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Color name
HEX #8B2A21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B2A21 it is the complementary color #74D5DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B2A21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B2A21 shade: #902A1C, #A13C2F, #B24E42, #C36055 and #D47268

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B2A21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B2A21 shade: #8B2A21, #7A180E, #690600, #580000 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B2A21 shade: #8C2A20 and #8C2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B2A21 shade: #8C2A20, #8C4720, #8C6420, #8C8120 and #7A8C20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B2A21 shade matches the following richer shades: #8C2A20, #9A1E12 and #A81204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B2A21 shade: #8C2A20, #7E352E, #70413D, #624D4B and #545859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B2A21 shade: #8C2051, #8C2034, #8C2920, #8C4620 and #8C6320

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B2A21 shade: #491611, #6B2019, #8C2A20, #AD3428 and #CE3E31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B2A21 shade: #8B2A21, #6D8C20 and #20428C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B2A21 shade: #8B2A21, #208C29 and #29208C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B2A21 shade: #8B2A21, #6D8C20, #20838C and #3F208C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B2A21 shade: #8B2A21, #4D8C20, #20838C and #5F208C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 76 / 45

HEX #8B2A21

RGB 139 42 33

HSL 5.09, 0.62%, 0.34%

LAB 32.38, 40.54, 28.78

 

Complementary color

CMYK 48 / 4 / 0 / 13

HEX #74D5DE

RGB 116 213 222

HSL 185.09, 0.62%, 0.66%

LAB 79.94, -26.21, -13.31

 

CMYK 0 / 71 / 81 / 44

HEX #902A1C

RGB 144 42 28

HSL 7.24, 0.67%, 0.34%

LAB 33.28, 42.1, 32.93

 

CMYK 0 / 63 / 71 / 37

HEX #A13C2F

RGB 161 60 47

HSL 6.84, 0.55%, 0.41%

LAB 39.6, 41.08, 29.78

 

CMYK 0 / 56 / 63 / 30

HEX #B24E42

RGB 178 78 66

HSL 6.43, 0.46%, 0.48%

LAB 46.05, 39.84, 27.07

 

CMYK 0 / 51 / 56 / 24

HEX #C36055

RGB 195 96 85

HSL 6, 0.48%, 0.55%

LAB 52.54, 38.58, 24.78

 

CMYK 0 / 46 / 51 / 17

HEX #D47268

RGB 212 114 104

HSL 5.56, 0.56%, 0.62%

LAB 59, 37.36, 22.83

 

CMYK 0 / 70 / 76 / 45

HEX #8B2A21

RGB 139 42 33

HSL 5.09, 0.62%, 0.34%

LAB 32.38, 40.54, 28.78

 

CMYK 0 / 80 / 89 / 52

HEX #7A180E

RGB 122 24 14

HSL 5.56, 0.79%, 0.27%

LAB 26.22, 41, 32.31

 

CMYK 0 / 94 / 100 / 59

HEX #690600

RGB 105 6 0

HSL 3.43, 1%, 0.21%

LAB 20.57, 40.24, 31.26

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 70 / 77 / 45

HEX #8C2A20

RGB 140 42 32

HSL 5.56, 0.63%, 0.34%

LAB 32.56, 40.85, 29.62

 

CMYK 0 / 77 / 77 / 45

HEX #8C2020

RGB 140 32 32

HSL 0, 0.63%, 0.34%

LAB 31.14, 44.75, 28.07

 

CMYK 0 / 70 / 77 / 45

HEX #8C2A20

RGB 140 42 32

HSL 5.56, 0.63%, 0.34%

LAB 32.56, 40.85, 29.62

 

CMYK 0 / 49 / 77 / 45

HEX #8C4720

RGB 140 71 32

HSL 21.67, 0.63%, 0.34%

LAB 38.17, 26.26, 35.59

 

CMYK 0 / 29 / 77 / 45

HEX #8C6420

RGB 140 100 32

HSL 37.78, 0.63%, 0.34%

LAB 45.35, 9.51, 42.81

 

CMYK 0 / 8 / 77 / 45

HEX #8C8120

RGB 140 129 32

HSL 53.89, 0.63%, 0.34%

LAB 53.36, -7, 50.47

 

CMYK 13 / 0 / 77 / 45

HEX #7A8C20

RGB 122 140 32

HSL 70, 0.63%, 0.34%

LAB 55.07, -21, 51.52

 

CMYK 0 / 70 / 77 / 45

HEX #8C2A20

RGB 140 42 32

HSL 5.56, 0.63%, 0.34%

LAB 32.56, 40.85, 29.62

 

CMYK 0 / 81 / 88 / 40

HEX #9A1E12

RGB 154 30 18

HSL 5.29, 0.79%, 0.34%

LAB 33.65, 49.41, 39.28

 

CMYK 0 / 89 / 98 / 34

HEX #A81204

RGB 168 18 4

HSL 5.12, 0.95%, 0.34%

LAB 35.53, 56.17, 47.77

 

CMYK 0 / 70 / 77 / 45

HEX #8C2A20

RGB 140 42 32

HSL 5.56, 0.63%, 0.34%

LAB 32.56, 40.85, 29.62

 

CMYK 0 / 58 / 63 / 51

HEX #7E352E

RGB 126 53 46

HSL 5.25, 0.47%, 0.34%

LAB 32.21, 31.12, 20

 

CMYK 0 / 42 / 46 / 56

HEX #70413D

RGB 112 65 61

HSL 4.71, 0.29%, 0.34%

LAB 33.05, 19.9, 11.19

 

CMYK 0 / 21 / 23 / 62

HEX #624D4B

RGB 98 77 75

HSL 5.22, 0.13%, 0.34%

LAB 34.83, 8.48, 4.54

 

CMYK 6 / 1 / 0 / 65

HEX #545859

RGB 84 88 89

HSL 192, 0.03%, 0.34%

LAB 37.09, -1.36, -1.13

 

CMYK 0 / 77 / 42 / 45

HEX #8C2051

RGB 140 32 81

HSL 332.78, 0.63%, 0.34%

LAB 32.26, 48.37, -2.26

 

CMYK 0 / 77 / 63 / 45

HEX #8C2034

RGB 140 32 52

HSL 348.89, 0.63%, 0.34%

LAB 31.48, 45.85, 15.69

 

CMYK 0 / 71 / 77 / 45

HEX #8C2920

RGB 140 41 32

HSL 5, 0.63%, 0.34%

LAB 32.4, 41.28, 29.45

 

CMYK 0 / 50 / 77 / 45

HEX #8C4620

RGB 140 70 32

HSL 21.11, 0.63%, 0.34%

LAB 37.95, 26.82, 35.36

 

CMYK 0 / 29 / 77 / 45

HEX #8C6320

RGB 140 99 32

HSL 37.22, 0.63%, 0.34%

LAB 45.09, 10.09, 42.55

 

CMYK 0 / 70 / 77 / 71

HEX #491611

RGB 73 22 17

HSL 5.36, 0.62%, 0.18%

LAB 15.65, 23.95, 16.15

 

CMYK 0 / 70 / 77 / 58

HEX #6B2019

RGB 107 32 25

HSL 5.12, 0.62%, 0.26%

LAB 24.41, 32.91, 23.05

 

CMYK 0 / 70 / 77 / 45

HEX #8C2A20

RGB 140 42 32

HSL 5.56, 0.63%, 0.34%

LAB 32.56, 40.85, 29.62

 

CMYK 0 / 70 / 77 / 32

HEX #AD3428

RGB 173 52 40

HSL 5.41, 0.62%, 0.42%

LAB 40.4, 48.45, 35.31

 

CMYK 0 / 70 / 76 / 19

HEX #CE3E31

RGB 206 62 49

HSL 4.97, 0.62%, 0.5%

LAB 47.99, 55.79, 40.25

 

CMYK 0 / 70 / 76 / 45

HEX #8B2A21

RGB 139 42 33

HSL 5.09, 0.62%, 0.34%

LAB 32.38, 40.54, 28.78

 

CMYK 22 / 0 / 77 / 45

HEX #6D8C20

RGB 109 140 32

HSL 77.22, 0.63%, 0.34%

LAB 54.15, -26.59, 50.32

 

CMYK 77 / 53 / 0 / 45

HEX #20428C

RGB 32 66 140

HSL 221.11, 0.63%, 0.34%

LAB 29.66, 15.52, -44.73

 

CMYK 0 / 70 / 76 / 45

HEX #8B2A21

RGB 139 42 33

HSL 5.09, 0.62%, 0.34%

LAB 32.38, 40.54, 28.78

 

CMYK 77 / 0 / 71 / 45

HEX #208C29

RGB 32 140 41

HSL 125, 0.63%, 0.34%

LAB 50.95, -49.62, 42.58

 

CMYK 71 / 77 / 0 / 45

HEX #29208C

RGB 41 32 140

HSL 245, 0.63%, 0.34%

LAB 21.57, 38.94, -57.92

 

CMYK 0 / 70 / 76 / 45

HEX #8B2A21

RGB 139 42 33

HSL 5.09, 0.62%, 0.34%

LAB 32.38, 40.54, 28.78

 

CMYK 22 / 0 / 77 / 45

HEX #6D8C20

RGB 109 140 32

HSL 77.22, 0.63%, 0.34%

LAB 54.15, -26.59, 50.32

 

CMYK 77 / 6 / 0 / 45

HEX #20838C

RGB 32 131 140

HSL 185, 0.63%, 0.34%

LAB 50.02, -24.03, -12.84

 

CMYK 55 / 77 / 0 / 45

HEX #3F208C

RGB 63 32 140

HSL 257.22, 0.63%, 0.34%

LAB 23.62, 41.78, -54.48

 

CMYK 0 / 70 / 76 / 45

HEX #8B2A21

RGB 139 42 33

HSL 5.09, 0.62%, 0.34%

LAB 32.38, 40.54, 28.78

 

CMYK 45 / 0 / 77 / 45

HEX #4D8C20

RGB 77 140 32

HSL 95, 0.63%, 0.34%

LAB 52.33, -38.91, 47.94

 

CMYK 77 / 6 / 0 / 45

HEX #20838C

RGB 32 131 140

HSL 185, 0.63%, 0.34%

LAB 50.02, -24.03, -12.84

 

CMYK 32 / 77 / 0 / 45

HEX #5F208C

RGB 95 32 140

HSL 275, 0.63%, 0.34%

LAB 27.74, 47.29, -47.58

 

Description

Color code: HEX #8B2A21 | qconv.com Color code: HEX #8B2A21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 42 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 42 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 76 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 76% 45% C M Y K

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Provide designers and agencies with accurate color values.

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