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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B258C it is the complementary color #74DA73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B258C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B258C shade: #902587, #A1379A, #B249AD, #C35BC0 and #D46DD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B258C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B258C shade: #8B258C, #7A1379, #690166, #580053 and #470040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B258C shade: #8C258D, #8D2572, #8D2556, #8D253A and #8D2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B258C shade: #8C258D, #70258D, #54258D, #38258D and #25258D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B258C shade matches the following richer shades: #8C258D, #9A179B and #A808A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B258C shade: #8C258D, #7D337E, #6F4270, #615061 and #535F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B258C shade: #54258D, #6F258D, #8B258D, #8D2573 and #8D2557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B258C shade: #4B144B, #6B1C6C, #8C258D, #AC2EAD and #C93ACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B258C shade: #8B258C, #8D3825 and #258D61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B258C shade: #8B258C, #8D8B25 and #258D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B258C shade: #8B258C, #8D3825, #278D25 and #257A8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B258C shade: #8B258C, #8D5725, #278D25 and #255A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 74 / 0 / 45

HEX #8B258C

RGB 139 37 140

HSL 299.42, 0.58%, 0.35%

LAB 35.41, 54.72, -34.87

 

Complementary color

CMYK 47 / 0 / 47 / 15

HEX #74DA73

RGB 116 218 115

HSL 119.42, 0.58%, 0.65%

LAB 79.1, -50.26, 41.51

 

CMYK 0 / 74 / 6 / 44

HEX #902587

RGB 144 37 135

HSL 305.05, 0.59%, 0.35%

LAB 35.99, 55.04, -30.82

 

CMYK 0 / 66 / 4 / 37

HEX #A1379A

RGB 161 55 154

HSL 303.96, 0.49%, 0.42%

LAB 42.22, 55.57, -32.4

 

CMYK 0 / 59 / 3 / 30

HEX #B249AD

RGB 178 73 173

HSL 302.86, 0.42%, 0.49%

LAB 48.57, 55.5, -33.53

 

CMYK 0 / 53 / 2 / 24

HEX #C35BC0

RGB 195 91 192

HSL 301.73, 0.46%, 0.56%

LAB 54.96, 55.1, -34.39

 

CMYK 0 / 49 / 0 / 17

HEX #D46DD3

RGB 212 109 211

HSL 300.58, 0.54%, 0.63%

LAB 61.34, 54.53, -35.07

 

CMYK 1 / 74 / 0 / 45

HEX #8B258C

RGB 139 37 140

HSL 299.42, 0.58%, 0.35%

LAB 35.41, 54.72, -34.87

 

CMYK 0 / 84 / 1 / 52

HEX #7A1379

RGB 122 19 121

HSL 300.58, 0.73%, 0.28%

LAB 29.37, 53.23, -32.8

 

CMYK 0 / 99 / 3 / 59

HEX #690166

RGB 105 1 102

HSL 301.73, 0.98%, 0.21%

LAB 23.62, 50.47, -29.93

 

CMYK 0 / 100 / 6 / 65

HEX #580053

RGB 88 0 83

HSL 303.41, 1%, 0.17%

LAB 18.8, 44.41, -25.18

 

CMYK 0 / 100 / 10 / 72

HEX #470040

RGB 71 0 64

HSL 305.92, 1%, 0.14%

LAB 13.88, 37.92, -20.07

 

CMYK 1 / 74 / 0 / 45

HEX #8C258D

RGB 140 37 141

HSL 299.42, 0.58%, 0.35%

LAB 35.64, 55.12, -35.12

 

CMYK 0 / 74 / 19 / 45

HEX #8D2572

RGB 141 37 114

HSL 315.58, 0.58%, 0.35%

LAB 34.4, 51.06, -20.23

 

CMYK 0 / 74 / 39 / 45

HEX #8D2556

RGB 141 37 86

HSL 331.73, 0.58%, 0.35%

LAB 33.26, 47.42, -4.02

 

CMYK 0 / 74 / 59 / 45

HEX #8D253A

RGB 141 37 58

HSL 347.88, 0.58%, 0.35%

LAB 32.46, 44.77, 13.12

 

CMYK 0 / 74 / 74 / 45

HEX #8D2525

RGB 141 37 37

HSL 0, 0.58%, 0.35%

LAB 32.08, 43.46, 26.1

 

CMYK 1 / 74 / 0 / 45

HEX #8C258D

RGB 140 37 141

HSL 299.42, 0.58%, 0.35%

LAB 35.64, 55.12, -35.12

 

CMYK 21 / 74 / 0 / 45

HEX #70258D

RGB 112 37 141

HSL 283.27, 0.58%, 0.35%

LAB 31.09, 48.9, -42.65

 

CMYK 40 / 74 / 0 / 45

HEX #54258D

RGB 84 37 141

HSL 267.12, 0.58%, 0.35%

LAB 27.1, 43.15, -49.3

 

CMYK 60 / 74 / 0 / 45

HEX #38258D

RGB 56 37 141

HSL 250.96, 0.58%, 0.35%

LAB 23.96, 38.35, -54.57

 

CMYK 74 / 74 / 0 / 45

HEX #25258D

RGB 37 37 141

HSL 240, 0.58%, 0.35%

LAB 22.44, 35.92, -57.12

 

CMYK 1 / 74 / 0 / 45

HEX #8C258D

RGB 140 37 141

HSL 299.42, 0.58%, 0.35%

LAB 35.64, 55.12, -35.12

 

CMYK 1 / 85 / 0 / 39

HEX #9A179B

RGB 154 23 155

HSL 299.55, 0.74%, 0.35%

LAB 37.57, 64.24, -40.44

 

CMYK 1 / 95 / 0 / 34

HEX #A808A9

RGB 168 8 169

HSL 299.63, 0.91%, 0.35%

LAB 40.19, 71.18, -44.55

 

CMYK 1 / 74 / 0 / 45

HEX #8C258D

RGB 140 37 141

HSL 299.42, 0.58%, 0.35%

LAB 35.64, 55.12, -35.12

 

CMYK 1 / 60 / 0 / 51

HEX #7D337E

RGB 125 51 126

HSL 299.2, 0.42%, 0.35%

LAB 34.47, 42.75, -27.85

 

CMYK 1 / 41 / 0 / 56

HEX #6F4270

RGB 111 66 112

HSL 298.7, 0.26%, 0.35%

LAB 34.89, 27.41, -18.57

 

CMYK 0 / 18 / 0 / 62

HEX #615061

RGB 97 80 97

HSL 300, 0.1%, 0.35%

LAB 36.26, 10.46, -7.23

 

CMYK 13 / 0 / 13 / 63

HEX #535F53

RGB 83 95 83

HSL 120, 0.07%, 0.35%

LAB 38.98, -7.24, 5.31

 

CMYK 40 / 74 / 0 / 45

HEX #54258D

RGB 84 37 141

HSL 267.12, 0.58%, 0.35%

LAB 27.1, 43.15, -49.3

 

CMYK 21 / 74 / 0 / 45

HEX #6F258D

RGB 111 37 141

HSL 282.69, 0.58%, 0.35%

LAB 30.94, 48.68, -42.9

 

CMYK 1 / 74 / 0 / 45

HEX #8B258D

RGB 139 37 141

HSL 298.85, 0.58%, 0.35%

LAB 35.47, 54.9, -35.4

 

CMYK 0 / 74 / 18 / 45

HEX #8D2573

RGB 141 37 115

HSL 315, 0.58%, 0.35%

LAB 34.44, 51.2, -20.78

 

CMYK 0 / 74 / 38 / 45

HEX #8D2557

RGB 141 37 87

HSL 331.15, 0.58%, 0.35%

LAB 33.29, 47.54, -4.62

 

CMYK 0 / 73 / 0 / 71

HEX #4B144B

RGB 75 20 75

HSL 300, 0.58%, 0.19%

LAB 17.94, 33.55, -21.25

 

CMYK 1 / 74 / 0 / 58

HEX #6B1C6C

RGB 107 28 108

HSL 299.25, 0.59%, 0.27%

LAB 26.85, 44.77, -28.67

 

CMYK 1 / 74 / 0 / 45

HEX #8C258D

RGB 140 37 141

HSL 299.42, 0.58%, 0.35%

LAB 35.64, 55.12, -35.12

 

CMYK 1 / 73 / 0 / 32

HEX #AC2EAD

RGB 172 46 173

HSL 299.53, 0.58%, 0.43%

LAB 43.86, 64.6, -41.03

 

CMYK 0 / 71 / 0 / 21

HEX #C93ACA

RGB 201 58 202

HSL 299.58, 0.58%, 0.51%

LAB 51.51, 71.66, -45.52

 

CMYK 1 / 74 / 0 / 45

HEX #8B258C

RGB 139 37 140

HSL 299.42, 0.58%, 0.35%

LAB 35.41, 54.72, -34.87

 

CMYK 0 / 60 / 74 / 45

HEX #8D3825

RGB 141 56 37

HSL 10.96, 0.58%, 0.35%

LAB 35.25, 34.93, 29.73

 

CMYK 74 / 0 / 31 / 45

HEX #258D61

RGB 37 141 97

HSL 154.62, 0.58%, 0.35%

LAB 52.18, -39.99, 15.25

 

CMYK 1 / 74 / 0 / 45

HEX #8B258C

RGB 139 37 140

HSL 299.42, 0.58%, 0.35%

LAB 35.41, 54.72, -34.87

 

CMYK 0 / 1 / 74 / 45

HEX #8D8B25

RGB 141 139 37

HSL 58.85, 0.58%, 0.35%

LAB 56.35, -11.75, 51.49

 

CMYK 74 / 0 / 1 / 45

HEX #258D8B

RGB 37 141 139

HSL 178.85, 0.58%, 0.35%

LAB 53.28, -28.75, -7.35

 

CMYK 1 / 74 / 0 / 45

HEX #8B258C

RGB 139 37 140

HSL 299.42, 0.58%, 0.35%

LAB 35.41, 54.72, -34.87

 

CMYK 0 / 60 / 74 / 45

HEX #8D3825

RGB 141 56 37

HSL 10.96, 0.58%, 0.35%

LAB 35.25, 34.93, 29.73

 

CMYK 72 / 0 / 74 / 45

HEX #278D25

RGB 39 141 37

HSL 118.85, 0.58%, 0.35%

LAB 51.4, -49.12, 44.72

 

CMYK 74 / 13 / 0 / 45

HEX #257A8D

RGB 37 122 141

HSL 190.96, 0.58%, 0.35%

LAB 47.28, -18.29, -17.58

 

CMYK 1 / 74 / 0 / 45

HEX #8B258C

RGB 139 37 140

HSL 299.42, 0.58%, 0.35%

LAB 35.41, 54.72, -34.87

 

CMYK 0 / 38 / 74 / 45

HEX #8D5725

RGB 141 87 37

HSL 28.85, 0.58%, 0.35%

LAB 42.17, 17.8, 37.27

 

CMYK 72 / 0 / 74 / 45

HEX #278D25

RGB 39 141 37

HSL 118.85, 0.58%, 0.35%

LAB 51.4, -49.12, 44.72

 

CMYK 74 / 36 / 0 / 45

HEX #255A8D

RGB 37 90 141

HSL 209.42, 0.58%, 0.35%

LAB 37.17, 0.62, -33.31

 

Description

Color code: HEX #8B258C | qconv.com Color code: HEX #8B258C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 37 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 37 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 74 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 74% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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