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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B17AF it is the complementary color #74E850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B17AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B17AF shade: #9017AA, #A129BD, #B23BD0, #C34DE3 and #D45FF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B17AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B17AF shade: #8B17AF, #7A059C, #690089, #580076 and #470063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B17AF shade: #8B16B0, #B016AA, #B01681, #B01658 and #B0162F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B17AF shade: #8B16B0, #6216B0, #3916B0 and #1616B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B17AF shade matches the following richer shades: #8B16B0 and #9406C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B17AF shade: #8B16B0, #83269F, #7A378F, #72477F and #69576F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B17AF shade: #3816B0, #6016B0, #8916B0, #B016AD and #B01684

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B17AF shade: #510D66, #6E128B, #8B16B0, #A81BD4 and #BB34E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B17AF shade: #8B17AF, #B0161E and #16B04C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B17AF shade: #8B17AF, #B08916 and #16B089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B17AF shade: #8B17AF, #B0161E, #3DB016 and #16B0A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B17AF shade: #8B17AF, #B03D16, #3DB016 and #1689B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 87 / 0 / 31

HEX #8B17AF

RGB 139 23 175

HSL 285.79, 0.77%, 0.39%

LAB 36.36, 65.07, -54.55

 

Complementary color

CMYK 50 / 0 / 66 / 9

HEX #74E850

RGB 116 232 80

HSL 105.79, 0.77%, 0.61%

LAB 82.92, -59.62, 61.64

 

CMYK 15 / 86 / 0 / 33

HEX #9017AA

RGB 144 23 170

HSL 289.39, 0.76%, 0.38%

LAB 36.83, 64.98, -50.77

 

CMYK 15 / 78 / 0 / 26

HEX #A129BD

RGB 161 41 189

HSL 288.65, 0.64%, 0.45%

LAB 42.52, 66.74, -52.71

 

CMYK 14 / 72 / 0 / 18

HEX #B23BD0

RGB 178 59 208

HSL 287.92, 0.61%, 0.52%

LAB 48.44, 67.54, -54.06

 

CMYK 14 / 66 / 0 / 11

HEX #C34DE3

RGB 195 77 227

HSL 287.2, 0.73%, 0.6%

LAB 54.51, 67.71, -55.03

 

CMYK 14 / 61 / 0 / 4

HEX #D45FF6

RGB 212 95 246

HSL 286.49, 0.89%, 0.67%

LAB 60.64, 67.51, -55.73

 

CMYK 21 / 87 / 0 / 31

HEX #8B17AF

RGB 139 23 175

HSL 285.79, 0.77%, 0.39%

LAB 36.36, 65.07, -54.55

 

CMYK 22 / 97 / 0 / 39

HEX #7A059C

RGB 122 5 156

HSL 286.49, 0.94%, 0.32%

LAB 30.99, 62.03, -51.95

 

CMYK 23 / 100 / 0 / 46

HEX #690089

RGB 105 0 137

HSL 285.99, 1%, 0.27%

LAB 26.18, 56.87, -48.16

 

CMYK 25 / 100 / 0 / 54

HEX #580076

RGB 88 0 118

HSL 284.75, 1%, 0.23%

LAB 21.52, 50.78, -43.87

 

CMYK 28 / 100 / 0 / 61

HEX #470063

RGB 71 0 99

HSL 283.03, 1%, 0.19%

LAB 16.7, 44.51, -39.46

 

CMYK 21 / 88 / 0 / 31

HEX #8B16B0

RGB 139 22 176

HSL 285.58, 0.78%, 0.39%

LAB 36.36, 65.48, -55.15

 

CMYK 0 / 88 / 3 / 31

HEX #B016AA

RGB 176 22 170

HSL 302.34, 0.78%, 0.39%

LAB 42.32, 70.89, -41.66

 

CMYK 0 / 88 / 27 / 31

HEX #B01681

RGB 176 22 129

HSL 318.31, 0.78%, 0.39%

LAB 40.23, 65.35, -20.06

 

CMYK 0 / 88 / 50 / 31

HEX #B01658

RGB 176 22 88

HSL 334.29, 0.78%, 0.39%

LAB 38.74, 61.21, 3.52

 

CMYK 0 / 88 / 73 / 31

HEX #B0162F

RGB 176 22 47

HSL 350.26, 0.78%, 0.39%

LAB 37.86, 58.68, 28.46

 

CMYK 21 / 88 / 0 / 31

HEX #8B16B0

RGB 139 22 176

HSL 285.58, 0.78%, 0.39%

LAB 36.36, 65.48, -55.15

 

CMYK 44 / 88 / 0 / 31

HEX #6216B0

RGB 98 22 176

HSL 269.61, 0.78%, 0.39%

LAB 30.17, 59.66, -65.52

 

CMYK 68 / 88 / 0 / 31

HEX #3916B0

RGB 57 22 176

HSL 253.64, 0.78%, 0.39%

LAB 25.5, 55.67, -73.39

 

CMYK 88 / 88 / 0 / 31

HEX #1616B0

RGB 22 22 176

HSL 240, 0.78%, 0.39%

LAB 23.27, 53.94, -77.16

 

CMYK 21 / 88 / 0 / 31

HEX #8B16B0

RGB 139 22 176

HSL 285.58, 0.78%, 0.39%

LAB 36.36, 65.48, -55.15

 

CMYK 23 / 97 / 0 / 25

HEX #9406C0

RGB 148 6 192

HSL 285.81, 0.94%, 0.39%

LAB 38.26, 72.17, -61.47

 

CMYK 21 / 88 / 0 / 31

HEX #8B16B0

RGB 139 22 176

HSL 285.58, 0.78%, 0.39%

LAB 36.36, 65.48, -55.15

 

CMYK 18 / 76 / 0 / 38

HEX #83269F

RGB 131 38 159

HSL 286.12, 0.61%, 0.39%

LAB 35.43, 56.18, -46.51

 

CMYK 15 / 62 / 0 / 44

HEX #7A378F

RGB 122 55 143

HSL 285.68, 0.44%, 0.39%

LAB 35.7, 43.4, -36.42

 

CMYK 10 / 44 / 0 / 50

HEX #72477F

RGB 114 71 127

HSL 286.07, 0.28%, 0.39%

LAB 37.14, 28.7, -24.38

 

CMYK 5 / 22 / 0 / 56

HEX #69576F

RGB 105 87 111

HSL 285, 0.12%, 0.39%

LAB 39.53, 12.22, -10.93

 

CMYK 68 / 88 / 0 / 31

HEX #3816B0

RGB 56 22 176

HSL 253.25, 0.78%, 0.39%

LAB 25.41, 55.6, -73.54

 

CMYK 45 / 88 / 0 / 31

HEX #6016B0

RGB 96 22 176

HSL 268.83, 0.78%, 0.39%

LAB 29.9, 59.42, -65.97

 

CMYK 22 / 88 / 0 / 31

HEX #8916B0

RGB 137 22 176

HSL 284.81, 0.78%, 0.39%

LAB 36.04, 65.16, -55.69

 

CMYK 0 / 88 / 2 / 31

HEX #B016AD

RGB 176 22 173

HSL 301.17, 0.78%, 0.39%

LAB 42.49, 71.34, -43.17

 

CMYK 0 / 88 / 25 / 31

HEX #B01684

RGB 176 22 132

HSL 317.14, 0.78%, 0.39%

LAB 40.36, 65.71, -21.7

 

CMYK 21 / 87 / 0 / 60

HEX #510D66

RGB 81 13 102

HSL 285.84, 0.77%, 0.23%

LAB 20.03, 43.07, -35.95

 

CMYK 21 / 87 / 0 / 45

HEX #6E128B

RGB 110 18 139

HSL 285.62, 0.77%, 0.31%

LAB 28.41, 54.48, -45.76

 

CMYK 21 / 88 / 0 / 31

HEX #8B16B0

RGB 139 22 176

HSL 285.58, 0.78%, 0.39%

LAB 36.36, 65.48, -55.15

 

CMYK 21 / 87 / 0 / 17

HEX #A81BD4

RGB 168 27 212

HSL 285.73, 0.77%, 0.47%

LAB 44.03, 75.59, -63.56

 

CMYK 18 / 77 / 0 / 11

HEX #BB34E4

RGB 187 52 228

HSL 286.02, 0.77%, 0.55%

LAB 50.24, 75.31, -62.51

 

CMYK 21 / 87 / 0 / 31

HEX #8B17AF

RGB 139 23 175

HSL 285.79, 0.77%, 0.39%

LAB 36.36, 65.07, -54.55

 

CMYK 0 / 88 / 83 / 31

HEX #B0161E

RGB 176 22 30

HSL 356.88, 0.78%, 0.39%

LAB 37.66, 58.09, 38.31

 

CMYK 88 / 0 / 57 / 31

HEX #16B04C

RGB 22 176 76

HSL 141.04, 0.78%, 0.39%

LAB 63.13, -58.48, 40.38

 

CMYK 21 / 87 / 0 / 31

HEX #8B17AF

RGB 139 23 175

HSL 285.79, 0.77%, 0.39%

LAB 36.36, 65.07, -54.55

 

CMYK 0 / 22 / 88 / 31

HEX #B08916

RGB 176 137 22

HSL 44.81, 0.78%, 0.39%

LAB 59.14, 4.78, 59.98

 

CMYK 88 / 0 / 22 / 31

HEX #16B089

RGB 22 176 137

HSL 164.81, 0.78%, 0.39%

LAB 64.18, -46.39, 9.61

 

CMYK 21 / 87 / 0 / 31

HEX #8B17AF

RGB 139 23 175

HSL 285.79, 0.77%, 0.39%

LAB 36.36, 65.07, -54.55

 

CMYK 0 / 88 / 83 / 31

HEX #B0161E

RGB 176 22 30

HSL 356.88, 0.78%, 0.39%

LAB 37.66, 58.09, 38.31

 

CMYK 65 / 0 / 88 / 31

HEX #3DB016

RGB 61 176 22

HSL 104.81, 0.78%, 0.39%

LAB 63.43, -57.39, 60.72

 

CMYK 88 / 0 / 5 / 31

HEX #16B0A8

RGB 22 176 168

HSL 176.88, 0.78%, 0.39%

LAB 65, -37.91, -6.4

 

CMYK 21 / 87 / 0 / 31

HEX #8B17AF

RGB 139 23 175

HSL 285.79, 0.77%, 0.39%

LAB 36.36, 65.07, -54.55

 

CMYK 0 / 65 / 88 / 31

HEX #B03D16

RGB 176 61 22

HSL 15.19, 0.78%, 0.39%

LAB 42.19, 45.16, 46.22

 

CMYK 65 / 0 / 88 / 31

HEX #3DB016

RGB 61 176 22

HSL 104.81, 0.78%, 0.39%

LAB 63.43, -57.39, 60.72

 

CMYK 88 / 22 / 0 / 31

HEX #1689B0

RGB 22 137 176

HSL 195.19, 0.78%, 0.39%

LAB 53.16, -15.78, -28.91

 

Description

Color code: HEX #8B17AF | qconv.com Color code: HEX #8B17AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 23 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 23 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 87 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 87% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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