / 17 / 0

HEX #B1FFD3

RGB 177 255 211

HSL 146.15, 1%, 0.85%

LAB 94.13, -32.71, 13.49

 

CMYK 24 / 0 / 10 / 0

HEX #C2FFE6

RGB 194 255 230

HSL 155.41, 1%, 0.88%

LAB 95.46, -24.01, 5.75

 

CMYK 17 / 0 / 2 / 0

HEX #D3FFF9

RGB 211 255 249

HSL 171.82, 1%, 0.91%

LAB 96.91, -15.12, -1.81

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 41 / 0 / 22 / 20

HEX #79CD9F

RGB 121 205 159

HSL 147.14, 0.46%, 0.64%

LAB 76.21, -35.78, 15.03

 

CMYK 44 / 0 / 25 / 27

HEX #68BB8C

RGB 104 187 140

HSL 146.02, 0.38%, 0.57%

LAB 69.74, -36.02, 16.08

 

CMYK 49 / 0 / 28 / 34

HEX #57A979

RGB 87 169 121

HSL 144.88, 0.32%, 0.5%

LAB 63.16, -36.24, 17.23

 

CMYK 54 / 0 / 32 / 41

HEX #469766

RGB 70 151 102

HSL 143.7, 0.37%, 0.43%

LAB 56.48, -36.39, 18.48

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 38 / 0 / 30 / 13

HEX #8ADF9B

RGB 138 223 155

HSL 132, 0.57%, 0.71%

LAB 82.13, -39.79, 25.43

 

CMYK 35 / 0 / 38 / 13

HEX #90DF8A

RGB 144 223 138

HSL 115.76, 0.57%, 0.71%

LAB 82.13, -40.7, 34.18

 

CMYK 25 / 0 / 38 / 13

HEX #A7DF8A

RGB 167 223 138

HSL 99.53, 0.57%, 0.71%

LAB 83.35, -33.1, 36.01

 

CMYK 15 / 0 / 38 / 13

HEX #BEDF8A

RGB 190 223 138

HSL 83.29, 0.57%, 0.71%

LAB 84.77, -24.86, 38.13

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 38 / 0 / 10 / 13

HEX #8ADFC9

RGB 138 223 201

HSL 164.47, 0.57%, 0.71%

LAB 83.12, -30.72, 2.67

 

CMYK 38 / 0 / 0 / 13

HEX #8ADEDF

RGB 138 222 223

HSL 180.71, 0.57%, 0.71%

LAB 83.43, -25.15, -8.54

 

CMYK 38 / 11 / 0 / 13

HEX #8AC7DF

RGB 138 199 223

HSL 196.94, 0.57%, 0.71%

LAB 77.03, -13.54, -18.13

 

CMYK 38 / 21 / 0 / 13

HEX #8AB0DF

RGB 138 176 223

HSL 213.18, 0.57%, 0.71%

LAB 70.72, -1.22, -27.74

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 46 / 0 / 25 / 8

HEX #7EEBB1

RGB 126 235 177

HSL 148.07, 0.73%, 0.71%

LAB 85.52, -44.31, 18.6

 

CMYK 54 / 0 / 28 / 3

HEX #72F7B1

RGB 114 247 177

HSL 148.42, 0.89%, 0.71%

LAB 88.58, -52.22, 22.78

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 29 / 0 / 15 / 17

HEX #96D3B3

RGB 150 211 179

HSL 148.52, 0.41%, 0.71%

LAB 79.8, -26.11, 9.65

 

CMYK 19 / 0 / 10 / 22

HEX #A2C7B3

RGB 162 199 179

HSL 147.57, 0.25%, 0.71%

LAB 77.15, -16.31, 5.94

 

CMYK 7 / 0 / 4 / 27

HEX #AEBBB4

RGB 174 187 180

HSL 147.69, 0.09%, 0.71%

LAB 74.72, -5.82, 1.99

 

CMYK 0 / 6 / 3 / 27

HEX #BAAFB5

RGB 186 175 181

HSL 327.27, 0.07%, 0.71%

LAB 72.52, 5.01, -1.66

 

CMYK 35 / 0 / 38 / 13

HEX #90DF8A

RGB 144 223 138

HSL 115.76, 0.57%, 0.71%

LAB 82.13, -40.7, 34.18

 

CMYK 38 / 0 / 30 / 13

HEX #8ADF9B

RGB 138 223 155

HSL 132, 0.57%, 0.71%

LAB 82.13, -39.79, 25.43

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 38 / 0 / 10 / 13

HEX #8ADFC8

RGB 138 223 200

HSL 163.76, 0.57%, 0.71%

LAB 83.1, -30.94, 3.16

 

CMYK 38 / 0 / 0 / 13

HEX #8ADFDF

RGB 138 223 223

HSL 180, 0.57%, 0.71%

LAB 83.71, -25.64, -8.13

 

CMYK 64 / 0 / 34 / 20

HEX #4ACD87

RGB 74 205 135

HSL 147.94, 0.57%, 0.55%

LAB 74.11, -51.67, 24.58

 

CMYK 50 / 0 / 27 / 16

HEX #6AD69D

RGB 106 214 157

HSL 148.33, 0.57%, 0.63%

LAB 78.22, -44.12, 18.81

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 26 / 0 / 14 / 9

HEX #ABE8C7

RGB 171 232 199

HSL 147.54, 0.57%, 0.79%

LAB 87.24, -25.93, 9.86

 

CMYK 15 / 0 / 8 / 6

HEX #CBF0DD

RGB 203 240 221

HSL 149.19, 0.55%, 0.87%

LAB 91.79, -15.59, 5.18

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 38 / 26 / 0 / 13

HEX #8AA6DF

RGB 138 166 223

HSL 220.24, 0.57%, 0.71%

LAB 68.02, 4.34, -31.9

 

CMYK 0 / 35 / 38 / 13

HEX #DF908A

RGB 223 144 138

HSL 4.24, 0.57%, 0.71%

LAB 67.63, 29.21, 15.65

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 20 / 38 / 0 / 13

HEX #B28ADF

RGB 178 138 223

HSL 268.24, 0.57%, 0.71%

LAB 64.14, 31.66, -37.7

 

CMYK 0 / 20 / 38 / 13

HEX #DFB28A

RGB 223 178 138

HSL 28.24, 0.57%, 0.71%

LAB 75.68, 10.98, 26.65

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 38 / 26 / 0 / 13

HEX #8AA6DF

RGB 138 166 223

HSL 220.24, 0.57%, 0.71%

LAB 68.02, 4.34, -31.9

 

CMYK 0 / 38 / 18 / 13

HEX #DF8AB7

RGB 223 138 183

HSL 328.24, 0.57%, 0.71%

LAB 67.49, 38.49, -9.8

 

CMYK 0 / 13 / 38 / 13

HEX #DFC38A

RGB 223 195 138

HSL 40.24, 0.57%, 0.71%

LAB 79.93, 2, 32.3

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB2

RGB 138 223 178

HSL 148.24, 0.57%, 0.71%

LAB 82.59, -35.53, 14.05

 

CMYK 38 / 37 / 0 / 13

HEX #8A8DDF

RGB 138 141 223

HSL 237.88, 0.57%, 0.71%

LAB 61.46, 18.67, -42.13

 

CMYK 0 / 38 / 18 / 13

HEX #DF8AB7

RGB 223 138 183

HSL 328.24, 0.57%, 0.71%

LAB 67.49, 38.49, -9.8

 

CMYK 0 / 1 / 38 / 13

HEX #DFDC8A

RGB 223 220 138

HSL 57.88, 0.57%, 0.71%

LAB 86.36, -10.83, 40.65

 

Description

Color code: HEX #8ADFB2 | qconv.com Color code: HEX #8ADFB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 223 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 223 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 20 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 20% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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