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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B338E it is the complementary color #74CC71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B338E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B338E shade: #903389, #A1459C, #B257AF, #C369C2 and #D47BD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B338E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B338E shade: #8B338E, #7A217B, #690F68, #580055 and #470042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B338E shade: #8B338E, #8E3378, #8E3360, #8E3347 and #8E3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B338E shade: #8B338E, #72338E, #5A338E, #41338E and #33338E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B338E shade matches the following richer shades: #8B338E, #9A239E, #A814AD and #B704BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B338E shade: #8B338E, #7C437E, #6E526F, #5F625F and #50724F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B338E shade: #5A338E, #73338E, #8B338E, #8E3379 and #8E3360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B338E shade: #501D51, #6D2870, #8B338E, #A93EAC and #BD53C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B338E shade: #8B338E, #8E4233 and #338E66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B338E shade: #8B338E, #8E8B33 and #338E8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B338E shade: #8B338E, #8E4233, #368E33 and #337F8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B338E shade: #8B338E, #8E5D33, #368E33 and #33638E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

Complementary color

CMYK 43 / 0 / 45 / 20

HEX #74CC71

RGB 116 204 113

HSL 118.02, 0.47%, 0.62%

LAB 74.88, -44.71, 37.19

 

CMYK 0 / 65 / 5 / 44

HEX #903389

RGB 144 51 137

HSL 304.52, 0.48%, 0.38%

LAB 38.03, 49.94, -28.84

 

CMYK 0 / 57 / 3 / 37

HEX #A1459C

RGB 161 69 156

HSL 303.26, 0.4%, 0.45%

LAB 44.57, 49.73, -29.91

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 46 / 1 / 24

HEX #C369C2

RGB 195 105 194

HSL 300.67, 0.43%, 0.59%

LAB 57.66, 48.57, -31.33

 

CMYK 0 / 42 / 0 / 16

HEX #D47BD5

RGB 212 123 213

HSL 299.33, 0.52%, 0.66%

LAB 64.13, 47.85, -31.85

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 1 / 73 / 0 / 52

HEX #7A217B

RGB 122 33 123

HSL 299.33, 0.58%, 0.31%

LAB 31.01, 49.21, -31.46

 

CMYK 0 / 86 / 1 / 59

HEX #690F68

RGB 105 15 104

HSL 300.67, 0.75%, 0.24%

LAB 24.78, 47.78, -29.39

 

CMYK 0 / 100 / 3 / 65

HEX #580055

RGB 88 0 85

HSL 302.05, 1%, 0.17%

LAB 18.93, 44.74, -26.32

 

CMYK 0 / 100 / 7 / 72

HEX #470042

RGB 71 0 66

HSL 304.23, 1%, 0.14%

LAB 14.02, 38.24, -21.27

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 0 / 64 / 15 / 44

HEX #8E3378

RGB 142 51 120

HSL 314.51, 0.47%, 0.38%

LAB 36.88, 46.57, -20.13

 

CMYK 0 / 64 / 32 / 44

HEX #8E3360

RGB 142 51 96

HSL 330.33, 0.47%, 0.38%

LAB 35.91, 43.1, -6.48

 

CMYK 0 / 64 / 50 / 44

HEX #8E3347

RGB 142 51 71

HSL 346.81, 0.47%, 0.38%

LAB 35.15, 40.25, 8.43

 

CMYK 0 / 64 / 64 / 44

HEX #8E3333

RGB 142 51 51

HSL 0, 0.47%, 0.38%

LAB 34.72, 38.59, 20.61

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 20 / 64 / 0 / 44

HEX #72338E

RGB 114 51 142

HSL 281.54, 0.47%, 0.38%

LAB 33.77, 43.13, -38.95

 

CMYK 37 / 64 / 0 / 44

HEX #5A338E

RGB 90 51 142

HSL 265.71, 0.47%, 0.38%

LAB 30.63, 37.27, -44.17

 

CMYK 54 / 64 / 0 / 44

HEX #41338E

RGB 65 51 142

HSL 249.23, 0.47%, 0.38%

LAB 27.97, 31.84, -48.61

 

CMYK 64 / 64 / 0 / 44

HEX #33338E

RGB 51 51 142

HSL 240, 0.47%, 0.38%

LAB 26.8, 29.3, -50.55

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 3 / 78 / 0 / 38

HEX #9A239E

RGB 154 35 158

HSL 298.05, 0.64%, 0.38%

LAB 38.8, 61.7, -40.3

 

CMYK 3 / 88 / 0 / 32

HEX #A814AD

RGB 168 20 173

HSL 298.04, 0.79%, 0.38%

LAB 40.96, 70.24, -45.69

 

CMYK 3 / 98 / 0 / 26

HEX #B704BD

RGB 183 4 189

HSL 298.05, 0.96%, 0.38%

LAB 43.99, 77.11, -50.15

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 2 / 47 / 0 / 51

HEX #7C437E

RGB 124 67 126

HSL 297.97, 0.31%, 0.38%

LAB 37.49, 34.03, -23.12

 

CMYK 1 / 26 / 0 / 56

HEX #6E526F

RGB 110 82 111

HSL 297.93, 0.15%, 0.38%

LAB 38.72, 17.16, -12.1

 

CMYK 3 / 0 / 3 / 62

HEX #5F625F

RGB 95 98 95

HSL 120, 0.02%, 0.38%

LAB 41.21, -1.8, 1.29

 

CMYK 30 / 0 / 31 / 55

HEX #50724F

RGB 80 114 79

HSL 118.29, 0.18%, 0.38%

LAB 44.67, -19.79, 15.61

 

CMYK 37 / 64 / 0 / 44

HEX #5A338E

RGB 90 51 142

HSL 265.71, 0.47%, 0.38%

LAB 30.63, 37.27, -44.17

 

CMYK 19 / 64 / 0 / 44

HEX #73338E

RGB 115 51 142

HSL 282.2, 0.47%, 0.38%

LAB 33.91, 43.38, -38.72

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 0 / 64 / 15 / 44

HEX #8E3379

RGB 142 51 121

HSL 313.85, 0.47%, 0.38%

LAB 36.93, 46.73, -20.68

 

CMYK 0 / 64 / 32 / 44

HEX #8E3360

RGB 142 51 96

HSL 330.33, 0.47%, 0.38%

LAB 35.91, 43.1, -6.48

 

CMYK 1 / 64 / 0 / 68

HEX #501D51

RGB 80 29 81

HSL 298.85, 0.47%, 0.22%

LAB 20.74, 31.83, -20.84

 

CMYK 3 / 64 / 0 / 56

HEX #6D2870

RGB 109 40 112

HSL 297.5, 0.47%, 0.3%

LAB 29.26, 40.89, -27.4

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 2 / 64 / 0 / 33

HEX #A93EAC

RGB 169 62 172

HSL 298.36, 0.47%, 0.46%

LAB 45.44, 57.78, -37.96

 

CMYK 2 / 57 / 0 / 24

HEX #BD53C1

RGB 189 83 193

HSL 297.82, 0.47%, 0.54%

LAB 52.79, 57.39, -38.42

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 0 / 54 / 64 / 44

HEX #8E4233

RGB 142 66 51

HSL 9.89, 0.47%, 0.38%

LAB 37.64, 30.97, 24.27

 

CMYK 64 / 0 / 28 / 44

HEX #338E66

RGB 51 142 102

HSL 153.63, 0.47%, 0.38%

LAB 52.96, -36.77, 13.54

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 0 / 2 / 64 / 44

HEX #8E8B33

RGB 142 139 51

HSL 58.02, 0.47%, 0.38%

LAB 56.54, -10.47, 45.93

 

CMYK 64 / 0 / 2 / 44

HEX #338E8B

RGB 51 142 139

HSL 178.02, 0.47%, 0.38%

LAB 53.94, -27.11, -6.34

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 0 / 54 / 64 / 44

HEX #8E4233

RGB 142 66 51

HSL 9.89, 0.47%, 0.38%

LAB 37.64, 30.97, 24.27

 

CMYK 62 / 0 / 64 / 44

HEX #368E33

RGB 54 142 51

HSL 118.02, 0.47%, 0.38%

LAB 52.25, -44.82, 39.74

 

CMYK 64 / 11 / 0 / 44

HEX #337F8E

RGB 51 127 142

HSL 189.89, 0.47%, 0.38%

LAB 49.3, -18.42, -15.06

 

CMYK 2 / 64 / 0 / 44

HEX #8B338E

RGB 139 51 142

HSL 298.02, 0.47%, 0.38%

LAB 37.5, 49.53, -32.79

 

CMYK 0 / 35 / 64 / 44

HEX #8E5D33

RGB 142 93 51

HSL 27.69, 0.47%, 0.38%

LAB 43.97, 15.65, 31.91

 

CMYK 62 / 0 / 64 / 44

HEX #368E33

RGB 54 142 51

HSL 118.02, 0.47%, 0.38%

LAB 52.25, -44.82, 39.74

 

CMYK 64 / 30 / 0 / 44

HEX #33638E

RGB 51 99 142

HSL 208.35, 0.47%, 0.38%

LAB 40.54, -2.21, -28.57

 

Description

Color code: HEX #8B338E | qconv.com Color code: HEX #8B338E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 51 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 51 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 64 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 64% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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