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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE23C it is the complementary color #751DC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE23C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AE23C shade: #8FE237, #A0F44A, #B1FF5D, #C2FF70 and #D3FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE23C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AE23C shade: #8AE23C, #79D029, #68BE16, #57AC03 and #469A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AE23C shade: #89E13B, #B6E13B, #E1E03B, #E1B33B and #E1863B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AE23C shade: #89E13B, #5DE13B, #3BE147, #3BE174 and #3BE1A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AE23C shade matches the following richer shades: #89E13B and #88F329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AE23C shade: #89E13B, #8ACF4D, #8BBD60, #8DAB72 and #8E9984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AE23C shade: #E1DF3B, #B8E13B, #8CE13B, #5FE13B and #3BE144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AE23C shade: #61B01A, #74D41F, #89E13B, #9FE75F and #B4EC83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AE23C shade: #8AE23C, #3BE1B2 and #E13BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AE23C shade: #8AE23C, #3B8CE1 and #E13B8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AE23C shade: #8AE23C, #3BE1B2, #913BE1 and #E13B6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AE23C shade: #8AE23C, #3BDFE1, #913BE1 and #E13E3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 73 / 11

HEX #8AE23C

RGB 138 226 60

HSL 91.81, 0.74%, 0.56%

LAB 81.9, -52.07, 68.22

 

Complementary color

CMYK 40 / 85 / 0 / 24

HEX #751DC3

RGB 117 29 195

HSL 271.81, 0.74%, 0.44%

LAB 35.2, 64.42, -68.41

 

CMYK 37 / 0 / 76 / 11

HEX #8FE237

RGB 143 226 55

HSL 89.12, 0.75%, 0.55%

LAB 82.11, -50.68, 70.11

 

CMYK 34 / 0 / 70 / 4

HEX #A0F44A

RGB 160 244 74

HSL 89.65, 0.89%, 0.62%

LAB 88.29, -51.12, 70.1

 

CMYK 31 / 0 / 64 / 0

HEX #B1FF5D

RGB 177 255 93

HSL 88.89, 1%, 0.68%

LAB 92.42, -48.51, 67.53

 

CMYK 24 / 0 / 56 / 0

HEX #C2FF70

RGB 194 255 112

HSL 85.59, 1%, 0.72%

LAB 93.52, -40.94, 61.1

 

CMYK 17 / 0 / 49 / 0

HEX #D3FF83

RGB 211 255 131

HSL 81.29, 1%, 0.76%

LAB 94.74, -32.96, 54.26

 

CMYK 39 / 0 / 73 / 11

HEX #8AE23C

RGB 138 226 60

HSL 91.81, 0.74%, 0.56%

LAB 81.9, -52.07, 68.22

 

CMYK 42 / 0 / 80 / 18

HEX #79D029

RGB 121 208 41

HSL 91.26, 0.67%, 0.49%

LAB 75.66, -51.5, 67.81

 

CMYK 45 / 0 / 88 / 25

HEX #68BE16

RGB 104 190 22

HSL 90.71, 0.79%, 0.42%

LAB 69.35, -50.68, 66.39

 

CMYK 49 / 0 / 98 / 33

HEX #57AC03

RGB 87 172 3

HSL 90.18, 0.97%, 0.34%

LAB 62.96, -49.54, 63.63

 

CMYK 55 / 0 / 100 / 40

HEX #469A00

RGB 70 154 0

HSL 92.73, 1%, 0.3%

LAB 56.5, -47.93, 58.68

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 19 / 0 / 74 / 12

HEX #B6E13B

RGB 182 225 59

HSL 75.54, 0.73%, 0.56%

LAB 84.02, -35.73, 71.43

 

CMYK 0 / 0 / 74 / 12

HEX #E1E03B

RGB 225 224 59

HSL 59.64, 0.73%, 0.56%

LAB 86.82, -17.87, 75.15

 

CMYK 0 / 20 / 74 / 12

HEX #E1B33B

RGB 225 179 59

HSL 43.37, 0.73%, 0.56%

LAB 75.18, 5.05, 64.1

 

CMYK 0 / 40 / 74 / 12

HEX #E1863B

RGB 225 134 59

HSL 27.11, 0.73%, 0.56%

LAB 64.46, 29.01, 53.41

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 59 / 0 / 74 / 12

HEX #5DE13B

RGB 93 225 59

HSL 107.71, 0.73%, 0.56%

LAB 79.89, -64.67, 65.99

 

CMYK 74 / 0 / 68 / 12

HEX #3BE147

RGB 59 225 71

HSL 124.34, 0.73%, 0.56%

LAB 79.18, -70.32, 60.69

 

CMYK 74 / 0 / 48 / 12

HEX #3BE174

RGB 59 225 116

HSL 140.6, 0.73%, 0.56%

LAB 79.64, -64.82, 41.36

 

CMYK 74 / 0 / 29 / 12

HEX #3BE1A0

RGB 59 225 160

HSL 156.51, 0.73%, 0.56%

LAB 80.36, -56.7, 20

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 44 / 0 / 83 / 5

HEX #88F329

RGB 136 243 41

HSL 91.78, 0.89%, 0.56%

LAB 86.75, -60.23, 78

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 33 / 0 / 63 / 19

HEX #8ACF4D

RGB 138 207 77

HSL 91.85, 0.58%, 0.56%

LAB 76.41, -42.94, 56.08

 

CMYK 26 / 0 / 49 / 26

HEX #8BBD60

RGB 139 189 96

HSL 92.26, 0.41%, 0.56%

LAB 71.37, -32.58, 41.52

 

CMYK 18 / 0 / 33 / 33

HEX #8DAB72

RGB 141 171 114

HSL 91.58, 0.25%, 0.56%

LAB 66.52, -20.71, 26.07

 

CMYK 7 / 0 / 14 / 40

HEX #8E9984

RGB 142 153 132

HSL 91.43, 0.09%, 0.56%

LAB 61.83, -7.95, 9.7

 

CMYK 0 / 1 / 74 / 12

HEX #E1DF3B

RGB 225 223 59

HSL 59.28, 0.73%, 0.56%

LAB 86.55, -17.38, 74.9

 

CMYK 18 / 0 / 74 / 12

HEX #B8E13B

RGB 184 225 59

HSL 74.82, 0.73%, 0.56%

LAB 84.15, -34.95, 71.59

 

CMYK 38 / 0 / 74 / 12

HEX #8CE13B

RGB 140 225 59

HSL 90.72, 0.73%, 0.56%

LAB 81.7, -51.06, 68.38

 

CMYK 58 / 0 / 74 / 12

HEX #5FE13B

RGB 95 225 59

HSL 106.99, 0.73%, 0.56%

LAB 79.95, -64.19, 66.07

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 45 / 0 / 85 / 31

HEX #61B01A

RGB 97 176 26

HSL 91.6, 0.74%, 0.4%

LAB 64.7, -47.29, 61.42

 

CMYK 45 / 0 / 85 / 17

HEX #74D41F

RGB 116 212 31

HSL 91.82, 0.74%, 0.48%

LAB 76.62, -55.07, 71.02

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 31 / 0 / 59 / 9

HEX #9FE75F

RGB 159 231 95

HSL 91.76, 0.74%, 0.64%

LAB 84.66, -44.37, 57.87

 

CMYK 24 / 0 / 44 / 7

HEX #B4EC83

RGB 180 236 131

HSL 92, 0.73%, 0.72%

LAB 87.65, -35.43, 45.11

 

CMYK 39 / 0 / 73 / 11

HEX #8AE23C

RGB 138 226 60

HSL 91.81, 0.74%, 0.56%

LAB 81.9, -52.07, 68.22

 

CMYK 74 / 0 / 21 / 12

HEX #3BE1B2

RGB 59 225 178

HSL 163.01, 0.73%, 0.56%

LAB 80.74, -52.66, 11.08

 

CMYK 0 / 74 / 8 / 12

HEX #E13BCE

RGB 225 59 206

HSL 306.87, 0.73%, 0.56%

LAB 55.68, 77.12, -40.97

 

CMYK 39 / 0 / 73 / 11

HEX #8AE23C

RGB 138 226 60

HSL 91.81, 0.74%, 0.56%

LAB 81.9, -52.07, 68.22

 

CMYK 74 / 38 / 0 / 12

HEX #3B8CE1

RGB 59 140 225

HSL 210.72, 0.73%, 0.56%

LAB 57.19, 3.89, -50.26

 

CMYK 0 / 74 / 38 / 12

HEX #E13B8C

RGB 225 59 140

HSL 330.72, 0.73%, 0.56%

LAB 52.98, 68.89, -6.56

 

CMYK 39 / 0 / 73 / 11

HEX #8AE23C

RGB 138 226 60

HSL 91.81, 0.74%, 0.56%

LAB 81.9, -52.07, 68.22

 

CMYK 74 / 0 / 21 / 12

HEX #3BE1B2

RGB 59 225 178

HSL 163.01, 0.73%, 0.56%

LAB 80.74, -52.66, 11.08

 

CMYK 36 / 74 / 0 / 12

HEX #913BE1

RGB 145 59 225

HSL 271.08, 0.73%, 0.56%

LAB 45.06, 64.81, -69.48

 

CMYK 0 / 74 / 53 / 12

HEX #E13B6A

RGB 225 59 106

HSL 343.01, 0.73%, 0.56%

LAB 52.04, 65.86, 12.48

 

CMYK 39 / 0 / 73 / 11

HEX #8AE23C

RGB 138 226 60

HSL 91.81, 0.74%, 0.56%

LAB 81.9, -52.07, 68.22

 

CMYK 74 / 1 / 0 / 12

HEX #3BDFE1

RGB 59 223 225

HSL 180.72, 0.73%, 0.56%

LAB 81.37, -39.52, -12.93

 

CMYK 36 / 74 / 0 / 12

HEX #913BE1

RGB 145 59 225

HSL 271.08, 0.73%, 0.56%

LAB 45.06, 64.81, -69.48

 

CMYK 0 / 72 / 74 / 12

HEX #E13E3B

RGB 225 62 59

HSL 1.08, 0.73%, 0.56%

LAB 51.57, 62.14, 39.63

 

Description

Color code: HEX #8AE23C | qconv.com Color code: HEX #8AE23C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 226 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 226 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 73 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 73% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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