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Color name
HEX #8B3A52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B3A52 it is the complementary color #74C5AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B3A52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B3A52 shade: #903A4D, #A14C60, #B25E73, #C37086 and #D48299

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B3A52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B3A52 shade: #8B3A52, #7A283F, #69162C, #580419 and #470006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B3A52 shade: #8C3A52, #8C3A3C and #8C3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B3A52 shade: #8C3A52, #8C3A68, #8C3A7E, #833A8C and #6D3A8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B3A52 shade matches the following richer shades: #8C3A52, #9C2A4C, #AC1A45 and #BC0A3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B3A52 shade: #8C3A52, #7C4A59, #6C5A5F, #5B6A66 and #4B7B6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B3A52 shade: #8C3A7E, #8C3A68, #8C3A53, #8C3A3D and #8C4D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B3A52 shade: #522230, #6F2E41, #8C3A52, #A94664 and #BB5D79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B3A52 shade: #8B3A52, #8C843A and #3A738C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B3A52 shade: #8B3A52, #538C3A and #3A538C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B3A52 shade: #8B3A52, #8C843A, #3A8C73 and #3A428C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B3A52 shade: #8B3A52, #7B8C3A, #3A8C73 and #4A3A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 41 / 45

HEX #8B3A52

RGB 139 58 82

HSL 342.22, 0.41%, 0.39%

LAB 36.22, 36.96, 2.84

 

Complementary color

CMYK 41 / 0 / 12 / 23

HEX #74C5AD

RGB 116 197 173

HSL 162.22, 0.41%, 0.61%

LAB 73.97, -30.42, 4.29

 

CMYK 0 / 60 / 47 / 44

HEX #903A4D

RGB 144 58 77

HSL 346.74, 0.43%, 0.4%

LAB 36.91, 38.19, 7.13

 

CMYK 0 / 53 / 40 / 37

HEX #A14C60

RGB 161 76 96

HSL 345.88, 0.36%, 0.46%

LAB 43.64, 37.29, 5.19

 

CMYK 0 / 47 / 35 / 30

HEX #B25E73

RGB 178 94 115

HSL 345, 0.35%, 0.53%

LAB 50.34, 36.34, 3.64

 

CMYK 0 / 43 / 31 / 24

HEX #C37086

RGB 195 112 134

HSL 344.1, 0.41%, 0.6%

LAB 56.99, 35.4, 2.33

 

CMYK 0 / 39 / 28 / 17

HEX #D48299

RGB 212 130 153

HSL 343.17, 0.49%, 0.67%

LAB 63.56, 34.51, 1.21

 

CMYK 0 / 58 / 41 / 45

HEX #8B3A52

RGB 139 58 82

HSL 342.22, 0.41%, 0.39%

LAB 36.22, 36.96, 2.84

 

CMYK 0 / 67 / 48 / 52

HEX #7A283F

RGB 122 40 63

HSL 343.17, 0.51%, 0.32%

LAB 29.45, 37.62, 5.09

 

CMYK 0 / 79 / 58 / 59

HEX #69162C

RGB 105 22 44

HSL 344.1, 0.65%, 0.25%

LAB 22.86, 37.68, 8.23

 

CMYK 0 / 95 / 72 / 65

HEX #580419

RGB 88 4 25

HSL 345, 0.91%, 0.18%

LAB 16.66, 36.6, 12.72

 

CMYK 0 / 100 / 92 / 72

HEX #470006

RGB 71 0 6

HSL 354.93, 1%, 0.14%

LAB 11.64, 32.12, 15.85

 

CMYK 0 / 59 / 41 / 45

HEX #8C3A52

RGB 140 58 82

HSL 342.44, 0.41%, 0.39%

LAB 36.39, 37.31, 3.1

 

CMYK 0 / 59 / 57 / 45

HEX #8C3A3C

RGB 140 58 60

HSL 358.54, 0.41%, 0.39%

LAB 35.84, 35.09, 16.34

 

CMYK 0 / 59 / 59 / 45

HEX #8C3A3A

RGB 140 58 58

HSL 0, 0.41%, 0.39%

LAB 35.8, 34.93, 17.55

 

CMYK 0 / 59 / 41 / 45

HEX #8C3A52

RGB 140 58 82

HSL 342.44, 0.41%, 0.39%

LAB 36.39, 37.31, 3.1

 

CMYK 0 / 59 / 26 / 45

HEX #8C3A68

RGB 140 58 104

HSL 326.34, 0.41%, 0.39%

LAB 37.12, 40.21, -9.77

 

CMYK 0 / 59 / 10 / 45

HEX #8C3A7E

RGB 140 58 126

HSL 310.24, 0.41%, 0.39%

LAB 38.04, 43.71, -22.1

 

CMYK 6 / 59 / 0 / 45

HEX #833A8C

RGB 131 58 140

HSL 293.41, 0.41%, 0.39%

LAB 37.38, 43.71, -31.84

 

CMYK 22 / 59 / 0 / 45

HEX #6D3A8C

RGB 109 58 140

HSL 277.32, 0.41%, 0.39%

LAB 34.34, 37.66, -36.86

 

CMYK 0 / 59 / 41 / 45

HEX #8C3A52

RGB 140 58 82

HSL 342.44, 0.41%, 0.39%

LAB 36.39, 37.31, 3.1

 

CMYK 0 / 73 / 51 / 39

HEX #9C2A4C

RGB 156 42 76

HSL 342.11, 0.58%, 0.39%

LAB 36.45, 49.08, 7.42

 

CMYK 0 / 85 / 60 / 33

HEX #AC1A45

RGB 172 26 69

HSL 342.33, 0.74%, 0.39%

LAB 37.73, 57.93, 14.17

 

CMYK 0 / 95 / 66 / 26

HEX #BC0A3F

RGB 188 10 63

HSL 342.13, 0.9%, 0.39%

LAB 40.03, 64.31, 21.64

 

CMYK 0 / 59 / 41 / 45

HEX #8C3A52

RGB 140 58 82

HSL 342.44, 0.41%, 0.39%

LAB 36.39, 37.31, 3.1

 

CMYK 0 / 40 / 28 / 51

HEX #7C4A59

RGB 124 74 89

HSL 342, 0.25%, 0.39%

LAB 37.67, 23.37, 0.24

 

CMYK 0 / 17 / 12 / 58

HEX #6C5A5F

RGB 108 90 95

HSL 343.33, 0.09%, 0.39%

LAB 40.13, 8.26, -0.14

 

CMYK 14 / 0 / 4 / 58

HEX #5B6A66

RGB 91 106 102

HSL 164, 0.08%, 0.39%

LAB 43.49, -6.54, 0.33

 

CMYK 39 / 0 / 11 / 52

HEX #4B7B6D

RGB 75 123 109

HSL 162.5, 0.24%, 0.39%

LAB 47.96, -19.79, 2.52

 

CMYK 0 / 59 / 10 / 45

HEX #8C3A7E

RGB 140 58 126

HSL 310.24, 0.41%, 0.39%

LAB 38.04, 43.71, -22.1

 

CMYK 0 / 59 / 26 / 45

HEX #8C3A68

RGB 140 58 104

HSL 326.34, 0.41%, 0.39%

LAB 37.12, 40.21, -9.77

 

CMYK 0 / 59 / 41 / 45

HEX #8C3A53

RGB 140 58 83

HSL 341.71, 0.41%, 0.39%

LAB 36.42, 37.43, 2.51

 

CMYK 0 / 59 / 56 / 45

HEX #8C3A3D

RGB 140 58 61

HSL 357.8, 0.41%, 0.39%

LAB 35.87, 35.18, 15.73

 

CMYK 0 / 45 / 59 / 45

HEX #8C4D3A

RGB 140 77 58

HSL 13.9, 0.41%, 0.39%

LAB 39.9, 24.58, 22.84

 

CMYK 0 / 59 / 41 / 68

HEX #522230

RGB 82 34 48

HSL 342.5, 0.41%, 0.23%

LAB 20.64, 24.09, 1.69

 

CMYK 0 / 59 / 41 / 56

HEX #6F2E41

RGB 111 46 65

HSL 342.46, 0.41%, 0.31%

LAB 28.68, 30.88, 2.41

 

CMYK 0 / 59 / 41 / 45

HEX #8C3A52

RGB 140 58 82

HSL 342.44, 0.41%, 0.39%

LAB 36.39, 37.31, 3.1

 

CMYK 0 / 59 / 41 / 34

HEX #A94664

RGB 169 70 100

HSL 341.82, 0.41%, 0.47%

LAB 43.85, 43.58, 3.2

 

CMYK 0 / 50 / 35 / 27

HEX #BB5D79

RGB 187 93 121

HSL 342.13, 0.41%, 0.55%

LAB 51.58, 40.84, 2.01

 

CMYK 0 / 58 / 41 / 45

HEX #8B3A52

RGB 139 58 82

HSL 342.22, 0.41%, 0.39%

LAB 36.22, 36.96, 2.84

 

CMYK 0 / 6 / 59 / 45

HEX #8C843A

RGB 140 132 58

HSL 54.15, 0.41%, 0.39%

LAB 54.43, -7.03, 40.27

 

CMYK 59 / 18 / 0 / 45

HEX #3A738C

RGB 58 115 140

HSL 198.29, 0.41%, 0.39%

LAB 45.71, -10.98, -19.34

 

CMYK 0 / 58 / 41 / 45

HEX #8B3A52

RGB 139 58 82

HSL 342.22, 0.41%, 0.39%

LAB 36.22, 36.96, 2.84

 

CMYK 41 / 0 / 59 / 45

HEX #538C3A

RGB 83 140 58

HSL 101.71, 0.41%, 0.39%

LAB 52.84, -34.51, 37.39

 

CMYK 59 / 41 / 0 / 45

HEX #3A538C

RGB 58 83 140

HSL 221.71, 0.41%, 0.39%

LAB 35.94, 8.72, -34.58

 

CMYK 0 / 58 / 41 / 45

HEX #8B3A52

RGB 139 58 82

HSL 342.22, 0.41%, 0.39%

LAB 36.22, 36.96, 2.84

 

CMYK 0 / 6 / 59 / 45

HEX #8C843A

RGB 140 132 58

HSL 54.15, 0.41%, 0.39%

LAB 54.43, -7.03, 40.27

 

CMYK 59 / 0 / 18 / 45

HEX #3A8C73

RGB 58 140 115

HSL 161.71, 0.41%, 0.39%

LAB 52.83, -31.27, 5.94

 

CMYK 59 / 53 / 0 / 45

HEX #3A428C

RGB 58 66 140

HSL 234.15, 0.41%, 0.39%

LAB 31.09, 19.98, -42.35

 

CMYK 0 / 58 / 41 / 45

HEX #8B3A52

RGB 139 58 82

HSL 342.22, 0.41%, 0.39%

LAB 36.22, 36.96, 2.84

 

CMYK 12 / 0 / 59 / 45

HEX #7B8C3A

RGB 123 140 58

HSL 72.44, 0.41%, 0.39%

LAB 55.35, -18.78, 40.93

 

CMYK 59 / 0 / 18 / 45

HEX #3A8C73

RGB 58 140 115

HSL 161.71, 0.41%, 0.39%

LAB 52.83, -31.27, 5.94

 

CMYK 47 / 59 / 0 / 45

HEX #4A3A8C

RGB 74 58 140

HSL 251.71, 0.41%, 0.39%

LAB 30.34, 28.75, -43.48

 

Description

Color code: HEX #8B3A52 | qconv.com Color code: HEX #8B3A52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 58 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 58 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 41 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 41% 45% C M Y K

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Provide designers and agencies with accurate color values.

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