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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B236C it is the complementary color #74DC93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B236C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B236C shade: #902367, #A1357A, #B2478D, #C359A0 and #D46BB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B236C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B236C shade: #8B236C, #7A1159, #690046, #580033 and #470020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B236C shade: #8A226B, #8A224F, #8A2233 and #8A2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B236C shade: #8A226B, #8A2287, #71228A, #55228A and #39228A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B236C shade matches the following richer shades: #8A226B, #981471 and #A60677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B236C shade: #8A226B, #7C3066, #6E3E60, #604C5A and #525A55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B236C shade: #70228A, #8A2288, #8A226D, #8A2251 and #8A2235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B236C shade: #481238, #691A52, #8A226B, #AB2A85 and #CC339E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B236C shade: #8B236C, #8A5422 and #228A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B236C shade: #8B236C, #6D8A22 and #226D8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B236C shade: #8B236C, #8A5422, #228A40 and #22588A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B236C shade: #8B236C, #8A7422, #228A40 and #22398A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

Complementary color

CMYK 47 / 0 / 33 / 14

HEX #74DC93

RGB 116 220 147

HSL 137.88, 0.6%, 0.66%

LAB 80.18, -46.04, 26.77

 

CMYK 0 / 76 / 28 / 44

HEX #902367

RGB 144 35 103

HSL 322.57, 0.61%, 0.35%

LAB 34.21, 51.04, -13.48

 

CMYK 0 / 67 / 24 / 37

HEX #A1357A

RGB 161 53 122

HSL 321.67, 0.5%, 0.42%

LAB 40.46, 51.47, -15.61

 

CMYK 0 / 60 / 21 / 30

HEX #B2478D

RGB 178 71 141

HSL 320.75, 0.43%, 0.49%

LAB 46.84, 51.3, -17.2

 

CMYK 0 / 54 / 18 / 24

HEX #C359A0

RGB 195 89 160

HSL 319.81, 0.47%, 0.56%

LAB 53.26, 50.83, -18.44

 

CMYK 0 / 50 / 16 / 17

HEX #D46BB3

RGB 212 107 179

HSL 318.86, 0.55%, 0.63%

LAB 59.68, 50.19, -19.45

 

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

CMYK 0 / 86 / 27 / 52

HEX #7A1159

RGB 122 17 89

HSL 318.86, 0.76%, 0.27%

LAB 27.46, 48.94, -15.11

 

CMYK 0 / 100 / 33 / 59

HEX #690046

RGB 105 0 70

HSL 320, 1%, 0.21%

LAB 21.75, 46.2, -11.42

 

CMYK 0 / 100 / 42 / 65

HEX #580033

RGB 88 0 51

HSL 325.23, 1%, 0.17%

LAB 17.05, 40.03, -5.59

 

CMYK 0 / 100 / 55 / 72

HEX #470020

RGB 71 0 32

HSL 332.96, 1%, 0.14%

LAB 12.25, 33.75, 0.82

 

CMYK 0 / 75 / 22 / 46

HEX #8A226B

RGB 138 34 107

HSL 317.88, 0.6%, 0.34%

LAB 33.15, 50.33, -17.75

 

CMYK 0 / 75 / 43 / 46

HEX #8A224F

RGB 138 34 79

HSL 334.04, 0.6%, 0.34%

LAB 32.06, 46.87, -1.3

 

CMYK 0 / 75 / 63 / 46

HEX #8A2233

RGB 138 34 51

HSL 350.19, 0.6%, 0.34%

LAB 31.32, 44.43, 16.06

 

CMYK 0 / 75 / 75 / 46

HEX #8A2222

RGB 138 34 34

HSL 0, 0.6%, 0.34%

LAB 31.03, 43.46, 26.59

 

CMYK 0 / 75 / 22 / 46

HEX #8A226B

RGB 138 34 107

HSL 317.88, 0.6%, 0.34%

LAB 33.15, 50.33, -17.75

 

CMYK 0 / 75 / 2 / 46

HEX #8A2287

RGB 138 34 135

HSL 301.73, 0.6%, 0.34%

LAB 34.59, 54.66, -33.09

 

CMYK 18 / 75 / 0 / 46

HEX #71228A

RGB 113 34 138

HSL 285.58, 0.6%, 0.34%

LAB 30.62, 49.69, -41.55

 

CMYK 38 / 75 / 0 / 46

HEX #55228A

RGB 85 34 138

HSL 269.42, 0.6%, 0.34%

LAB 26.48, 44, -48.45

 

CMYK 59 / 75 / 0 / 46

HEX #39228A

RGB 57 34 138

HSL 253.27, 0.6%, 0.34%

LAB 23.17, 39.23, -54

 

CMYK 0 / 75 / 22 / 46

HEX #8A226B

RGB 138 34 107

HSL 317.88, 0.6%, 0.34%

LAB 33.15, 50.33, -17.75

 

CMYK 0 / 87 / 26 / 40

HEX #981471

RGB 152 20 113

HSL 317.73, 0.77%, 0.34%

LAB 34.74, 58.41, -18.9

 

CMYK 0 / 96 / 28 / 35

HEX #A60677

RGB 166 6 119

HSL 317.63, 0.93%, 0.34%

LAB 37.06, 64.27, -18.88

 

CMYK 0 / 75 / 22 / 46

HEX #8A226B

RGB 138 34 107

HSL 317.88, 0.6%, 0.34%

LAB 33.15, 50.33, -17.75

 

CMYK 0 / 61 / 18 / 51

HEX #7C3066

RGB 124 48 102

HSL 317.37, 0.44%, 0.34%

LAB 32.61, 39.68, -15.6

 

CMYK 0 / 44 / 13 / 57

HEX #6E3E60

RGB 110 62 96

HSL 317.5, 0.28%, 0.34%

LAB 33.15, 26.27, -11.14

 

CMYK 0 / 21 / 6 / 62

HEX #604C5A

RGB 96 76 90

HSL 318, 0.12%, 0.34%

LAB 34.79, 11.1, -5.03

 

CMYK 9 / 0 / 6 / 65

HEX #525A55

RGB 82 90 85

HSL 142.5, 0.05%, 0.34%

LAB 37.41, -4.24, 1.81

 

CMYK 19 / 75 / 0 / 46

HEX #70228A

RGB 112 34 138

HSL 285, 0.6%, 0.34%

LAB 30.46, 49.48, -41.81

 

CMYK 0 / 75 / 1 / 46

HEX #8A2288

RGB 138 34 136

HSL 301.15, 0.6%, 0.34%

LAB 34.65, 54.83, -33.62

 

CMYK 0 / 75 / 21 / 46

HEX #8A226D

RGB 138 34 109

HSL 316.73, 0.6%, 0.34%

LAB 33.25, 50.61, -18.88

 

CMYK 0 / 75 / 41 / 46

HEX #8A2251

RGB 138 34 81

HSL 332.88, 0.6%, 0.34%

LAB 32.13, 47.09, -2.51

 

CMYK 0 / 75 / 62 / 46

HEX #8A2235

RGB 138 34 53

HSL 349.04, 0.6%, 0.34%

LAB 31.36, 44.57, 14.81

 

CMYK 0 / 75 / 22 / 72

HEX #481238

RGB 72 18 56

HSL 317.78, 0.6%, 0.18%

LAB 15.98, 30.1, -11.1

 

CMYK 0 / 75 / 22 / 59

HEX #691A52

RGB 105 26 82

HSL 317.47, 0.6%, 0.26%

LAB 24.8, 40.65, -14.85

 

CMYK 0 / 75 / 22 / 46

HEX #8A226B

RGB 138 34 107

HSL 317.88, 0.6%, 0.34%

LAB 33.15, 50.33, -17.75

 

CMYK 0 / 75 / 22 / 33

HEX #AB2A85

RGB 171 42 133

HSL 317.67, 0.61%, 0.42%

LAB 41.23, 59.65, -21.05

 

CMYK 0 / 75 / 23 / 20

HEX #CC339E

RGB 204 51 158

HSL 318.04, 0.6%, 0.5%

LAB 49.1, 68.17, -23.53

 

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

CMYK 0 / 39 / 75 / 46

HEX #8A5422

RGB 138 84 34

HSL 28.85, 0.6%, 0.34%

LAB 40.99, 18.03, 37.4

 

CMYK 75 / 0 / 9 / 46

HEX #228A7E

RGB 34 138 126

HSL 173.08, 0.6%, 0.34%

LAB 51.86, -31.55, -1.92

 

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

CMYK 21 / 0 / 75 / 46

HEX #6D8A22

RGB 109 138 34

HSL 76.73, 0.6%, 0.34%

LAB 53.54, -25.49, 49.02

 

CMYK 75 / 21 / 0 / 46

HEX #226D8A

RGB 34 109 138

HSL 196.73, 0.6%, 0.34%

LAB 42.93, -12.47, -22.49

 

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

CMYK 0 / 39 / 75 / 46

HEX #8A5422

RGB 138 84 34

HSL 28.85, 0.6%, 0.34%

LAB 40.99, 18.03, 37.4

 

CMYK 75 / 0 / 54 / 46

HEX #228A40

RGB 34 138 64

HSL 137.31, 0.6%, 0.34%

LAB 50.55, -45.65, 31.22

 

CMYK 75 / 36 / 0 / 46

HEX #22588A

RGB 34 88 138

HSL 208.85, 0.6%, 0.34%

LAB 36.28, 0.31, -32.9

 

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

CMYK 0 / 16 / 75 / 46

HEX #8A7422

RGB 138 116 34

HSL 47.31, 0.6%, 0.34%

LAB 49.51, -0.56, 45.95

 

CMYK 75 / 0 / 54 / 46

HEX #228A40

RGB 34 138 64

HSL 137.31, 0.6%, 0.34%

LAB 50.55, -45.65, 31.22

 

CMYK 75 / 59 / 0 / 46

HEX #22398A

RGB 34 57 138

HSL 226.73, 0.6%, 0.34%

LAB 27.02, 21.21, -47.76

 

Description

Color code: HEX #8B236C | qconv.com Color code: HEX #8B236C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 35 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 35 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 22 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 22% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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